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A love story on four wheels! Spring is here and a couple in their autumn years have decided to go...
Sean Freese (4 KP) rated The Witch (2015) in Movies
Jun 25, 2020
THE VVITCH
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
<i>I received this book for free through Goodreads First Reads.</i>
Rosie Lewis, presumably a penname, has been a professional foster carer for over seven years. During this time, she has dealt with children and teenagers from all sorts of backgrounds who are usually facing some form of crisis or difficulty. In latter years, Rosie has begun to combine her love of writing with her fostering experiences by writing story-like memoirs. <i>Taken</i> is Rosie’s latest publication, which reveals how emotionally challenging fostering can be.
Rosie first met Megan when she was only a few days old, struggling with the effects of neonatal abstinence syndrome and a cleft plate. Removed from her mother’s care – a drug addict – Megan needs a temporary home to go to. Rosie is more than happy to take care of Megan until her “forever home” can be found.
As time goes on, Rosie and her children become attached to the little girl and include her as part of the family. Megan’s salient recovery turns her into an energetic, slightly precocious toddler who absolutely adores Rosie’s family as much as they love her. But Rosie knows she will eventually have to say goodbye, no matter what her feelings.
Rosie explains to the reader how difficult it is to function properly as a foster carer once strong emotions have got involved. She dreams of being able to keep Megan forever, but when a couple are found who desperately want a child, Rosie has no choice but to say goodbye.
It is heartbreaking to see the effects of the separation on Rosie as well as on Megan, who, despite Rosie’s attempts to elucidate the situation, does not fully comprehend what is going on. Guiltily hoping that Megan’s irascible behaviour, or a cataclysmic event, puts the new parents off adoption, Rosie says goodbye to the little girl she loves with all her heart. However, her hopes are raised when it becomes clear the adoption is not sitting as well with the new parents as much as they originally hoped. Perhaps Rosie has a chance to become Megan’s “forever mummy” after all?
Told from Rosie’s professional perspective, readers are taken on a journey from a child’s unstable beginning, to a time when they are at peace with the world. It is impossible to be unaffected by the events in Megan’s life, or experience versions of Rosie’s own emotions.
Many foster carers, social workers and nurses have put their experiences onto paper to share with the world. Most are good storytellers and are able to create a tale that could almost be fiction, with good use of vocabulary and imagery. At times, it felt like Rosie was attempting to tell a story, but instead ended up with a formal account of events. As the book progressed, however, the reader becomes so invested in Megan’s wellbeing that this issue becomes unnoticeable.
Unlike stories about older children in care, Megan’s life is easier to read about since, being fostered as a new born baby, she has no demoralizing past to overcome. Taken is by far the happier story within its genre, not least because of its satisfying ending, but from the joy Megan brings to the lives of everyone around her, too. Those new to this style of book may find <i>Taken</i> a good way of easing themselves into the genre, rather than jumping in with a story about a child with a background full of unspeakable things.
Rosie Lewis, presumably a penname, has been a professional foster carer for over seven years. During this time, she has dealt with children and teenagers from all sorts of backgrounds who are usually facing some form of crisis or difficulty. In latter years, Rosie has begun to combine her love of writing with her fostering experiences by writing story-like memoirs. <i>Taken</i> is Rosie’s latest publication, which reveals how emotionally challenging fostering can be.
Rosie first met Megan when she was only a few days old, struggling with the effects of neonatal abstinence syndrome and a cleft plate. Removed from her mother’s care – a drug addict – Megan needs a temporary home to go to. Rosie is more than happy to take care of Megan until her “forever home” can be found.
As time goes on, Rosie and her children become attached to the little girl and include her as part of the family. Megan’s salient recovery turns her into an energetic, slightly precocious toddler who absolutely adores Rosie’s family as much as they love her. But Rosie knows she will eventually have to say goodbye, no matter what her feelings.
Rosie explains to the reader how difficult it is to function properly as a foster carer once strong emotions have got involved. She dreams of being able to keep Megan forever, but when a couple are found who desperately want a child, Rosie has no choice but to say goodbye.
