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Molly J (Cover To Cover Cafe) (106 KP) rated With Every Letter in Books
Feb 25, 2019
Sarah Sundin's masterful skills have done it again! Another amazing home run, out-of-the-ball-park hitter for this amazingly talented author. From the start, I was instantly in the heart of the story, following Philomela Blake, Tom MacGilliver, Rose and Georgie and all the other complex and amazing characters. This is most definitely the start of a fantastic new series and I can't wait for more!
Philomela "Mellie" Blake, aka Annie, is a wonderful character. She was chiseled perfectly and I loved following her story. She was a young woman, desperate to be a flight nurse and make a difference. Never fitting into America because of her Asian descent, and never fitting into the Asian world because of her American heritage, she's just wanting to fit in to something, make a difference and make friends. Joining a team of flight nurses, though, doesn't look to be much help as every thinks she's just a bit odd. When an opportunity arises, she takes a chance on mailing out a letter to one of the Armed Forces members. Just one is all she'll write. But, then, one turns into and then three...what can it hurt though, as anonymity seems to be the top priority and he'll never know what she looks like, or who she is. Right? Until a chance meeting during a flight evac pick up brings her face-to-face with her letter writing hero.
Thomas "Tom" MacGilliver, Jr. aka "Earnest". I fell in love with him instantly! He's a wonderful character who always hides behind a smile. He's had rough past, always getting looked down upon because of his father and a terrible happenstance from the past. But, this letter writing with his "Annie" is helping him become a better person. She's helping him realize that with God, all things are possible, and people will overlook the past of crimes with mercy and forgiveness. He loves what she makes him feel just through her words. Can this anonymity turn to more than just a friendship? And what of the beautiful Mellie Blake he meets? He doesn't want to betray his sweet Annie, but the attraction to Mellie is undeniable. Will God help him through this and show him which woman is for him? Or will his dreams of Annie and Mellie being one and the same come true?
These two were amazing and I didn't want to say goodbye! A powerful message of self forgiveness, mercy and friendship were woven in among the pages, and really spoke volumes to both myself and the characters! Not only were these two characters the heart of the story, Ms. Sundin used her secondary characters as the heart as well. I loved all of the amazing people of this book and know that Ms. Sundin has so much more history and fun to weave for us with the other characters!
Definitely an amazing 5 Book worthy, richly detailed with historical elements and war time efforts, and I highly recommend it to all! Ms. Sundin will quickly become a favorite if you've never read her previous works. If you have, well, then, this will be a wonderful addition to your Sarah Sundin collection! Forever on my bookshelf, I can't wait to see more of these amazing flight nurses and their WWII military men that capture the heart! Amazing job, Ms. Sundin!
Philomela "Mellie" Blake, aka Annie, is a wonderful character. She was chiseled perfectly and I loved following her story. She was a young woman, desperate to be a flight nurse and make a difference. Never fitting into America because of her Asian descent, and never fitting into the Asian world because of her American heritage, she's just wanting to fit in to something, make a difference and make friends. Joining a team of flight nurses, though, doesn't look to be much help as every thinks she's just a bit odd. When an opportunity arises, she takes a chance on mailing out a letter to one of the Armed Forces members. Just one is all she'll write. But, then, one turns into and then three...what can it hurt though, as anonymity seems to be the top priority and he'll never know what she looks like, or who she is. Right? Until a chance meeting during a flight evac pick up brings her face-to-face with her letter writing hero.
Thomas "Tom" MacGilliver, Jr. aka "Earnest". I fell in love with him instantly! He's a wonderful character who always hides behind a smile. He's had rough past, always getting looked down upon because of his father and a terrible happenstance from the past. But, this letter writing with his "Annie" is helping him become a better person. She's helping him realize that with God, all things are possible, and people will overlook the past of crimes with mercy and forgiveness. He loves what she makes him feel just through her words. Can this anonymity turn to more than just a friendship? And what of the beautiful Mellie Blake he meets? He doesn't want to betray his sweet Annie, but the attraction to Mellie is undeniable. Will God help him through this and show him which woman is for him? Or will his dreams of Annie and Mellie being one and the same come true?
