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My Little Secret
Book
She’s a good girl. He’s a very bad boy. Sparks will fly when fate brings them together in this...

The Importance of Being Kennedy
Book
A brilliant novel by Laurie Graham set in wartime London, which follows Kick Kennedy, sister of...

MPMcDonald (8 KP) rated Salem Falls in Books
Jan 12, 2018
First, I enjoyed the book and it was one that I didn't want to stop reading once I started. The premise is one that I love, the innocent man fighting to prove his innocence. The book starts strong, making us feel for both Jack and Addie. We see Jack as a kind, sensitive man who due to his good looks and profession (teacher, coach) is the kind of guy schoolgirl dreams are made of. It turns into a curse when accusations are aimed at him and he's forced to into a corner.
Addie has a tragic past that she can't or won't forget, and when Jack walks into her life, the two are drawn to each other.
The first half of the book sucked me in, but the second half focused on other characters, with Jack and Addie turned into almost secondary characters, even though it is their fate that is going to be decided at the end of the book. For me, that made the book less compelling. I wanted it to stick with Jack and Addie's pov, but instead, we see most of the rest of the book through the defense attorney's eyes.
Addie has a tragic past that she can't or won't forget, and when Jack walks into her life, the two are drawn to each other.
The first half of the book sucked me in, but the second half focused on other characters, with Jack and Addie turned into almost secondary characters, even though it is their fate that is going to be decided at the end of the book. For me, that made the book less compelling. I wanted it to stick with Jack and Addie's pov, but instead, we see most of the rest of the book through the defense attorney's eyes.

Lily (2 KP) rated The Sun Eaters in Books
Jan 30, 2018
Two orphan boys try to survive post WWII
This book will definitely grab your life-sac into a boxing ring, land a few right hooks, an upper cut, and drop kick you on the floor. But maybe, like the boys say in the book, you're one of the ones that can see the beauty in the strange, the love-hate of all good stories. So you'll put it down, make someone something to eat, feed yourself, fortify your bones to get at it again - finish it, tear a piece of one of the pages and chew it into a stew-like paste and swallow it. Forever making a little home for these boys inside your body. Maybe you'll eat a little bit more of it each day as you pray and work to keep the world one in which we don't have to eat the sun, dig our own graves. But be warned, once read their hunger might become your own. And hunger never dies.

Wanted- Bad Boyfriend (Island Classifieds #1)
Book
His mother. His best friend. The barmaid at the local pub. Everyone is determined to find Nathan...

Emma @ The Movies (1786 KP) rated Mrs Lowry & Son (2019) in Movies
Jun 20, 2020
I seriously considered not reviewing this film, I knew that it probably wouldn't be something I'd ever watch again but I was hoping that with Timothy Spall and Vanessa Redgrave at the helm it would be a pleasant thing to watch.
Lowry's life revolves around his mother, he cooks for her and keeps her company, but nothing he does seems to be good enough. Her life isn't what she'd like at all, her husband left them with debts and they're living in a neighbourhood that's beneath her and she's clinging to the things that are "better" in the world. He son's hobby of painting isn't to her liking especially after a critic pans a piece he submits. Lowry has one thing to cling to in life but his mother is a fickle person and it may be that nothing is ever enough to her.
The majority of the film is made up of scenes around Lowry and his mother, even at only 1 hour 31 minutes that's a lot of time with limited cast. Both leads are impressive actors and there's no denying that you can see it in this movie but there's something lacking. The story wasn't going to be an overly exciting one and was going to rely on its dramatic performances to keep your interest, everything was "nearly but not quite". You expect some moving moments and at several points you think "oh it's coming now" but it always seems to peter off before the pay-off.
That's not to say that the acting isn't good, it is, but all the scenes were just moments short of something special. Spall does get a few opportunities that get you choked up for him, but as I say, there was opportunity for much more.
It's an intriguing story of the way love for family can dictate the way your life goes. The dynamic between the two is toxic and Lowry's battle between getting his mother's approval and doing what he wants is a powerful one... that this film doesn't quite manage to capture.
What this film does do beautifully is the portrayal of Lowry's paintings. I'm not an expert on his work but it was easy to spot where the scenes had been framed to reflect a piece, you get a chance to see the comparisons briefly at the end of the film. The colours throughout are also spot on for his pieces and the whole film has a very effective range in that respect.
The picturesque doesn't make up for the way the rest of the film cuts off moment in their prime, while I knew it probably wasn't going to hit the high star ratings I had hoped for something above average considering the cast. It sadly didn't deliver and to add even more disappointment it was ended with what I can only describe as a BBC ending to a partially dramatised biography and well, that just put the final nail in the coffin for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/09/mrs-lowry-son-movie-review.html
Lowry's life revolves around his mother, he cooks for her and keeps her company, but nothing he does seems to be good enough. Her life isn't what she'd like at all, her husband left them with debts and they're living in a neighbourhood that's beneath her and she's clinging to the things that are "better" in the world. He son's hobby of painting isn't to her liking especially after a critic pans a piece he submits. Lowry has one thing to cling to in life but his mother is a fickle person and it may be that nothing is ever enough to her.
The majority of the film is made up of scenes around Lowry and his mother, even at only 1 hour 31 minutes that's a lot of time with limited cast. Both leads are impressive actors and there's no denying that you can see it in this movie but there's something lacking. The story wasn't going to be an overly exciting one and was going to rely on its dramatic performances to keep your interest, everything was "nearly but not quite". You expect some moving moments and at several points you think "oh it's coming now" but it always seems to peter off before the pay-off.
That's not to say that the acting isn't good, it is, but all the scenes were just moments short of something special. Spall does get a few opportunities that get you choked up for him, but as I say, there was opportunity for much more.
It's an intriguing story of the way love for family can dictate the way your life goes. The dynamic between the two is toxic and Lowry's battle between getting his mother's approval and doing what he wants is a powerful one... that this film doesn't quite manage to capture.
What this film does do beautifully is the portrayal of Lowry's paintings. I'm not an expert on his work but it was easy to spot where the scenes had been framed to reflect a piece, you get a chance to see the comparisons briefly at the end of the film. The colours throughout are also spot on for his pieces and the whole film has a very effective range in that respect.
The picturesque doesn't make up for the way the rest of the film cuts off moment in their prime, while I knew it probably wasn't going to hit the high star ratings I had hoped for something above average considering the cast. It sadly didn't deliver and to add even more disappointment it was ended with what I can only describe as a BBC ending to a partially dramatised biography and well, that just put the final nail in the coffin for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/09/mrs-lowry-son-movie-review.html