It is heartbreaking to see the effects of the separation on Rosie as well as on Megan, who, despite Rosie’s attempts to elucidate the situation, does not fully comprehend what is going on. Guiltily hoping that Megan’s irascible behaviour, or a cataclysmic event, puts the new parents off adoption, Rosie says goodbye to the little girl she loves with all her heart. However, her hopes are raised when it becomes clear the adoption is not sitting as well with the new parents as much as they originally hoped. Perhaps Rosie has a chance to become Megan’s “forever mummy” after all?
Told from Rosie’s professional perspective, readers are taken on a journey from a child’s unstable beginning, to a time when they are at peace with the world. It is impossible to be unaffected by the events in Megan’s life, or experience versions of Rosie’s own emotions.
Many foster carers, social workers and nurses have put their experiences onto paper to share with the world. Most are good storytellers and are able to create a tale that could almost be fiction, with good use of vocabulary and imagery. At times, it felt like Rosie was attempting to tell a story, but instead ended up with a formal account of events. As the book progressed, however, the reader becomes so invested in Megan’s wellbeing that this issue becomes unnoticeable.
Unlike stories about older children in care, Megan’s life is easier to read about since, being fostered as a new born baby, she has no demoralizing past to overcome. Taken is by far the happier story within its genre, not least because of its satisfying ending, but from the joy Megan brings to the lives of everyone around her, too. Those new to this style of book may find <i>Taken</i> a good way of easing themselves into the genre, rather than jumping in with a story about a child with a background full of unspeakable things.
Haley Mathiot (9 KP) rated A Quilter's Diary: Written in Stitches in Books
Apr 27, 2018
Description (from Amazon): Ever wanted to write the story of your life? With fabric as your paper and a needle as your pen, you can chronicle your most memorable moments. Bestselling author Mimi Dietrich explains how to tell your personal story or the story of someone special to you in extraordinary quilts.
* Construct the pieces of your life in fabric with your choice of 100 pieced and appliquéd block patterns
* Let Mimi guide your designs with inspiring questions and themes 24 categories include family, friends, holidays, hobbies, and more
* A gallery of quilts, plus Mimi s unique setting tips, will help you launch your own ideas
A Quilter’s Diary is a simple guide book to telling your life story in quilt blocks. Mimi tells you how to pick the blocks, arrange the quilt in order, and make each square special and unique to you.
There are tons of blocks to pick from, and she encourages you to branch out from her suggestions and take a creative license, showing examples and giving ideas.
(Here is one page from the book with some ideas for a “hobby” quilt block. See the books on the left? Guess what’s going on my quilt!)
(photo url: http://lh3.ggpht.com/_-sER6e5xCaQ/S0K4VzGxaBI/AAAAAAAABgc/i_AHcoFr-hU/DSCN0052_thumb%5B2%5D.jpg?imgmax=800)
Some of the quilt squares that are suggested are: Heritage, Childhood, Parents, Grandparents, First Love, True Love, Wedding, Children, Pets, Seasons, Travel, Dreams and wishes… and tons more. Each theme has seven or eight ideas for you to use, or you can create your own using the theme.
Every quilt block has questions that you can answer to inspire you. They make you think about important things and decide what kind of square you’d like to make.
There was also some basic quilt making instructions and appliqué and embroidery instructions that are clear and concise with very good illustrations.
Then there were photographs of quilts. Oh the quilts were just beautiful! So artistic in every way.
This book had my mouth watering and my fingers itching for fabric and embroidery floss. The idea of a quilt as a diary and a permanent keepsake is an old one, but it looks so much less intimidating through this book because of the way it’s presented.
This book is incredibly inspiring, and I intend to start my own quilt diary. It will take years to finish because I don’t have much to share right now, but I’m sure as life goes on, with the help of this book, I’ll have a very special and unique keepsake when it’s finally done.
About the Author:
Mimi Dietrich is a nationally known teacher and the author of many best-selling books, including Martingale & Company's all-time best-seller, Happy Endings. Her books have sold over a half million copies to date. This is her 15th book for Martingale and Company
~Haleyknitz
* Construct the pieces of your life in fabric with your choice of 100 pieced and appliquéd block patterns
* Let Mimi guide your designs with inspiring questions and themes 24 categories include family, friends, holidays, hobbies, and more
* A gallery of quilts, plus Mimi s unique setting tips, will help you launch your own ideas
A Quilter’s Diary is a simple guide book to telling your life story in quilt blocks. Mimi tells you how to pick the blocks, arrange the quilt in order, and make each square special and unique to you.
