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BankofMarquis (1832 KP) rated The Florida Project (2017) in Movies
Feb 18, 2018
Not Strong Enough To Keep My Attention
THE FLORIDA PROJECT is one of those "slice of life" films, shot on a low budget that doesn't really have a plot but exposes the audience to 2 hours of what it would be like to live the life of someone - usually a disaffected fringe group. There is no real plot, so the film needs to hang itself onto how interesting the characters - and the situation they find themselves - are.
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated Best Day Ever in Books
Jan 21, 2018
Creepy, eerie narration (2 more)
Unreliable narrator
Tense and terrifying writing
Creepy, twisted tale
Paul Strom has the perfect life. He's a successful, wealthy advertising executive with a gorgeous wife, Mia, and two young sons. They live happily in a beautiful house and all is well. Paul is even taking Mia away for a romantic weekend to the couple's lake home--just to celebrate how good they have it. But the day starts off poorly--they are delayed when Paul takes a phone call, seemingly annoying Mia, and it's clear there is tension between the perfect couple. As they drive toward the lake, it appears as if nothing as is good and wonderful as it seems.
I'd heard a lot of good things about this book and was excited to receive it for Christmas. I have to say that Rouda definitely nails the unreliable narrator. The book is told entirely from Paul's perspective, and the result is an eerie, creepy tale. At first he seems like a slightly overbearing husband whose focus is on providing for his family. But as the story progresses, Paul drops a lot of clues that something (perhaps a lot of somethings) is off and more and more comes to light as the story unfolds that all is not as it seems with Paul and Mia.
As for Mia, we basically see her only from Paul's point of view, which is interesting. Is she truly this obedient wife, submitting to her husband's every whim? And is Paul truly fooling Mia as much as he thinks he is? We're along for the ride, subject to Paul's arrogance and forced to read between the lines as he tells us his tale.
In a way, not much happens in this novel, which basically covers one day--Paul and Mia's "best day ever" away at their lake house--and it can get slow at times. I kept waiting for some explosive surprise or reveal, but that never really materialized. Instead, the strength here is in the tense and terrifying writing and the characterization of Paul, which was beyond superb. As the hours tick by, you'll be on the edge of your seat and sucked into Paul's delusions. I sort of loved his machinations and was totally drawn into his sick little world. He reminded me a bit of Joe from You - just a great, albeit sick, character.
I'd heard a lot of good things about this book and was excited to receive it for Christmas. I have to say that Rouda definitely nails the unreliable narrator. The book is told entirely from Paul's perspective, and the result is an eerie, creepy tale. At first he seems like a slightly overbearing husband whose focus is on providing for his family. But as the story progresses, Paul drops a lot of clues that something (perhaps a lot of somethings) is off and more and more comes to light as the story unfolds that all is not as it seems with Paul and Mia.
As for Mia, we basically see her only from Paul's point of view, which is interesting. Is she truly this obedient wife, submitting to her husband's every whim? And is Paul truly fooling Mia as much as he thinks he is? We're along for the ride, subject to Paul's arrogance and forced to read between the lines as he tells us his tale.
In a way, not much happens in this novel, which basically covers one day--Paul and Mia's "best day ever" away at their lake house--and it can get slow at times. I kept waiting for some explosive surprise or reveal, but that never really materialized. Instead, the strength here is in the tense and terrifying writing and the characterization of Paul, which was beyond superb. As the hours tick by, you'll be on the edge of your seat and sucked into Paul's delusions. I sort of loved his machinations and was totally drawn into his sick little world. He reminded me a bit of Joe from You - just a great, albeit sick, character.
Lyndsey Gollogly (2893 KP) rated Collecting Death (Haunted Collection #1) in Books
Mar 5, 2021
33 of 250
Kindle
Collecting Death (Haunted Collection book 1)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
Rolf the teddy bear looks sweet and warm. But in the dark, its eyes glow with a murderous gleam…
Stefan Korzh’s parents built a life around collecting possessed items, in the throes of a peculiar game with the dead. Antique porcelain dolls, beautifully crafted teapots and an eerie teddy bear, all seemingly innocuous objects that encompass unimaginable evil, and malignant spirits who wish to inflict pain on the living.
His parents’ obsession ruined Stefan’s life, and he dreams of punishing the rest of the world for his poor luck of the draw. Dreams become reality when he sends the collectibles to unsuspecting customers. One by one, he eagerly watches the chaos that unfolds.