These two were amazing and I didn't want to say goodbye! A powerful message of self forgiveness, mercy and friendship were woven in among the pages, and really spoke volumes to both myself and the characters! Not only were these two characters the heart of the story, Ms. Sundin used her secondary characters as the heart as well. I loved all of the amazing people of this book and know that Ms. Sundin has so much more history and fun to weave for us with the other characters!
Definitely an amazing 5 Book worthy, richly detailed with historical elements and war time efforts, and I highly recommend it to all! Ms. Sundin will quickly become a favorite if you've never read her previous works. If you have, well, then, this will be a wonderful addition to your Sarah Sundin collection! Forever on my bookshelf, I can't wait to see more of these amazing flight nurses and their WWII military men that capture the heart! Amazing job, Ms. Sundin!
Amanda (96 KP) rated The Tattooist of Auschwitz in Books
May 29, 2019
“If you wake up in the morning, it is a good day.”
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
Sassy Brit (97 KP) rated Tear Me Apart in Books
Jun 5, 2019
Tear Me Apart by J.T. Ellison is a “why done it,” instead of a “who done it.” She explores how one lie can build upon another as the resulting betrayal rips two families apart.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Phillip McSween (751 KP) rated McLintock! (1963) in Movies
Jun 10, 2019
Solid Visuals but Nothing Else
A cattle baron’s wife returns after a two-year separation wanting a divorce.
Acting: 10
It’s a tough task to ask someone not to like John Wayne and the things he brings to the big screen. He has a distinct way of capturing your attention and holding it with his no-nonsense demeanor and sheer bad-assery. I enjoyed the other performances as well, but, for me, it always goes back to Wayne and your sheer desire as a viewer to see what he’s going to do or say next.
Beginning: 2
Not a strong start in the least. Even past the first ten minutes, I spent a considerable amount of time trying to figure out just what the hell the plot was. A beginning that is mired in confusion is not a very good beginning at all.
Characters: 7
I’ll admit, George Washington McLintock is probably someone I would like to have a glass of whiskey with. He’s charming and doesn’t take any guff from anyone. Other fun characters included the Native American guy (whose name slips me right now) and Drago. If it weren’t for McLintock’s wife who was just a horrible character to deal with the entire movie, this category would have scored higher.
Cinematography/Visuals: 9
Conflict: 6
It’s hard to really appreciate conflict when you don’t know fully what the story is about. Throughout the movie, I was never really grabbed as there wasn’t enough action to keep me fully entertained. It’s like watching two dudes square up a bar, but all they do is push each other the whole time. I wanted more and damned if McLintock! wanted to give it to me.
Genre: 6
Memorability: 6
One of the reasons I will review a movie well after having seen it is to gauge how memorable it is. How many scenes stick out in my head days, weeks, sometimes months later? The answer as it relates to McLintock!: Not a whole damn lot. I remember one scene where they were fighting in a mud slide. I also remember a spanking. Outside of that…nothing. Mind you, I just watched this movie two months ago.
Pace: 7
Once the movie picks up, it holds on pretty consistently. Outside of a couple small lulls, it managed to hold my attention and keep me entertained enough to want to see what would happen next. I love movies and pacing is extremely important to me. It’s too bad the pacing here wasn’t enough to alter the overall strength of the movie.
Plot: 7
Yes, I finally figured out what the story was about. Once I had a better sense, it made the overall movie a bit more enjoyable. Pretty straightforward, we are looking at something that was good, not great.
Resolution: 2
Overall: 62
So why did I dislike this movie so much? Outside of a terrible beginning and ending, I think a lot of it has to do with Mrs. McLintock’s character. She was just a ghastly person, plain and simple, with not a redeeming characteristic in her body. And I don’t think she was even meant to be a villain, yet that’s how she came across. Probably won’t be watching McLintock! again anytime soon.
Acting: 10
It’s a tough task to ask someone not to like John Wayne and the things he brings to the big screen. He has a distinct way of capturing your attention and holding it with his no-nonsense demeanor and sheer bad-assery. I enjoyed the other performances as well, but, for me, it always goes back to Wayne and your sheer desire as a viewer to see what he’s going to do or say next.
Beginning: 2
Not a strong start in the least. Even past the first ten minutes, I spent a considerable amount of time trying to figure out just what the hell the plot was. A beginning that is mired in confusion is not a very good beginning at all.