There are tons of blocks to pick from, and she encourages you to branch out from her suggestions and take a creative license, showing examples and giving ideas.
(Here is one page from the book with some ideas for a “hobby” quilt block. See the books on the left? Guess what’s going on my quilt!)
(photo url: http://lh3.ggpht.com/_-sER6e5xCaQ/S0K4VzGxaBI/AAAAAAAABgc/i_AHcoFr-hU/DSCN0052_thumb%5B2%5D.jpg?imgmax=800)
Some of the quilt squares that are suggested are: Heritage, Childhood, Parents, Grandparents, First Love, True Love, Wedding, Children, Pets, Seasons, Travel, Dreams and wishes… and tons more. Each theme has seven or eight ideas for you to use, or you can create your own using the theme.
Every quilt block has questions that you can answer to inspire you. They make you think about important things and decide what kind of square you’d like to make.
There was also some basic quilt making instructions and appliqué and embroidery instructions that are clear and concise with very good illustrations.
Then there were photographs of quilts. Oh the quilts were just beautiful! So artistic in every way.
This book had my mouth watering and my fingers itching for fabric and embroidery floss. The idea of a quilt as a diary and a permanent keepsake is an old one, but it looks so much less intimidating through this book because of the way it’s presented.
This book is incredibly inspiring, and I intend to start my own quilt diary. It will take years to finish because I don’t have much to share right now, but I’m sure as life goes on, with the help of this book, I’ll have a very special and unique keepsake when it’s finally done.
About the Author:
Mimi Dietrich is a nationally known teacher and the author of many best-selling books, including Martingale & Company's all-time best-seller, Happy Endings. Her books have sold over a half million copies to date. This is her 15th book for Martingale and Company
~Haleyknitz
Merissa (12854 KP) rated Surfacing in Books
Nov 28, 2017
Surfacing by Daniel Stephens
Surfacing is the engrossing story of a young man, hurt beyond belief and grieving, lost to his world but desperately trying to reconnect. Everywhere he turns, he drowns in memories of the life and loves that have been taken from him. So he returns to his roots, to the cabin where he spent the summers with his grandparents, hoping to find some solace. What he finds is a family - a group of people where many of them remember him from his youth. Where he can find out just who he is, and learn to deal with the grief, and maybe even move forwards and find love again.
The descriptions in this book are second to none - whether it is the characters, the wolf, or even the cabin. They will pull you in and keep you reading. It is a story of pain, of loss, of heartbreak. And yet there is also the glimmer of hope, of the future, if only you feed the right wolf! There were no editing or grammatical errors that disrupted my reading flow, and the pacing was smooth throughout. Whilst this book is also about love, the only thing that is 'shown' is kissing - the rest is fade to black.
This is a poignant story that I thoroughly enjoyed, and would highly recommend to all.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The descriptions in this book are second to none - whether it is the characters, the wolf, or even the cabin. They will pull you in and keep you reading. It is a story of pain, of loss, of heartbreak. And yet there is also the glimmer of hope, of the future, if only you feed the right wolf! There were no editing or grammatical errors that disrupted my reading flow, and the pacing was smooth throughout. Whilst this book is also about love, the only thing that is 'shown' is kissing - the rest is fade to black.
This is a poignant story that I thoroughly enjoyed, and would highly recommend to all.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Caffeinated Fae (464 KP) rated Fifty Shades of Grey in Books
Jul 10, 2018
I thought this book was an entertaining read. I started hearing about these books a couple weeks ago and I thought I would give them a try. This is one of those guilty pleasure reads. The basic premise of this book is that a rich man wants to make a non rich virgin his submissive. It is something that many women fantasize about but in real life would be terrifying. The rich man (Christian) is a stalker, but because he has money then it is fine.
The characters are easy to relate to. I found that the main character (Ana) held a lot of insecurities that many of us are scared to admit. With that said, I quickly became tired of "Oh My..." and "My inner goddess" being repeated over and over and over.
A lot of people are dwelling on the fact that the Ana was scared of Christian. But in all honesty, if someone new into the lifestyle is not scared than they do not know the full weight of what is involved in BDSM.
