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Sarah (7800 KP) rated Crisis (2021) in Movies
Feb 19, 2021
Worth it just for Oldman
Crisis is a 2021 film from write, director and producer Nicholas Jarecki, who previously brought us 2012's Arbitrage starring Richard Gere. Crisis is a story about drugs, namely opioids, and follows three separate yet related narratives about opioids and their impact on US society. There's an undercover DEA agent posing as a drug trafficker arranging a Fentanyl smuggling operation between Canada and the US (Armie Hammer), a recovering addict architect determined to track down those responsible for her son's involvement in narcotics (Evangeline Lilly), and a university professor (Gary Oldman) who's research laboratory uncovers dangerous revelations about a new drug that they've been paid to research by a very influential drug company and their executives (Luke Evans).
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.
Phil Leader (619 KP) rated Perfect Genesis: Adolescence in Books
Nov 21, 2019
This is a book of many levels and many emotions. Superficially it is a far-future science fiction book where societies have been engineered by some planet-spanning intelligence to create stable and sustainable places for humans to live. Under this runs a strong current of philosophy and meta physics about exactly what this means for the individuals involved - and the news isn't good.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
The plot follows Leonardo Khalid, a genetically engineered genius who has dedicated his life to improving life for mankind. However when he is taken critically ill he agrees to undergo a procedure to scan and record is brain. He is warned that during the process he will appear to inhabit a very real and long lasting dream as his brain is stimulated.
The dream is extremely vivid - so much so that we don't see it just from Leonardo's point of view. So is it a dream? Or a very real future world that he has somehow been projected into? Leonardo certainly believes he is in a dream, but does that condone some of his more morally questionable actions?
There are plenty of questions raised by this book. As Hogan says in a brief introduction, this book is supposed to stay with the reader long after they have read it, and it will certainly do that. At times it is an uncomfortable read - the dream societies place little value on human life and women in particular are treated very badly. Death, violence and sexual exploitation are daily hazards for the members of the societies described, but these are engineered places, not designed to benefit the individual human but to ensure the longevity of the society itself. They have been created with cold and clinical efficiency with no regard for the individual members of the citizenry.
This is a huge dichotomy and the heart of the book. The story itself - Leonardo exploring the land of his dream and overcoming the various obstacles that hinder him and his companions - skates along the top at a good pace, fizzing between plot points and twists, summoning the reader on to read just one more page. But underneath the dark heart will be throwing up awkward questions.
Exploitation of all sorts abounds, particularly sexual exploitation (not all of it men exploiting women). These sections can be an uncomfortable read but they are supposed to be - the questions around power and the abuse of power are valid and the reader is not supposed to be entirely sympathetic with any of the characters or their actions - even Leornardo. The civilisations are frequently brutal, either because of a dangerous environment or a ruthless ruler. People get hurt, people get abused, people die (sometimes horribly) but always the society lives on.
Read this book if you want to have a fantastic story exploring different places but at the same time have something to think about. By the end you will have seen what can happen if the concept of an ideal society is pursued to its limits. And it's not a utopia.
And yes this book will stay with me for a while. Definitely one of the best reads of 2014. Thoroughly recommended.
Rating: Sexual scenes, sexual violence and some torture.
Her Ladyship's Guide to Greeting the Queen: And Other Questions of Modern Etiquette
Book
Choosing how to behave in unfamiliar situations is one of the many minefields with which modern life...
Uncle Buck (1989)
7.7
Rate It
Movie Watch
John Candy stars in this John Hughes comedy as an idle, good-natured bachelor who's left in charge...
JT (287 KP) rated The Intouchables (2012) in Movies
Mar 17, 2020
Beautifully acted (2 more)
Well-directed
Heart warming
A foreign film that everyone should watch
I don’t think there has been one foreign film that I have watched that I have not liked or one that has not moved me in some way. It’s good to be able to pull away from mainstream Hollywood films and delve into another language.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
Kim Pook (101 KP) rated Thriller (2018) in Movies
Jan 18, 2021
A group of children decide to play a prank on a boy called chauncey from school. He is tricked into entering an empty house where they chase him around wearing masks to scare him, he retaliates by pushing one of the kids and sends her over the balcony to her death, but rather than confessing that it was a prank gone wrong the children all tell the police that chauncey killed her and he is sent to prison.
4 years later Chauncey is released from prison and the friends have gone their desperate ways. We see how they are coping now, some are still struggling whilst others are living a normal life, that is until they find out that Chauncey is back. It turns out they have every right to be worried as he is understandably very angry and wants revenge.
In theory the movie sounds good and in some parts it is good, but unfortunately not enough to keep me gripped. In many parts the acting wasn't great, you could see it was a low budget movie and the music they used in scenes just didn't work with what was happening, its almost as if a random piece of music was picked and they thought "that will do". I also found I didn't feel any kind of connection to the characters, they didn't have much of a storyline and I didn't care really care if they lived or died. Sadly I won't be watching this movie again.
4 years later Chauncey is released from prison and the friends have gone their desperate ways. We see how they are coping now, some are still struggling whilst others are living a normal life, that is until they find out that Chauncey is back. It turns out they have every right to be worried as he is understandably very angry and wants revenge.
In theory the movie sounds good and in some parts it is good, but unfortunately not enough to keep me gripped. In many parts the acting wasn't great, you could see it was a low budget movie and the music they used in scenes just didn't work with what was happening, its almost as if a random piece of music was picked and they thought "that will do". I also found I didn't feel any kind of connection to the characters, they didn't have much of a storyline and I didn't care really care if they lived or died. Sadly I won't be watching this movie again.
