Ali A (82 KP) rated The Poison Season in Books
Dec 8, 2022
Leelo was born and raised coexisting with the Wandering Forest located on the small island of Endla, and as much as she loves her community, she struggles with the fact that because her brother is an incanto, one without magic, he will be exiled by his next birthday.
When Leelo sees an outsider on the verge of drowning, she knows what she’s supposed to do - but in an instant, Leelo betrays everything she’s ever grown up. This leads to discoveries and consequences for both Leelo and the outsider, Jaren. But, as they grow closer, Leelo begins to question every fabric of her life.
I really enjoyed the premise of this novel - a creepy, evil forest that kills outsiders? Sign me up! Mara Rutherford did an amazing job at world building in this novel and establishing Leelo as a character. Because of how established she was, when Leelo begins to question her beliefs and lifestyle, it makes the book all the more interesting. It also gives you a bit of a chance to piece together your assumptions of the puzzle pieces Leelo is gathering and it was kind of fun to be able to say, “I knew it…”, when some of it came together.
The romance aspect of this novel is kind of what I would expect from a YA - not exactly instant love, but it was kind of close to it. But, Leelo and Jaren were sweet and I actually enjoyed their relationship and how they learned about each other and though it felt a little rushed, I still was rooting for them.
Overall, I think anyone who loves a good fantasy romance would greatly enjoy this book. And, even if you don’t like romance novels, I still think fantasy readers would enjoy the world building Rutherford has done.
*Thank you Inkyard Press for an advance copy of this book in exchange for an honest review
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
Orbital Conflict
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Bob Mann (459 KP) rated Get Out (2017) in Movies
Sep 29, 2021
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
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