Victor Daniels, a historian exhausted by yet another academic conference, wants nothing more than to go home and see his wife. But tragedy cuts his hopes of comfort short. Seeking answers, he teams up with a paranormal expert by the name of Jeremy Rhinehart. The two discover a tangled web of haunted collectibles gleefully painting the town red with the blood of their new owners.
Time is running out, and they must stop Stefan from spreading further mayhem. But Jeremy and Victor are in over their heads, and the hellish objects’ spirits will not rest until their pursuers join the ranks of the dead…
Well he took being pissed at his parents way to far! I’d have loved to learn more about Anne and Rolfe as well as a few other characters! It was super eerie especially if you have a fear of haunted kids toys! Reading in the dark made this that little bit better. Really Interesting read. I’d love to know what else was unleashed on the unsuspecting people buying these haunted items. Found the ending slightly rushed too! But overall a good read.
Kindle
Collecting Death (Haunted Collection book 1)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
Rolf the teddy bear looks sweet and warm. But in the dark, its eyes glow with a murderous gleam…
Stefan Korzh’s parents built a life around collecting possessed items, in the throes of a peculiar game with the dead. Antique porcelain dolls, beautifully crafted teapots and an eerie teddy bear, all seemingly innocuous objects that encompass unimaginable evil, and malignant spirits who wish to inflict pain on the living.
His parents’ obsession ruined Stefan’s life, and he dreams of punishing the rest of the world for his poor luck of the draw. Dreams become reality when he sends the collectibles to unsuspecting customers. One by one, he eagerly watches the chaos that unfolds.
Victor Daniels, a historian exhausted by yet another academic conference, wants nothing more than to go home and see his wife. But tragedy cuts his hopes of comfort short. Seeking answers, he teams up with a paranormal expert by the name of Jeremy Rhinehart. The two discover a tangled web of haunted collectibles gleefully painting the town red with the blood of their new owners.
Time is running out, and they must stop Stefan from spreading further mayhem. But Jeremy and Victor are in over their heads, and the hellish objects’ spirits will not rest until their pursuers join the ranks of the dead…
Well he took being pissed at his parents way to far! I’d have loved to learn more about Anne and Rolfe as well as a few other characters! It was super eerie especially if you have a fear of haunted kids toys! Reading in the dark made this that little bit better. Really Interesting read. I’d love to know what else was unleashed on the unsuspecting people buying these haunted items. Found the ending slightly rushed too! But overall a good read.
5 Minute Movie Guy (379 KP) rated If I Stay (2014) in Movies
Jun 28, 2019
The film's "live or die" premise is dumb, dangerous, and downright offensive. (4 more)
A totally lousy and illogical love story that lacks any heart.
The dialogue is almost as bad as Adam's 8-year-old-grade-level music lyrics.
It's far too frustrating and bland to be emotionally effective. The only pity I felt was for myself for having to sit through it for two hours.
If I Stay is unforgivable and reprehensible garbage. It should be avoided like the plague.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. If I Stay disappoints and offends on nearly every conceivable level.
Imagine yourself in a situation where your whole life is turned upside-down in an instant, and nothing will ever be the same again. That’s the troubling position young Mia Hall is faced with in If I Stay, after her and her family are involved in a terrible car accident. Mia wakes up from the crash, only to discover that she’s having some sort of transcendental experience, where she sees her own lifeless body being treated by paramedics. In her ghost-like form, no one is able to see or hear her, leaving her helpless as she watches her tragedy unfold. The devastating crash put her into a comatose state, and as she teeters on the verge of life and death, she’s informed by her nurse that whether or not she lives is entirely predicated on her will to survive. Based on the young adult novel by Gayle Forman, If I Stay asks us if life is still worth living even when all hope appears to be lost. Whether it’s really even worth it to endure life’s cruel hardship and heartache, and to muster the courage to face another day.
