"The brilliant chemistry between Daveed Diggs and Rafael Casal uniquely and poetically captures a black man and a white man’s friendship and the competing social standards that they each must live by. Diggs plays a man who cannot afford to make the mistakes that his best friend can, and lives in waking fear of a terrible threat that his best friend will never have to confront. The final encounter with the police officer beautifully captures the pressures of carrying a gun (police) vs. the pressure of fearing that gun (black Americans)."

"This book shot a lightning-bolt of understanding into my mind regarding the role of social media in the terrible political division racking our country. It also made me think that we make a grave error when we mistake the virtual world (of anonymity, cowardice, surficial snark, and posturing, one-dimensional, self-presentational bravado) for the real one – the one where people have to say things to one another’s faces, and are constrained, via the basic manners we are all pretty adept at learning, from being rude, dickish, or insulting."

"Any film that propelled Gary Oldman to stardom is an important film, as I believe Oldman is the greatest film actor of his generation. The lives of the waifish/shrewish Nancy Spungeon and enfant terrible Sid Vicious make for a tough haul and present a somewhat jaundiced vision of the seventies punk scene. However, Sid and Nancy features director Alex Cox at the peak of his talent, cinematography by the great Roger Deakins, and a wonderful, damaged kookiness from Chloe Webb. But it’s the preternaturally gifted Gary Oldman you can’t take your eyes off of."

"It’s a piece that Messiaen wrote when he was in a concentration camp. It’s very spiritual, and that’s one of the things that’s so interesting about it. The fact that he was in such a terrible environment and could create music of such beauty is pretty remarkable. I’m a big fan of Messiaen for his use of textures and colors. He’s like a lot of film composers in that you can really see his music; he creates a landscape of sound and uses unusual tones and instruments to tell a story."

"As a war correspondent, I have read many of the classic eyewitness accounts. I bought this book when I visited Vietnam in 1997. It’s one of the rare novels about that terrible war written from their perspective by a North Vietnamese student. It’s brutal, gut-wrenching, heart-breaking and desperately human. It’s also vital to remember that as much as the U.S. suffered on all fronts, Vietnam came off far, far worse. This book was first translated and sold in the west, ten years before it could be published in Vietnam."