The Taster
9.0
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Amid the turbulence of World War II, a young German woman finds a precarious haven closer to the...
Fiction Historical Fiction WW2
The Boy and His Ribbon
9.3
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From New York Times Bestseller, Pepper Winters, comes one of her best tales yet... "What do you...
LeftSideCut (3776 KP) rated Night of the Living Dead (1968) in Movies
Oct 22, 2021
All of this is bolstered by a fantastic lead performance from Duane Jones, taking charge of a small cast of well written characters, backed up by a rousing music score.
Night of the Living Dead is an all timer, that saw George Romero lay the ground rules and set the tone for one of the most popular horror sub genres of all time. Long live the king.
Something Shattered
8.0
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When something inside him is shattered by an act of violence, Caleb Tomas doesn’t think he can...
Contemporary MM Romance
Conrad (Assassin's To Order #4)
JP Sayle and Lisa Oliver
10.0
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Can the beast lurking inside Conrad be the answer to fighting the evil that threatens Kylo’s...
MM Paranormal Romance
Lyndsey Gollogly (2893 KP) rated Of All Things Sacred in Books
Feb 25, 2024
Book sirens review
Of All Things Sacred
By Moses Yuriyvich Mikheyev
⭐️⭐️⭐️⭐️⭐️
Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves.
A prophet has arrived in the small mountain town of Red Tree, California, bringing with him a revival. Repenting of sins. Healings. Exorcisms. Speaking in tongues. Visions. Prophecies.
Something big is happening in Red Tree, something so transformative the small town can barely contain it. And Iron King's mother is the Prophet's most committed follower, even though Iron's father isn't totally on board.
Any doubts the townspeople have that the Prophet was anointed by God evaporate when a man who questions his integrity is struck by lightning on the church steps. Unreproachable, the Prophet's stature—and his control over the souls in his care —grows along with the size of his church, despite whispered rumors and his increasingly strange prophecies.
Until Iron falls in love with a girl and realizes that between God and Satan, between truth and deception, lies a great contradiction. And a horrific terror.
This was so so good I didn’t want to put it down. An interesting story of faith, life and false prophets. I was completely hooked from start to finish. Definitely be reading more from this author.
I received an advance review copy for free, and I am leaving this review voluntarily.
The four lives of Robinson Appleson
Book
In his first life, he was a Porcian prince who was known to devour humans. His obsession with...
fantasy
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.