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LEGO DC Super Heroes: Super Hero Stories
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Experience Superman, Batman, Wonder Woman and the whole DC Comics Universe like you've never...
Kim Pook (101 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
May 17, 2020
Better than suicide squad
I wasn't sure what to expect from this movie, I liked suicide squad but didn't think it was brilliant and I thought it would be a big mistake splitting harley from the joker, but I was wrong. This girl can really hold her own and was great to see she does have a softer human side to her too. The movie is filled with humour but also kick ass fight scenes. I thoroughly enjoyed this movie from beginning to end and definitely recommend it to anyone.
Batman (1989)
8.2
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After witnessing the brutal murder of his parents as a child, millionaire-philanthropist Bruce Wayne...
batman dc comics
BankofMarquis (1832 KP) rated Joker (2019) in Movies
Oct 10, 2019
Joaquin's Performance Elevates This Film
Give Joaquin Phoenix the Oscar right now. His bravura performance as the titular character in JOKER is one for the ages. He is on the screen in every scene of this film and captivates and repulses you at the same time. This performance raises this film to another level.
The question is - what level was this film at, and where does this performance raise it to?
Set in Gotham City right around the time of the murder of Bruce Wayne's parents, JOKER tells the origin story of...well...a character that calls himself JOKER. This sad sack, with the name of Arthur Fleck, is a part-time clown (standing outside of store closings with a spinning sign or going to Children's Hospital). We watch his origins as he rises (or perhaps...falls?) to the anarchic symbol that is JOKER. And that's the interesting thing about this film. You are watching the fall of a man and the rise of a symbol - does Fleck find comfort or madness in this journey - or, perhaps, maybe he finds comfort in madness?
Embodying this broken spirit that keeps getting up despite whatever beatings (sometimes physical, sometimes mental, always with the potential to finally break him) is the unique talent that is Joaquin Phoenix. You can tell from his portrayal of Arthur that there is something just "off" with him and you continually wait for the breaking point that will drive him down the road of JOKER. But it is not only his acting that is on display here, it the manipulation and movements of his body that is amazing and outstanding. Much like a professional dancer, Phoenix/Fleck waltzes through this film like there is a musical score that only he can hear - and that is both fascinating and disturbing at the same time. There is a fine line that needs to be trod here, for if you don't, this character and performance can easily be one of total madness (a.k.a. Jack Nicholson as Jack Torrance in the SHINING) but Phoenix balances sanity/insanity very well and you are waiting for the final blow that will send him, inevitably, over the edge. It's like watching a ticking time bomb that you cannot see the clock counting down to zero - but count down to zero you are sure it will do.
Exchanging blows with Phoenix for about 1/3 of this film is Robert DeNiro as talk show host Murray Franklin (think a meaner version of Johnny Carson). DeNiro is VERY good in this role and it is good to see that he still can "bring it" as a serious actor when he wants to. Unfortunately, DeNiro's character isn't really in the first 2/3 of this film and that's too bad. Phoenix' Arthur Fleck is a force to be reckoned with and he really could have used another character just as strong to play against.
Unfortunately, Writer/Director Todd Phillips (THE HANGOVER films) doesn't really give Phoenix anyone strong to play against for the first 2/3 of this film though Frances Conroy (overbearing mother), Zazie Beetz (potential love interest) and Brett Cullen (billionaire Thomas Wayne, father of Bruce) come and go in all too brief appearances that never really are on screen long enough to stand their ground (though Conroy comes close). This makes the first part of this film very on-sided, dreary, depressing and dark. I get that Director/Writer Phillips was going for the "Decaying of Gotham" theme as seen through the eyes of Fleck, but it became a slog after awhile. I wanted to yell at the screen at about the 1 hour mark "All right, I get it!"
Now...to give Phillips credit, he creates an interesting version of this world that we all know well (through the Dark Knight and various other DC Universe films), so I give him points for originality. And...he really NAILS the ending (the last 1/3 of the film - the part WITH DeNiro). I thought it was effective and potent and left it's mark.
Which brings me back to my opening thought. Phoenix raises this film up with his performance - the question is "from where to where". I'd have to say (because of the slowness of the first 2/3 of this film) that Phoenix fearless performance raises this dark and dreary film from a "C" to a "B". So with that in mind, I give JOKER...
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
The question is - what level was this film at, and where does this performance raise it to?
Set in Gotham City right around the time of the murder of Bruce Wayne's parents, JOKER tells the origin story of...well...a character that calls himself JOKER. This sad sack, with the name of Arthur Fleck, is a part-time clown (standing outside of store closings with a spinning sign or going to Children's Hospital). We watch his origins as he rises (or perhaps...falls?) to the anarchic symbol that is JOKER. And that's the interesting thing about this film. You are watching the fall of a man and the rise of a symbol - does Fleck find comfort or madness in this journey - or, perhaps, maybe he finds comfort in madness?
