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Sophia (Bookwyrming Thoughts) (530 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Jan 23, 2020
You never know what kinds of books you'll find when you take your time at the library.
<i>The Winner's Curse</i>, to say the least, is perhaps one of the best, if not <i>the</i> best, book I've read so far in 2015. The characters, the writing, the world, the plot – I loved it all (or most of it, but technically it's still all of it).
Kestrel may be one of my favorite characters – I just love how she resists (flouting them may be more accurate) her father's and society's rules, values, and expectations throughout the entire book, and even how she resists being bossed around by Cheat near the end.
<blockquote>"If a woman can fight and die for the empire, why can't a woman walk alone?"</blockquote>
Frankly, it's fantastic. It's fantastic how she doesn't really care too much about what society thinks of her relationship with Arin, despite the fact the rumors weren't true at the time. And it's even more fantastic how loyal Jess and Ronan are to Kestrel – they stick around even while Kestrel's reputation is obviously going down the drain with each action she takes that society looks down upon (though Ronan may be questionable).
<blockquote>"It doesn't matter what they think. Dance with me."</blockquote>
Then there's the writing – it's beautiful. The parallel structure the author uses occasionally throughout seems almost poetic, or if not poetic, then there seems to be a rhythm every so often.
<blockquote>She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing.</blockquote>
I'm also not typically a fan of authors revealing what really happens through another character (while another character hears differently), but with <i>The Winner's Curse</i>, I find I rather enjoy Rutkoski revealing what really happens through Arin while Kestrel hears something else. Perhaps it's just the character itself, as Arin <i>is</i> an intriguing character and seems to have an air of mystery about him right when he is first sold to Kestrel – the author reveals that there's something up with him, but is vague enough not to give too much away.
The ending to <i>The Winner's Curse</i> is full of tension – with the second book already released or being released soon, I <i>really</i> want to read the next book, in hopes the sequel is as wonderfully written and unpredictable as the first to the <i>Winner's Trilogy</i> is.
<a href="https://bookwyrmingthoughts.com/review-the-winners-curse-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>The Winner's Curse</i>, to say the least, is perhaps one of the best, if not <i>the</i> best, book I've read so far in 2015. The characters, the writing, the world, the plot – I loved it all (or most of it, but technically it's still all of it).
Kestrel may be one of my favorite characters – I just love how she resists (flouting them may be more accurate) her father's and society's rules, values, and expectations throughout the entire book, and even how she resists being bossed around by Cheat near the end.
<blockquote>"If a woman can fight and die for the empire, why can't a woman walk alone?"</blockquote>
Frankly, it's fantastic. It's fantastic how she doesn't really care too much about what society thinks of her relationship with Arin, despite the fact the rumors weren't true at the time. And it's even more fantastic how loyal Jess and Ronan are to Kestrel – they stick around even while Kestrel's reputation is obviously going down the drain with each action she takes that society looks down upon (though Ronan may be questionable).
<blockquote>"It doesn't matter what they think. Dance with me."</blockquote>
Then there's the writing – it's beautiful. The parallel structure the author uses occasionally throughout seems almost poetic, or if not poetic, then there seems to be a rhythm every so often.
<blockquote>She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing.</blockquote>
I'm also not typically a fan of authors revealing what really happens through another character (while another character hears differently), but with <i>The Winner's Curse</i>, I find I rather enjoy Rutkoski revealing what really happens through Arin while Kestrel hears something else. Perhaps it's just the character itself, as Arin <i>is</i> an intriguing character and seems to have an air of mystery about him right when he is first sold to Kestrel – the author reveals that there's something up with him, but is vague enough not to give too much away.
The ending to <i>The Winner's Curse</i> is full of tension – with the second book already released or being released soon, I <i>really</i> want to read the next book, in hopes the sequel is as wonderfully written and unpredictable as the first to the <i>Winner's Trilogy</i> is.
<a href="https://bookwyrmingthoughts.com/review-the-winners-curse-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Altered Beast Classic
Games, Entertainment and Stickers
App
Venture into the underworld in SEGA’s legendary beat ‘em up Altered Beast, now available on...
Mark Arm recommended Tales Of Terror by Tales Of Terror in Music (curated)
Emma @ The Movies (1786 KP) rated Spider-Man (2002) in Movies
Sep 25, 2019
Spider-man, starring Tobey Maguire, came out on 14th June 2002. Co-starring Kirsten Dunst, James Franco and Willem Dafoe. My god doesn't every one look young!
It's the classic story, boy meets spider, spider bites boy, boy gets super-human powers.
