Shadow-Makers: A Cultural History of Shadows in Architecture
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth...
1940: Britain Stands Alone
John Christopher and Campbell McCutcheon
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1940 As the period of the 'Phoney War' came to an end, the Nazis unleashed their Blitzkrieg tactics,...
Captivating Westerns: The Middle East in the American West
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Tracing the transnational influences of what has been known as a uniquely American genre, "the...
Lovecidal: Walking with the Disappeared
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In this new work, renowned feminist filmmaker and postcolonial theorist Trinh T. Minh-ha offers a...
The President's Gardens
Muhsin Al-Ramli and Luke Leafgren
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One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq. "A contemporary...
Thirst
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'An emergency from its very first sentence ...A literary thriller that summons the survivalist...
Blood of the Rose
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"It started low and soft, but grew slowly, increasing in pitch and volume into an unceasing scream...
Gender Violence in Peace and War: States of Complicity
Victoria Sanford, Katerina Stefatos and Cecilia M. Salvi
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Reports from war zones often note the obscene victimization of women, who are frequently raped,...
Matthew Krueger (10051 KP) rated Darkman (1990) in Movies
Mar 5, 2021
The plot: When thugs employed by a crime boss lead a vicious assault on Dr. Peyton Wilder (Liam Neeson), leaving him literally and psychologically scarred, an emergency procedure allows him to survive. Upon his recovery, Wilder can find solace only by returning to his scientific work developing synthetic skin, and seeking revenge against the crime boss. He assumes a phantom avenger persona called Darkman, who, with malleable facial qualities, is able to infiltrate and sow terror in the criminal community.
Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film.
Initially, Raimi's longtime friend and collaborator Bruce Campbell was set to play Darkman, but the studio balked at the idea because they did not think Campbell could carry the role. Gary Oldman and Bill Paxton were also considered.
Sam had wanted to work with Frances McDormand but the studio resisted this notion and almost cast Julia Roberts before Pretty Woman made her a star. At one point, they wanted Demi Moore for the role. The director even tested Bridget Fonda but felt that she was too young for Neeson.
Its a excellent film.