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Lenard (726 KP) rated Good Joe Bell (2020) in Movies
Aug 1, 2021
The film has a great premise. An alpha male walks from his home in La Grange, Oregon to New York to tell the story of his gay son who was bullied so badly he committed suicide. Sounds interesting until you realize that it is nearly impossible to adapt into a cinematic story. It is one man traveling on the road. He is not rich; he is stubborn; he is kind of a jerk to other people. Mark Wahlberg is good as Joe Bell, but there is not much of a character to play. So you have to give him the spirit of his son, but the son would be his version of the son and not the real son so the actor playing him would need to distinguish the two versions. This never happens. Another huge problem is the ending. It comes too quickly and is extremely shocking (and not in a way a filmmaker would want). Yes, the event is foreshadowed in the first act and it would fit with the character, but there needed to be more story in order to achieve the desired effect of the event. The whole film has a problem by staying true to life instead of adding texture to the characters and story.
Gitchie Girl: The Survivor's Inside Story
5.0
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A terrified voice cried out in the night. "Who are you? What do you want?" The sound of...
What Once Was Mine
8.0
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The 12th installment in the New York Times best-selling series asks: What if Rapunzel's mother drank...
Charlie Cobra Reviews (1840 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 5, 2021
Superhero Epic With Emotional Family Drama And Gravity-Defying Martial Arts
In the past, Xu Wenwu (Tony Leung), Shang-Chi's father, used the Ten Rings, mystical weapons granting him immortality and power, to amass an army of warriors and topple kingdoms and governments alike. In the present Shang-Chi (Simu Liu) is just a regular guy working a dead end job as a valet with his best friend Katy (Awkwafina) and enjoying life. When he and Katy are attacked by the mysterious Ten Rings Organization, Shang-Chi must confront the past of his former life. A life he thought he left behind.
This movie was really great! I'm so glad I went to go watch it in theaters and on the first day before anybody spoiled anything for me. I hate people who do that. Anyways, this movie was an excellent addition to the MCU and I like the way it went about being it's own thing. It felt like they didn't have to try and adhere to being part of a shared universe and making things fit but at the same time there were plenty of Easter eggs and surprises sprinkled throughout. The film also managed to check a lot of boxes without feeling like they were forced. It had drama, really great action, killer fight scenes, and some comedy mixed in there. The movie felt a lot like the first Guardians of the Galaxy movie, especially in how it balanced the seriousness and lightness throughout the film. I liked the chemistry between the characters and thought the casting was perfect. The bus scene was one of my favorite parts of the movie and all the action that went on. If I had to say that there was a biggest flaw in the film it would probably be that they didn't really go too far into some of the lore involved but ultimately that didn't detract from it enough to be something major.
I liked the way the director chose to portray the events in the story and how it was a pretty cohesive plot and not all over the place. The pacing was done well and there was good use of flashbacks in certain scenes to move the plot. I felt like it was done well without turning into "info dumping" with character dialogue. The cinematography was great and seemed naturalistic and heightened. They definitely took advantage of filming on location in San Francisco with some scenes filmed in famous places such as Russian Hill, Noe Valley, Nob Hill and Fisherman's Wharf. The fight choreography in the movie is phenomenal. It's probably the best that there has ever been in a Marvel film and it shows. They got Brad Allen who had worked with Jackie Chan before, as the supervising stunt coordinator and he brought that physical comedy to the scenes where setups and stakes keep rising as do the payoffs. The tone of the movie was light but definitely had it's moments were it got darker however it never left it's core of being about family. The music was more contemporary and modern but with some musical score in the scenes where it fit really well but there was nothing that really stuck out as unique or compelling. The acting was pretty good with even Awkwafina showing a little bit of range with some dramatic scenes and not just comedy. Simu Liu was very convincing as Shang-Chi, both versions, the "average Joe" and the warrior. His father played by Tony Leung was also very good in his scenes from the ones showing the past to his interactions with Shang-Chi. You could really feel the tension between them. And of course Michelle Yeoh was just awesome!