Okay, so I'll be serious... Awkward high school student Peter Parker gets bitten by a genetically modified spider while out on a school field trip. It isn't adolescence that's changing him though, it's the spider bite, and his new found spider-like abilities come in handy when he decides to fight evil while wearing spandex, after a tragedy hits his family.
Watching Maguire climb a wall is truly cringe-worthy (the effects were terrible). He has this wide-eyed look of insanity. And when he's trying to shoot web intentionally for the first time I half expect a nerdy friend of his to be standing in the background saying "laaaaaame, I knew you were full of shit, Parker."
Spidey learns a harsh lesson about holding grudges after he lets the armed robber go when he gets stiffed for prize money at the arena. Something you also learn in this film, evidently if someone is bleeding you don't need to apply pressure to a serious wound to try and prolong their life while the ambulance gets there.
We learn many important things from this film... best friends can be arseholes. "Oh you like that girl do you, well guess what, I'm going to date her and let you find out by accident."... Oh, and that people running in terror are oblivious to people ripping open their shirts to reveal a Spider-man costume (although the same is true for Superman and Supergirl sometimes too.)... Mary Jane is an idiot, she doesn't recognise her own friend's voice (maybe because he's dressed in spandex and she was distracted) and she doesn't get the hint that "he was in the neighbourhood."... And Willem Dafoe does evil really, really well.
The effects really are terrible, there's no denying that technology has developed a lot since this film was made, but I always find it really awful watching things that are so obviously generated... that hideous artificial looking outline of the green screening. Speaking of green things, Green Goblin's outfit is reminiscent of an over the top Power Ranger villain.
Between the terrible effects and the overacting, I'm honestly not sure what this film was going for. It had too many "funny" bits to be a serious film, and it had too many "serious" bits to be a funny film. I'm left thinking of Batman Forever as a comparison, the only difference being that BF was just over the top enough to be funny.
It's the classic story, boy meets spider, spider bites boy, boy gets super-human powers.
Okay, so I'll be serious... Awkward high school student Peter Parker gets bitten by a genetically modified spider while out on a school field trip. It isn't adolescence that's changing him though, it's the spider bite, and his new found spider-like abilities come in handy when he decides to fight evil while wearing spandex, after a tragedy hits his family.
Watching Maguire climb a wall is truly cringe-worthy (the effects were terrible). He has this wide-eyed look of insanity. And when he's trying to shoot web intentionally for the first time I half expect a nerdy friend of his to be standing in the background saying "laaaaaame, I knew you were full of shit, Parker."
Spidey learns a harsh lesson about holding grudges after he lets the armed robber go when he gets stiffed for prize money at the arena. Something you also learn in this film, evidently if someone is bleeding you don't need to apply pressure to a serious wound to try and prolong their life while the ambulance gets there.
We learn many important things from this film... best friends can be arseholes. "Oh you like that girl do you, well guess what, I'm going to date her and let you find out by accident."... Oh, and that people running in terror are oblivious to people ripping open their shirts to reveal a Spider-man costume (although the same is true for Superman and Supergirl sometimes too.)... Mary Jane is an idiot, she doesn't recognise her own friend's voice (maybe because he's dressed in spandex and she was distracted) and she doesn't get the hint that "he was in the neighbourhood."... And Willem Dafoe does evil really, really well.
The effects really are terrible, there's no denying that technology has developed a lot since this film was made, but I always find it really awful watching things that are so obviously generated... that hideous artificial looking outline of the green screening. Speaking of green things, Green Goblin's outfit is reminiscent of an over the top Power Ranger villain.
Between the terrible effects and the overacting, I'm honestly not sure what this film was going for. It had too many "funny" bits to be a serious film, and it had too many "serious" bits to be a funny film. I'm left thinking of Batman Forever as a comparison, the only difference being that BF was just over the top enough to be funny.
Madame Tussaud: A Novel of the French Revolution
Book
The world knows Madame Tussaud as a wax artist extraordinaire . . . but who was this woman who...
Phillip McSween (751 KP) rated Live Die Repeat: Edge of Tomorrow (2014) in Movies
Jun 5, 2019
Hits You From Jump and Keeps Rolling
Major William Cage (Tom Cruise) finds himself thrust into a war he wanted no part of against an enemy that gains the advantage by rewinding time. After he gains their power, he has to figure out a way to stop them and end their terror for good.
Acting: 10
Beginning: 10
Edge of Tomorrow grabs your attention from the opening credits. The screen starts to crackle and break up as we’re placed right in the middle of a number of news reports describing the current situation. It’s a clever way to get you caught up to speed without starting slow.
