Search
Search results
Lyndsey Gollogly (2893 KP) rated Heartless ( Scarlet Suffragette 3) in Books
Jun 17, 2023
78 of 235
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Kindle
Heartless ( Scarlet Suffragette 3)
By Nicola Claire
⭐️⭐️⭐️⭐️⭐️
Qualified physician? A menace to society? The next Chief Surgeon?
Returning to life in the Antipodes has not gone quite as expected for Dr Anna Cassidy; an axe hangs over her head. With no sign of her nemesis in Auckland City, Anna finds herself holding her breath.
But a gruesome surprise awaiting her in her home surgery one morning changes all of that.
Puppet policeman? Blind protector? Steadfast husband?
For Inspector Andrew Kelly, however, the subsequent murders are very personal indeed. As a ghost from his past haunts his present and threatens his future, he must first find the truth amongst the lies before he can end his misery.
But this killer wants their pound of flesh.
When the bodies pile up, and the heartless are identified, can Andrew protect the one woman he loves? Or will the murderer have the last laugh and crush his heart forever?
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This was the best one of the trilogy and perfect ending! I have enjoyed this series so much it’s the time period I love and has a Jack the Ripper link as well as the most amazing female characters just a really good series. The 5 star review is well warranted for the whole series too. I really enjoy Nicola Claire’s writing style.
Mark @ Carstairs Considers (2434 KP) rated Death Washes Ashore in Books
Apr 30, 2024
Death of a Gladiator
One morning Clark Thomas is awakened by a text from one of the detectives in town requesting his presence at a crime scene. The body of Connor West has washed up on the local state beach. Connor was the star of one of the local tourist attractions, a gladiator themed dinner and show.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
Even after Clark is warned away from the case, he can’t help but dig into Connor’s life and his work at the Gladiator Games Dinner Show. With a face from his past as his way into the lives of those Clark wants to interview, can he figure out what happened?
I had an issue with how Clark got involved in the mystery here, but I put that aside and kept reading. The mystery was good with several strong suspects and twists along the way to a logical climax. I appreciated how Clark went about things in the climax, too. We also got to know him and a couple of characters better, although I feel like we have many who hardly had any page time. The writing could have used polish in several spots, but most of the time it was fine. There is a little advancement on the cliffhanger from the previous book, but we’ll have to keep reading to see where it goes next. Overall, this is a fun second book in the series.
Darren (1599 KP) rated I Spit On Your Grave: Vengeance (2015) in Movies
Oct 24, 2019
Characters – Jennifer/Angela, is the victim from the first movie that got her revenge on her rapist, now back in the real world, she is still experiencing nightmares from sexual assault and fantasies of killing anyone that shows any sexual interest, be it a look or inappropriate touching. This becomes a reality once her new friend is killed and now she sets out to kill anyone that has victimised members of the rape support group. Marla is the new friend Angela makes, she has been a victim of an abusive ex-boyfriend and gets to show a looser side when working with Angela to get their message across to the guys in their lives. Oscar is a member of the support group that has seen his daughter raped before she killed herself and the rapist walked free, he talks the revenge game, never sure whether to take the step. Detective McDylan is investigating the murder of Marla and tries to help Angela when the suspect gets murdered, this is a generic cop figure.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Bob Mann (459 KP) rated Red Sparrow (2018) in Movies
Sep 29, 2021
Good Lord! How much sex and violence is acceptable for a UK-15 film?
I recognise that it’s a “thing” that I get into periodic ‘ruts’ of ranting about particular aspects of cinema. But it’s not spoilers in trailers this time! No, the most recent rut I’ve been in is concerned with the correctness or otherwise of the BBFC’s rating of UK 15-certificate films, which seems to have been the rating of every cinema film I’ve seen recently! In my view both “Phantom Thread” and “Lady Bird” should both have firmly been 12A’s to attract a broader teenage audience. But here’s a case on the other side of the balance.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
NYPD Green: The True Story of an Irish Detective Working in One of the Toughest Police Departments in the World
Book
'Luke Waters had more than 20 years on the job. What he saw, what he heard and what he did will make...
Life Moves Pretty Fast: The Lessons We Learned from Eighties Movies (and Why We Don't Learn Them from Movies Any More)
Book
Hadley Freeman brings us her personalised guide to American movies from the 1980s - why they are...
