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<I>I received this book for free through Goodreads First Reads.</I>

It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.

The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.

David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.

Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.

Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.

The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.

Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.

An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
  
Call of Duty: Advanced Warfare
Call of Duty: Advanced Warfare
Shooter
Sledgehammer Games have crafted a gem in the latest chapter in the mega-selling Cal of Duty series. Call of Duty: Advanced Warfare blends old and new to create the most enjoyable and versatile entry into the series in recent years.
The game is set in the near future where Exo Skeletons, drones, and target seeking grenades have become commonplace on the battlefield.
Players are cast as a young Marine who after a successful but costly battle finds himself at a crossroads. He is given a new chance when the head of a large and powerful private defense contractor offers to make him part of the team.
At this point players will take on a deadly terror threat all over the globe and will have an arsenal of weapons at their disposal including hover bikes for a thrilling chase through Detroit.
Of course there is a darker side to the story and a bigger plot is discovered where the player must stand up for what he knows is right even if it means turning his back on others.
The graphics of the game are first rate and the facial animations have to be seen to be believed. I enjoyed the new weapons and storylines, but much of the gameplay while exciting does follow the series staples of run and gun, stealth missions, and vehicle chases.
The addition of the Exo Suit is a huge plus as it allows for jet powered jumps and moves as well as the ability to cling to metallic surfaces.
This feature enhances the storylines greatly as I enjoyed jumping to and from moving vehicles, climbing up vast buildings, and making tall jumps in combat.
What really makes this game shine is the amazing multiplay which not only combines multiple modes such as Kill Confirmed, Deathmatch, Team Deathmatch, and countless other modes, it also has co-op missions as well.
The ease of customization in the multiplay modes is great as everything from energy weapons to machine guns is available to players as is the ability to customize your perks, kill streak rewards, and accessories.
The game offers bonus items that can be accessed in menu and in game which really enhances the appeal of the game. I remember turning a solar lense on some enemies and frying them down as well as getting a giant combat suit and cutting players down to size.
I had issues with the multiplayer in Ghosts and had to force myself to play to make max level, but thankfully Advanced has not had those issues as I happily play the online modes as often as I can. I have enjoyed the maps and the variety of weapons and combat styles immensely.
The inclusion of Kevin Spacey was a nice addition as far as I was concerned as it brought a new level of menace and complexity to what could have otherwise been a stock video bad guy. You can almost understand his motivations.
I was able to complete the single player campaign in a bit over 6 hours but I enjoyed the thrill ride it contained and being able to use the abilities of the suit as well as the grapple were well featured throughout the highly detailed levels of the game.
In the end if you like Call of Duty then you will likely love this game and if you are not a fan, then no matter what the publisher and designers do will likely not appease you. For me, this was a nice mix of the old and familiar with some new directions that shows there is still plenty of life in the franchise.

http://sknr.net/2015/01/08/call-dutyadvanced-warfare/
  
Velvet Buzzsaw (2019)
Velvet Buzzsaw (2019)
2019 | Drama, Horror, Mystery
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.

The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.

It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.

Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.

If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.

Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.

https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
  
Alone with Her (2007)
Alone with Her (2007)
2007 | Drama, Mystery
6
6.0 (1 Ratings)
Movie Rating
Story: Alone with Her starts warning statistics about how every minute 3 people become victims of stalkers and how easy it is to become one. We start by following our stalker in question Doug (Hanks) who has rigged a bag to wonder around with a hidden camera. When Doug picks his victim Amy (Talancon) he enters her house to place hidden cameras around her apartment while she is on holiday.

With the cameras set up Doug learns all the ins and outs of Amy’s live while she has no idea but when Doug starts trying to get to know Amy in person he uses his own information about her to make a relationship happen, but when things don’t go to his plan things turn sour and we see just how dangerous Doug can be.

Alone with Her brings us a disturbing look at how far a stalker can go, it all comes off early that it is just going to be watching but then when Doug gets involved in Amy’ life we get to see how far it goes. To think this film was made in 2006 just think how this could reach new levels with all the new technology we have in the world now. This film could make you paranoid about everything in your life but by the end it ends up going in an easy ending.