Well, if you answered that question with a resounding “yes!”, then like me, you’ll probably find this movie to be pretty darn stupid. Actually, regardless of your opinion on the matter, I think it would be hard for anyone to escape the fact that this movie is pretty darn stupid. However, as much as I find the central question of the movie to be absurd and even offensive, it didn’t detract from my interest in seeing the film. So let’s not make the assumption that I disliked this movie from the get-go, because that’s really just not true. Even though I may disagree with it, I can certainly sympathize with the idea of a teenager who is experiencing a life-shattering trauma and is afraid to continue living on afterward. However, I would personally argue that she hasn’t actually experienced any of that at all. She’s living in an extra dimensional safe-zone. Her horror can’t be real unless she makes it real by returning to life to face it. To look at it another way, couldn’t we say that if she chose death instead, that she never would have experienced the tragedy at all since she was stuck in a coma, and that she would be dead without ever knowing the fate of her family? That’s what I think, though I’ll admit it’s rather complicated as it draws upon unanswerable questions. To be frank, it’s a bogus scenario for a bogus movie that isn’t even worthy of that much thought, and clearly wasn’t ever given that much thought.
Before I digress on this topic, I’d like to look into a few of its implications, because I think it’s sending a terrible and dangerous message to its viewers, particularly the teenagers it’s targeted to. Basically, I believe the film is implying that death is a perfectly okay alternative to facing an undesirable change. I find that very idea to be immoral, irresponsible, and horribly atrocious. “Sorry your dad died, Timmy. If you can’t bear to live another day and want to end it all right here, well that’s okay with us. We understand and we won’t judge!” Are you kidding me? What kind of a message are they trying to send here? “Bad day? Just give up! Things are great here in Heaven! Join us today!” Is that really what they’re trying to tell us? How is anyone possibly okay with this? The film is essentially preaching that killing yourself is a perfectly acceptable option when life gets hard, and I have a really big problem with that. Whether we want to think about it or not, suicide is always an option we have in life, but that doesn’t mean that we should encourage it or try to pretend that it’s ever a favorable opportunity. Mia doesn’t even know what life will be like if she wakes up because she hasn’t lived it yet. Her fears are fully based off of negative assumptions. Yeah, maybe things will be really hard if she comes out of her coma. Maybe she’ll wish she was dead. Or maybe she’ll go through some difficult times, but then maybe things will get better and she’ll pick up the pieces and end up living a wonderful and happy life. Had she actually endured this new life and struggled with thoughts about suicide, I think it would have made for a far more compelling narrative, rather than all of this hypothetic nonsense. Either way, good or bad, life goes on. It’s up to us to adapt to it. Where there is hope, there is always possibility. With all that said, I would still contend that If I Stay’s premise is only the tip of the iceberg of its problems. This supposed tear-jerked failed to stir up any sympathy or sadness from me, and there are a few major reasons why.
First of all, it completely fails as a love story. The film is almost entirely devoid of romance, and has no believable connection between Mia and her boyfriend, Adam. Rather than being a Prince Charming type, Adam’s mostly just a jerk that she shouldn’t be wasting her time with in the first place. Yet the movie tries to make you believe that it’s love, and that this is what all normal relationships are like. It’s a complete crock. Movies like this give girls a false understanding of what love should be, and I find that to be an unforgivable offense. Adam’s the local hot shot rocker who falls for Mia, the talented young cello player who aspires to go to the renowned music school Julliard in New York. Adam manages to win her heart and the two of them start dating. Unfortunately though, their relationship can be pretty unpleasant to watch. Adam’s living the life of a local rock star and is blindly dragging Mia along for the ride, introducing the sweet, young girl to a world of parties, sex, and alcohol. Adam’s utterly oblivious to her disinterest in such a lifestyle and he rarely shows any concern for her feelings anyway. Yet she’s so foolishly committed to him that she follows this path of corruption, all for a guy who only thinks about himself. I thought this was supposed to be a love story, but it’s severely lacking in the love department. Just because Adam occasionally does something nice, we’re supposed to think he’s a good guy and forgive him for the majority of the time when he’s a lousy boyfriend and a loser? Of course, how romantic! Their whole relationship is lifeless and immensely frustrating. If living with him was my alternative to death, believe me, I’d choose death without hesitation.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. Even with my friend there, I still thought about leaving, then had a good laugh about the film’s title being so perfectly appropriate, as I contemplated to myself whether or not I should go. As much as I wanted to leave, I stuck it out all the way to the end. Then the entire audience ended up laughing at the ending, which goes to show I was far from the only one that thought this movie was a complete joke and waste of time. I had more than a few laughs at the film’s expense, from its dumb and derivative dialogue, to the way Chloe Grace Moretz slightly crosses her eyes whenever she’s upset. While I think I still remained open-minded about the film despite my issues with the story, I really don’t think the film itself was any good, nor does it appear to serve any purpose. Seriously, what’s the point of this movie? To give people hope that you can overcome obstacles in life? To justify suicide? I don’t know. Halfway through the movie, I was so disengaged from it that I was imagining how fun it would be to do cartwheels in the theater. That must be the lesson that I learned from all this. Well, that and to steer clear of crummy musicians, I suppose. While I’ve heard a lot of praise about the film’s soundtrack, I thought Adam’s band was quite horrendous. They do have a moment of redemption when they cover a Smashing Pumpkins song, which may have been the only good moment in this otherwise pitiful movie. I also found the lyrics of that song to be unusually appropriate to my misery when they said, “I’ll rip my eyes out, before I get out.” It’s almost funny that this might have been the only moment of the movie I could actually relate to: the thought of ripping my eyes out before being able to leave.