The writing was good and dialogue never felt like somebody said something that was out of character or didn't fit right. The plot was never weak or boring. Although you could tell where it was going it had a little bit of mystery to it. The editing was done very proper and there were some good cuts of action scenes particularly the bus scene. I liked the one transition in the beginning from the tale of the past to the alarm clock. The costume designs were something that you usually don't remember in some films but this one had some really iconic ones that stuck out. For example that one masked blue ninja's outfit, as well as the other Ten Rings soldiers looked cool. Razor Fist's arm design was inventive also. There were so many outfits that come out later in the movie that just fit really well too. Although as cool and nice looking as Shang-Chi's costume was, I did think it could have been better. There were plenty of really cool set designs from the Ten Rings lair to a underground fight club in Macau but the one set piece that stole the show to me was this really ornate wooden carving that looked really intricate. You'll know the one when you see it. The special effects were really good and I couldn't really complain too much except that the movie did suffer from one of those things that happened towards the end like in Black Panther where they just used too much in a certain sequence and it looked bad in that particular part. I did have a favorite character in the movie but it'd be spoiling it if I said who it was, so I'll just say that they have exceptional "acting" skills. Anyways I give Shang-Chi and the Legend of the Ten Rings a 8/10 and it gets my "Must See Seal of Approval". You need to get out there and check this movie out this Labor Day Weekend.
This movie was really great! I'm so glad I went to go watch it in theaters and on the first day before anybody spoiled anything for me. I hate people who do that. Anyways, this movie was an excellent addition to the MCU and I like the way it went about being it's own thing. It felt like they didn't have to try and adhere to being part of a shared universe and making things fit but at the same time there were plenty of Easter eggs and surprises sprinkled throughout. The film also managed to check a lot of boxes without feeling like they were forced. It had drama, really great action, killer fight scenes, and some comedy mixed in there. The movie felt a lot like the first Guardians of the Galaxy movie, especially in how it balanced the seriousness and lightness throughout the film. I liked the chemistry between the characters and thought the casting was perfect. The bus scene was one of my favorite parts of the movie and all the action that went on. If I had to say that there was a biggest flaw in the film it would probably be that they didn't really go too far into some of the lore involved but ultimately that didn't detract from it enough to be something major.
I liked the way the director chose to portray the events in the story and how it was a pretty cohesive plot and not all over the place. The pacing was done well and there was good use of flashbacks in certain scenes to move the plot. I felt like it was done well without turning into "info dumping" with character dialogue. The cinematography was great and seemed naturalistic and heightened. They definitely took advantage of filming on location in San Francisco with some scenes filmed in famous places such as Russian Hill, Noe Valley, Nob Hill and Fisherman's Wharf. The fight choreography in the movie is phenomenal. It's probably the best that there has ever been in a Marvel film and it shows. They got Brad Allen who had worked with Jackie Chan before, as the supervising stunt coordinator and he brought that physical comedy to the scenes where setups and stakes keep rising as do the payoffs. The tone of the movie was light but definitely had it's moments were it got darker however it never left it's core of being about family. The music was more contemporary and modern but with some musical score in the scenes where it fit really well but there was nothing that really stuck out as unique or compelling. The acting was pretty good with even Awkwafina showing a little bit of range with some dramatic scenes and not just comedy. Simu Liu was very convincing as Shang-Chi, both versions, the "average Joe" and the warrior. His father played by Tony Leung was also very good in his scenes from the ones showing the past to his interactions with Shang-Chi. You could really feel the tension between them. And of course Michelle Yeoh was just awesome!