Actor Review

Colin Hanks: Doug is our stalker he likes to follow people’s lives when he picks his newest victim Amy he sets up cameras all over her house while following her around her everyday life, when things don’t go to his plan he starts getting involved in her life showing how dangerous he is. Colin gives us a disturbing performance that will use his charming side before showing his darker side.doug

Ana Claudia Talancon: Amy is the single lady that becomes the object of Doug’s obsession. She is unaware of anything going on but tore between what she wants from a chance meeting from Doug leading her to putting her life in danger when she finds out Doug’s true motives. Ana gives us a brave performance where she has to go through a lot during the film.amy

Support Cast: Alone with Her only really has two supporting cast members with Amy’s best friend and a potential love interest, they do what they need to but get eclipse by the two stars of the film.

Director Review: Eric Nicholas – Eric gives us a terrifying look at how a stalker could operate, with it starting off with simple watching before turning darker as the film continues.

Crime: Alone with Her shows how a criminal stalker goes about his plans.

Horror: Alone with Her shows how things end up getting out of hand when someone is watching your every move without you knowing.

Thriller: Alone with Her keeps you guessing to what will happen next and how far Doug will go.

Settings: Alone with Her keeps most of the settings inside the house of Amy as we watch everything she does this all works because it brings the horror of terror inside his own house.

Suggestion: Alone with Her is one to try because it does have a good idea of horror but does start slow. (Try It)

Best Part: The fact it could be real.

Worst Part: Slow starting.

Believability: This could easily happen to someone.

Chances of Tears: No

Chances of Sequel: Could have one

Post Credits Scene: No

Oscar Chances: No

Budget: $1 Million

Runtime: 1 Hour 18 Minutes

Tagline: Anytime. Anywhere. He’s watching.

Overall: Disturbing Thriller that will shock you with ow easy it is to become a victim of stalking

https://moviesreview101.com/2016/06/10/movie-reviews-101-midnight-horror-alone-with-her-2006/
  
The Cave (2005)
The Cave (2005)
2005 | Action, Horror, Sci-Fi
2
5.3 (7 Ratings)
Movie Rating
Ever since the classic days of horror, one constant in film has been the time honored formula of a group of people trapped, and being stalked by sinister forces bent on their destruction.

Through countless monster films of the 40’s, 50’s, and 70’s this pattern has been a constant, ranging from Dracula to It: the Terror from Beyond Space which served as the inspiration for the genre classic “Alien”.

The breakout success of “Alien” vaulted the so called creature features from the status of matinee standard to mainstream release, which has seen varied success over the years on the big screen, but has been a fixture of cable and the home video market.

It is said that to all things there is a season, and this summer was no exception as the latest film in the genre, The Cave has surfaced at theaters after much delay due to constantly changing release dates.

The film tells of a group of explores headed by Jack (Cole Hauser), who venture to Romania to explore what is believed to be the largest underwater cave ever discovered.

In no time the team has established a base camp and ventures into the depths and finds themselves in a massive underwater cavern approximately two miles in after they had begun to explore.

A freak incident occurs trapping the group inside the unexplored cavern, which forces them to seek a new way out, as their supplies will run out in twelve days. This matter combined with the depth of their location makes a rescue difficult process, so despite reservations the team ventures even deeper into the unexplored cave.

Along the way, signs of human remains are found, which sets the group further on edge. A chance encounter with a cave dwelling creature leaves Jack injured and causes the team to look at his brother Tyler (Eddie Cibrian), to take charge, as there are those that start to believe Jack is no longer fit to lead the team. As the film unfolds a series of accidents and encounters with the bizarre creatures leaves the team diminished and in disarray, and in a bizarre twist, Jack has begun to deteriorate leaving people to wonder just how extensive the damage from his attack is.

What surprised me is that with an interesting premise and good supporting actors such as Morris Chestnut, and Piper Perabo just how dull and unsympathetic the characters were. We are told very little about them leaving their characters so paper thin, even by action film standards that it is very hard to have any sympathy for them, and care about their outcome.

What is an even bigger surprise is that the film for the most part is utterly devoid of any thrills, chills, or tension as it plods along failing to gain any modicum of suspense.

The so called finale was so by the numbers that it was in no way worth having to sit through 90+ minutes of uninspired acting, average effects, and groan inducing dialogue (“They can fly to”) that generated laughs during what is supposed to be a moment of intensity.

The creatures have some potential but we see so precious little of them, and based on certain elements of the plot, there is a lot more that needed to be said that was not.