If I Stay is a movie that disappoints and offends on nearly every conceivable level. The saddest thing about this film is that garbage like this actually exists. Its pro-death agenda is just plain horrible and ill-conceived. It also troubles me greatly to think that teenage girls might watch this film and think that Mia and Adam’s tumultuous relationship is a desirable model of love. Lastly, I’d like to note that the If I Stay novel does have a follow-up book titled Where She Went. Wherever she goes, I sure hope it’s not back to theaters. If I have to sit through another If I Stay movie, I might just give up on life myself.
(This review was originally posted at 5mmg.com on 9.5.14.)
Well, if you answered that question with a resounding “yes!”, then like me, you’ll probably find this movie to be pretty darn stupid. Actually, regardless of your opinion on the matter, I think it would be hard for anyone to escape the fact that this movie is pretty darn stupid. However, as much as I find the central question of the movie to be absurd and even offensive, it didn’t detract from my interest in seeing the film. So let’s not make the assumption that I disliked this movie from the get-go, because that’s really just not true. Even though I may disagree with it, I can certainly sympathize with the idea of a teenager who is experiencing a life-shattering trauma and is afraid to continue living on afterward. However, I would personally argue that she hasn’t actually experienced any of that at all. She’s living in an extra dimensional safe-zone. Her horror can’t be real unless she makes it real by returning to life to face it. To look at it another way, couldn’t we say that if she chose death instead, that she never would have experienced the tragedy at all since she was stuck in a coma, and that she would be dead without ever knowing the fate of her family? That’s what I think, though I’ll admit it’s rather complicated as it draws upon unanswerable questions. To be frank, it’s a bogus scenario for a bogus movie that isn’t even worthy of that much thought, and clearly wasn’t ever given that much thought.
Before I digress on this topic, I’d like to look into a few of its implications, because I think it’s sending a terrible and dangerous message to its viewers, particularly the teenagers it’s targeted to. Basically, I believe the film is implying that death is a perfectly okay alternative to facing an undesirable change. I find that very idea to be immoral, irresponsible, and horribly atrocious. “Sorry your dad died, Timmy. If you can’t bear to live another day and want to end it all right here, well that’s okay with us. We understand and we won’t judge!” Are you kidding me? What kind of a message are they trying to send here? “Bad day? Just give up! Things are great here in Heaven! Join us today!” Is that really what they’re trying to tell us? How is anyone possibly okay with this? The film is essentially preaching that killing yourself is a perfectly acceptable option when life gets hard, and I have a really big problem with that. Whether we want to think about it or not, suicide is always an option we have in life, but that doesn’t mean that we should encourage it or try to pretend that it’s ever a favorable opportunity. Mia doesn’t even know what life will be like if she wakes up because she hasn’t lived it yet. Her fears are fully based off of negative assumptions. Yeah, maybe things will be really hard if she comes out of her coma. Maybe she’ll wish she was dead. Or maybe she’ll go through some difficult times, but then maybe things will get better and she’ll pick up the pieces and end up living a wonderful and happy life. Had she actually endured this new life and struggled with thoughts about suicide, I think it would have made for a far more compelling narrative, rather than all of this hypothetic nonsense. Either way, good or bad, life goes on. It’s up to us to adapt to it. Where there is hope, there is always possibility. With all that said, I would still contend that If I Stay’s premise is only the tip of the iceberg of its problems. This supposed tear-jerked failed to stir up any sympathy or sadness from me, and there are a few major reasons why.
