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Last Argument of Kings
8.0
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The end is coming. Logen Ninefingers might only have one more fight in him but it's going to be a...
The Wolves of Midwinter (The Wolf Gift Chronicles, #2)
10.0
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Anne Rice is back, with more werewolves, gothic mansions and epic battles between good and evil. It...
Lyndsey Gollogly (2893 KP) rated Heartless ( Scarlet Suffragette 3) in Books
Jun 17, 2023
78 of 235
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Mark @ Carstairs Considers (2171 KP) rated Death Washes Ashore in Books
Apr 30, 2024
Death of a Gladiator
One morning Clark Thomas is awakened by a text from one of the detectives in town requesting his presence at a crime scene. The body of Connor West has washed up on the local state beach. Connor was the star of one of the local tourist attractions, a gladiator themed dinner and show.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
Darren (1599 KP) rated I Spit On Your Grave: Vengeance (2015) in Movies
Oct 24, 2019
Characters – Jennifer/Angela, is the victim from the first movie that got her revenge on her rapist, now back in the real world, she is still experiencing nightmares from sexual assault and fantasies of killing anyone that shows any sexual interest, be it a look or inappropriate touching. This becomes a reality once her new friend is killed and now she sets out to kill anyone that has victimised members of the rape support group. Marla is the new friend Angela makes, she has been a victim of an abusive ex-boyfriend and gets to show a looser side when working with Angela to get their message across to the guys in their lives. Oscar is a member of the support group that has seen his daughter raped before she killed herself and the rapist walked free, he talks the revenge game, never sure whether to take the step. Detective McDylan is investigating the murder of Marla and tries to help Angela when the suspect gets murdered, this is a generic cop figure.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Hazel (1853 KP) rated The Problem with Forever in Books
Dec 7, 2018
3.5
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
Kristy H (1252 KP) rated Last Woman Standing in Books
Apr 8, 2019
Crazy but exciting read
Dana Diaz is an aspiring comedian trying to make it in Austin, TX--with the ultimate goal of making it back to L.A. someday. She once lived there with her best friend, Jason, but left in a bit of disgrace. While performing in L.A., she meets Amanda Dorn, a computer programmer who applauds during her set and catches Dana's eye. The two bond over being women in a man's world and soon learn that both have had similar struggles with harassment. But then Amanda proposes a plan: they'll each seek revenge on a man that has harmed the other. Dana quickly finds herself pulled into Amanda's revenge schemes. She also finds herself unable to trust anyone--even her friends.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
ClareR (5686 KP) rated The Once and Future Witches in Books
Oct 15, 2020
It’s 1893 and witches are no more since Old Salem was burnt to the ground along with all of its witches. Women’s fights have now taken to the ballot box with the Suffragist movement. In reality, the difference between ‘Witch’ and ‘Suffragist’ is quite blurred for many men. All women with too much power, knowledge or motivation are something to be reviled and controlled. Yes, this is really all about feminism, and this is only one of the many reasons why it’s a top read for me.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
NYPD Green: The True Story of an Irish Detective Working in One of the Toughest Police Departments in the World
Book
'Luke Waters had more than 20 years on the job. What he saw, what he heard and what he did will make...
Bob Mann (459 KP) rated Red Sparrow (2018) in Movies
Sep 29, 2021
Good Lord! How much sex and violence is acceptable for a UK-15 film?
I recognise that it’s a “thing” that I get into periodic ‘ruts’ of ranting about particular aspects of cinema. But it’s not spoilers in trailers this time! No, the most recent rut I’ve been in is concerned with the correctness or otherwise of the BBFC’s rating of UK 15-certificate films, which seems to have been the rating of every cinema film I’ve seen recently! In my view both “Phantom Thread” and “Lady Bird” should both have firmly been 12A’s to attract a broader teenage audience. But here’s a case on the other side of the balance.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.