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Shifter Woods: Growl (Esposito County Shifters #3)
8.7
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Book
I knew he was trouble from the first moment I saw him. But I couldn't resist trouble… Life in...
Paranormal Romance
Christine A. (965 KP) rated Unwritten in Books
Nov 30, 2018
Charming novel
I was provided with a complimentary copy of this book so I could give an honest review.
Unwritten is about Gracie Freeman and her family. Gracie is a normal twelve year old who discovers she is really a character from an unpublished fairy tale. When her parents discovered she was supposed to die in the story, they took her out of the story, and brought her into the outside world. Gracie is desperate to know what the story says about her and, because of a magic book, is pulled back into the story.
Tara Gilboy offers a charming fantasy in which Gracie desires to find out about herself and what the story's author wrote about her. Is she a hero, the villain, or a minor character? Is she supposed to be good or bad? Can she change or is it predetermined?
Unwritten is a short novel with 198 pages, according to Goodreads, but has a lot of depth to it. Authors meeting their characters or characters coming to life is not a new idea but it's unique in the way the author handles the situation. You'll have to trust me. I do not want to spoil anything.
I would enjoy reading a sequel or from a different character's point of view. Unwritten is Tara GIlboy's debut novel.
Unwritten is about Gracie Freeman and her family. Gracie is a normal twelve year old who discovers she is really a character from an unpublished fairy tale. When her parents discovered she was supposed to die in the story, they took her out of the story, and brought her into the outside world. Gracie is desperate to know what the story says about her and, because of a magic book, is pulled back into the story.
Tara Gilboy offers a charming fantasy in which Gracie desires to find out about herself and what the story's author wrote about her. Is she a hero, the villain, or a minor character? Is she supposed to be good or bad? Can she change or is it predetermined?
Unwritten is a short novel with 198 pages, according to Goodreads, but has a lot of depth to it. Authors meeting their characters or characters coming to life is not a new idea but it's unique in the way the author handles the situation. You'll have to trust me. I do not want to spoil anything.
I would enjoy reading a sequel or from a different character's point of view. Unwritten is Tara GIlboy's debut novel.
William Sadler recommended Unforgiven (1992) in Movies (curated)
Wedding Planner for iPad
Lifestyle and Productivity
App
Have you recently got engaged or are getting married in the near future? If so firstly a big...
The Truth about Kadenburg (The Kadenburg Shifters #1)
8.0
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Book
26-year-old Presley Goult's life is anything but ordinary. Her mother abandoned her as a toddler...
Paranormal Romance
Merissa (13489 KP) rated Mist on Water in Books
Apr 18, 2023
This is a fairy tale going back to the ways of old - there are layers of meaning with this tale and not a Disney princess in sight! Reading this story, I am immediately reminded of the Brothers Grimm or Hans Christian Andersen - Fairy Tale Tellers Extraordinaire who seemed to specialise in tales with a twist, a darker kind of fairytale, the kind that gave you shivers as you huddled beneath your blankets as your parent read your bedtime story.
This book is split into three different sections - Ryne, the Nix and Nari. Ryne is our young hero whose whole life has been affected by tales of the Nix, although he has yet to see any proof that she exists. The nix is the villain of the piece that I actually felt sympathy for. Yes, she was evil and twisted but there were reasons for that, which just about broke my heart! Nari is our spitfire heroine, not content to sit back and be rescued, she is the one doing the rescuing.
Well written and with a smooth plot and timeline, this is a new 'old' fairytale that I thoroughly enjoyed. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 8, 2015
This book is split into three different sections - Ryne, the Nix and Nari. Ryne is our young hero whose whole life has been affected by tales of the Nix, although he has yet to see any proof that she exists. The nix is the villain of the piece that I actually felt sympathy for. Yes, she was evil and twisted but there were reasons for that, which just about broke my heart! Nari is our spitfire heroine, not content to sit back and be rescued, she is the one doing the rescuing.
Well written and with a smooth plot and timeline, this is a new 'old' fairytale that I thoroughly enjoyed. Definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 8, 2015
Merissa (13489 KP) rated She’s the One Who Won’t Behave (The War Stories of the Seven Troublesome Sisters, #6) in Books
Aug 8, 2022 (Updated Aug 8, 2023)
SHE'S THE ONE WHO WON'T BEHAVE is the penultimate book in the War Stories of the Seven Troublesome Sisters series and we get Gypsum's story, the unwanted 'daughter'.
It can be hard to not fit in or to want something you think is unattainable. This is how Gypsum feels. She has felt unwelcome for most of her life at home and wants nothing more than to be free to choose her own path. This leads her to the reczavy, where she learns sexual freedom is only one of the paths open to her with them.
Not only that, but Gypsum has a brain and isn't afraid to use it, concerned for what lies ahead from the Mongols. She learns all she can, figuring out plans and contingencies before she meets Ryalgar. I do think Gypsum was the most under-estimated sister and loved seeing her 'behind the scenes' actions.
Only one book to go and I really can't wait. This whole series has been a fantastic read that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
It can be hard to not fit in or to want something you think is unattainable. This is how Gypsum feels. She has felt unwelcome for most of her life at home and wants nothing more than to be free to choose her own path. This leads her to the reczavy, where she learns sexual freedom is only one of the paths open to her with them.
Not only that, but Gypsum has a brain and isn't afraid to use it, concerned for what lies ahead from the Mongols. She learns all she can, figuring out plans and contingencies before she meets Ryalgar. I do think Gypsum was the most under-estimated sister and loved seeing her 'behind the scenes' actions.
Only one book to go and I really can't wait. This whole series has been a fantastic read that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2022
Gareth von Kallenbach (980 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
BankofMarquis (1832 KP) rated Asteroid City (2023) in Movies
Jun 30, 2023
Too "Wes Anderson" For It's Own Good
If you watched the Oscar Nominated Wes Anderson film THE GRAND BUDAPEST HOTEL back in 2014 and thought to yourself - “I want more of this type of thing - only turned up to 11”, then does the BankofMarquis have a film for you.
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)