I think that this book has eased the reader into the world of BDSM. It is very witty and I found at times that I was laughing.
The writing skills were not extremely good. It felt that the author kept looking up words in the thesaurus and it did not seem to flow extremely well.
All in all, the book was entertaining and witty. I will continue on in the series.
The characters are easy to relate to. I found that the main character (Ana) held a lot of insecurities that many of us are scared to admit. With that said, I quickly became tired of "Oh My..." and "My inner goddess" being repeated over and over and over.
A lot of people are dwelling on the fact that the Ana was scared of Christian. But in all honesty, if someone new into the lifestyle is not scared than they do not know the full weight of what is involved in BDSM.
I think that this book has eased the reader into the world of BDSM. It is very witty and I found at times that I was laughing.
The writing skills were not extremely good. It felt that the author kept looking up words in the thesaurus and it did not seem to flow extremely well.
All in all, the book was entertaining and witty. I will continue on in the series.
Man of the World: The Further Endeavors of Bill Clinton
Book
Veteran political journalist Joe Conason brings you along with Bill Clinton, as the forty-second...
NA
Nietzsche and the Ancient Skeptical Tradition
Book
The impact of Nietzsche's engagement with the Greek skeptics has never before been systematically...
Lyndsey Gollogly (2893 KP) rated Assassins Gambit ( Hearts and Thrones book 1) in Books
Mar 17, 2023
31 of 235
Assassins Gambit (Hearts and Thrones book 1)
By Amy Raby
⭐️⭐️⭐️
Vitala Salonius, champion of the warlike game of Caturanga, is as deadly as she is beautiful. She's a trained assassin for the resistance, and her true play is for ultimate power. Using her charm and wit, she plans to seduce her way into the emperor's bed and deal him one final, fatal blow, sparking a battle of succession that could change the face of the empire.
As the ruler of a country on the brink of war and the son of a deposed emperor, Lucien must constantly be wary of an attempt on his life. But he's drawn to the stunning Caturanga player visiting the palace. Vitala may be able to distract him from his woes for a while - and fulfill other needs, as well.
Lucien's quick mind and considerable skills awaken unexpected desires in Vitala, weakening her resolve to finish her mission. An assassin cannot fall for her prey, but Vitala's gut is telling her to protect this sexy, sensitive man. Now she must decide where her heart and loyalties lie and navigate the dangerous war of politics before her gambit causes her to lose both Lucien and her heart for good....
I enjoyed it for the most part the start was a bit ropey and definitely had trigger warnings for rape and abuse but after the first quarter it became an easy likeable read. Characters were likeable and unlikeable in their own rights and the ending was pretty decent!
Assassins Gambit (Hearts and Thrones book 1)
By Amy Raby
⭐️⭐️⭐️
Vitala Salonius, champion of the warlike game of Caturanga, is as deadly as she is beautiful. She's a trained assassin for the resistance, and her true play is for ultimate power. Using her charm and wit, she plans to seduce her way into the emperor's bed and deal him one final, fatal blow, sparking a battle of succession that could change the face of the empire.
As the ruler of a country on the brink of war and the son of a deposed emperor, Lucien must constantly be wary of an attempt on his life. But he's drawn to the stunning Caturanga player visiting the palace. Vitala may be able to distract him from his woes for a while - and fulfill other needs, as well.
Lucien's quick mind and considerable skills awaken unexpected desires in Vitala, weakening her resolve to finish her mission. An assassin cannot fall for her prey, but Vitala's gut is telling her to protect this sexy, sensitive man. Now she must decide where her heart and loyalties lie and navigate the dangerous war of politics before her gambit causes her to lose both Lucien and her heart for good....
I enjoyed it for the most part the start was a bit ropey and definitely had trigger warnings for rape and abuse but after the first quarter it became an easy likeable read. Characters were likeable and unlikeable in their own rights and the ending was pretty decent!
Eleanor Luhar (47 KP) rated Ensnared (Splintered, #3) in Books
Jun 24, 2019
I read the first novel of the Splintered series and immediately fell in love with it - purchasing the entire series as paperbacks. This is book #3 in the series by A.G. Howard.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.