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Darkman (1990)
Darkman (1990)
1990 | Action, Sci-Fi
Liam Neeson (0 more)
In The Shadows
Darkman- is a dark twisted superhero movie directed by horror icon Sam Raimi. Its a excellent film as well.

The plot: When thugs employed by a crime boss lead a vicious assault on Dr. Peyton Wilder (Liam Neeson), leaving him literally and psychologically scarred, an emergency procedure allows him to survive. Upon his recovery, Wilder can find solace only by returning to his scientific work developing synthetic skin, and seeking revenge against the crime boss. He assumes a phantom avenger persona called Darkman, who, with malleable facial qualities, is able to infiltrate and sow terror in the criminal community.

Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film.

Initially, Raimi's longtime friend and collaborator Bruce Campbell was set to play Darkman, but the studio balked at the idea because they did not think Campbell could carry the role. Gary Oldman and Bill Paxton were also considered.

Sam had wanted to work with Frances McDormand but the studio resisted this notion and almost cast Julia Roberts before Pretty Woman made her a star. At one point, they wanted Demi Moore for the role. The director even tested Bridget Fonda but felt that she was too young for Neeson.

Its a excellent film.
  
Framed/Next by The Sensational Alex Harvey Band Rock
Framed/Next by The Sensational Alex Harvey Band Rock
2002 | Pop
(0 Ratings)
Album Favorite

"This was the first band I ever saw. I went to see The Who at Charlton in 1974, when I was 12 or 13, and we bunked in, and supporting The Who was Alex Harvey. And, fuck me! He had this sort of fake brick wall, and he burst through and started singing ‘Framed’ and it was just a fucking revelation. It’s funny because I’ve been looking at a bit of him on Youtube recently, interviews that he did, and what a fucking character. The bits of film that are left of him, there’s a clip of him singing ‘Framed’ at some festival, and he pours a bottle of beer over his wild curly hair and turns it into a quiff with his hand. It was only when Jerry Leiber from Leiber & Stoller died recently that I realised they wrote that song. He shocked me, with the theatricality, the fearlessness, just doing what the fuck he wanted. They had this song called ‘The Faith Healer‘, which I heard made Johnny Rotten want to be in a band. Just outrageous, but charming and intelligent too. And they did a version of the Jacques Brel song, ‘Next‘, which was just fucking brilliant. He weren’t around for very long, but I have a lifelong love of his work. Just that mixture of comedy and… terror. Perfect!"

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House of 1000 Corpses (2003)
House of 1000 Corpses (2003)
2003 | Horror
Has there ever been another movie that more profoundly screams "Halloween" than this one? If there is, I have yet to see it. A front-to-back phantasmagoria of blood, ick, and some of the all-time greatest horror movie imagery you'll ever see: what can only be described as a carnival of pure filth sprawled out in the form of a feature length Rob Zombie music video - the increasing amounts of bonkers gore, the unforgettable and outright euphoric production design, the horror-ready cast all grotesquely dolled up, the sheer headstrong devotion to being as revolting as can be all interspliced with film-grained smut footage, diagnostic seething Zombie tunes, and 50s/60s primetime television spookiness. Every frame just oozes old school shock and terror, a clear love letter to the sweaty stuck pig that was the 70s horror film meets a neon-soaked greasy stage provocation. Plus it's funny as hell, too. It's so eager to bash its brains up against the wall to please, the copious amounts of passion and work that went into this is always apparent on the screen - quite possibly the most self-assured and satisfying debut since the previous year's 𝘛𝘩𝘦 𝘚𝘪𝘹𝘵𝘩 𝘚𝘦𝘯𝘴𝘦. A tremendous time inside and out that could only be possible by a seasoned visual + audible horror maestro and forever one of my go-to movies for the October season.