Merissa (13580 KP) rated Her Wicked Angel (Her Angel: Eternal Warriors #3) in Books
Apr 10, 2023 (Updated Apr 10, 2023)
I thought that Veiron had stolen my heart but it appears that it is split in two and Asmodeus holds the other part! I will say that feisty, stubborn Liora is Asmodeus' perfect match. These two actually work together to move forwards. They know when they have hurt the other and take steps to say sorry or repair whatever damage may have been done. The interaction between these two is just perfect, whether it is witty or flirtatious banter or whether it is deep, soul-searching.
Erin and Veiron are also in this and continue to show just how wonderful they are together. I still love Erin's attitude and how she won't bow down to the male in her life but instead meets him toe-to-toe.
Amelia and Marcus also show up but Marcus appears to be more and more 'ghostly' as the series moves on. He is just fading into the background which is a shame whereas Amelia still feels that instead of the original angel, she is the ultimate matchmaker but no one is good enough.
Tears, laughter, sexiness - it's all here. I can't not give it 5 stars!
ps, does anyone know where I can get a couple of my own hellhounds? Romulus and Remus are brilliant!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 6, 2016
Erin and Veiron are also in this and continue to show just how wonderful they are together. I still love Erin's attitude and how she won't bow down to the male in her life but instead meets him toe-to-toe.
Amelia and Marcus also show up but Marcus appears to be more and more 'ghostly' as the series moves on. He is just fading into the background which is a shame whereas Amelia still feels that instead of the original angel, she is the ultimate matchmaker but no one is good enough.
Tears, laughter, sexiness - it's all here. I can't not give it 5 stars!
ps, does anyone know where I can get a couple of my own hellhounds? Romulus and Remus are brilliant!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 6, 2016
Merissa (13580 KP) rated Ugly by Kelly Vincent in Books
Aug 9, 2022 (Updated Aug 14, 2023)
She doesn't have the answers, and that's okay.
UGLY is a realistic story about a girl who doesn't fit in - anywhere. She is bullied at school, doesn't have any friends, the list goes on. And what made this such a good read is that she is completely 'normal' - whatever that is.
Nic is slightly overweight, doesn't like makeup or other girly-girl things, likes a boy who doesn't like her, and tries her hardest but doesn't always succeed. How refreshing to read about someone who isn't perfect! And then, to top it off, she stays that way throughout the book. There is no sudden weight loss and she's suddenly popular; she doesn't suddenly gain a boyfriend who smooths the way for her. She doesn't decide to change for the sake of conformity. She remains true to herself throughout, realising that not everyone is horrible, and some people will actually take her as they find her, without trying to change her. She doesn't have the answers, and that's okay.
I found the pacing to be smooth and the story flowed. It had ups and downs as Nic figured things out about her life. This book is unlike many others, and I thoroughly enjoyed every word of it. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
Nic is slightly overweight, doesn't like makeup or other girly-girl things, likes a boy who doesn't like her, and tries her hardest but doesn't always succeed. How refreshing to read about someone who isn't perfect! And then, to top it off, she stays that way throughout the book. There is no sudden weight loss and she's suddenly popular; she doesn't suddenly gain a boyfriend who smooths the way for her. She doesn't decide to change for the sake of conformity. She remains true to herself throughout, realising that not everyone is horrible, and some people will actually take her as they find her, without trying to change her. She doesn't have the answers, and that's okay.
I found the pacing to be smooth and the story flowed. It had ups and downs as Nic figured things out about her life. This book is unlike many others, and I thoroughly enjoyed every word of it. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
Merissa (13580 KP) rated My Grumpy Sweetheart (Sweetheart Escapes #5) in Books
Sep 12, 2023
MY GRUMPY SWEETHEART is part of the Sweetheart Escapes series. It can be read as a standalone, but I read it after My Sweetheart Surprise, which has Bailey's friend, Parker, as one of the MCs.
I thoroughly enjoyed this read, although I would have liked a little more background on Dakota. For example, what made him quit his city job? Why did he have anger issues (apart from the obvious?) Bailey is the kind of character I love to read about but would drive me insane in real life! 😂 Their differences worked though, and I loved seeing Dakota thaw. Bailey's bluntness was so refreshing and absolutely perfect.
One thing I have to mention - because I loved it SO much - is Dakota's reaction to his friends and their oh-so-good plan, plus when they arrive at the B-and-B. First off, it was a real sh!tty thing for them to do, and I completely understood where Dakota was coming from. I would have left the weekend too. And secondly, his reaction to the honeymoon suite. I mean, yes, it works perfectly for the story, but once again, I thought his reaction was perfect. Who would do that?!?!?
All in all, a great read that I definitely recommend and part of a series I want to read more of.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 12, 2023
I thoroughly enjoyed this read, although I would have liked a little more background on Dakota. For example, what made him quit his city job? Why did he have anger issues (apart from the obvious?) Bailey is the kind of character I love to read about but would drive me insane in real life! 😂 Their differences worked though, and I loved seeing Dakota thaw. Bailey's bluntness was so refreshing and absolutely perfect.
One thing I have to mention - because I loved it SO much - is Dakota's reaction to his friends and their oh-so-good plan, plus when they arrive at the B-and-B. First off, it was a real sh!tty thing for them to do, and I completely understood where Dakota was coming from. I would have left the weekend too. And secondly, his reaction to the honeymoon suite. I mean, yes, it works perfectly for the story, but once again, I thought his reaction was perfect. Who would do that?!?!?
All in all, a great read that I definitely recommend and part of a series I want to read more of.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 12, 2023