Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Kelly Knows (95 KP) rated The House of Doors in Books
Jun 28, 2019
Emma @ The Movies (1786 KP) rated Die Hard: With a Vengeance (1995) in Movies
Sep 25, 2019
I love McClane's banter in this one, he's really upped his game. Which is apt as Simon is fond of his games.
Some incredible stunt driving... I'm not sure how that taxi managed to sail out into traffic and survive, but it was impressive. Then they find another car to drive off the side of a bridge... that yet again survives?! It's a solid year for car manufacture.
I think the reason I liked this one the most for so long is that John and Zeus make a great double act. Zeus is logical and sarcastic while John is a little bit gung-ho and... well, also sarcastic.
Cue me yelling at the screen... Fill the 3 and pour it into the 5. Fill the 3 again and pour it into the 5. You'll have 1 left in the 3. Empty the 5 and pour the 1 from the 3 into it. Fill the 3 again and pour it into the 5... you now have 4.
My only dislike of this film is that you can't play vest roulette. It stays particularly white most of the way through. Oh sorry, and the terrible effects they use for the water in the tunnel, but I do love that Zeus manages to see McClane pop out of the access port in the spout of water.
I brought the blu-ray box set to replace my aging DVDs... and that is how I discovered there is an alternative ending to the film. I can't say I'm a fan of it. It takes McClane's character through the film, opens a window and throws it all out. It turns him into a rather cruel version of himself, and there would have been no coming back from that.
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