Sarah (7800 KP) rated They Both Die At The End in Books
May 23, 2019
Heartwrenchingly good
It's truly a sign of a good book when you get to the end feeling emotionally battered and drained, yet ultimately satisfied and this is exactly what this book manages.
The idea behind this is fantastic and such a unique one. The notion of a an entity called Death-Cast notifying people that they'll die today is a frightening yet thought provoking idea. I spent the entire wondering what I'd do. Whilst this is obviously a book about dying, it focuses really on the two main characters attempts at living within their last hours and it's a truly wonderful read. Rufus and Mateo are likeable and well rounded characters and you get so invested in their lives, but with the added foresight that you know they will die at the end. And there's also intrigue in trying to figure out how they're going to die - I'll admit I didnt predict it and the ending in general is just so sad and bittersweet. This is the first book I've read of Adam Silvera's but I'll definitely be reading more, his writing style is so easy to read and simple yet effective. No overcomplicated prose here.
Yes this is about death but it's also about life and love and really does get you thinking about everything you take for granted. I dont see how anyone could read this book and not shed a tear by the end.
The idea behind this is fantastic and such a unique one. The notion of a an entity called Death-Cast notifying people that they'll die today is a frightening yet thought provoking idea. I spent the entire wondering what I'd do. Whilst this is obviously a book about dying, it focuses really on the two main characters attempts at living within their last hours and it's a truly wonderful read. Rufus and Mateo are likeable and well rounded characters and you get so invested in their lives, but with the added foresight that you know they will die at the end. And there's also intrigue in trying to figure out how they're going to die - I'll admit I didnt predict it and the ending in general is just so sad and bittersweet. This is the first book I've read of Adam Silvera's but I'll definitely be reading more, his writing style is so easy to read and simple yet effective. No overcomplicated prose here.
Yes this is about death but it's also about life and love and really does get you thinking about everything you take for granted. I dont see how anyone could read this book and not shed a tear by the end.

A Boy Made of Blocks
Book
***THE RICHARD AND JUDY BOOK CLUB 2017 BESTSELLER*** The number one Amazon bestseller A Boy Made of...

Adam Green recommended track This Springtime by Turner Cody in 60 Seasons by Turner Cody in Music (curated)

colin... (64 KP) rated Marriage Story (2019) in Movies
Sep 30, 2020
Hot. Take. Time.
I don't think this is nearly as good as everyone else thinks it is. Now, why do I feel that way? You can hear my full thoughts on Banter For Two.
Here are my initial thoughts. Sure, the performances are absolutely magnificent and I understand why this resonates so deep with everyone. Yet, for the life of me, I can't sympathize with either of our protagonists. I understand that they're flawed, as all humans are. However, I think there is a fine line between acting due to flaws and making irrational decisions that make neither logical nor story based sense. And I love films where we aren't meant to sympathize with our protagonists, but by the end of the film it is clear that Baumbach's intention is for us to genuinely sympathize with Driver and Johansson. You know who I COULD sympathize with? Evey single character in the Meyerowitz Stories! They all had distinct motivations and fleshed out characters, which I feel like Marriage Story does, EXCEPT for the actual decisions they make on screen. I'm aware that they are in a place where it is very difficult to think logically, but if you are thinking illogically, the least I ask of the movie is to write the characters to be consistent.
I know this is more of a rant, but I'll have more coherent thoughts on the podcast. Overall, yeah it was a pretty good movie.
I don't think this is nearly as good as everyone else thinks it is. Now, why do I feel that way? You can hear my full thoughts on Banter For Two.
Here are my initial thoughts. Sure, the performances are absolutely magnificent and I understand why this resonates so deep with everyone. Yet, for the life of me, I can't sympathize with either of our protagonists. I understand that they're flawed, as all humans are. However, I think there is a fine line between acting due to flaws and making irrational decisions that make neither logical nor story based sense. And I love films where we aren't meant to sympathize with our protagonists, but by the end of the film it is clear that Baumbach's intention is for us to genuinely sympathize with Driver and Johansson. You know who I COULD sympathize with? Evey single character in the Meyerowitz Stories! They all had distinct motivations and fleshed out characters, which I feel like Marriage Story does, EXCEPT for the actual decisions they make on screen. I'm aware that they are in a place where it is very difficult to think logically, but if you are thinking illogically, the least I ask of the movie is to write the characters to be consistent.
I know this is more of a rant, but I'll have more coherent thoughts on the podcast. Overall, yeah it was a pretty good movie.