The writing was good and dialogue never felt like somebody said something that was out of character or didn't fit right. The plot was never weak or boring. Although you could tell where it was going it had a little bit of mystery to it. The editing was done very proper and there were some good cuts of action scenes particularly the bus scene. I liked the one transition in the beginning from the tale of the past to the alarm clock. The costume designs were something that you usually don't remember in some films but this one had some really iconic ones that stuck out. For example that one masked blue ninja's outfit, as well as the other Ten Rings soldiers looked cool. Razor Fist's arm design was inventive also. There were so many outfits that come out later in the movie that just fit really well too. Although as cool and nice looking as Shang-Chi's costume was, I did think it could have been better. There were plenty of really cool set designs from the Ten Rings lair to a underground fight club in Macau but the one set piece that stole the show to me was this really ornate wooden carving that looked really intricate. You'll know the one when you see it. The special effects were really good and I couldn't really complain too much except that the movie did suffer from one of those things that happened towards the end like in Black Panther where they just used too much in a certain sequence and it looked bad in that particular part. I did have a favorite character in the movie but it'd be spoiling it if I said who it was, so I'll just say that they have exceptional "acting" skills. Anyways I give Shang-Chi and the Legend of the Ten Rings a 8/10 and it gets my "Must See Seal of Approval". You need to get out there and check this movie out this Labor Day Weekend.
Whatchareadin (174 KP) rated Skinny Me in Books
Apr 9, 2019
Jennifer is overweight and miserable. She has recently lost her mother and even more recently, her job. After a party at her cousins house, she is feeling even more miserable about her life. She decides to make a chand and finally lose some weight. She joins a gym and when she finds out her trainer is her cousin, Autumn's hot boyfriend, it's all the motivation she needs. If she loses the weight she knows she will be so much happier. She just has to reach that goal weight. But with so many other issues plaguing her life is this really what is going to make her happy? Will lusting after someone she knows is taken make her happy?
I could relate to Jennifer in some ways. There are days when I look in the mirror and am completely unhappy with my reflection. Then there are other days when it is no big deal. There are so many women with body image issues all over the world regardless if they are overweight or not. It's good to see Charlene Carr tackling an issue such as this one. Jennifer's issues were more than just the number on the scale and until she was ready to face those issues and deal with them head on. Along the way she ends and mends relationships and finds the person her family always knew existed, but hadn't seen behind all of the anger.
I could relate to Jennifer in some ways. There are days when I look in the mirror and am completely unhappy with my reflection. Then there are other days when it is no big deal. There are so many women with body image issues all over the world regardless if they are overweight or not. It's good to see Charlene Carr tackling an issue such as this one. Jennifer's issues were more than just the number on the scale and until she was ready to face those issues and deal with them head on. Along the way she ends and mends relationships and finds the person her family always knew existed, but hadn't seen behind all of the anger.
The 7 Secrets of Raising Happy Eaters: Why French Kids Eat Everything and How Yours Can Too!
Book
Are mealtimes with your kids a source of frustration? Ever wonder how on earth to get them to eat...
Merissa (11961 KP) rated Elle's A to Z of Love in Books
Jun 25, 2021 (Updated Jul 18, 2023)
ELLE'S A TO Z OF LOVE is another charming, genteel story from the wonderful Claire Huston. If you want bright lights and big city, then you're definitely in the wrong place. Here you will find the Village Fayre (with a y) and lots of bunting!
The thing I really enjoyed about this is that Elle doesn't find her 'one' immediately. And it's not the typical boy she's known forever and just didn't realise it. Instead, Ms Huston gives a more realistic version of Elle stumbling through life and trying to figure it out. Now, Elle is mostly a passive character. Don't get me wrong, she's very nice, but she does need to grow a backbone! Thankfully, she does and I was cheering along with everyone else. I loved how life got in the way and things changed and evolved.
The pacing is smooth and the story moves along steadily, helped by an amazing supporting cast of characters. There were no errors that I noticed which helped me enjoy this story.
As far as I am concerned, this is another winner by Claire Huston and absolutely recommended by me. Anyone for a slice of cake?!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 25, 2021
The thing I really enjoyed about this is that Elle doesn't find her 'one' immediately. And it's not the typical boy she's known forever and just didn't realise it. Instead, Ms Huston gives a more realistic version of Elle stumbling through life and trying to figure it out. Now, Elle is mostly a passive character. Don't get me wrong, she's very nice, but she does need to grow a backbone! Thankfully, she does and I was cheering along with everyone else. I loved how life got in the way and things changed and evolved.