First of all, it completely fails as a love story. The film is almost entirely devoid of romance, and has no believable connection between Mia and her boyfriend, Adam. Rather than being a Prince Charming type, Adam’s mostly just a jerk that she shouldn’t be wasting her time with in the first place. Yet the movie tries to make you believe that it’s love, and that this is what all normal relationships are like. It’s a complete crock. Movies like this give girls a false understanding of what love should be, and I find that to be an unforgivable offense. Adam’s the local hot shot rocker who falls for Mia, the talented young cello player who aspires to go to the renowned music school Julliard in New York. Adam manages to win her heart and the two of them start dating. Unfortunately though, their relationship can be pretty unpleasant to watch. Adam’s living the life of a local rock star and is blindly dragging Mia along for the ride, introducing the sweet, young girl to a world of parties, sex, and alcohol. Adam’s utterly oblivious to her disinterest in such a lifestyle and he rarely shows any concern for her feelings anyway. Yet she’s so foolishly committed to him that she follows this path of corruption, all for a guy who only thinks about himself. I thought this was supposed to be a love story, but it’s severely lacking in the love department. Just because Adam occasionally does something nice, we’re supposed to think he’s a good guy and forgive him for the majority of the time when he’s a lousy boyfriend and a loser? Of course, how romantic! Their whole relationship is lifeless and immensely frustrating. If living with him was my alternative to death, believe me, I’d choose death without hesitation.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. Even with my friend there, I still thought about leaving, then had a good laugh about the film’s title being so perfectly appropriate, as I contemplated to myself whether or not I should go. As much as I wanted to leave, I stuck it out all the way to the end. Then the entire audience ended up laughing at the ending, which goes to show I was far from the only one that thought this movie was a complete joke and waste of time. I had more than a few laughs at the film’s expense, from its dumb and derivative dialogue, to the way Chloe Grace Moretz slightly crosses her eyes whenever she’s upset. While I think I still remained open-minded about the film despite my issues with the story, I really don’t think the film itself was any good, nor does it appear to serve any purpose. Seriously, what’s the point of this movie? To give people hope that you can overcome obstacles in life? To justify suicide? I don’t know. Halfway through the movie, I was so disengaged from it that I was imagining how fun it would be to do cartwheels in the theater. That must be the lesson that I learned from all this. Well, that and to steer clear of crummy musicians, I suppose. While I’ve heard a lot of praise about the film’s soundtrack, I thought Adam’s band was quite horrendous. They do have a moment of redemption when they cover a Smashing Pumpkins song, which may have been the only good moment in this otherwise pitiful movie. I also found the lyrics of that song to be unusually appropriate to my misery when they said, “I’ll rip my eyes out, before I get out.” It’s almost funny that this might have been the only moment of the movie I could actually relate to: the thought of ripping my eyes out before being able to leave.
If I Stay is a movie that disappoints and offends on nearly every conceivable level. The saddest thing about this film is that garbage like this actually exists. Its pro-death agenda is just plain horrible and ill-conceived. It also troubles me greatly to think that teenage girls might watch this film and think that Mia and Adam’s tumultuous relationship is a desirable model of love. Lastly, I’d like to note that the If I Stay novel does have a follow-up book titled Where She Went. Wherever she goes, I sure hope it’s not back to theaters. If I have to sit through another If I Stay movie, I might just give up on life myself.
(This review was originally posted at 5mmg.com on 9.5.14.)
Haley Mathiot (9 KP) rated Seth Baumgartner's Love Manifesto in Books
Apr 27, 2018
Seth Baumgartner’s Love Manifesto by Eric Luper
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasn’t had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and he’s having some friendship problems with his best friend… add to that the fact that his father wants him to win a golf tournament that he really doesn’t care about, he can’t keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why we’re stupid enough to keep coming back for more… and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartner’s Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasn’t quite sure I really liked Seth that much, because he was doing some pretty stupid things… but in the end when he got his head back on straight and started making the right choices, I saw that he really wasn’t too bad after all. His best friend Dimitri was hilarious (I think he was my favorite… the description on the back of the book of “smut-minded” is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you don’t quite know who the good guy is, and you feel bad for Seth, but it’s not too depressing either.
Although Luper didn’t quite explain or define “love,” he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasn’t had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and he’s having some friendship problems with his best friend… add to that the fact that his father wants him to win a golf tournament that he really doesn’t care about, he can’t keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why we’re stupid enough to keep coming back for more… and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartner’s Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasn’t quite sure I really liked Seth that much, because he was doing some pretty stupid things… but in the end when he got his head back on straight and started making the right choices, I saw that he really wasn’t too bad after all. His best friend Dimitri was hilarious (I think he was my favorite… the description on the back of the book of “smut-minded” is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you don’t quite know who the good guy is, and you feel bad for Seth, but it’s not too depressing either.
