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BankofMarquis (1832 KP) rated Asteroid City (2023) in Movies
Jun 30, 2023
Too "Wes Anderson" For It's Own Good
If you watched the Oscar Nominated Wes Anderson film THE GRAND BUDAPEST HOTEL back in 2014 and thought to yourself - “I want more of this type of thing - only turned up to 11”, then does the BankofMarquis have a film for you.
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
It's SO BAD... that it's actually quite good.
Contains spoilers, click to show
I honestly don't even know where to start with Doom Asylum. The dialogue is absolutely terrible and will leave you scratching your head (for example, a girl says to her Boyfriend "can I call you Mom?"... what?!), the acting is cringeworthy...I mean, it has to be bad if Kristin Davis (Sex in the City) is the best actor on the set and the Killer is confusing, to say the least.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Debbiereadsbook (1756 KP) rated Part of Her Plan (Cupid's Cafe #5) in Books
Jul 21, 2021
not an easy read, but a bloody good one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I have no idea what I expected from this book, but it certainly wasn't this!
Jenny and Lydia have real life problems. Both are recovering from their respective addictions (or not, as the case may be) and this book focuses on that, more than the romance, and I really LOVED that. All too often these topics get brushed under the carpet and here, they are front and centre.
Lydia has a plan, to get her own apartment, and then be on her own. Meeting with Jenny again should not waver her from her plan. She's doing well, and is committed to get to the end. Jenny, on the other hand, isn't doing so well and the place in the sober living house SHOULD be her ticket to get to be with her brother again. But Jenny's recovery isn't going to plan, and one single mistake might ruin them both.
At one point, I wasn't sure I wanted to read this book. I started it, and it took a downward turn (I thought) and I contemplated leaving it. But something made me carry on and I am so bloody glad I did!
Yes, it's not an easy read. it certainly isn't a fluffy romance that you can breeze through, but it IS a bloody good book! It shows the struggles, the real life struggles that people face. How people spiral downwards, how they hit the bottom and try to get back up. How the deal with their addiction (in this case drugs and alcohol) and what they do when faced with what might possibly be their last chance.
Jenny and Lydia are not perfect, but they are perfect for each other, and other than the issues with their addictions, the romance side of things moves along slow, at first, but then speeds up, and slows down again. I loved that it wasn't explicit. There is steam and passion a-plenty, but the detailed sex scenes are not here, and I truly think had they been, I would not have liked this book as much!
I've not read anything by this author before, nor any of the previous books in this series, I don't think you need to, to enjoy this one. I might go back and read them!
But please, be aware of the subject matter: drug abuse and alcohol abuse mostly. Some people might not be able to read this because of triggers.
4 stars
**same worded review will appear elsewhere**
I have no idea what I expected from this book, but it certainly wasn't this!
Jenny and Lydia have real life problems. Both are recovering from their respective addictions (or not, as the case may be) and this book focuses on that, more than the romance, and I really LOVED that. All too often these topics get brushed under the carpet and here, they are front and centre.
Lydia has a plan, to get her own apartment, and then be on her own. Meeting with Jenny again should not waver her from her plan. She's doing well, and is committed to get to the end. Jenny, on the other hand, isn't doing so well and the place in the sober living house SHOULD be her ticket to get to be with her brother again. But Jenny's recovery isn't going to plan, and one single mistake might ruin them both.
At one point, I wasn't sure I wanted to read this book. I started it, and it took a downward turn (I thought) and I contemplated leaving it. But something made me carry on and I am so bloody glad I did!
Yes, it's not an easy read. it certainly isn't a fluffy romance that you can breeze through, but it IS a bloody good book! It shows the struggles, the real life struggles that people face. How people spiral downwards, how they hit the bottom and try to get back up. How the deal with their addiction (in this case drugs and alcohol) and what they do when faced with what might possibly be their last chance.
Jenny and Lydia are not perfect, but they are perfect for each other, and other than the issues with their addictions, the romance side of things moves along slow, at first, but then speeds up, and slows down again. I loved that it wasn't explicit. There is steam and passion a-plenty, but the detailed sex scenes are not here, and I truly think had they been, I would not have liked this book as much!
I've not read anything by this author before, nor any of the previous books in this series, I don't think you need to, to enjoy this one. I might go back and read them!
But please, be aware of the subject matter: drug abuse and alcohol abuse mostly. Some people might not be able to read this because of triggers.
4 stars
**same worded review will appear elsewhere**
MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
Movie Metropolis (309 KP) rated You're Next (2013) in Movies
Jun 11, 2019
Finding a good horror film has been a little like a prompt train over the last few years, they are few and far between. However, 2013 has produced more than its fair share of movies within the genre, with the excellent The Purge, released earlier this year; Insidious 2, which is in cinemas this autumn and of course, the subject of this review; You’re Next. But can this modern horror film deliver the thrills and spills of those of yesteryear?
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
Relative newcomer Adam Wingard directs this rather formulaic home invasion film with some nice creative touches and a rousing score, borrowing heavily from other similar films like the dire When a Stranger Calls, the excellent The Strangers and the downright ridiculous Black Christmas.
However, what sets You’re Next apart from the pack is in its comic timing. Rather than going for full shock value, the film delivers a comedic edge which is welcome in breaking up the bludgeoning and stabbing, which there is a huge amount of.
The plot is simple, a family gathers at their parents’ large manor house to celebrate an anniversary, only to be taunted and butchered by a group of masked killers intent on ruining the party. There are the usual horror clichés of people being watched from outside, people being crept up on from behind and the gem that is thinking there is someone there and realising it’s just a member of the family, but Wingard keeps it feeling fresh and new throughout.