The pacing is smooth and the story moves along steadily, helped by an amazing supporting cast of characters. There were no errors that I noticed which helped me enjoy this story.
As far as I am concerned, this is another winner by Claire Huston and absolutely recommended by me. Anyone for a slice of cake?!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 25, 2021
BankofMarquis (1832 KP) rated West Side Story (2021) in Movies
Mar 7, 2022
Very Good...but could have (SHOULD HAVE) been GREAT
One of the biggest disappointments in watching a Motion Picture is when a Film has all of the ingredients to be a GREAT film, but is knocked off this tier by one flaw - and sometimes - is knocked down to merely good by an egregious flaw.
Such is the case with Stephen Spielberg’s adaptation of the 1957 Broadway Musical WEST SIDE STORY - it has all of the ingredients to be considered a great film, but it has a problem at it’s core that knocks it down to very good (and maybe just “good”).
The 1961 version of West Side Story, of course, swept the 1962 Oscars, winning 10 Oscars - including Best Picture. This musical, of course, is based on William Shakespeare’s Romeo & Juliet about a doomed love relationship set in a time of battling factions.
There is much to like in this adaptation - and let’s start with Spielberg’s Oscar nominated Direction. It is “spot-on”, for the most part in this telling of this tale, keeping the events rolling, and the tension taught (and rising) throughout the course of the film and orchestrating well deserved Production Design, Sound, Cinematography and Costume Oscar nominations. This film is a treat to watch (and listen to) and is the very definition of a film deserving of Awards. These are all top notch professionals in their fields delivering top notch results and having the Songs of Leonard Bernstein (Music) and Stephen Sondheim (Lyrics) so beautifully depicted is a treat, indeed.
Spielberg, wisely, ethnically cast this movie appropriately. Having Latino performers playing one faction of these warring entities and White performers playing the Anglos in this film is the correct move. Spielberg (and playwright Tony Kushner who adapted Arthur Laurents book) decided to have some of the scenes performed in Spanish (as they would be in “real life”) with no subtitles. As a non-Spanish speaking Anglo, these scenes worked very well for me.
Add to all of this strong performances across the cast. David Alvarez as Bernardo, Mike Faist as Riff, Josh Andres Rivera as Chino all shine as does Iris Menas as Anybodys. Stealing the show, of course, is Ariana DeBose (HAMILTON) as the hot-blooded Anita, a performance that will, IMHO, win the Oscar for Best Supporting Actress. If she does win, she will be the 2nd Actress to win the Oscar for playing this role in a film. Rita Moreno won it in 1961 - and let’s talk about her work in this film. Spielberg, wisely, gender-swapped the “Doc” role in this film - and gave it to Moreno. Her Valentino is the heart and soul of this film and it was a risky, and wise, choice to give Valentino the song “Somewhere” - and it works beautifully. I would have been happy to see the EGOT winning, 90-something year old Moreno get an Oscar nomination as well.
You will notice that the 2 leads - Tony (Ansel Elgort) and Maria (Rachel Zegler) have yet to be mentioned and, therein, lies the problem with this film.
Individually, their performances are “good”. Zegler’s Maria is young, sweet and innocent and she is “pitch-perfect” for this role. Most critics point to Elgort’s work as the reason that this film falls short of greatness and I think that this is unfair to Elgort. Remember, Tony has been tucked away in jail for a few years for almost killing a rival gang member with his fists, so he needs to be somewhat older than the others and he needs to have a temper simmering underneath that is ready to explode. Elgort plays this role as Directed by Spielberg and is a good fit for the interpretation of this role as formed through the eyes of his talented Director.