Characters: 7
I’ll admit, George Washington McLintock is probably someone I would like to have a glass of whiskey with. He’s charming and doesn’t take any guff from anyone. Other fun characters included the Native American guy (whose name slips me right now) and Drago. If it weren’t for McLintock’s wife who was just a horrible character to deal with the entire movie, this category would have scored higher.
Cinematography/Visuals: 9
Conflict: 6
It’s hard to really appreciate conflict when you don’t know fully what the story is about. Throughout the movie, I was never really grabbed as there wasn’t enough action to keep me fully entertained. It’s like watching two dudes square up a bar, but all they do is push each other the whole time. I wanted more and damned if McLintock! wanted to give it to me.
Genre: 6
Memorability: 6
One of the reasons I will review a movie well after having seen it is to gauge how memorable it is. How many scenes stick out in my head days, weeks, sometimes months later? The answer as it relates to McLintock!: Not a whole damn lot. I remember one scene where they were fighting in a mud slide. I also remember a spanking. Outside of that…nothing. Mind you, I just watched this movie two months ago.
Pace: 7
Once the movie picks up, it holds on pretty consistently. Outside of a couple small lulls, it managed to hold my attention and keep me entertained enough to want to see what would happen next. I love movies and pacing is extremely important to me. It’s too bad the pacing here wasn’t enough to alter the overall strength of the movie.
Plot: 7
Yes, I finally figured out what the story was about. Once I had a better sense, it made the overall movie a bit more enjoyable. Pretty straightforward, we are looking at something that was good, not great.
Resolution: 2
Overall: 62
So why did I dislike this movie so much? Outside of a terrible beginning and ending, I think a lot of it has to do with Mrs. McLintock’s character. She was just a ghastly person, plain and simple, with not a redeeming characteristic in her body. And I don’t think she was even meant to be a villain, yet that’s how she came across. Probably won’t be watching McLintock! again anytime soon.
Movie Metropolis (309 KP) rated The Purge (2013) in Movies
Jun 11, 2019
Ethan Hawke is no stranger to the horror genre, in 2009 he starred in the Australian vampire flick Daybreakers, a film which promised so much, and delivered relatively little. Now he teams up with director James DeMonaco in a horror film that promises to be anything but ordinary; The Purge, but can it live up to its exciting trailer?
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/
The Purge plays out like a poor-man’s Hunger Games. In the year 2020, America is prospering, crime is at an all-time low and unemployment is at 1%. The reason? Once a year, for twelve hours, all crime is legal and people across US can commit any atrocities they wish.
Ethan Hawke plays James Sandin, a security salesman who has capitalised on the public’s fear of being ‘purged’ by selling hi-tech safety equipment to the rich to ensure they stay safe. Lena Headey plays his wife Mary and his two children, Charlie and Zoe are played by Max Burkholder and Adelaide Kane respectively. In a moment of madness after the commencement of the annual purge, a ‘target’ (Edwin Hodge) is let into their home causing all hell to break loose.
Borrowing heavily from other ‘home invasion’ horror films such as When a Stranger Calls and The Strangers, The Purge really ‘gets going’ about two-thirds in when an army of killers swoop on Ethan Hawke’s impressive property looking for their ‘target.’ The family have one hour to reply before they all become ‘targets.’
Unfortunately, an exciting and unique premise is completely lost in a film that is riddled with many horror clichés, some of them blatantly obvious, (woman opening fridge door, door closes and harmless child shocks woman), some not so obvious. This is a terrible shame as the idea of all crime being legal is ridiculously exciting, but after about 40 minutes, we are locked in the Sandin’s home as they play cat and mouse with an array of forgettable serial killers and the original story is lost.
Another problem is the acting. Competent is the only word to describe it; Ethan Hawke is good in his role and his stern demeanour which has earned him so many acting jobs in the past is in full force here, but you can’t help feeling he was a budgetary decision rather than being who the producers actually wanted. Lena Headey seems to phone in a rather wooden performance, whilst the two kids do marginally better. By far the stand-out here is Rhys Wakefield, credited only as ‘Polite Stranger’ who is excellent and terrifying as equal measure; his facial expressions are enough to make you wince.
Overall, The Purge is an exciting film that delivers some unique thrills and spills mixed in with the usual horror clichés. Unfortunately, it doesn’t deliver on its unique and exciting starting point and delves into a generic slasher film around 45 minutes in. A stand-out performance from one of the cast isn’t enough to lift the acting above mediocre and the Sandin family are as characters, frightfully dull. It’s definitely worth a watch, but don’t let the trailer fool you; it’s not as unique as you might expect.