Although Luper didn’t quite explain or define “love,” he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Butterfly child (6 KP) rated Killing Floor: (Jack Reacher 1) in Books
Feb 26, 2018
OK characterisation (1 more)
Good mystery build up
Intriguiging lead character.
I wasn't sure about this book when I first started it. I had heard great things about it, but I like to make my own mind up. Although it had some action from the start, it was still quite slow but once I got into it, I really enjoyed it. A really good read, I passed onto my mum to read too! We quite like reading the same books sometimes so we can discuss it after reading. Its quite a nice mum/daughter activity.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
Charlie Cobra Reviews (1840 KP) rated Polar (2019) in Movies
Jul 5, 2020
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Anna Marie Green (7 KP) rated the Xbox One version of Monster Hunter World in Video Games
Jul 3, 2018 (Updated Jul 3, 2018)
Fantastic Gameplay Possibilities (4 more)
Intelligent Monster AI
Climbing Difficulty
Good Community Management
It's Damn Good Fun (If you have $30, buy it.)
Feels Incomplete (2 more)
Experienced Players Lack Challenge
Mediocre Story
Monster Hunter, One Year Later
Monster Hunter: World was Capcom's fiest big success in the Western market. After years of cult status on the DS, they finally broke through to the world of consoles and had so much success that they dubbed MH:W their benchmark for future games.
But should they?
MH:W is, at its core, is a dungeon crawler designed to feel open-world within its own constraints. With beautiful environments such as the Coral Highlands and the toxic areas festering beneath the Rotten Vale, MHW looks and feels much more massive than the trodden paths you follow. Your first hunts feel thrilling as you take different paths to chase your limping prey, and a cycle of different weather, monsters, and endemic life keep you invested in immersion.
But after hunting a tempered Nergigante for the 20th time, things do begin to fall out of place. You experience the malaise of a Saitama-like hero. Have you become too strong?
Challenging fights become the norm. The occasional arch-tempered monster appears, but scaled damage isn't always the same thing as new difficulty.
In the handheld games, there were dozens of monsters with distinct abilities and variations. MH: Generations had 73 large monsters to hunt. You could even play as a palico.
But that variety just isn't in MH:W.
Granted, the game is an experiment and has provided some good content for no extra cost to the players, which is a feat of its own in comparison to all the other big game developers (EA, Microsoft, Square Enix, Bethesda). They also do an excellent job managing weekly challenges and encouraging community between players. Kulve Taroth hunts were a blast and the free meal in the Hub was an excellent bribe.
MH:W still needs more monsters and at least one new environment. Since its release in January 2018, only three monsters have been added to the game: Deviljho, Kulve Taroth, and Lunastra. Behemoth from Final Fantasy is also making an appearance this July. That's a monster every two months. Don't get me wrong here— that's a fair schedule for content release. Overwatch clocks in at about three months for every hero, so two months is a respectable jog for the quality of the quality of the game. Still, even Overwatch -with it's full player-controlled roster- can become a bit of a slog without those regular updates.
The easiest fix? Capcom needs to finally add in G-Ranks with weapon rarities 9 and 10, and the terrifying monsters to match. The other MH games have generally had these ranks, and the MH:W G updates have been teasing us in rumors since the release, yet we haven't seen any evidence of their existence. A massive content update containing new unique weapons trees, rarity 8 varieties of dead-end trees, armor transmogs, new endemic life and monsters, better armor designs, and more material choices... Capcom has incredible potential on their table that could rekindle gamers' interest in helping the Fifth solve the new mysteries of the New World.
Or, god forbid, suffer the gamers by making them by Monster Hunter: World 2 just to feel like they actually completed the first game.
But should they?
MH:W is, at its core, is a dungeon crawler designed to feel open-world within its own constraints. With beautiful environments such as the Coral Highlands and the toxic areas festering beneath the Rotten Vale, MHW looks and feels much more massive than the trodden paths you follow. Your first hunts feel thrilling as you take different paths to chase your limping prey, and a cycle of different weather, monsters, and endemic life keep you invested in immersion.
