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Bostonian916 (449 KP) rated Joker (2019) in Movies
Jun 29, 2020
I found it refreshing to see a movie built specifically around Joker without the backdrop of Batman looming overhead. There have been some remarkable interpretations of Joker in the past but I don't think that the viewer has been given the opportunity to really dive into the villain and what makes him who he has become. It was nice to see a film maker give the audience permission to root for someone who wasn't the traditional hero, but a "hero" in his own rite, depending on your point of view and interpretation.
I do think that there were parts of the movie that were lacking development. But I think that can be said about just about any movie you can find. All in all, worth a watch. I'm not sure if I will watch again. Time will tell.
I do think that there were parts of the movie that were lacking development. But I think that can be said about just about any movie you can find. All in all, worth a watch. I'm not sure if I will watch again. Time will tell.
Jesters_folly (230 KP) rated Harley Quinn - Season 1 in TV
Jul 13, 2020
TheDefunctDiva (304 KP) rated Pacific Heights (1990) in Movies
Oct 11, 2020
Private Joker vs. Batman
Contains spoilers, click to show
Melanie Griffith’s character is the real hero in this one. I kept expecting a twist, but there really wasn’t much of a surprise ending. Billed as an “upscale horror movie,” and I can see why, for those of us over 25. Oooooohhhhh, my credit! Real-world nightmare scenario.
Batman Adventures: Volume 2
Mike Parobeck and Kelly Puckett
Book
* A special all-ages Batman collection! This graphic novel collects the serialized adventures from...
Jacob Reese (14 KP) rated Joker (2019) in Movies
Jun 20, 2020
This movie is more than just a look at society and the influence of the wealthy on the lower class. This is a great artistic rendering of a character from a comic series. This shows the true darkness of the joker and what has driven his insanity in all of the Batman movies/comics. While this is just one interpretation of the origins of the Joker I would say that it is the most important origin story in film to date. This doesn't focus on the typical good guy vs evil trope that is prevalent in most comic book adaptations in current film. It focuses on the psychological aspect of the character himself rather than the message that he tries to send in other adaptation. Which is an important aspect to his character that isn't often truly focused on. Most other movies just focus on his insanity rather than where it comes from. He is utter chaos because that's how he sees the world.
Awix (3310 KP) rated Batman (1989) in Movies
Feb 25, 2018
Tim Burton's landmark superhero adaptation was an unavoidable media juggernaut on original release; has stood the test of time pretty well. Bruce Wayne begins his battle against crime as Batman, inadvertently creates psycho crime-lord the Joker; the two of them both take a shine to reporter Vicki Vale.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
Hutch (9 KP) rated Batman (1989) in Movies
Jun 17, 2019 (Updated Jun 17, 2019)
Original and still the best
As good as Christopher Nolan's Batman Trilogy was, this is still my favourite and Keaton is still the best Dark Knight. Dark and broody and with eyebrows made for the role, Keaton delivers as both Batman and Bruce Wayne while Jack Nicholson hits the perfect balance of menace and camp with his Joker. Ps -Great soundtrack too
PPS - the Batmobile has never looked so cool
PPS - the Batmobile has never looked so cool
Jordan Robert Mcdarby (7 KP) rated Batman (1989) in Movies
Jun 30, 2019
Best batman of our time thus far
Contains spoilers, click to show
This is the burton batman set in a quite gothic feel gotham with tall buildings and huge lights into the night. Batman is the protector of his home city and fiercly defends it from all criminal activity.
We see Jack Napier a young mafia hitman with big ambitions try to over throw his boss and become a big time gangster during one of his escapades he runs into the batman and is dropped into a vat of chemicals bleaching his skin and disfiguring his features , on the discovery of this he becomes The Joker and begins his crime spree with the intention to make all of gotham pay for what has happened to him this begins the ultimate battle between good and evil in gotham the Batman must stop him at all costs
We see Jack Napier a young mafia hitman with big ambitions try to over throw his boss and become a big time gangster during one of his escapades he runs into the batman and is dropped into a vat of chemicals bleaching his skin and disfiguring his features , on the discovery of this he becomes The Joker and begins his crime spree with the intention to make all of gotham pay for what has happened to him this begins the ultimate battle between good and evil in gotham the Batman must stop him at all costs
Movie Metropolis (309 KP) rated Joker (2019) in Movies
Oct 14, 2019
I’ve never left the cinema more unnerved than I did after watching Todd Phillips’ first foray in the superhero genre. Joker is a frequently violent, often grotesque and regularly intense portrayal of the iconic character that’s already receiving praise and backlash in equal measure from those in the critic community.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.