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Jesters_folly (230 KP) rated Wolf (2019) in Movies
Sep 19, 2019
Contains spoilers, click to show
A group of Roman legionnaires in Britain are sent on a mission to find a group of missing messengers only to find themselves attacked by something that comes out with the full moon.
So basically it's Roman’s vs werewolves in the woods, a premise with so much potential. However it fails in oh so many ways. I feel a bit bad for this review because I did enjoy the film, admittedly I seemed to be the only one as everyone else left about half way through (ok there were only two other people there but they did leave) but as a film it was quite terrible. First off we have the legionnaires, the group have only been together for a few weeks and don't trust each other, and they consist of:
Shouting guy who has just been sent from Rome who can't seem to decide if he's channelling Nick Frost or Brian Blessed.
Not so shouting guy who is friends with shouting guy and likes to drink
Captain who doesn't seem very effective
Old guy who shouldn't be there, doesn’t get on with the captain
Tall blonde guy who is always on about his wife who about to have a baby
Germanic female scout that no one trusts
Ex slave woman who looks like she should be a witch (she’s not) who is friends with the captain
Black woman who has a brother
And two other guys I can't really remember
So, the film gets points for having a culturally mixed squad which is historically correct but they don’t act as a unit. They are always talking, even when hunting the creatures they never shut up. One of them say “We are Roman we do the hunting.” But they don't seem to know to be quite.
It does strike me that the film is trying to be (Or seem) historically accurate, there are mentions of tactical formations that can be used, everyone uses the names of an appropriate god and there is mention of what certain weapons are made of but all of this just adds to the feeling that the film has been made by a group of Roman reenactor enthusiasts.
I had a friend who said that ‘Cloverfield’ was one of the worst films ever because you never see the monster, we pointed out that you do but acknowledge that 'Cloverfield’ keeps the monster hidden to make it more mysterious and scary. Wolf does this as well, for most of the film all you see of the monsters are pink streaks that seem quite reminiscent of naked people and when you finally see the creatures they look like they could be extras in classic doctor who. The effects in general are a bit rubbish to the point of one the cast walking around with what looks like rice pudding or custard in his beard for ten minutes.
The camera work is sometimes shaky, shots of the sky blind you and there are times when it looks like the actors don't know how to hold a sword.
And the film doesn't end, there's a revelation, the survivors say they will continue the mission then the credits roll. There could be a sequel but if there is it will be because the cast want it and not on reviews (although I think I did enjoy it a bit).
So basically it's Roman’s vs werewolves in the woods, a premise with so much potential. However it fails in oh so many ways. I feel a bit bad for this review because I did enjoy the film, admittedly I seemed to be the only one as everyone else left about half way through (ok there were only two other people there but they did leave) but as a film it was quite terrible. First off we have the legionnaires, the group have only been together for a few weeks and don't trust each other, and they consist of:
Shouting guy who has just been sent from Rome who can't seem to decide if he's channelling Nick Frost or Brian Blessed.
Not so shouting guy who is friends with shouting guy and likes to drink
Captain who doesn't seem very effective
Old guy who shouldn't be there, doesn’t get on with the captain
Tall blonde guy who is always on about his wife who about to have a baby
Germanic female scout that no one trusts
Ex slave woman who looks like she should be a witch (she’s not) who is friends with the captain
Black woman who has a brother
And two other guys I can't really remember
So, the film gets points for having a culturally mixed squad which is historically correct but they don’t act as a unit. They are always talking, even when hunting the creatures they never shut up. One of them say “We are Roman we do the hunting.” But they don't seem to know to be quite.
It does strike me that the film is trying to be (Or seem) historically accurate, there are mentions of tactical formations that can be used, everyone uses the names of an appropriate god and there is mention of what certain weapons are made of but all of this just adds to the feeling that the film has been made by a group of Roman reenactor enthusiasts.
