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ArecRain (8 KP) rated Servant: The Kindred (Servant, #3) in Books
Jan 18, 2018
I almost feel bad having this series as my first review since I have absolutely nothing good to say about this book, or the series for that matter. Every element of this book was just terrible, from the language to the plot development, or lack thereof.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
Kyera (8 KP) rated Stalking Jack the Ripper in Books
Feb 1, 2018
Stalking Jack the Ripper is a fascinating, fictional take on the reign of terror that gripped London in the late 1800's. The story is told through the eyes of a teen girl, Audrey Rose, who is doing her best to study under her uncle's tutelage - as a forensic scientist. She is drawn into the murders, even though her family and society does not agree with her inclusion in the affair as it is not right for ladies to be interested in such things.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
As a child, Miles watched in horror as his mother was murdered before his very eyes. Despite that awful event, Miles grew up into a well-respected professor, as well as an inventor. He married his wife, Lily, and they had a family, daughter Eva and son Errol. Miles loves to tinker in his workshop while Eva watches and assists. Miles best invention, however? A machine built off plans supposedly from Thomas Edison and handed down to Miles: it allows you to speak with your deceased loved ones. But Miles' hard-fought happy adult life ends when a terrible storm hits his family home: at the same time, the machine turns itself on, warning them of danger. Shortly after, Eva awakes and is told by Lily that Miles and Errol are dead. Their home has been lost in the "Great Flood," and they can never return. Eva reinvents herself as Necco, and she and her mother find a new life among the homeless of Burntown. But then Necco's mother dies and a series of events shows that Necco is in grave danger. What exactly happened the night of the Great Flood? And will Necco ever be safe again?
The premise of this book probably sounds absurd, but please, don't let it deter you. I've read a handful of McMahon's books over time now and liked them all, but <i>I really, really enjoyed this book.</i> Many of her books have a blend of paranormal, fantasy, etc., and this one was no exception, expertly weaving in fantasy and supernatural flavors into a surprisingly riveting mystery.
The novel starts off a bit convoluted--there are a lot of narrators--and you have to suspend your disbelief at times for the plot to work, but it's really worth it. Necco is a wonderful character, and she's surrounded by this intriguing group of people, including Pru, a cafeteria lady/circus fanatic; Theo, a high school student finding her way; and Mr. Marcelle, a delivery man who helps out his private investigator brother. McMahon seamlessly weaves together these characters--and many more--into a mesmerizing tale that is part ghost story, part mystery, part love story. I honestly couldn't put this book down: I stayed up late to finish it.
This novel isn't your usual mystery or your usual supernatural tale, but it's certainly worth reading if you like one or both genres. There's a sweetness to it, as well as a completely compelling plot that will pull you in immediately.
You can read my review of McMahon's novel, THE NIGHT SISTER, <a href="https://www.goodreads.com/book/show/24040551-the-night-sister">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
The premise of this book probably sounds absurd, but please, don't let it deter you. I've read a handful of McMahon's books over time now and liked them all, but <i>I really, really enjoyed this book.</i> Many of her books have a blend of paranormal, fantasy, etc., and this one was no exception, expertly weaving in fantasy and supernatural flavors into a surprisingly riveting mystery.
The novel starts off a bit convoluted--there are a lot of narrators--and you have to suspend your disbelief at times for the plot to work, but it's really worth it. Necco is a wonderful character, and she's surrounded by this intriguing group of people, including Pru, a cafeteria lady/circus fanatic; Theo, a high school student finding her way; and Mr. Marcelle, a delivery man who helps out his private investigator brother. McMahon seamlessly weaves together these characters--and many more--into a mesmerizing tale that is part ghost story, part mystery, part love story. I honestly couldn't put this book down: I stayed up late to finish it.
This novel isn't your usual mystery or your usual supernatural tale, but it's certainly worth reading if you like one or both genres. There's a sweetness to it, as well as a completely compelling plot that will pull you in immediately.
You can read my review of McMahon's novel, THE NIGHT SISTER, <a href="https://www.goodreads.com/book/show/24040551-the-night-sister">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Louise (64 KP) rated Goodbye Days in Books
Jul 2, 2018
*I received a copy of this book in exchange for an honest review*
Jeff Zentner has received such high praise for his debut novel ‘The Serpent King’ that when I saw this book I thought I would give it a shot.