Characters: 10
Cinematography/Visuals: 10
Science fiction movies and war movies have some of the greatest cinematic scenes in film history. You combine the two genres and you’re left with pure gold. Edge of Tomorrow has a way of capturing grit, ugliness, and beauty at the same time. As you’re watching the alien creatures tear through things like it’s paper, you’re also marveling at everything director Doug Liman is capturing on the screen at once. It was a pleasure watching the mech suits in action, a mixture of old-school tech and advanced weaponry. The attention to detail throughout is to be applauded. The aliens alone are incredibly creative and intriguing to see on the battlefield.
Conflict: 10
Oftentimes, when I watch a film like this, I wonder how they’re able to still squeeze a story in when there is so much action. The battles are consistent and take you across a number of different landscapes as Cage has to keep reliving the day. It’s seriously badass once Cage has started to perfect the day enough where he’s killing the enemy left and right.
Although the action is amazing, that isn’t the sole thing carrying the conflict as Cage and Rita Vrataski (Emily Blunt) are trying to figure out what exactly they need to do bring the nightmare to an end. They are at ends throughout the movie, even to the point where Cage wants to throw in the towel a number of times. It feels very real.
Genre: 10
Memorability: 10
Pace: 10
Plot: 10
Very solid storyline that manages to stay out of its own way by not overcomplicating things. I appreciated the fact that the screenwriters (and there are multiple) didn’t try and cut any corners, but looked for proper ways to advance the story. And that ending…
Resolution: 10
Just perfect. Ends right were it needs to with you wanting more, but knowing you don’t really need it. The closure is spot on. Well done.
Overall: 10
Chalk one up for the blockbusters, Edge of Tomorrow stands on my Top Ten list all-time as of today. It keeps you guessing, but most importantly, it keeps you entertained. I won’t apologize for the high rating as this film checks all the boxes.
Acting: 10
Beginning: 10
Edge of Tomorrow grabs your attention from the opening credits. The screen starts to crackle and break up as we’re placed right in the middle of a number of news reports describing the current situation. It’s a clever way to get you caught up to speed without starting slow.
Characters: 10
Cinematography/Visuals: 10
Science fiction movies and war movies have some of the greatest cinematic scenes in film history. You combine the two genres and you’re left with pure gold. Edge of Tomorrow has a way of capturing grit, ugliness, and beauty at the same time. As you’re watching the alien creatures tear through things like it’s paper, you’re also marveling at everything director Doug Liman is capturing on the screen at once. It was a pleasure watching the mech suits in action, a mixture of old-school tech and advanced weaponry. The attention to detail throughout is to be applauded. The aliens alone are incredibly creative and intriguing to see on the battlefield.
Conflict: 10
Oftentimes, when I watch a film like this, I wonder how they’re able to still squeeze a story in when there is so much action. The battles are consistent and take you across a number of different landscapes as Cage has to keep reliving the day. It’s seriously badass once Cage has started to perfect the day enough where he’s killing the enemy left and right.
Although the action is amazing, that isn’t the sole thing carrying the conflict as Cage and Rita Vrataski (Emily Blunt) are trying to figure out what exactly they need to do bring the nightmare to an end. They are at ends throughout the movie, even to the point where Cage wants to throw in the towel a number of times. It feels very real.
Genre: 10
Memorability: 10
Pace: 10
Plot: 10
Very solid storyline that manages to stay out of its own way by not overcomplicating things. I appreciated the fact that the screenwriters (and there are multiple) didn’t try and cut any corners, but looked for proper ways to advance the story. And that ending…
Resolution: 10
Just perfect. Ends right were it needs to with you wanting more, but knowing you don’t really need it. The closure is spot on. Well done.
Overall: 10
Chalk one up for the blockbusters, Edge of Tomorrow stands on my Top Ten list all-time as of today. It keeps you guessing, but most importantly, it keeps you entertained. I won’t apologize for the high rating as this film checks all the boxes.
Kyera (8 KP) rated Stalking Jack the Ripper in Books
Feb 1, 2018
Stalking Jack the Ripper is a fascinating, fictional take on the reign of terror that gripped London in the late 1800's. The story is told through the eyes of a teen girl, Audrey Rose, who is doing her best to study under her uncle's tutelage - as a forensic scientist. She is drawn into the murders, even though her family and society does not agree with her inclusion in the affair as it is not right for ladies to be interested in such things.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
Gareth von Kallenbach (980 KP) rated I, Tonya (2017) in Movies
Jul 8, 2019
Most people when they hear the name Tonya Harding immediately have images of Nancy Kerrigan holding her knee and crying out “Why?” over and over again come to their minds. They may even think of Harding herself crying to a panel of judges about the state of the laces on her skates during Olympic competition. Her name and image became a point of ridicule and shame. She became the butt of jokes throughout the 90s and a never-ending punchline. People were not sympathetic to her and were not willing to hear her story. She was condemned to being the monster that we convinced ourselves that she was. The film I, Tonya sheds light onto who this woman was in demonstrating the complexities of her upbringing, years of abuse at the hands of her mother and later her husband. Margot Robbie (Suicide Squad, Wolf of Wall Street) stars as Tonya Harding, the disgraced Olympic figure skater.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
365Flicks (235 KP) rated Cold Moon (2017) in Movies
Nov 20, 2019
At first glance this looks like most other by the numbers Horror/Thriller movies with a cast of people you will recognize straight away but take a while to place where from. However give it a minute because this movie has some really stellar performances from the core cast which considering the concept is just bonkers enough to take you out of it completely, I find this to be nothing short of incredible.