LeftSideCut (3776 KP) rated Villains (2019) in Movies
Mar 10, 2021
This one struck a chord with me, and hit all the right notes along the way.
Villains is a witty, often funny, often dark thriller, with a sprinkling of horror for good measure. It's beautifully shot from start to finish and has fantastic performances all round from its small cast. Bill Skarsgård and Maika Monroe are extremely likeable "protagonists", as two amateur crooks on the run after robbing a gas station hoping to gather enough cash to start a new life together. The chemistry between the two of them is wonderful. When they run out of fuel during their getaway, they break into a nearby house in an attempt to either siphon some gas, or straight up steal a car but are quickly embroiled in a life or death situation when the homeowners return, two people who aren't quite as they seem. Jeffrey Donovan and Kyra Sedgwick are just as great as the two homeowners, both playing up their parts with villanous glee. Donovan's character may just be one of the most likable "bad guys" in recent history.
What follows is an incredibly entertaining and suspenseful film, with a few shocks and the odd splash of violence. The screenplay is brilliant, the pacing is perfect, and the music score is beautiful.
Underneath all of the craziness though, is a story I found to be incredibly sad. None of these people are perfect, some worse than others, but even the worst of the bunch aren't completely awful. These characters are well fleshed out, and are easy to sympathise with. This ensures some well earned emotional moments that really land and the cast are just fantastic sharing the screen together.
I wasn't quite sure what to expect from Villains but it really got me. I can safely say it's one of my favourites of 2019, which is something considering how many excellent movies there were that year.
Villains is a witty, often funny, often dark thriller, with a sprinkling of horror for good measure. It's beautifully shot from start to finish and has fantastic performances all round from its small cast. Bill Skarsgård and Maika Monroe are extremely likeable "protagonists", as two amateur crooks on the run after robbing a gas station hoping to gather enough cash to start a new life together. The chemistry between the two of them is wonderful. When they run out of fuel during their getaway, they break into a nearby house in an attempt to either siphon some gas, or straight up steal a car but are quickly embroiled in a life or death situation when the homeowners return, two people who aren't quite as they seem. Jeffrey Donovan and Kyra Sedgwick are just as great as the two homeowners, both playing up their parts with villanous glee. Donovan's character may just be one of the most likable "bad guys" in recent history.
What follows is an incredibly entertaining and suspenseful film, with a few shocks and the odd splash of violence. The screenplay is brilliant, the pacing is perfect, and the music score is beautiful.
Underneath all of the craziness though, is a story I found to be incredibly sad. None of these people are perfect, some worse than others, but even the worst of the bunch aren't completely awful. These characters are well fleshed out, and are easy to sympathise with. This ensures some well earned emotional moments that really land and the cast are just fantastic sharing the screen together.
I wasn't quite sure what to expect from Villains but it really got me. I can safely say it's one of my favourites of 2019, which is something considering how many excellent movies there were that year.
Lyndsey Gollogly (2893 KP) rated Chosen (The Warrior Chronicles #1) in Books
Jan 20, 2021
13 of 250
Kindle
Chosen ( Warrior Chronicles book 1)
By K.F. Breene
Once read a review will be written via Smashbomb and link posted in comments
It is said that when war threatens the world, one individual will be selected by prophecy to lead the Shadow Warriors out of the Land of Mist and reclaim the freedom which has been stolen.
~~
Shanti has grown up under the constant threat of war. Since she helped her people defeat a raiding party by using a special power, she’s been a hunted woman. Carrying rare abilities and an uncanny fighting aptitude, Shanti is the only hope of salvation for her people. The problem is, she doesn’t believe in her own divinity, and when she flounders, she nearly fails in the duty hanging so heavy on her shoulders.
It seems like any other day when Sanders and his band of misfit boys find a foreign woman clinging to life in the wastelands. Oblivious to the weapon they now have in their possession, they are content to harbor the mysterious woman until she is well enough to continue her journey.
But when the war spreads its arms and lands on her borrowed doorstep, Shanti has no choice but to reveal her secrets, plunging her saviors into danger. If they band with her, they will face certain death. But to trade her to Xandre, the warlord desperate to add her to his war machine, would be to give up their entire way of life.
War is coming. The only choice becomes: Which side do you choose?
I loved shanti she was brilliant! I really enjoyed the book and it’s characters! So why only. a 3 star rating? Well I got a little bored at some of it if I’m honest there were times in the book I felt a bit meh!! I can’t quite pin point it although I do find the cayan quite boring! Saying that overs it’s a good book!