The new review system breaks down the film into categories allowing you, as the readers to see just where I have awarded points to the film. It is still in a testing stage, so if there are any categories you think could improve it, please let me know.
https://moviemetropolis.net/2013/05/31/the-purge-review-2013/
Kristy H (1252 KP) rated I Let You Go in Books
Feb 1, 2018
One rainy evening, an accident occurs on a quiet neighborhood street. Walking home from school with his mother, young Jacob is hit by a car, and killed. Even worse, the car quickly backs up and drives away, leaving Jacob's mother shattered and Detective Inspector Ray Stevens and his team, particularly eager young DC Kate, to seek out answers.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/04/review-the-girl-before-by-j-p-delaney/
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
Zuky the BookBum (15 KP) rated Behind Closed Doors in Books
Mar 15, 2018
Also find my review here: http://bit.ly/28KzCFf
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
<b><i>Fear," he whispered. "There is nothing quite like it. I love how it looks, I love how it feels, I love how it smells. And I especially love the sound of it." I felt his tongue on my cheek. "I even love the taste of it.</i></b>
Welcome to Jack and Grace's perfect life and perfect marriage. Jack's an amazing, handsome and successful lawyer for battered woman and Grace is the gorgeous put-together house wife... or so it seems. But what if Grace were to tell she wasn't a house wife, she was in fact a prisoner locked up by her own husband who craves nothing more than seeing and feeling another person's fear? Would you believe her?
I loved all the twists and turns and edge of the seat moments within this novel. It was an excellent thriller that Im sure thousands have and will continue to enjoy. Im definitely going to keep my eyes peeled for any more novels from Paris as I loved her style of writing and felt her story telling flowed perfectly.
The characters were very well developed and you really got a good insight into their lives, thoughts and feelings. Paris did an excellent job at making two very unique characters. Without trying to give too much away, Jack is a very different kind of sadistic captor. Hes so terrifying because he could definitely be real. He could be your neighbour, your boss, your friend even. Hes just a seemingly normal guy but what lies underneath is far from normal.
Grace can be a little stupid and doesnt often act quick enough, its no use for her to try anyway as Jack is always one step ahead. Shes trapped and she knows it, therefore shes an interesting character to see progress through the novel as we see her seemingly give up against her captor, but really, underneath, shes cunning and planning the whole time.
If it wasnt for the fact that you could easily guess how this was going to end once the idea was placed in front of you, it might have even got a 5 star rating. Though the end was predictable there was still some element of shock to it, especially the last heart breaking / lifting scene. <spoiler>The final scene shared between Grace and Esther was such a wonderful way to end this book, it rounded this book off so well. The perfect ending!</spoiler>
The weird thing is, the whole time I read this I thought how far fetched and silly it was, though I was enjoying it, but when you think about it, its not <i>that</i> far fetched. You hear all these terrible stories about women kidnapped and held against their will who are given the freedom to go outside but theyre so paralysed by fear of what could happen, they never say a thing to anyone. Jaycee Lee Dugard, for example, was kidnapped and kept hidden for 18 years! Keeping someone captive isnt that uncommon and Im sure there are actually some terrified women out there that are living a life something very similar to this. So when you put it into that perspective this becomes a very chilling horror story rather than just a fast paced thriller.
Awkward, failed attempt at satire?
After college, Elinor moves to New York with her journalism degree and dreams of writing pieces that mean something. She sees a future with her boyfriend, Mike, also a journalist. Instead, Elinor lives in a cramped apartment with no kitchen, sleeps on a foam pad, and nannies to two slightly whiny and obsessive children. She thinks her future is looking up when she's offered a position at Journalism.ly, a digital brand a la BuzzFeed. But soon Elinor learns that her sole function there is to produce pieces that go "viral" and then she and Mike break up, pushing her into a deeper depression. Is it even possible to have the creative and romantic life she dreamed of, Elinor wonders?