THE BLURB:
In a sleepy southern town, the Larkin family suffers a terrible tragedy. Now the Larkin’s are about to endure another: Traffic lights blink an eerie warning, a ghostly visage prowls in the streets, and graves erupt from the local cemetery in an implacable march of terror . . . And beneath the murky surface of the river, a shifting, almost human shape slowly takes form to seek a terrible vengeance.
I found this movie to be way more Thriller than Horror, sure there are some solid as hell jump scares but one of the defining points in a Horror is that we don’t find out who the man in the mask is till the last quarter of the movie. In Cold Moon we know who the killer is early on and the film interestingly begins to focus on the rapid decline of our killers mind. Being haunted by the eerie ghosts of his victims, leading him to drink heavily, become careless and basically begin to lose his shit… Well that is where this movie cuts its teeth and showcases not only what our core cast can do but how effortlessly our Director/Writer can craft his tale.
Griff Furst has crafted a pretty eerie, Good looking, Atmospheric and Clever movie from the original novel written by the late Michael McDowell, author of Beetlejuice and The Nightmare Before Christmas. Not only that but he managed to perfectly cast his roles from top to bottom **In my eyes, of course**. So lets touch on a couple of those people you know but may not place.
Josh Stewart from mostly everything, most notably for me he was Bane’s main henchmen in Dark Knight Rises. He is great in this flick, given a real chance to show us his range and I was pleased to see more of him. Frank Whaley from almost everything ever and he is fantastic in this. Up and Coming Robbie Kay from Tv show Once Upon A Time puts in a pretty strong performance. Ladies and Gentlemen we are even treated to some Christopher Lloyd, Doc Brown-ing all over the place.
Oh crap I almost forgot we are given a Tommy Wiseau cameo that is a real treat… Listen closely for his one line “He’s tearing him Apart”. Awww man now I wanna watch the room.
I recommend the hell out of this movie, is it amazing?? Not really… But its good fun, pretty clever, great performances and entertaining as hell. So a definite recommend.
THE BLURB:
In a sleepy southern town, the Larkin family suffers a terrible tragedy. Now the Larkin’s are about to endure another: Traffic lights blink an eerie warning, a ghostly visage prowls in the streets, and graves erupt from the local cemetery in an implacable march of terror . . . And beneath the murky surface of the river, a shifting, almost human shape slowly takes form to seek a terrible vengeance.
I found this movie to be way more Thriller than Horror, sure there are some solid as hell jump scares but one of the defining points in a Horror is that we don’t find out who the man in the mask is till the last quarter of the movie. In Cold Moon we know who the killer is early on and the film interestingly begins to focus on the rapid decline of our killers mind. Being haunted by the eerie ghosts of his victims, leading him to drink heavily, become careless and basically begin to lose his shit… Well that is where this movie cuts its teeth and showcases not only what our core cast can do but how effortlessly our Director/Writer can craft his tale.
Griff Furst has crafted a pretty eerie, Good looking, Atmospheric and Clever movie from the original novel written by the late Michael McDowell, author of Beetlejuice and The Nightmare Before Christmas. Not only that but he managed to perfectly cast his roles from top to bottom **In my eyes, of course**. So lets touch on a couple of those people you know but may not place.
Josh Stewart from mostly everything, most notably for me he was Bane’s main henchmen in Dark Knight Rises. He is great in this flick, given a real chance to show us his range and I was pleased to see more of him. Frank Whaley from almost everything ever and he is fantastic in this. Up and Coming Robbie Kay from Tv show Once Upon A Time puts in a pretty strong performance. Ladies and Gentlemen we are even treated to some Christopher Lloyd, Doc Brown-ing all over the place.
Oh crap I almost forgot we are given a Tommy Wiseau cameo that is a real treat… Listen closely for his one line “He’s tearing him Apart”. Awww man now I wanna watch the room.
I recommend the hell out of this movie, is it amazing?? Not really… But its good fun, pretty clever, great performances and entertaining as hell. So a definite recommend.