The ending does leave the door open for a sequel but as this film is likely to be on my “Worst of the Year” list, lets hope they decide to delay this a few years which is what they should have continued to do with this bomb.
  
The Blair Witch Project (1999)
The Blair Witch Project (1999)
1999 | Horror
While this film is credited as being the first "found footage" film ever made, it is not true. I found several websites even saying the same thing. Not true. That award goes to Cannibal Holocaust (I am pretty sure) which was release almost two decades earlier (1980 vs. 1999).

The film begins with sort of standard documentary fare showing interviews with the Maryland locals discussing if they have heard of the legend of the Blair Witch. For those that had, they recalled their own memories of the stories they had heard from others or from their childhood. Eventually, the documentary filmmakers meet the odd-looking Mary Brown who details her first hand experience with the demon recalling its weird hairy appearance.

Heather, Josh and Michael then decide to go for an outdoor wooded adventure in an attempt to locate and document evidence of the existence of the local legend themselves, not knowing what lies ahead for them. The journey starts out pretty normal with Heather doing most of the onscreen explanations, the other two mostly relegated to replying to her whims or arguing with her about various topics.

Eventually, a few bad thing start to happen including the loss of their woodland map and hearing strange sounds during the blackness of night. They now wander the woods becoming increasingly agitated with each other and their situation when it is revealed they may be walking in circles and are no closer to completing their quest or finding their way out. They see various various stick and rock formations which are not naturally occurring which means someone else is out there with them.



I remember sitting in a darkened theatre in 1999 hearing about this film briefly before its release. Not much was known at the time, and I recall this being one of the first films to have significant internet buzz beforehand. The internet was only a few years old at the time, so this was also a relatively new concept. Modern audiences are spoiled with so much content for every film available online, that everyone almost loses the feeling of being completely surprised by a film you knew virtually nothing about going in.

For Blair Witch, the added element of the "found footage" style was foreign to pretty much everyone which added to the hype and box office success of the film. Virtually the entire viewing public were not completely sure if what they were watching actually happened or this was fiction. It helped that writer/directors Daniel Myrick and Eduardo Sánchez used an unknown cast so seeing someone they recognized onscreen would not ruin the experience of believing its authenticity.

I am down on sloppy modern moviemakers most of the time these days relying so heavily on CGI and making movies look like pretty perfection rather than focusing on the most important thing for a horror film (or any film) a good screenplay and implied tension. For Blair Witch, it has been said some scenes were improvised or given a general direction but not a full script; however, that doesn't detract from the authentic nature of the situation.

The 2nd half of the film has some truly terrifying moments which happen in the background or off-screen showing you don't need to spend all your money on a CGI monster, just make it scary. The scene and keyart for the film showing the top half of Heather's head which she speaks into the camera explaining her terror and anguish is so believable and mesmerizing it send chills down my spine every time I watch it.

The film also get bagged for the ending which might be considered too short or anti-climactic; however, I think it's perfect and really the only way the movie could have gone.

  
Show all 3 comments.
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Andy K (10821 KP) Oct 18, 2019

Interesting. Haven't heard of that one. I will certainly check it out. Thanks!

40x40

Awix (3310 KP) Oct 18, 2019

You're welcome.

The Swords of Silence
The Swords of Silence
Shaun Curry | 2019 | Science Fiction/Fantasy
6
6.0 (1 Ratings)
Book Rating
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;

#1 <a href="https://www.goodreads.com/review/show/2886479579">The Swords of Silence</a> - ★★★

<img src="https://diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-20.png"/>;

I was born and raised in a country where religion is sacred. I was surrounded with Christianity all my life. However, while I have learned lessons of love, respect and hope, I am not a believer. I do believe that we need to be kind to each other, respect each other and hope for a better tomorrow, but I don't believe there is a God out there who decides our faith. My review is based on how I felt while reading and I believe everyone is entitled to their own opinion and should be respected for that.

The Swords of Silence features father Joaquim, who moves to Japan in the 1620's, to share the religion of Christ. However, the brutal regime in Japan forbids any other religion than Buddhism. The Shogun is determined there is no more Christianity in his country. Throughout the book, we follow Joaquim's journey, where he manages to get captured and escapes several times, with the help of God.

<b><i>This book perfectly captures the regime in Japan during this time.</i></b>

The true terror and the brutal punishments if you ever dare make a mistake. The world of no mercy. But this book is also a product of divine inspiration and has great elements some of us consider fantasy.