The issue is when Tony and Maria are put together on the screen - there just is no chemistry between the two and the age difference (at least how the 2 characters look and are portrayed on screen) is jarring and is almost creepy. I never felt the love connection between Tony and Maria, a factor that is so important to the spine of this film that when it is missing - as it is here - the movie fell flat.
Ultimately, you have to fault the Director for this and that is too bad, for the other aspects of the film - and Spielberg’s Direction - are so good and so strong that the disappointment of the black hole that is central to this film is crushing.
Letter Grade: A- (heading towards B+)
8 stars out of 10 (it could have…SHOULD HAVE…been a 9 or a 10) and you can take that to the Bank(ofMarquis)
Such is the case with Stephen Spielberg’s adaptation of the 1957 Broadway Musical WEST SIDE STORY - it has all of the ingredients to be considered a great film, but it has a problem at it’s core that knocks it down to very good (and maybe just “good”).
The 1961 version of West Side Story, of course, swept the 1962 Oscars, winning 10 Oscars - including Best Picture. This musical, of course, is based on William Shakespeare’s Romeo & Juliet about a doomed love relationship set in a time of battling factions.
There is much to like in this adaptation - and let’s start with Spielberg’s Oscar nominated Direction. It is “spot-on”, for the most part in this telling of this tale, keeping the events rolling, and the tension taught (and rising) throughout the course of the film and orchestrating well deserved Production Design, Sound, Cinematography and Costume Oscar nominations. This film is a treat to watch (and listen to) and is the very definition of a film deserving of Awards. These are all top notch professionals in their fields delivering top notch results and having the Songs of Leonard Bernstein (Music) and Stephen Sondheim (Lyrics) so beautifully depicted is a treat, indeed.
Spielberg, wisely, ethnically cast this movie appropriately. Having Latino performers playing one faction of these warring entities and White performers playing the Anglos in this film is the correct move. Spielberg (and playwright Tony Kushner who adapted Arthur Laurents book) decided to have some of the scenes performed in Spanish (as they would be in “real life”) with no subtitles. As a non-Spanish speaking Anglo, these scenes worked very well for me.
Add to all of this strong performances across the cast. David Alvarez as Bernardo, Mike Faist as Riff, Josh Andres Rivera as Chino all shine as does Iris Menas as Anybodys. Stealing the show, of course, is Ariana DeBose (HAMILTON) as the hot-blooded Anita, a performance that will, IMHO, win the Oscar for Best Supporting Actress. If she does win, she will be the 2nd Actress to win the Oscar for playing this role in a film. Rita Moreno won it in 1961 - and let’s talk about her work in this film. Spielberg, wisely, gender-swapped the “Doc” role in this film - and gave it to Moreno. Her Valentino is the heart and soul of this film and it was a risky, and wise, choice to give Valentino the song “Somewhere” - and it works beautifully. I would have been happy to see the EGOT winning, 90-something year old Moreno get an Oscar nomination as well.
You will notice that the 2 leads - Tony (Ansel Elgort) and Maria (Rachel Zegler) have yet to be mentioned and, therein, lies the problem with this film.
Individually, their performances are “good”. Zegler’s Maria is young, sweet and innocent and she is “pitch-perfect” for this role. Most critics point to Elgort’s work as the reason that this film falls short of greatness and I think that this is unfair to Elgort. Remember, Tony has been tucked away in jail for a few years for almost killing a rival gang member with his fists, so he needs to be somewhat older than the others and he needs to have a temper simmering underneath that is ready to explode. Elgort plays this role as Directed by Spielberg and is a good fit for the interpretation of this role as formed through the eyes of his talented Director.
The issue is when Tony and Maria are put together on the screen - there just is no chemistry between the two and the age difference (at least how the 2 characters look and are portrayed on screen) is jarring and is almost creepy. I never felt the love connection between Tony and Maria, a factor that is so important to the spine of this film that when it is missing - as it is here - the movie fell flat.
Ultimately, you have to fault the Director for this and that is too bad, for the other aspects of the film - and Spielberg’s Direction - are so good and so strong that the disappointment of the black hole that is central to this film is crushing.