The goodbye days follows Carver Briggs on the aftermath of the death of his 3 best friends. The problem is Carver has this terrible guilt hanging over him, if only he hadn’t sent that text his friends might still be alive. Instead his life is turned upside down with funerals, grief,anxiety and the fact that people actually blame him for the boys deaths. He agrees to a Goodbye day in honour of his friend, doing everything they would do with his family. News starts to spread and the other families want their own goodbye days.
I enjoyed this book, it’s quite nice to read a Young adult contemporary written by a male author. The majority of contemporaries I read are written by women and was just so refreshing to read something from the male perspective.
The writing in this book was really good and had no problem understanding the conversations. I like that he chose to write about this topic to make young adults aware of the dangers of using your phones whilst driving. I thought the way that he wove all the stages of grief into the book was very clever.
So I wasn’t too sure about the plot, the main pointer for me was that Carver could actually go to prison for negligent homicide – contributing to his friends deaths. I don’t know too much about the criminal justice system so I couldn’t believe that this could really happen. It wasn’t like Carver made his friends text him back. They should have had the common sense at 17 years old to maybe get a passenger to respond not the actual driver.
I liked pretty much all the characters, there were great parents, siblings, grandmothers and friendships that gave the book depth. There were no annoying tropes in this book either, so that gets a big thumbs up for me. The book had the occasional moment when Carver was having flashbacks/memories of his friends, they would say something really immature for their age and then would counteract it with something quite profound.
The reason I can’t give this a higher rating than 3.5 stars is that I felt no emotional connection to the characters and got a little confused about all the boys and their family dynamics, however you do get more of an insight in to each of the boys lives and characters towards the end of the book but I just found it a little too late.
Overall this book is good and would recommend it as this seems to be getting 5 star ratings and you probably don’t have a heart of stone like me.
Let me know if you think I should read ‘The Serpent King’.
I rated this 3.5/5 stars
Jeff Zentner has received such high praise for his debut novel ‘The Serpent King’ that when I saw this book I thought I would give it a shot.
The goodbye days follows Carver Briggs on the aftermath of the death of his 3 best friends. The problem is Carver has this terrible guilt hanging over him, if only he hadn’t sent that text his friends might still be alive. Instead his life is turned upside down with funerals, grief,anxiety and the fact that people actually blame him for the boys deaths. He agrees to a Goodbye day in honour of his friend, doing everything they would do with his family. News starts to spread and the other families want their own goodbye days.
I enjoyed this book, it’s quite nice to read a Young adult contemporary written by a male author. The majority of contemporaries I read are written by women and was just so refreshing to read something from the male perspective.
The writing in this book was really good and had no problem understanding the conversations. I like that he chose to write about this topic to make young adults aware of the dangers of using your phones whilst driving. I thought the way that he wove all the stages of grief into the book was very clever.
So I wasn’t too sure about the plot, the main pointer for me was that Carver could actually go to prison for negligent homicide – contributing to his friends deaths. I don’t know too much about the criminal justice system so I couldn’t believe that this could really happen. It wasn’t like Carver made his friends text him back. They should have had the common sense at 17 years old to maybe get a passenger to respond not the actual driver.
I liked pretty much all the characters, there were great parents, siblings, grandmothers and friendships that gave the book depth. There were no annoying tropes in this book either, so that gets a big thumbs up for me. The book had the occasional moment when Carver was having flashbacks/memories of his friends, they would say something really immature for their age and then would counteract it with something quite profound.
The reason I can’t give this a higher rating than 3.5 stars is that I felt no emotional connection to the characters and got a little confused about all the boys and their family dynamics, however you do get more of an insight in to each of the boys lives and characters towards the end of the book but I just found it a little too late.
Overall this book is good and would recommend it as this seems to be getting 5 star ratings and you probably don’t have a heart of stone like me.
Let me know if you think I should read ‘The Serpent King’.
I rated this 3.5/5 stars
Debbiereadsbook (1270 KP) rated Beautiful Beast in Books
Nov 30, 2018
bloody awesome read!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
SO!!! Now I've come down a bit, I *might * be able to write a coherent review! Let's see, shall we?
Axis doesn't like to be confined, but needs must. He just needs a get away for a while, to get something to help him deal. Layna is on a mission to interrupt the supply of that *something* and Axis puts her in terrible danger. So, he saves her the only way he knows how, he takes her home, where the secrets have secrets and more secrets. Then Layna's headaches begin. And those secrets begin to unravel. And it is not gonna be a picnic!
