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Gardeners' World - 101 Grow to Eat Ideas: Planting Recipes That Taste as Good as They Look
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There's nothing better than the taste of home-grown fruit and veg. It has flavour and freshness that...
Christine A. (965 KP) rated Whatever You Do, Be Happy: 400 Things to Think Do for a Happy Life in Books
Sep 29, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
Julia Dellitt's Whatever You Do, Be Happy: 400 Things to Think & Do for a Happy Life is the perfect book for 2020.
I think everyone can agree that 2020 is an incredibly stressful year chock full of negative thoughts. Scrolling through any social media exasperates one's anxiety. This book will lessen your stress.
It is not a book to read in one sitting. Rather, it includes 400 activities, ideas, tips, and quotes to help calm you and relieve your stress.
Not every item was something I was interested in, but you do not need to do all of the activities. They act as a guide or suggestion and doing some made 2020 start to seem manageable.
My favorite activity was to list three things for which you are thankful. It was similar to an assignment I did for a Positive Psychology class. I forgot how reminding yourself of something good that happened to you or how you are grateful for can drastically improve your state of mind.
Dellitt's other works are Get Your Life Together(ish): A No-Pressure Guide for Real-Life Self-Growth and Self-Care for College Students: From Orientation to Graduation, 150+ Easy Ways to Stay Happy, Healthy, and Stress-Free.
This review was published on Philomathinphila.com on 9/28/20.
Julia Dellitt's Whatever You Do, Be Happy: 400 Things to Think & Do for a Happy Life is the perfect book for 2020.
I think everyone can agree that 2020 is an incredibly stressful year chock full of negative thoughts. Scrolling through any social media exasperates one's anxiety. This book will lessen your stress.
It is not a book to read in one sitting. Rather, it includes 400 activities, ideas, tips, and quotes to help calm you and relieve your stress.
Not every item was something I was interested in, but you do not need to do all of the activities. They act as a guide or suggestion and doing some made 2020 start to seem manageable.
My favorite activity was to list three things for which you are thankful. It was similar to an assignment I did for a Positive Psychology class. I forgot how reminding yourself of something good that happened to you or how you are grateful for can drastically improve your state of mind.
Dellitt's other works are Get Your Life Together(ish): A No-Pressure Guide for Real-Life Self-Growth and Self-Care for College Students: From Orientation to Graduation, 150+ Easy Ways to Stay Happy, Healthy, and Stress-Free.
This review was published on Philomathinphila.com on 9/28/20.
Happy Pear: Healthy, Easy, Delicious Food to Change Your Life
Book
The No 1 bestselling cookery book in Ireland - for two years running! 'These lovely boys always...
Bong Mines Entertainment (15 KP) rated Good Thing by Leon Bridges in Music
Jun 7, 2019
Leon Bridges is a talented R&B/soul singer outta Fort Worth, Texas. Not too long ago, he released his second studio album, entitled, “Good Thing”.
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
Eleanor Luhar (47 KP) rated Billy and Me in Books
Jun 24, 2019
This is a very, very different genre than I usually read. It was romantic and contemporary and kind of cliche and gross. But I will admit that it was written well.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Darren (1599 KP) rated Tales From the Crypt (1972) in Movies
Oct 14, 2019
Characters – Where this film is an anthology we don’t get too much time with each character, Joanne is a married woman with her own desires for life, showing a darker side after killer her husband on Christmas Eve. Carl Maitland is a married man that is planning on leaving his wife and children, he is involved in an accident which brings into a new lease of horror. Grimsdyke is an older man, he has lived with his wife in one home, with her passed away he wants to die in this house and must deal with the snotty neighbours that is trying to force him out. Jason is a businessman that has spent more than he has earnt forcing him to face bankruptcy for his actions. Rogers is the final story as a manager of home, he comes in with his strict ideas struggle to connect with the people he is meant to be caring for.
Performances – By being an anthology the stars only get limited time, Joan Collins gets the ball rolling as is good in her role with us believing how calculated her actions are. Ian Hendry is solid in his role, he is behind the camera for the most part making it hard to believe everything. Peter Cushing shines as the kindly old man that is getting pushed out of town. Richard Greene is solid enough without getting too much time to show us what makes his character unique. Nigel Patrick does make this character one of the more unlikable with ease.
Story – The story here takes us down the horror anthology line, we get to see five stories of five characters deaths, this does give us something different in each side of the horror scale, we know some are shorter than others with Blind Alleys and Poetic Justice being the stand out of the five stories. There is a big twist in the connection to the stories, but if you do know the TV show you will know the outcome. For a horror anthology this is everything you need without being to the extremes they go nowadays. Each short could easily become a longer film which is always positive.
Horror – When it comes to horror we sometimes get to best moments in shorts, anthologies give us a chance to experience different types of horror which will offer something for all horror fans.
Settings – Each film takes us to the world where the character comes from which shows us how the normal lives they live have the darker secrets.
Special Effects – The effects in the film are good through the film they show us what is capable with good practical effects.
Scene of the Movie – Blind Alleys when the door opens.
That Moment That Annoyed Me – Some stories are too short.
Final Thoughts – This is a good anthology for horror, it gets the best moments correct and keeps us guessing to what will happen to the characters involved.
Overall: Simple anthology.
Performances – By being an anthology the stars only get limited time, Joan Collins gets the ball rolling as is good in her role with us believing how calculated her actions are. Ian Hendry is solid in his role, he is behind the camera for the most part making it hard to believe everything. Peter Cushing shines as the kindly old man that is getting pushed out of town. Richard Greene is solid enough without getting too much time to show us what makes his character unique. Nigel Patrick does make this character one of the more unlikable with ease.
Story – The story here takes us down the horror anthology line, we get to see five stories of five characters deaths, this does give us something different in each side of the horror scale, we know some are shorter than others with Blind Alleys and Poetic Justice being the stand out of the five stories. There is a big twist in the connection to the stories, but if you do know the TV show you will know the outcome. For a horror anthology this is everything you need without being to the extremes they go nowadays. Each short could easily become a longer film which is always positive.
Horror – When it comes to horror we sometimes get to best moments in shorts, anthologies give us a chance to experience different types of horror which will offer something for all horror fans.
Settings – Each film takes us to the world where the character comes from which shows us how the normal lives they live have the darker secrets.
Special Effects – The effects in the film are good through the film they show us what is capable with good practical effects.
Scene of the Movie – Blind Alleys when the door opens.
That Moment That Annoyed Me – Some stories are too short.
Final Thoughts – This is a good anthology for horror, it gets the best moments correct and keeps us guessing to what will happen to the characters involved.
Overall: Simple anthology.
Phillip McSween (751 KP) rated Ready Player One (2018) in Movies
Apr 5, 2018
Very Good Time
It's 2045 and most of the world's population has turned to the virtual world called OASIS which has become a second home for many. When the world's creator James Halladay (Mark Rylance) passes away, he leaves behind an easter egg inside the virtual world and whoever finds that egg will inherit both his fortune and the OASIS. Wade Watts (Tye Sheridan) hopes to find that egg before Nolan Sorrento (Ben Mendelsohn) and his greedy corporation IOI can get their hands on it and forever ruin the OASIS.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.
TP
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Arthur Conan Doyle and Joshua Glenn
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Vaughan Williams Symphony 9 Job Davis
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