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Flora Unveiled: The Discovery and Denial of Sex in Plants
Lincoln Taiz and Lee Taiz
Book
Sex in animals has been known for at least ten thousand years, and this knowledge was put to good...
Gareth von Kallenbach (977 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
Whatchareadin (174 KP) rated If I Stay (If I Stay, #1) in Books
May 10, 2018
Mia is a typical 17 year old girl. She has a great family, plays the cello, has good friends and an incredible boyfriend. On a very non-typical day in her home of Oregon, a dusting of snow keeps the whole family home from work and school. Her family decides to take a drive and visit some family and friends. Unfortunately, on this journey, tragedy strikes. Mia's family is involved in a car accident. As Mia's life hangs in the balance, she reflects on all that has happened in her short time on earth and what would or could happen if she decided to stay.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
I thought this was going to be a tear-jerker, but it wasn't so much. The events that took place are sad for sure, but I didn't find myself crying like I thought I would. Imagine if everyone in your immediate family is killed in a car accident and you are the only survivor. What do you do? You watch your whole family laying in pools of blood and then you watch yourself being operated on and see the looks in the eyes of your friends and family as they try to make sense of it all as well. In the book, the movie Ghost is referenced, and this book does remind me a bit of that movie. Patrick Swayze is dead though, and Mia is just trying to figure out if she should stay with the living, or go and be with her parents and her brother. It's a hard decision to make and I'm not sure if it is one that I could make. For me or for any other member of my family. How can you make the decision to let someone live or die? How do you make that decision yourself? Are we really able to make that decision?
My favorite part of this book, is looking back into Mia's life. Getting an understanding of who she is and who her family was. I love the fact that her family was so close and most of her life treated her like a little adult instead of a child. They were encouraging and always there for her. Her boyfriend and her best friend were the same way. They may not have always agreed on everything, but they were always understanding and willing to give a listening ear. I'm not sure if the series follows Mia along the rest of her journey, but I would like to know what her decision was.
Gareth von Kallenbach (977 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
BookInspector (124 KP) rated My Sister, the Serial Killer in Books
Sep 24, 2020
This novel is not very long, but every short chapter carries a lot of important information. The protagonist in this novel is Korede, a nurse in a hospital in Lagos, Nigeria. Korede likes everything neat, tidy and according to the rules. Her younger sister Ayoola, on the other hand, is an absolute brat, who has no cares in her life. She is addicted to male attention, good life, and I could not stand her. Ayoola is a horrible person, and I don’t see a justification for any of her actions. :/ I really liked Korede in this book, I think she is kind and strong at the same time, but even her decisions left me confused sometimes.
The narrative is told from a single (Korede’s) perspective, even though it was enough to grasp the storyline, I would’ve loved to read Ayoola’s thoughts as well. The plot is very compressed in this novel, I liked the way Korede talks not only about the present events, but brings the reader back to the past, to show what events shaped her to be the way she is today. This book analyses such topics as beauty and it’s influence, strong sisterly bond, abusive father, etc. This novel takes you on a journey, there is not many twists or turns, but it is a very enjoyable read.
Kudos to the author for her original writing style, I see it as minimalistic, It has the information I needed to fully understand the story, and spared me the details of unimportant things. I really liked the setting of this novel, I have never been to Lagos, so the atmosphere and the language used was very exotic for me. I loved the short chapters, and it was a really quick read for me. I liked the ending of this book, I think it is quite challenging and allows the reader to think of what would they have done in Korede’s situation.
To conclude, it is a very original book about an incredibly strong sisterly bond, which can withstand even murders. It is filled with very believable and interesting characters and a very creatively written plot. I truly enjoyed it, and I do strongly recommend to give this book a try if you looking for something different and fresh. I hope you will like it as much as I did. 🙂
The narrative is told from a single (Korede’s) perspective, even though it was enough to grasp the storyline, I would’ve loved to read Ayoola’s thoughts as well. The plot is very compressed in this novel, I liked the way Korede talks not only about the present events, but brings the reader back to the past, to show what events shaped her to be the way she is today. This book analyses such topics as beauty and it’s influence, strong sisterly bond, abusive father, etc. This novel takes you on a journey, there is not many twists or turns, but it is a very enjoyable read.
Kudos to the author for her original writing style, I see it as minimalistic, It has the information I needed to fully understand the story, and spared me the details of unimportant things. I really liked the setting of this novel, I have never been to Lagos, so the atmosphere and the language used was very exotic for me. I loved the short chapters, and it was a really quick read for me. I liked the ending of this book, I think it is quite challenging and allows the reader to think of what would they have done in Korede’s situation.
To conclude, it is a very original book about an incredibly strong sisterly bond, which can withstand even murders. It is filled with very believable and interesting characters and a very creatively written plot. I truly enjoyed it, and I do strongly recommend to give this book a try if you looking for something different and fresh. I hope you will like it as much as I did. 🙂
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Gareth von Kallenbach (977 KP) rated Pixels (2015) in Movies
Aug 6, 2019
The new Sony film ‘Pixels’, was written by Tim Herlihy, Adam Sandler and Timothy Dowling. It stars Adam Sandler (Sam Brenner), Peter Dinklage (Eddie ‘The Fire Blaster’), Kevin James (President Will Cooper), Jane Krakowski (the First Lady), and Josh Gad (Ludlow Lamonsoff).
