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JT (287 KP) rated The Intruder (2019) in Movies

Mar 10, 2020  
The Intruder (2019)
The Intruder (2019)
2019 | Thriller
When are couples moving into a new home going to realise that there is a lot more to worry about than just making sure all of your stuff arrives in one piece. If it’s not things going bump in the night or uninvited demons, it’s seemingly sweet as pie neighbours with an ulterior motive.

Annie (Meagan Good) and Scott ( Michael Ealy) think that they have found their dream home, away from the concrete jungle of the city with an idyllic setting in which to start a family. Step in Charlie (Dennis Quaid), a kind hearted widower who is selling in order to start a new life with his daughter in Florida – or so it would seem, as we know, looks can be deceiving.

Dennis Quaid nails the disturbed seller turned psycho
The film has been battered with reviews saying that it forgoes plot in favour of setting up a good jump scare, but do you know what? I don’t mind that.

I’ve always been a sucker for this type of genre and this one is no different. There are the obvious plot holes, some laughable, like how come it takes Annie so long to realise that Charlie has psychotic tendencies, despite Scott practically spelling it out for her? Or the fact that everyone seems to be drawn to a particular linen closet. It moves along enough to keep you entertained with Quaid giving a good account of himself and clearly having fun.

Director (Deon Taylor) seems inspired by classic home invasion thrillers but offers nothing new that we won’t have already seen before – you can just throw this one onto the pile with all the rest.
  
Son of Frankenstein (1939)
Son of Frankenstein (1939)
1939 | Classics, Horror
He's still alive!...
The son of Dr. Henry Frankenstein comes back to the family mansion many years after the events in Bride of Frankenstein with his family eager to start a new life. There is still a foul haze over the town and villagers after the havoc the monster had wreaked oh so many years ago. Frankenstein finds it hard to change the mood.

Enter Ygor, a strange man who enters Frankenstein's life and reveals a vastly kept secret, the monster is alive! Frankenstein, eager to rescue his family's reputation decides it a good idea to revive the monster. Unfortunately, the newly risen monster has become the henchman of Ygor and does his ghastly bidding.

The story this time around is starting to feel a bid tired. There are several sections where the monster does not appear at all making the story fairly slow going at times.

The best addition to this film is Bela Lugosi as Ygor. The original Dracula shows up here and is marvelously wicked and hilarious. I'm not sure I had ever seen him in anything except Dracula, so it was a refreshing change to see him with different make up and costumes and such a charming and sinister villain to play.

I would still recommend to fans of the franchise, but I was really disappointed we didn't get more of the Bride of Frankenstein in this one especially since the monster was back. They could've found a way to bring her back as well.

  
This is, for all intents and purposes, as close to identifying, or, at the very least, understanding who the Enemy is. The stories that make up the whole of this collection is as follows: Subjective

<b>"Interlock" and "The Annotated Autopsy of Agent A" Simon Bucher-Jones
"Cobweb and Ivory" Nate Bumber
"The Book of the Enemy" Andrew Hickey
T.memeticus: A Morphology" Philip Purser-Hallard
"The Short Briefing Sergeant's Tale" Simon Bucher-Jones
"A Bloody (And Public) Domaine" Jacob Black
"Life-Cycle" Grant Springford
"First Draft" Nick Wallace
"Eyes" Christian Read
"We are the Enemy" Lawrence Burton
"Timeshare" Helen Angove
"A Choice of Houses" Simon Bucher-Jones
"Houses of Cards" Lisa Sarah Good
"The Enemy - The Hole in Everything" Simon Bucher-Jones
"The Enemy of My Enemy Is My Enemy" Jay Eales
"No Enemy But Despair" Simon Bucher-Jones
"The Map and the Spiders" Wilhelm Liebknecht</b>

I quite enjoyed the book as a whole, even though there was some weak pieces that did not really seem to fit, like Helen Angove's "Timeshare". Overall, it was a fitting collection for what it was intended to be. Of particular interest were Simon Bucher-Jones' interconnecting briefs that tie it all together. Quite brilliant, despite some of the weaker stories.

And, yes, as some people have remarked in their reviews, there were some noticeable punctuation and formatting errors. However, the stories are good enough to overlook and not focus on those shortcomings.

Recommended to all fans of Faction Paradox as a whole!!