Embodying this broken spirit that keeps getting up despite whatever beatings (sometimes physical, sometimes mental, always with the potential to finally break him) is the unique talent that is Joaquin Phoenix. You can tell from his portrayal of Arthur that there is something just "off" with him and you continually wait for the breaking point that will drive him down the road of JOKER. But it is not only his acting that is on display here, it the manipulation and movements of his body that is amazing and outstanding. Much like a professional dancer, Phoenix/Fleck waltzes through this film like there is a musical score that only he can hear - and that is both fascinating and disturbing at the same time. There is a fine line that needs to be trod here, for if you don't, this character and performance can easily be one of total madness (a.k.a. Jack Nicholson as Jack Torrance in the SHINING) but Phoenix balances sanity/insanity very well and you are waiting for the final blow that will send him, inevitably, over the edge. It's like watching a ticking time bomb that you cannot see the clock counting down to zero - but count down to zero you are sure it will do.
Exchanging blows with Phoenix for about 1/3 of this film is Robert DeNiro as talk show host Murray Franklin (think a meaner version of Johnny Carson). DeNiro is VERY good in this role and it is good to see that he still can "bring it" as a serious actor when he wants to. Unfortunately, DeNiro's character isn't really in the first 2/3 of this film and that's too bad. Phoenix' Arthur Fleck is a force to be reckoned with and he really could have used another character just as strong to play against.
Unfortunately, Writer/Director Todd Phillips (THE HANGOVER films) doesn't really give Phoenix anyone strong to play against for the first 2/3 of this film though Frances Conroy (overbearing mother), Zazie Beetz (potential love interest) and Brett Cullen (billionaire Thomas Wayne, father of Bruce) come and go in all too brief appearances that never really are on screen long enough to stand their ground (though Conroy comes close). This makes the first part of this film very on-sided, dreary, depressing and dark. I get that Director/Writer Phillips was going for the "Decaying of Gotham" theme as seen through the eyes of Fleck, but it became a slog after awhile. I wanted to yell at the screen at about the 1 hour mark "All right, I get it!"
Now...to give Phillips credit, he creates an interesting version of this world that we all know well (through the Dark Knight and various other DC Universe films), so I give him points for originality. And...he really NAILS the ending (the last 1/3 of the film - the part WITH DeNiro). I thought it was effective and potent and left it's mark.
Which brings me back to my opening thought. Phoenix raises this film up with his performance - the question is "from where to where". I'd have to say (because of the slowness of the first 2/3 of this film) that Phoenix fearless performance raises this dark and dreary film from a "C" to a "B". So with that in mind, I give JOKER...
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Batman: Arkham Asylum
Dave McKean and Grant Morrison
7.3
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One of the greatest Batman stories ever told, Batman Arkham Asylum is celebrated in this 25th...
Dark Knight Returns
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It's the thirtieth anniversary of THE DARK KNIGHT RETURNS, and now DC Comics presents this classic...
David McK (3251 KP) rated Batman Begins (2005) in Movies
Jun 9, 2019 (Updated Aug 1, 2020)
The first - and, for my money, the best - of the Christopher Nolan Dark Knight trilogy starring Christian Bale, taking Bruce Wayne back to his early days as Batman (and, indeed, keeping him out of costume for the entirety of the first hour).
This is largely set in a more realistic depiction of Gotham than any of the previous big-screen outings for the character, showing the evolution of the suit and with the Batmobile replaced by the tank-like Tumbler. It also - perhaps wisely, in order to keep the focus on Bruce Wayne/Batman - does not involve any of his more famous foes: instead of the Joker, or Penguin, or Riddler, the main villain(s) here - while still drawn from Bat lore - are more than likely to be less familiar to the average viewer.
This is largely set in a more realistic depiction of Gotham than any of the previous big-screen outings for the character, showing the evolution of the suit and with the Batmobile replaced by the tank-like Tumbler. It also - perhaps wisely, in order to keep the focus on Bruce Wayne/Batman - does not involve any of his more famous foes: instead of the Joker, or Penguin, or Riddler, the main villain(s) here - while still drawn from Bat lore - are more than likely to be less familiar to the average viewer.
David McK (3251 KP) rated A Knight's Tale (2001) in Movies
Mar 16, 2021
While the late Heath Ledger may always be remembered for his portrayal as The Joker in The Dark Knight, and speaking personally, that's actually NOT the first film I remember seeing him in.
This is.
Starring as William, the peasant squire of a Knight who partakes in the medieval sport of jousting - which is restricted to the nobility - and who, just as the film starts, impersonates said Knight (who has passed away), this is very (very) loosely based on Chaucer's 'The Knights Tale' in the Canterbury Tales.
Indeed, Chaucer himself is one of the key characters in this film, portrayed by a pre-Vision (from the MCU) Paul Bettany.
Yes, the soundtrack is completely anachronistic (Queen? David Bowie?) but also actually works in the context of the film!
This is.
Starring as William, the peasant squire of a Knight who partakes in the medieval sport of jousting - which is restricted to the nobility - and who, just as the film starts, impersonates said Knight (who has passed away), this is very (very) loosely based on Chaucer's 'The Knights Tale' in the Canterbury Tales.
Indeed, Chaucer himself is one of the key characters in this film, portrayed by a pre-Vision (from the MCU) Paul Bettany.
Yes, the soundtrack is completely anachronistic (Queen? David Bowie?) but also actually works in the context of the film!
David McK (3251 KP) rated Batman: The Long Halloween in Books
Jan 30, 2019
Of all the Superhero's around, I personally think that Batman has the best Rogue's gallery of villains: Superman, for instance, has Lex Luthor And (to a lesser extent) General Zod, while Spiderman has, what, Green Goblin? Dr Octopus? Venom?
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.