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
BookwormMama14 (18 KP) rated Just the Way You Are (Pleasant Gap Romance #1) in Books
Jan 2, 2019
Just the Way You Are is more than just a good book. It is a modern day fairytale filled with redemption and grace that will capture your heart from the first moment. Within the pages of this book you will find real people, with real life issues. This story will sweep you off your feet and drag you into a world that is every nerd girl's fantasy and you will soon find yourself consumed with researching history, "treasure" hunting, chocolate, British accents, Appalachia, AND.........Kisses.
Chocolate kisses, closet kisses, abandoned tower kisses, leave you senseless kisses...This book is PACKED with such romance that you may need to take precautionary actions to prevent injury from fainting! (such as a fainting couch, fan, smelling salts, etc.)
Don't let the passion fool you though. Pepper writes such sweet, unadulterated romance coupled with complete and total redemption. It blows my mind every single time I read one of her books. Just the Way You Are is the first contemporary novel I have read of Pepper's, and this easily makes it to the top of my favorite Rom Com stories EVER. I wish to see this in movie form so badly! "Ghirardelli in human form"...yes please! Haha!
The adventure, the romance, the grace...all woven together creates a beautiful masterpiece.
I received a complimentary copy of Just the Way You Are. I was not required to write a positive review. All opinions expressed are mine alone.
Chocolate kisses, closet kisses, abandoned tower kisses, leave you senseless kisses...This book is PACKED with such romance that you may need to take precautionary actions to prevent injury from fainting! (such as a fainting couch, fan, smelling salts, etc.)
Don't let the passion fool you though. Pepper writes such sweet, unadulterated romance coupled with complete and total redemption. It blows my mind every single time I read one of her books. Just the Way You Are is the first contemporary novel I have read of Pepper's, and this easily makes it to the top of my favorite Rom Com stories EVER. I wish to see this in movie form so badly! "Ghirardelli in human form"...yes please! Haha!
The adventure, the romance, the grace...all woven together creates a beautiful masterpiece.
I received a complimentary copy of Just the Way You Are. I was not required to write a positive review. All opinions expressed are mine alone.
Hazel (2934 KP) rated The Cutting Place (Maeve Kerrigan #9) in Books
Apr 12, 2020
I absolutely devoured this book and, once again, I find myself sounding like a broken record in that I haven't got enough different words to describe how much I enjoyed it and despite it being the ninth in the series, it continues to feel fresh with the partnership of DS Maeve Kerrigan and DI Josh Derwent being a particular highlight of mine and one which I absolutely adore.
Here we find the team investigating a particularly brutal murder when a body part is found by a mudlarker on the banks of the Thames; the ensuing investigation leads to a missing journalist and an exclusive gentleman's club ... are they related? Amongst all this is a look into the private life of Maeve and the importance of strong friendships and trust.
This is a compelling and engaging story line and not just a police-procedural; it delves into the murky world of "gentleman's" clubs, domestic violence, blackmail, privilege and power. I'm not going to lie, it's a dark story full of tension that is all too plausible but there are lighter moments that provide some occasional relief.
Highly, highly recommended and you don't have to have read previous books in the series to appreciate just how good this is but you will certainly want to after reading this.
My thanks and appreciation go to HarperCollins UK, HarperFiction and NetGalley for my copy in return for an honest review.
Here we find the team investigating a particularly brutal murder when a body part is found by a mudlarker on the banks of the Thames; the ensuing investigation leads to a missing journalist and an exclusive gentleman's club ... are they related? Amongst all this is a look into the private life of Maeve and the importance of strong friendships and trust.
This is a compelling and engaging story line and not just a police-procedural; it delves into the murky world of "gentleman's" clubs, domestic violence, blackmail, privilege and power. I'm not going to lie, it's a dark story full of tension that is all too plausible but there are lighter moments that provide some occasional relief.
Highly, highly recommended and you don't have to have read previous books in the series to appreciate just how good this is but you will certainly want to after reading this.
My thanks and appreciation go to HarperCollins UK, HarperFiction and NetGalley for my copy in return for an honest review.
Kate (493 KP) rated The Silent Patient in Books
Apr 12, 2020
Gripping read - kept me guessing
This is one of the best books I have read and I have read a lot. I was gripped from the very start and it was good going back and forward from past to present as the full story starts to come together.
I read a lot of crime books and can usually guess the perpetrator and the motive usually quite quickly but this book had me guessing. When Alicia and Theo's story merge and everything falls into place this was something I could never have guessed. It all made sense and you kind of say 'oh yeah'. When I got to this part of the book I had to finish this. I couldn't put it down all the way through. I finished it in 2 days.
I started to feel for Theo. Alicia's silence was frustrating me and I was just the reader. The things happening in his personal life were awful and I wanted to tell him what do as he was on a bad path. But it is surprising hoe your feelings for a character can change so quickly. This happened with a few characters but mainly Theo.
Anyone who reads and enjoys crime books should definitely give this book a read. It is a different type of crime book.
The book exceeded all expectations based on the blurb.
I would read other books from Alex Michaelides.
I read a lot of crime books and can usually guess the perpetrator and the motive usually quite quickly but this book had me guessing. When Alicia and Theo's story merge and everything falls into place this was something I could never have guessed. It all made sense and you kind of say 'oh yeah'. When I got to this part of the book I had to finish this. I couldn't put it down all the way through. I finished it in 2 days.
I started to feel for Theo. Alicia's silence was frustrating me and I was just the reader. The things happening in his personal life were awful and I wanted to tell him what do as he was on a bad path. But it is surprising hoe your feelings for a character can change so quickly. This happened with a few characters but mainly Theo.
Anyone who reads and enjoys crime books should definitely give this book a read. It is a different type of crime book.
The book exceeded all expectations based on the blurb.
I would read other books from Alex Michaelides.