<b>Many of the scenes in The Swords of Silence that featured escaping were unrealistic and resembled the Bible stories.</b> We had walking on water, moving of mountains and a big storm in the sea that only affects the enemy ship, even though they are only metres away from father Joaquim's ship.

There is one scene though, that I was absolutely in awe with, and that was the scene with the duels. As a person who trained karate all my life and is very familiar with the rules of a duel, honour, respect and combat in martial arts - this scene was perfectly set and accurate. It brought all the emotions and it was brutally realistic. And it is because of this scene that I will give this book three stars.

The Swords of Silence is a great book, and I love the fact that the author captured moments in history that were true and brutal, and not many people in the world know about. A story that will make people aware of what was happening in the past. Even though I am not a believer in God, I stand by that people shouldn't be mistreated, bullied, or in this case - brutally murdered for what they believe in. Everyone has the right to believe in anything they believe in.

If this book was more realistic with the events and scenes, I would have given it five stars for the message it shares with the world.

<b><i>True fact: Around 1% of the population in Japan claims Christian belief or affiliation. Most large Christian denominations are repressed in Japan today.</i></b>

Thank you to LoveReading UK, the publisher Harper Collins UK and the author, Shaun Curry, for sending me a copy of this book in exchange for an honest review.

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Nanny McPhee (2006)
Nanny McPhee (2006)
2006 | Comedy, Family
6
7.3 (18 Ratings)
Movie Rating
Story: Nanny McPhee starts when widow Mr Brown (Firth) is struggling to keep a nanny to care for his seven children led by the oldest Simon (Brodie-Sangster) who has always planned to push the nanny away with schemes that will leave them in terror. Reaching the end of his potential candidates, Mr Brown is drawn to a mystical Nanny McPhee (Thompson).

Nanny McPhee uses different methods to get the children in order, using her magic, with the warning When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. Can the children be put into order before it is too late.

 

Thoughts on Nanny McPhee

 

Characters – Nanny McPhee is a magical nanny that comes when families need her most, she uses the magic to push the children into following her rules, letting them learn from their mistakes unlike any previous nanny. Mr Brown is the widowed father of seven that runs a funeral parlour, he has become distant from his children because of the added pressure of needing to find a new wife as h is clearly stricken with the grief in his life. Evangeline is the help around the house, she is learning from the children in a way that sees her being one of the only adults that can get through to them. Simon is the oldest child that plans what the rest get up to, he needs to learn the biggest lessons as the others will look up to him most.

Performances – Emma Thompson is wonderful choice as Nanny McPhee, she always has your attention on screen no matter what she is teaching. Colin Firth is a great choice in this role, he has the fatherly side down and a man that needs to find love. Kelly Macdonald works well in the maid role in the film bring a calm to the chaos the children usually have. Thomas Brodie-Sangster as the lead of the children stars shows that he was one of Britain’s best at the time.

Story – The story follows a widow that must find a new wife within a month, but is struggle to make sure his children have a nanny after they have chased the rest out of town, a magical nanny comes along to save the day and teach the children a lesson. This story does tackle adult themes like grief and learning to communicate with your family after a tragic loss. We don’t overly focus on the serious side of the film because this is meant to be a kids movie, which is fine, which does pose the question just why would somebody have seven kids and not be able to control them. We do get to through the usual life lessons that the children must learn without being anything special.

Comedy/Fantasy – The comedy in the film usually falls into the slightly more immature level which is more for the children audience, the fantasy comes from just how Nanny McPhee operates.

Settings – The film is set in the house that Mr Brown lives in with his children, it shows that he is in the upper class in the time they are living in.

Special Effects – The effects come from how Nanny McPhee pulls her magic to make the life better for the children.


Scene of the Movie – The wedding.

That Moment That Annoyed Me – Overly childish jokes.

Final Thoughts – This is a simple enjoyable family fantasy film that can be enjoyed by the whole family, it doesn’t bring anything new, but it doesn’t break anything too.

 

Overall: Fantasy film 101.
  
    AmpliTube Orange for iPad

    AmpliTube Orange for iPad

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    LEGENDARY ORANGE® TONE ON YOUR iPAD. NOW WITH 3D CAB MIKING, MIC MODELING, A DAW-STYLE EDITOR AND...