But after hunting a tempered Nergigante for the 20th time, things do begin to fall out of place. You experience the malaise of a Saitama-like hero. Have you become too strong?
Challenging fights become the norm. The occasional arch-tempered monster appears, but scaled damage isn't always the same thing as new difficulty.
In the handheld games, there were dozens of monsters with distinct abilities and variations. MH: Generations had 73 large monsters to hunt. You could even play as a palico.
But that variety just isn't in MH:W.
Granted, the game is an experiment and has provided some good content for no extra cost to the players, which is a feat of its own in comparison to all the other big game developers (EA, Microsoft, Square Enix, Bethesda). They also do an excellent job managing weekly challenges and encouraging community between players. Kulve Taroth hunts were a blast and the free meal in the Hub was an excellent bribe.
MH:W still needs more monsters and at least one new environment. Since its release in January 2018, only three monsters have been added to the game: Deviljho, Kulve Taroth, and Lunastra. Behemoth from Final Fantasy is also making an appearance this July. That's a monster every two months. Don't get me wrong here— that's a fair schedule for content release. Overwatch clocks in at about three months for every hero, so two months is a respectable jog for the quality of the quality of the game. Still, even Overwatch -with it's full player-controlled roster- can become a bit of a slog without those regular updates.
The easiest fix? Capcom needs to finally add in G-Ranks with weapon rarities 9 and 10, and the terrifying monsters to match. The other MH games have generally had these ranks, and the MH:W G updates have been teasing us in rumors since the release, yet we haven't seen any evidence of their existence. A massive content update containing new unique weapons trees, rarity 8 varieties of dead-end trees, armor transmogs, new endemic life and monsters, better armor designs, and more material choices... Capcom has incredible potential on their table that could rekindle gamers' interest in helping the Fifth solve the new mysteries of the New World.
Or, god forbid, suffer the gamers by making them by Monster Hunter: World 2 just to feel like they actually completed the first game.
Animated Essential Atlas
Medical and Education
App
The Focus Animated Essential Atlas of Anatomy and Physiology includes a full chapter on: -Cell –...
David McK (3372 KP) rated Waylander II: In the Realm of the Wolf in Books
Sep 26, 2021
David Gemmell is (was) one of my favourite authors.
Of his works, I find the Drenai series to be the best.
There, what, eleven novels in that series, all of which are largely stand-alone.
Out of those eleven, there's only a handful of novels centred around recurring key characters characters: most noticeably those with Druss (in order published, Legend, The First Chronicles of Druss the Legend and The Legend of Deathwalker (although he also appears in both White Wolf and The Swords of Night and Day), and those around the assassin Waylander)
This is the second of the three Waylander novels (Waylander, Waylander II: In the Realm of the Wolf and Hero in the Shadows ) which starts with Walyander and his adopted daughter Miriel living in quiet harmony in the wooded peaks, with Waylander - Dakeyras - mourning the death of his love Danyal. However, when a price is once more put on his head, Waylander finds himself pulled back into action, as Miriel and several of her companions find themselves going to the aid of the nomadic Nadir.
There may be an element of truth in the charge against Gemmell that some of his novels may be formulaic - we usually have a troubled hero, the mystic Source priests and their musings on life and death and the nature of evil, and - more often than not - a siege of some kind, but when the novels are all as good as this ... ?
Who cares!
Of his works, I find the Drenai series to be the best.
There, what, eleven novels in that series, all of which are largely stand-alone.
Out of those eleven, there's only a handful of novels centred around recurring key characters characters: most noticeably those with Druss (in order published, Legend, The First Chronicles of Druss the Legend and The Legend of Deathwalker (although he also appears in both White Wolf and The Swords of Night and Day), and those around the assassin Waylander)
This is the second of the three Waylander novels (Waylander, Waylander II: In the Realm of the Wolf and Hero in the Shadows ) which starts with Walyander and his adopted daughter Miriel living in quiet harmony in the wooded peaks, with Waylander - Dakeyras - mourning the death of his love Danyal. However, when a price is once more put on his head, Waylander finds himself pulled back into action, as Miriel and several of her companions find themselves going to the aid of the nomadic Nadir.
There may be an element of truth in the charge against Gemmell that some of his novels may be formulaic - we usually have a troubled hero, the mystic Source priests and their musings on life and death and the nature of evil, and - more often than not - a siege of some kind, but when the novels are all as good as this ... ?
Who cares!