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Gareth von Kallenbach (980 KP) rated Creed II (2018) in Movies
Jun 19, 2019
Since his spectacular fight which ended in a loss at the conclusion of “Creed”, Adonis Johnson Creed (Michael B. Jordan) has won his next six bouts and then pulls off an impressive victory to become the new Heavyweight Champion.
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Dean (6927 KP) rated Last Christmas (2019) in Movies
Dec 28, 2019 (Updated Jan 5, 2020)
Great soundtrack (2 more)
Emilia Clarke
Not a traditional Rom-Com
Heart Warming festive film
I'm not particularly a fan of festive films but I'd seen most other stuff out so gave this a whirl with an open mind. It was a pleasant surprise a mix of Bridget Jones diary type humour to start with and a few good laughs throughout. The romance side is OK and Emilia Clarke is on form as a helpless Londoner down on her luck and feeling sorry for herself. Until she meets Tom who improves her outlook on life.
I figured out what was going on before the big reveal, which is why I think some people probably didn't like it. Overall I found it a heartwarming film that was fun and festive without being overly cheesey. So check it out even if you normally avoid Christmas films.
I figured out what was going on before the big reveal, which is why I think some people probably didn't like it. Overall I found it a heartwarming film that was fun and festive without being overly cheesey. So check it out even if you normally avoid Christmas films.
I'm Sorry I Haven't a Clue: Chairman Humph - A Tribute
Stephen Fry, C. Bb and Humphrey Lyttelton
Book
BBC Radio 4 celebrates the remarkable life of Humphrey Lyttelton, jazz genius, radio legend and...
Phil Leader (619 KP) rated Fledgling (Afterlife #1) in Books
Nov 13, 2019
With the increasing population and growing evils of the world, the guardian angels are struggling to keep up and have started to recruit human souls to be angels. Those that meet the criteria are then trained to fight evil - quite literally.
The heroine of the story (unnamed for very nearly half the book) is one such recruit, She is sent on missions to protect innocent souls from evil people and to insert a conscience into their attackers so they will change their ways. But the new angel is worried about the side effects of the new conscience and this causes her to break the rules and to question if what the archangels have taught is correct.
Despite the premise, this book is neither religious nor do the angels behave exactly as guardian angels are traditionally supposed to. They are more like an angelic version of Thunderbirds as they are despatched from their secret island base around the planet to protect those in trouble. And they don't fight evil with a kind word and good deeds, these angels are trained in martial arts and are very much not afraid to use it.
This book reminded me most of a computer game where each mission granted new powers, but also the end of level opponent gets tougher. Every chapter raises the thrill another notch and the fight scenes are very impressively written and choreographed. It is like The Matrix with angels.
The characters are well written. The angels - both the new recruits and the archangels - are well formed and each has their strengths and weaknesses and are certainly not in any way perfect. The heroine in particular is someone the reader can empathise with as she struggles with the dilemmas of her new life (and her old human one). Some pages I didn't want to turn as it was clear that something unpleasant was going to happen to her. But with the help of her friends and their combined strengths they win through.
Given that the main character is female angel and that there is a romantic sub plot this might not appeal to teenage males but that would be overlooking a terrific book for a very superficial reason. The tale of a feisty angel who always does what she believes is right is ultimately a good read for anybody.
The heroine of the story (unnamed for very nearly half the book) is one such recruit, She is sent on missions to protect innocent souls from evil people and to insert a conscience into their attackers so they will change their ways. But the new angel is worried about the side effects of the new conscience and this causes her to break the rules and to question if what the archangels have taught is correct.
Despite the premise, this book is neither religious nor do the angels behave exactly as guardian angels are traditionally supposed to. They are more like an angelic version of Thunderbirds as they are despatched from their secret island base around the planet to protect those in trouble. And they don't fight evil with a kind word and good deeds, these angels are trained in martial arts and are very much not afraid to use it.
This book reminded me most of a computer game where each mission granted new powers, but also the end of level opponent gets tougher. Every chapter raises the thrill another notch and the fight scenes are very impressively written and choreographed. It is like The Matrix with angels.
The characters are well written. The angels - both the new recruits and the archangels - are well formed and each has their strengths and weaknesses and are certainly not in any way perfect. The heroine in particular is someone the reader can empathise with as she struggles with the dilemmas of her new life (and her old human one). Some pages I didn't want to turn as it was clear that something unpleasant was going to happen to her. But with the help of her friends and their combined strengths they win through.
Given that the main character is female angel and that there is a romantic sub plot this might not appeal to teenage males but that would be overlooking a terrific book for a very superficial reason. The tale of a feisty angel who always does what she believes is right is ultimately a good read for anybody.
The Prince And The Puppet Thief
8.0
Rate It
Book
Welcome to the kingdom where princes kiss thieves, princesses dance with their handmaids at...
Rachel King (13 KP) rated Last Sacrifice in Books
Feb 11, 2019
I waited a long time to read this book, but it was still well worth the wait. In typical Rose fashion, she disregards the practical advice of her friends and family to try and help those she cares about most. Embarking on a road trip around the eastern United States, she searches for the clues to the missing Dragomir heir, all the while growing closer to the newly-Moroi Demitri. All the while, Lissa navigates the intricacies of the Royal Court and deals with being thrust into the running for the new Queen.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
Gareth von Kallenbach (980 KP) rated Death Wish (2018) in Movies
Jun 19, 2019
For Dr. Paul Kersey (Bruce Willis), life is good but at a crossroads. With his birthday coming up, his daughter Jordan (Camila Morrone) is preparing to leave their affluent Chicago home to start college in New York.
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Rules for Mavericks: A Manifesto for Dissident Creatives
Book
Rules for Mavericks: A Manifesto for Dissident Creatives by Phil Beadle is a guidebook to leading a...
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)