Letter Grade: A- (heading towards B+)
8 stars out of 10 (it could have…SHOULD HAVE…been a 9 or a 10) and you can take that to the Bank(ofMarquis)
The Husband's Secret
7.7
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The Husband's Secret is a gripping story about love, deception and how the smallest choice can have...
Merissa (11961 KP) rated Gabriel (Legacy Ranch #2) in Books
Aug 17, 2017
Gabriel (Legacy Ranch #2) by R.J. Scott
Gabriel is the second book in the Legacy Ranch series, and we find out a bit more about the young man who cried at the trial that happened in book one. His life hasn't been a good one so far, but he is broken enough that he thinks it is just fine. He lives with his pimp, Stefan, who controls every aspect of his life, and makes Gabriel pay for any misdemeanours that Stefan thinks has happened, or that he has just made up because he's not having a good day. Stefan has managed to get into Gabriel's mind and twist things around so that Gabriel is actually thankful for all that Stefan does for him.
Cam, on the other hand, appears to have it all. He runs a successful hotel, has plenty of money, and even has a bodyguard. Things must be good, right? Wrong! Cam's family, with the odd exception, are a bunch of BEEP, condescending, BEEP, know-it-alls, who think that just because Cam is losing his sight, he must be losing all of his faculties too. His father, well, enough said about him!
Cam and Gabriel end up together on a purely business level. Cam needs someone to pretend to be with him, Gabriel wants the money. However, feelings quickly become involved, and then it's anyone's guess. Six tries to tell Cam not to get involved, but Cam pays no attention. Their road is anything but smooth, but luckily the folks at Legacy Ranch are there to help... once Gabriel lets them in.
This is a dark book, with dark topics and it's not a HEA situation full of rainbows and glitter. This is hard, and horrible, and may be a trigger book for some readers. There is light at the end of the tunnel for Gabriel though, and I really hope that he will feature in the next book, just so I can see what progress he's made.
Gabriel is extremely well written, with no editing or grammatical errors that disrupted my reading flow. Like I've already said, it's not an easy book to read, but it is definitely worth it. I would also say that it isn't fully necessary to have read book one in this series, or indeed the Texas series which is where we first meet Jack and Riley. This book does stand on it's own merit, but personally I would recommend reading Kyle at the minimum, just to give you a feeling of what the Legacy Ranch series is about.
If you like your M/M Romance with angst, then I can definitely recommend this book/series. Just remember the trigger warnings!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Cam, on the other hand, appears to have it all. He runs a successful hotel, has plenty of money, and even has a bodyguard. Things must be good, right? Wrong! Cam's family, with the odd exception, are a bunch of BEEP, condescending, BEEP, know-it-alls, who think that just because Cam is losing his sight, he must be losing all of his faculties too. His father, well, enough said about him!
Cam and Gabriel end up together on a purely business level. Cam needs someone to pretend to be with him, Gabriel wants the money. However, feelings quickly become involved, and then it's anyone's guess. Six tries to tell Cam not to get involved, but Cam pays no attention. Their road is anything but smooth, but luckily the folks at Legacy Ranch are there to help... once Gabriel lets them in.
This is a dark book, with dark topics and it's not a HEA situation full of rainbows and glitter. This is hard, and horrible, and may be a trigger book for some readers. There is light at the end of the tunnel for Gabriel though, and I really hope that he will feature in the next book, just so I can see what progress he's made.
Gabriel is extremely well written, with no editing or grammatical errors that disrupted my reading flow. Like I've already said, it's not an easy book to read, but it is definitely worth it. I would also say that it isn't fully necessary to have read book one in this series, or indeed the Texas series which is where we first meet Jack and Riley. This book does stand on it's own merit, but personally I would recommend reading Kyle at the minimum, just to give you a feeling of what the Legacy Ranch series is about.
If you like your M/M Romance with angst, then I can definitely recommend this book/series. Just remember the trigger warnings!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!