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
Kristy H (1252 KP) rated Girl Made of Stars in Books
Jun 5, 2018
Gorgeous, powerful, heartbreaking novel
Owen and his twin sister, Mara, have been close for their entire life--bonded by their twinhood, joint storytelling, and love of the stars--particularly their "own" constellation. But that all changes when Mara's good friend, Hannah, accuses Owen of rape. Suddenly Mara finds herself torn between her friendships and her family. Even worse, she has no one to talk to, after breaking up with her girlfriend/best friend, Charlie. Everything feels unknown and confusing. How will Mara navigate this new world--and what will she do about Owen and Hannah?
This novel. Oh my goodness. It will break your heart and yet leave you speechless with wonder. It's so beautiful. It started off with a quote from Virginia Woolf (The Waves), so I knew it was going to be good. And it certainly was.
The book is so achingly gorgeous and real, with its realistic look at high school. It portrays how both amazing and awful kids can be at this age. Mara is such a lovely character. The Owen/Hannah situation leaves her conflicted and forces her to face something terrible in her own past. By placing Mara in such a difficult situation, Herring Blake also does a good job of showing how hard it is being the female in this situation and how so few people believe the girl. It's such a timely commentary (albeit a sad one). It may not always be easy to read, as we see how hard things are for Hannah (and Mara), but it's so well-done.
I mean, really, this book is just heartbreaking at times. And yet I was riveted. These kids, with their big problems, so many of them living other people's dreams. It was so poignant, so true to so many of my own experiences. And the relationships here--well, wow. I mean, for one thing, we get a truly bisexual character in Mara, which is so refreshing. And then Charlie is genderqueer/nonbinary. It was so wonderful to have these characters in this novel, as a positive representation for teens--living real lives, with real problems, but in no way serving as the villain or maligned character. I was incredibly impressed. I wish this novel was on the shelf of every high school (well, on the shelves everywhere, honestly).
The girls in this book are in a group called Empower, which stands up for females--how they are portrayed, the double standards they face, and more. They are so strong, despite all the hurdles they face on a daily basis. Honestly, despite so much sadness in this novel, there is so much hope. So much strength. I adored Mara. She is wonderful -- such a strong, amazing, and lovely character. I found myself rooting for her as if she was my own kid.
I loved this one. I don't even remember how or why I stumbled across it and requested it, but I'm so glad I did. This is a beautiful, powerful book about the strength of human existence. The girls in this novel will make you cry, make you laugh, and make you both despair for and have faith in humanity. I will be tracking down the rest of Herring Blake's books for sure.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This novel. Oh my goodness. It will break your heart and yet leave you speechless with wonder. It's so beautiful. It started off with a quote from Virginia Woolf (The Waves), so I knew it was going to be good. And it certainly was.
The book is so achingly gorgeous and real, with its realistic look at high school. It portrays how both amazing and awful kids can be at this age. Mara is such a lovely character. The Owen/Hannah situation leaves her conflicted and forces her to face something terrible in her own past. By placing Mara in such a difficult situation, Herring Blake also does a good job of showing how hard it is being the female in this situation and how so few people believe the girl. It's such a timely commentary (albeit a sad one). It may not always be easy to read, as we see how hard things are for Hannah (and Mara), but it's so well-done.
I mean, really, this book is just heartbreaking at times. And yet I was riveted. These kids, with their big problems, so many of them living other people's dreams. It was so poignant, so true to so many of my own experiences. And the relationships here--well, wow. I mean, for one thing, we get a truly bisexual character in Mara, which is so refreshing. And then Charlie is genderqueer/nonbinary. It was so wonderful to have these characters in this novel, as a positive representation for teens--living real lives, with real problems, but in no way serving as the villain or maligned character. I was incredibly impressed. I wish this novel was on the shelf of every high school (well, on the shelves everywhere, honestly).
The girls in this book are in a group called Empower, which stands up for females--how they are portrayed, the double standards they face, and more. They are so strong, despite all the hurdles they face on a daily basis. Honestly, despite so much sadness in this novel, there is so much hope. So much strength. I adored Mara. She is wonderful -- such a strong, amazing, and lovely character. I found myself rooting for her as if she was my own kid.
I loved this one. I don't even remember how or why I stumbled across it and requested it, but I'm so glad I did. This is a beautiful, powerful book about the strength of human existence. The girls in this novel will make you cry, make you laugh, and make you both despair for and have faith in humanity. I will be tracking down the rest of Herring Blake's books for sure.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.