Kindle
Chosen ( Warrior Chronicles book 1)
By K.F. Breene
Once read a review will be written via Smashbomb and link posted in comments
It is said that when war threatens the world, one individual will be selected by prophecy to lead the Shadow Warriors out of the Land of Mist and reclaim the freedom which has been stolen.
~~
Shanti has grown up under the constant threat of war. Since she helped her people defeat a raiding party by using a special power, she’s been a hunted woman. Carrying rare abilities and an uncanny fighting aptitude, Shanti is the only hope of salvation for her people. The problem is, she doesn’t believe in her own divinity, and when she flounders, she nearly fails in the duty hanging so heavy on her shoulders.
It seems like any other day when Sanders and his band of misfit boys find a foreign woman clinging to life in the wastelands. Oblivious to the weapon they now have in their possession, they are content to harbor the mysterious woman until she is well enough to continue her journey.
But when the war spreads its arms and lands on her borrowed doorstep, Shanti has no choice but to reveal her secrets, plunging her saviors into danger. If they band with her, they will face certain death. But to trade her to Xandre, the warlord desperate to add her to his war machine, would be to give up their entire way of life.
War is coming. The only choice becomes: Which side do you choose?
I loved shanti she was brilliant! I really enjoyed the book and it’s characters! So why only. a 3 star rating? Well I got a little bored at some of it if I’m honest there were times in the book I felt a bit meh!! I can’t quite pin point it although I do find the cayan quite boring! Saying that overs it’s a good book!
ClareR (5991 KP) rated The Seven or Eight Deaths of Stella Fortuna in Books
Aug 26, 2019
This is the family saga of the Fortuna’s, and follows their lives from poverty in Calabria to the USA. It follows Stella from the birth and death of her older sister (also called Mariastella), her siblings, parents and her life in Connecticut - covering 100 years. I still can’t quite believe that the author managed to fit so much into 460+ pages without it feeling rushed or shoe-horned in, it she did it!
As you can probably guess from the title, Stella’s 7 or 8 deaths feature quite prominently in this, as does her close relationships with her mother and sister. Her father as good as abandons them for the first part of her life, and then demands that his wife and children sell everything and join him in the US where he has been working. Stella hates her controlling, abusive father, but is very much restricted by tradition and religion. So, she lives under his despotic rule. There is quite a bit of abuse - both physical and mental - in this, but what is most admirable is Stella’s unbroken spirit. And she has spirit in spades.
I loved the style in which this was told: a family member researching and telling the story of her relatives, and trying to work out why Stella in her last 30 years refuses to have anything to do with the sister that she loved so much. I had to keep reminding myself that it was in fact fiction. There was a great balance of modern thinking (from the narrator) and the traditions of the older members of the family, complete with curses and spells to avoid the evil eye.
I’ll be honest, I thought I’d made a mistake by choosing this book. I really didn’t think I’d like it. I’m so relieved that I took a chance on this though, because I loved it, and I’d say that it’s well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book.
As you can probably guess from the title, Stella’s 7 or 8 deaths feature quite prominently in this, as does her close relationships with her mother and sister. Her father as good as abandons them for the first part of her life, and then demands that his wife and children sell everything and join him in the US where he has been working. Stella hates her controlling, abusive father, but is very much restricted by tradition and religion. So, she lives under his despotic rule. There is quite a bit of abuse - both physical and mental - in this, but what is most admirable is Stella’s unbroken spirit. And she has spirit in spades.
I loved the style in which this was told: a family member researching and telling the story of her relatives, and trying to work out why Stella in her last 30 years refuses to have anything to do with the sister that she loved so much. I had to keep reminding myself that it was in fact fiction. There was a great balance of modern thinking (from the narrator) and the traditions of the older members of the family, complete with curses and spells to avoid the evil eye.
I’ll be honest, I thought I’d made a mistake by choosing this book. I really didn’t think I’d like it. I’m so relieved that I took a chance on this though, because I loved it, and I’d say that it’s well worth a read.
Many thanks to NetGalley and the publisher for my copy of this book.
As The Secrets Turn (My Darkest Secret #3)
6.0
Rate It
Book
When we collided, it turned into beautiful chaos. I am patient and kind. I do not envy or boast. ...
Young Adult (YA) Urban Romantic Suspense