The acting is generally terrible, as is the case with many horror films, but because the movie never takes itself too seriously, the performances add to the overall effect rather than become an annoyance. One stand-out characterisation is Sharni Vinson as Erin, a larger than life Australian who really comes into her own in the battle between the ever decreasing family and the constant onslaught of the masked murderers.
Whilst not scaling the heights of last year’s Cabin in the Woods, You’re Next really helps show that there is life in a genre which has been inundated with cheap knock-offs, countless sequels and pointless remakes.
It is daft, unoriginal and full of lifeless characters, but as a slice of truly terrifying horror and a piece of laugh out loud dark comedy, it succeeds and is highly recommended.
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Suswatibasu (1703 KP) rated The Brief Wondrous Life of Oscar Wao in Books
Oct 29, 2017 (Updated Oct 29, 2017)
Amusing, yet disappointing thanks to all the hype
For six months I've been saving this book mostly because of how much praise this book has received. Not only did this receive the National Book Critics Circle Award for fiction but also a Pulitzer Prize. And was it worth the awards? I personally don't think so.
Labelled 'a masterpiece' by critics, the book follows the life of Oscar de Leon, or as some know him as Oscar Wao, from the perspective of the people that know him. From the title you can expect something interesting happened to him to reduce his lifespan and this definitely is the case.
Through his friend Yunior and sister Lola's accounts, they delve into the history of the Dominican Republic where they were originally from before settling in New York. Fuku or a curse, plays a big role in this book, as the de Leon family believed they had faced many misfortunes over the generations and ghetto nerd Oscar was no exception. In between the chaos of murder and corruption, were several love stories that went awry.
And while some of it was interesting, and you need a good grasp of Spanish, the footnotes became irritating filling several half pages to explain the historical context. To be honest, apart from the grandmother La Inca, and sister Lola, most of the characters were unlikable - the idiotic things they'll do for love are astounding. The language was rich, but the structure seemed slightly convoluted, as if the writer had attempted to keep a scheme in place but it still leaked everywhere. While some of it is engaging, I'm really not sure how this won the Pulitzer.
Labelled 'a masterpiece' by critics, the book follows the life of Oscar de Leon, or as some know him as Oscar Wao, from the perspective of the people that know him. From the title you can expect something interesting happened to him to reduce his lifespan and this definitely is the case.
Through his friend Yunior and sister Lola's accounts, they delve into the history of the Dominican Republic where they were originally from before settling in New York. Fuku or a curse, plays a big role in this book, as the de Leon family believed they had faced many misfortunes over the generations and ghetto nerd Oscar was no exception. In between the chaos of murder and corruption, were several love stories that went awry.
And while some of it was interesting, and you need a good grasp of Spanish, the footnotes became irritating filling several half pages to explain the historical context. To be honest, apart from the grandmother La Inca, and sister Lola, most of the characters were unlikable - the idiotic things they'll do for love are astounding. The language was rich, but the structure seemed slightly convoluted, as if the writer had attempted to keep a scheme in place but it still leaked everywhere. While some of it is engaging, I'm really not sure how this won the Pulitzer.
Amber Murray-Schroer (4 KP) rated S-Town in Podcasts
Aug 17, 2018
Prepare to laugh and cry at this real life mystery unveil in real time....
I can't think of any other podcast like S-Town, but after I binged the entire first season on it's release date, I expected to find a plethora of the type in the next few months on account of it's success. But unlike Serial - a true crime podcast that broke the internet and introduced 90% of the world to our amazing little corner - S-Town is hard to even identify it's genre , let alone duplicate something that's good because it is unique , so to my dismay, I still hold S-TOWN up there as my top 5 and am always on the lookout for the next diamond in the rough.
Unfortunately, telling you too much of any of this podcast is not fair because you deserve the chance to listen with unabashed views or predetermined ideas so you too will have no idea of what's coming...that's the best way to go into this one!
Oh, since I didn't tell you ABYTHJNG about it, just know that of all the podcasts I've tried to get my husband to listen all the way thru to - this, S-TOWN, was the only one he's ever listened to from the first to last episode. And he is hard to entertain with podcasts or audiobooks , so if he was asking me to "play the next one" after the first, you're sure to enjoy it just as much as we did. And that's all ya need to know!
Unfortunately, telling you too much of any of this podcast is not fair because you deserve the chance to listen with unabashed views or predetermined ideas so you too will have no idea of what's coming...that's the best way to go into this one!
Oh, since I didn't tell you ABYTHJNG about it, just know that of all the podcasts I've tried to get my husband to listen all the way thru to - this, S-TOWN, was the only one he's ever listened to from the first to last episode. And he is hard to entertain with podcasts or audiobooks , so if he was asking me to "play the next one" after the first, you're sure to enjoy it just as much as we did. And that's all ya need to know!
City on a Grid: How New York Became New York
Book
You either love it or hate it, but nothing says New York like the street grid of Manhattan. Created...
Eleanor Luhar (47 KP) rated Breakfast with Tiffany: An Uncle's Memoir. Edwin John Wintle in Books
Jun 24, 2019
My teacher gave me a small stack of books to read upon hearing how much I love reading, and claimed that this was her all-time favourite. Honestly, the title is what really appealed to me - clearly, it wasn't anything to do with Breakfast at Tiffany's, but I appreciated the reference.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.