It seems, (correct me if I'm wrong but I can't find anything else by this author) that this is Ms Knight's FIRST novel. And Lord if that IS the case, I so wanna be on the end of the next one!!
Because I loved this! Bloody LOVED it!
Yes, its very obviously a Beauty and the Beast kinda retell, but who cares?? Axis' beast is of a nature that doesn't become clear immediately, and I was left second guessing what kind of beast he was. Layna isn't such the good little girl she portrays, what with trying to blow up buildings and all. And deep down, she knows that something isn't quite right in the castle, with everyone whispering and keeping her out the way all day. She KNOWS what she is hearing is a pained animal, but why would there be an animal in the lower levels? And what calls to her from the wood.
When the whole story begins to unravel, when the secrets start to become clear, it moves fast!! You gotta pay attention, take in every little detail, because you will need it! I had to double back a couple of times, and it made me slow down to really concentrate. And if a book makes ME slow down, it's gotta be a good one!!
It's dark, Axis is in so much pain since The Making and he deals with how best he can. He knows what he is doing might well kill him, but he doesn't let the others know. He just deals with it. But Layna in his home, his bed, indeed, his HEART makes him want to not have to deal with it anymore, he wants it to go away. And if that means him giving up his life to free the others from his pain, Axis will do that.
It's sexy. Axis and Layna have instant and powerful attraction, and it isn't long before they are getting up close and personal. But it's Axis' giving control over to Layna that I particularly liked. I'm a sucker for an alpha male tied to the bed, I really am!
OH!!! It's just so good! So very bloody good!! Can't wait to see what Ms Knight comes up with next!
5 excellent stars!
**same worded review will appear elsewhere**
SO!!! Now I've come down a bit, I *might * be able to write a coherent review! Let's see, shall we?
Axis doesn't like to be confined, but needs must. He just needs a get away for a while, to get something to help him deal. Layna is on a mission to interrupt the supply of that *something* and Axis puts her in terrible danger. So, he saves her the only way he knows how, he takes her home, where the secrets have secrets and more secrets. Then Layna's headaches begin. And those secrets begin to unravel. And it is not gonna be a picnic!
It seems, (correct me if I'm wrong but I can't find anything else by this author) that this is Ms Knight's FIRST novel. And Lord if that IS the case, I so wanna be on the end of the next one!!
Because I loved this! Bloody LOVED it!
Yes, its very obviously a Beauty and the Beast kinda retell, but who cares?? Axis' beast is of a nature that doesn't become clear immediately, and I was left second guessing what kind of beast he was. Layna isn't such the good little girl she portrays, what with trying to blow up buildings and all. And deep down, she knows that something isn't quite right in the castle, with everyone whispering and keeping her out the way all day. She KNOWS what she is hearing is a pained animal, but why would there be an animal in the lower levels? And what calls to her from the wood.
When the whole story begins to unravel, when the secrets start to become clear, it moves fast!! You gotta pay attention, take in every little detail, because you will need it! I had to double back a couple of times, and it made me slow down to really concentrate. And if a book makes ME slow down, it's gotta be a good one!!
It's dark, Axis is in so much pain since The Making and he deals with how best he can. He knows what he is doing might well kill him, but he doesn't let the others know. He just deals with it. But Layna in his home, his bed, indeed, his HEART makes him want to not have to deal with it anymore, he wants it to go away. And if that means him giving up his life to free the others from his pain, Axis will do that.
It's sexy. Axis and Layna have instant and powerful attraction, and it isn't long before they are getting up close and personal. But it's Axis' giving control over to Layna that I particularly liked. I'm a sucker for an alpha male tied to the bed, I really am!
OH!!! It's just so good! So very bloody good!! Can't wait to see what Ms Knight comes up with next!
5 excellent stars!
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated The Favorite Daughter in Books
Jun 21, 2019
A year ago, Jane Harris' daughter, Mary, died tragically. Ever since, Jane has been lost in a cloud of grief and anti-depressants. But with a ceremony celebrating Mary's life coming up, Jane feels it's time for her to reemerge and reengage with her family: husband David and daughter, Betsy, who is about to graduate from high school. The family lives in a gorgeous house in Orange County, California. But Jane quickly realizes that David is always busy--with work or the gym he claims--and Betsy is distant and angry. Jane adored Mary, her eldest, who had finished her first year of college before she died. But at the ceremony for Mary, she receives a note, claiming Mary's death wasn't an accident. Does someone know what happened to her daughter--and are they right? Was Mary's death not an accident?
