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Kristin (149 KP) rated A Silent Prayer (A Prayer Series #1) in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
Rania is a regular girl, just trying to get through life in Toronto. Adam is a rich bachelor, spending and sleeping his way through the days. When they cross paths, sparks fly, and Adam realizes he might not mind leaving the single-life behind, once and for all. However, Rania has a scarred past, and it's keeping barriers around her heart. Can these two make it together, or will their differences drive them apart before they even get started?
I enjoyed this book right from the start. I love how the chapters are separated into each point of view, as you get a glimpse from both sides of the coin and how each character is dealing with their new friendship. I feel as though this one quote from the beginning perfectly sums up how you should view this story: "I wonder at the fact that each human has his own story to tell; everyone has a past, a present and a future to look forward to." We travel through the present with both Rania and Adam, and while looking through them towards their possible future, we see that they'll have to relive a past that could tear them apart.
I would recommend this book to anyone who likes a good romance, but note that it's not your typical boy-meets-girl, boy-gets-girl story. This is one where you'll be rooting on both sides, and you get to see what happens when love-at-first-sight meets its match in a strong-willed woman.
4 1/2 stars
Gareth von Kallenbach (977 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
Christine A. (965 KP) rated Unwritten in Books
Nov 30, 2018
Charming novel
I was provided with a complimentary copy of this book so I could give an honest review.
Unwritten is about Gracie Freeman and her family. Gracie is a normal twelve year old who discovers she is really a character from an unpublished fairy tale. When her parents discovered she was supposed to die in the story, they took her out of the story, and brought her into the outside world. Gracie is desperate to know what the story says about her and, because of a magic book, is pulled back into the story.
Tara Gilboy offers a charming fantasy in which Gracie desires to find out about herself and what the story's author wrote about her. Is she a hero, the villain, or a minor character? Is she supposed to be good or bad? Can she change or is it predetermined?
Unwritten is a short novel with 198 pages, according to Goodreads, but has a lot of depth to it. Authors meeting their characters or characters coming to life is not a new idea but it's unique in the way the author handles the situation. You'll have to trust me. I do not want to spoil anything.
I would enjoy reading a sequel or from a different character's point of view. Unwritten is Tara GIlboy's debut novel.
Unwritten is about Gracie Freeman and her family. Gracie is a normal twelve year old who discovers she is really a character from an unpublished fairy tale. When her parents discovered she was supposed to die in the story, they took her out of the story, and brought her into the outside world. Gracie is desperate to know what the story says about her and, because of a magic book, is pulled back into the story.
Tara Gilboy offers a charming fantasy in which Gracie desires to find out about herself and what the story's author wrote about her. Is she a hero, the villain, or a minor character? Is she supposed to be good or bad? Can she change or is it predetermined?
Unwritten is a short novel with 198 pages, according to Goodreads, but has a lot of depth to it. Authors meeting their characters or characters coming to life is not a new idea but it's unique in the way the author handles the situation. You'll have to trust me. I do not want to spoil anything.
I would enjoy reading a sequel or from a different character's point of view. Unwritten is Tara GIlboy's debut novel.
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Merissa (11958 KP) rated Mist on Water in Books
Apr 18, 2023
This is a fairy tale going back to the ways of old - there are layers of meaning with this tale and not a Disney princess in sight! Reading this story, I am immediately reminded of the Brothers Grimm or Hans Christian Andersen - Fairy Tale Tellers Extraordinaire who seemed to specialise in tales with a twist, a darker kind of fairytale, the kind that gave you shivers as you huddled beneath your blankets as your parent read your bedtime story.
This book is split into three different sections - Ryne, the Nix and Nari. Ryne is our young hero whose whole life has been affected by tales of the Nix, although he has yet to see any proof that she exists. The nix is the villain of the piece that I actually felt sympathy for. Yes, she was evil and twisted but there were reasons for that, which just about broke my heart! Nari is our spitfire heroine, not content to sit back and be rescued, she is the one doing the rescuing.
Well written and with a smooth plot and timeline, this is a new 'old' fairytale that I thoroughly enjoyed. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 8, 2015
This book is split into three different sections - Ryne, the Nix and Nari. Ryne is our young hero whose whole life has been affected by tales of the Nix, although he has yet to see any proof that she exists. The nix is the villain of the piece that I actually felt sympathy for. Yes, she was evil and twisted but there were reasons for that, which just about broke my heart! Nari is our spitfire heroine, not content to sit back and be rescued, she is the one doing the rescuing.
Well written and with a smooth plot and timeline, this is a new 'old' fairytale that I thoroughly enjoyed. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 8, 2015
Merissa (11958 KP) rated She’s the One Who Won’t Behave (The War Stories of the Seven Troublesome Sisters, #6) in Books
Aug 8, 2022 (Updated Aug 8, 2023)
SHE'S THE ONE WHO WON'T BEHAVE is the penultimate book in the War Stories of the Seven Troublesome Sisters series and we get Gypsum's story, the unwanted 'daughter'.
It can be hard to not fit in or to want something you think is unattainable. This is how Gypsum feels. She has felt unwelcome for most of her life at home and wants nothing more than to be free to choose her own path. This leads her to the reczavy, where she learns sexual freedom is only one of the paths open to her with them.
Not only that, but Gypsum has a brain and isn't afraid to use it, concerned for what lies ahead from the Mongols. She learns all she can, figuring out plans and contingencies before she meets Ryalgar. I do think Gypsum was the most under-estimated sister and loved seeing her 'behind the scenes' actions.
Only one book to go and I really can't wait. This whole series has been a fantastic read that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
It can be hard to not fit in or to want something you think is unattainable. This is how Gypsum feels. She has felt unwelcome for most of her life at home and wants nothing more than to be free to choose her own path. This leads her to the reczavy, where she learns sexual freedom is only one of the paths open to her with them.
Not only that, but Gypsum has a brain and isn't afraid to use it, concerned for what lies ahead from the Mongols. She learns all she can, figuring out plans and contingencies before she meets Ryalgar. I do think Gypsum was the most under-estimated sister and loved seeing her 'behind the scenes' actions.
Only one book to go and I really can't wait. This whole series has been a fantastic read that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
Gareth von Kallenbach (977 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.