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    Maya and Mary [EN]

    Maya and Mary [EN]

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Trumbo (2016)
Trumbo (2016)
2016 | Drama
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?

 

The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.

 

Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.

 

I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.

 

It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.

 

In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
  
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Christine A. (965 KP) rated Unwritten in Books

Nov 30, 2018  
Unwritten
Unwritten
Tara GIlboy | 2018 | Children, Science Fiction/Fantasy
7
7.0 (1 Ratings)
Book Rating
The story has depth (0 more)
Charming novel
I was provided with a complimentary copy of this book so I could give an honest review.

Unwritten is about Gracie Freeman and her family. Gracie is a normal twelve year old who discovers she is really a character from an unpublished fairy tale. When her parents discovered she was supposed to die in the story, they took her out of the story, and brought her into the outside world. Gracie is desperate to know what the story says about her and, because of a magic book, is pulled back into the story.

Tara Gilboy offers a charming fantasy in which Gracie desires to find out about herself and what the story's author wrote about her. Is she a hero, the villain, or a minor character? Is she supposed to be good or bad? Can she change or is it predetermined?

Unwritten is a short novel with 198 pages, according to Goodreads, but has a lot of depth to it. Authors meeting their characters or characters coming to life is not a new idea but it's unique in the way the author handles the situation. You'll have to trust me. I do not want to spoil anything.

I would enjoy reading a sequel or from a different character's point of view. Unwritten is Tara GIlboy's debut novel.
  
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William Sadler recommended Unforgiven (1992) in Movies (curated)

 
Unforgiven (1992)
Unforgiven (1992)
1992 | Western

"With my friend Morgan [Freeman]. It’s so funny, these movies, the ones that I’m pulling out, they all have the same element. They feel perfect. I can’t find a false note, I can’t find a scene or a moment that you could lose and the movie would still be as good. There’s not a wasted breath. I think that Unforgiven is some of Clint Eastwood’s best work. I love westerns — I grew up on them — watching them and playing them around the barn in Buffalo. This is a different western, again, this is a broken guy who’s hanging on by his fingernails. He’s been a dirt farmer, he’s lost his wife, this is his last shot. That’s funny, it’s a little like The Verdict in that respect. None of it is pretty. It’s not slick, it’s not the balletic gunfighting that you see in some movies. It’s ugly and awkward and it’s not easy to kill a man. That was one of the themes that just stuck out like a sore thumb. This is not an easy thing to do, kill a man. For all the glamour and all the romance of the old west and the gunfights and so on, this is awful work, guns. They brought that to life. Gene Hackman can do no wrong. He’s sort of an acting god."

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