I had a friend who said that ‘Cloverfield’ was one of the worst films ever because you never see the monster, we pointed out that you do but acknowledge that 'Cloverfield’ keeps the monster hidden to make it more mysterious and scary. Wolf does this as well, for most of the film all you see of the monsters are pink streaks that seem quite reminiscent of naked people and when you finally see the creatures they look like they could be extras in classic doctor who. The effects in general are a bit rubbish to the point of one the cast walking around with what looks like rice pudding or custard in his beard for ten minutes.
The camera work is sometimes shaky, shots of the sky blind you and there are times when it looks like the actors don't know how to hold a sword.
And the film doesn't end, there's a revelation, the survivors say they will continue the mission then the credits roll. There could be a sequel but if there is it will be because the cast want it and not on reviews (although I think I did enjoy it a bit).
Kirk Bage (1775 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Aug 6, 2020
Much like Eurovision itself, this film shouldn’t be entertaining in any way, but after watching it for ten minutes it becomes a compelling car crash you kinda have to see out to the end. It doesn’t really matter what you think of the songs, you are watching it waiting for the one thing you can make fun of, rubbing your eyes in disbelief that anything so camp and lame can exist.
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Fred (860 KP) rated Scoob (2020) in Movies
May 16, 2020
Enjoyable enough
The movie was enjoyable enough & I would probably watch it again, just to try to catch the little Hanna-Barbera references throughout it. The movie starts with the meeting of the gang & then, using a very cool remake of the original theme song sequence, moves ahead to when the gang are already seasoned "monster" hunters. But although I did enjoy it, it had a lot of problems.
Most notably, the voice acting. For some reason, instead of sticking with the current actors who do the character's voices, they decided to replace them with more well known actors. Problem is, most of them sound nothing like the characters, it kind of throws everything off. Will Forte may be the exception as his Shaggy is close enough & of course we do have Scooby's current voice, Frank Welker as Scooby. But then, this is where it gets silly. You have Frank Welker, the original voice of Fred in your movie, but you decide not to use him as Fred. WTF? Really? So you got Fred, Velma & Daphnie played by actors that sound nothing like the characters. Quick mention too about the voices of the main characters when they were kids. Terrible & annoying (quick enough?). The movie also features Blue Falcon & Dyno-Mutt. Since this is not supposed to be the original Blue Falcon, his voice change is acceptable. However, Ken Jeong is just a weird choice for Dyno-Mutt. The character has no personality & is nothing like the character should be. And to be honest, I didn't like the role reversal of Falcon being a coward & Dyno-Mutt not being a screw-up. The main villain of the film, Dick Dastardly, is voiced well, but just like the others, sounds nothing like the original voices, so it throws it off. In fact, if they had not said his name was Dick Dastardly, I would have no idea it was supposed to be Dick Dastardly.
So now, let's talk about Dick Dastardly. In the cartoons, it was either just he & his dog Muttley being the bad guys or he had a few others try to help him. But in this film, they instead have him with a whole slew of robot minions, who I guess were supposed to be like the Minions of Despicable Me, but these guys have no personality at all & the character & the film suffer because of this.
There is also another character in the film. She's Blue Falcon's.....something. Sidekick? Helper? I don't remember her name, nor do I care. She is utterly forgettable & useless. But she's the only person of color I can think of in the movie, so I guess that's why she's there. That's fine, but I wish she had a more prominent role, rather than just be there to fill a gap.
So, why did I like the movie then? Well, it's fun & there were many times I laughed out loud. there were jokes that kid's would definitely not get, that I did. The animation is top-notch & beautiful to watch. There is also a lot of nostalgia factor, whether you're a fan of Scooby or of the dozens of other Hanna-Barbera cartoons of the 70s. The story works well enough, for a Scooby Doo movie& the pacing is nice. There are no points where the movie gets slow or boring. Like I said, I'd probably watch it again & that's good enough.