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
"After a year of grieving, it's time to step back into my family, or what remains of it and that's precisely my plan."
So this review is going to be a little unpopular, perhaps, based on others I've seen. I'd like to point out that it's not a negative review, per se, just not a gushing review as so many others seem to be. I just felt a little let down by this one; it left me a little flat. I found a lot of the twists predictable and while I found the book a very compelling read, there was just something "off" that didn't make it a "wow" read.
Still, as mentioned, this is a very readable book, and it will keep you engaged. Jane is an interesting character, to say the least, even if I sometimes found her more clueless than diabolical. She is, of course, an unreliable narrator, and we are only allowed to learn things as Jane reveals them to us. As a result, we're left a little confused, never quite sure where we stand. One of the things I liked most about this book was how easy it is to get sucked into Jane's delusional world as the novel is told in a very conversational style, with her sometimes speaking directly to the reader. She's also a pretty terrible person and yet oddly fascinating.
"Without Mary to place my biggest hopes and dreams on, I'm left with Betsy."
Her relationship with her daughters is pretty messed up, to say the least, and as a result, the book can be pretty creepy and bizarre. It's definitely quite a wild ride. Still, I was a little disappointed at how much I figured out ahead of time; I would have liked to have been more surprised.
Overall, this is a quick read and it's pretty intriguing. You'll get caught up in Jane's delusions pretty easily, even if some of them are fairly easily telegraphed. Others really rave about this one, so hopefully you'll enjoy it even more than me. I still recommend it; it's an interesting read. 3 stars.
Emma @ The Movies (1786 KP) rated Happy Death Day 2U (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Hands up if you laughed your way through this one? *throws hands up in the air*
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
This is where I love the horror genre, although I wouldn't really say this is horror. It's light-hearted and knows it doesn't need to take itself too seriously. It's sort of a horror comedy... A homedy? A corror? Definitely a homedy.
The trailer was a little misleading, I went in thinking that we were going to see them all stuck in the time loop which isn't the case. I'm probably happy that it ended up being different because I couldn't work out how they were going to do it otherwise.
When the original came out I was so happy to have discovered it. Horror is probably my least favourite genre but throw some homedy (it's happening people, go with it!) at me and I'm there for it. It's why I love the Screams and Final Destinations. HDD2U took it to another level, or should I say dimension?
While I loved this we could now have a potential problem, the third one could step over into Sharknado territory and become the parody but we'll have to cross that bridge when we come to it... and if I'm honest, this one was pretty close to that line anyway.
There's no way to deny the fact that 2 is riding on the coattails of its predecessor. It concentrates more on solving the cause of the loop rather than the mystery of who the killer is now and it isn't quite as compelling to watch. Neither is the fact that in this new loop we're given altered versions of the existing characters. We see a lot more of Danielle which if I'm honest isn't a good thing. She's still totes annoying but this time she brings a thespian side that leads to a truly terrible slapstick scene.
For sheer enjoyment as a follow on film it's brilliant but taken on its own merit it wouldn't get such high praise, but I had fun and that's what counts. I did see this for a second time and it unfortunately gave me more time to consider all the slightly dubious bits of it. It really hits hard on the sci-fi side of things, particularly in the mid-credit scene, and it doesn't feel quite right... now I'm wondering if it has already become its own parody...
What you should do
If you enjoyed the first one then you should totally see it, it's entertaining and much less serious about itself than the first but it's also much more ridiculous. Do remember to stay for the credit scene, you'll be able to see why I'm a little worried about any future endeavours.
Movie thing you wish you could take home
I'd probably still want Tree's fearlessness and resilience, but without having to die repeatedly to attain it.
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Darren (1599 KP) rated The Possession of Hannah Grace (2018) in Movies
Oct 24, 2019
Characters – Megan Reed is a former cop that has been through rehab after struggling after her own experience in the field, cleaned up, she looks to get back into work on a graveyard shift at the morgue. Megan does start to have strange visits while on duty and becomes convinced strange things are going on, she is left to wonder whether she is having a bad experience from her drugs or is something supernatural going on. Andrew is the ex-boyfriend and fellow cop of Megan, he was left no choice, but to leave her, but will support her through her struggles. Hannah Grace is the young woman that went through the exorcism, she hasn’t remained dead though, searching for more victims in her afterlife. Randy is the friendly paramedic that offers support for Megan because of his own past.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.