Most notably, the voice acting. For some reason, instead of sticking with the current actors who do the character's voices, they decided to replace them with more well known actors. Problem is, most of them sound nothing like the characters, it kind of throws everything off. Will Forte may be the exception as his Shaggy is close enough & of course we do have Scooby's current voice, Frank Welker as Scooby. But then, this is where it gets silly. You have Frank Welker, the original voice of Fred in your movie, but you decide not to use him as Fred. WTF? Really? So you got Fred, Velma & Daphnie played by actors that sound nothing like the characters. Quick mention too about the voices of the main characters when they were kids. Terrible & annoying (quick enough?). The movie also features Blue Falcon & Dyno-Mutt. Since this is not supposed to be the original Blue Falcon, his voice change is acceptable. However, Ken Jeong is just a weird choice for Dyno-Mutt. The character has no personality & is nothing like the character should be. And to be honest, I didn't like the role reversal of Falcon being a coward & Dyno-Mutt not being a screw-up. The main villain of the film, Dick Dastardly, is voiced well, but just like the others, sounds nothing like the original voices, so it throws it off. In fact, if they had not said his name was Dick Dastardly, I would have no idea it was supposed to be Dick Dastardly.
So now, let's talk about Dick Dastardly. In the cartoons, it was either just he & his dog Muttley being the bad guys or he had a few others try to help him. But in this film, they instead have him with a whole slew of robot minions, who I guess were supposed to be like the Minions of Despicable Me, but these guys have no personality at all & the character & the film suffer because of this.
There is also another character in the film. She's Blue Falcon's.....something. Sidekick? Helper? I don't remember her name, nor do I care. She is utterly forgettable & useless. But she's the only person of color I can think of in the movie, so I guess that's why she's there. That's fine, but I wish she had a more prominent role, rather than just be there to fill a gap.
So, why did I like the movie then? Well, it's fun & there were many times I laughed out loud. there were jokes that kid's would definitely not get, that I did. The animation is top-notch & beautiful to watch. There is also a lot of nostalgia factor, whether you're a fan of Scooby or of the dozens of other Hanna-Barbera cartoons of the 70s. The story works well enough, for a Scooby Doo movie& the pacing is nice. There are no points where the movie gets slow or boring. Like I said, I'd probably watch it again & that's good enough.
Emma @ The Movies (1786 KP) rated Bel Canto (2018) in Movies
Jun 11, 2020
The novel of Bel Canto is one of my favourites, and though I haven't read it for years I still recommend it to people. When I saw that they'd made a film of it I was ecstatic. But of course my luck wasn't working well! No mainstream release in the UK and seemingly not available in any way to see, then on a whim I searched Amazon and there it was, available as a digital release... GIMME!!
Roxanne has been hired to play at a private function in South America. It should be a simple performance, but when the residence is taken hostage the evening goes on a little longer than expected. The demands are seemingly simple, but no one wants to succumb to the, so the hostages must settle in for an extended stay with their captors.
The basis for the novel and film is the 1996 Japanese embassy hostage crisis where 14 members of the MRIA took hundreds of high level diplomats and officials hostage. With just a cursory look at the details of that incident it appears that several key points have been kept in some way but artistic licence has been used to give us a snapshot inside during the event.
I love Julianne Moore, so having her name attached was a definite bonus, especially alongside Ken Watanabe. The pair have a good dynamic and the language barrier imposed by the script (for all the characters) adds a different dynamic to the film. Watching them trying to communicate with each other and seeing the little touches it brought was very interesting.
When it came to the acting I thought the cast was incredibly well balanced, the standard was good and having such a variety of people meant that there was a lot to pick up on.
This does however come with a slight drawback, there are a lot of characters and they all have something about them to make them interesting... there's have been no point in having them if that wasn't the case. At no time do you have a chance to learn about any of them properly though, as soon as there's an opportunity we have to cut to a different scene and we're left with snippets. While that wasn't a negative for me overall it could have been an interesting addition, and at an hour and forty in length I think there was room for some more character pieces without making it too long.
Here's my one major negative about Bel Canto. Roxanne is a world-renowned opera singer, Julianne Moore is not... so they taught her to lipsync to the pieces that Renee Fleming would be voicing. Quite simply put, on screen it looks terrible. In some films you see people singing and don't realise it isn't them, there might be tricksy camera angles or decent lipsyncing, in those instances you don't notice and it all flows well. Without knowing this going into Bel Canto it was still very obvious. I'd be tempted to say close your eyes when she starts singing, you will miss some reaction shots of other characters but Fleming's vocals are wonderful but Moore's rendition is lacking the gravitas to go with it.
The bond that is created between the hostages and with their captors is shown extremely well and that makes the way the film plays out even more affecting. There's certainly room for improvement, but what comes to the screen is a very interesting twist on the original event and the novel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/bel-canto-movie-review.html
Roxanne has been hired to play at a private function in South America. It should be a simple performance, but when the residence is taken hostage the evening goes on a little longer than expected. The demands are seemingly simple, but no one wants to succumb to the, so the hostages must settle in for an extended stay with their captors.
The basis for the novel and film is the 1996 Japanese embassy hostage crisis where 14 members of the MRIA took hundreds of high level diplomats and officials hostage. With just a cursory look at the details of that incident it appears that several key points have been kept in some way but artistic licence has been used to give us a snapshot inside during the event.
I love Julianne Moore, so having her name attached was a definite bonus, especially alongside Ken Watanabe. The pair have a good dynamic and the language barrier imposed by the script (for all the characters) adds a different dynamic to the film. Watching them trying to communicate with each other and seeing the little touches it brought was very interesting.
When it came to the acting I thought the cast was incredibly well balanced, the standard was good and having such a variety of people meant that there was a lot to pick up on.
This does however come with a slight drawback, there are a lot of characters and they all have something about them to make them interesting... there's have been no point in having them if that wasn't the case. At no time do you have a chance to learn about any of them properly though, as soon as there's an opportunity we have to cut to a different scene and we're left with snippets. While that wasn't a negative for me overall it could have been an interesting addition, and at an hour and forty in length I think there was room for some more character pieces without making it too long.
Here's my one major negative about Bel Canto. Roxanne is a world-renowned opera singer, Julianne Moore is not... so they taught her to lipsync to the pieces that Renee Fleming would be voicing. Quite simply put, on screen it looks terrible. In some films you see people singing and don't realise it isn't them, there might be tricksy camera angles or decent lipsyncing, in those instances you don't notice and it all flows well. Without knowing this going into Bel Canto it was still very obvious. I'd be tempted to say close your eyes when she starts singing, you will miss some reaction shots of other characters but Fleming's vocals are wonderful but Moore's rendition is lacking the gravitas to go with it.
The bond that is created between the hostages and with their captors is shown extremely well and that makes the way the film plays out even more affecting. There's certainly room for improvement, but what comes to the screen is a very interesting twist on the original event and the novel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/bel-canto-movie-review.html
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Kristy H (1252 KP) rated The Charm Offensive in Books
Sep 2, 2021
A delightful reality show romantic comedy
Dev Deshpande works on the set of Ever After, a reality dating show he's loved since he was a kid. He truly believes in the show's premise of happily ever after, even as his own six-year-relationship with Ryan, a co-worker, ends. Then the show casts Charles Winshaw, a handsome millionaire tech genius as their next prince. Charlie has only agreed to come on the show to fix his awkward image, which has made it impossible for him to get another job in tech. He's terrible in front of the cameras and even worse with the women he's supposed to woo. Dev is assigned as his handler, a last ditch attempt to save Ever After. As he works to get Charlie to open up, the two connect, and realize that their chemistry is far better than anything Charlie has with his potential love interests. But Ever After demands a fairy tale ending--what does that mean for Charlie and Dev?
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.