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Movie Metropolis (309 KP) rated Halloween (2018) in Movies
Jun 10, 2019
A True successor to the original
Halloween 1978 and little-known director John Carpenter terrifies thousands of impressionable horror fans with the introduction of ‘The Shape’. Jamie Lee Curtis becomes the new ‘scream queen’ and all is well in the world of the slasher genre.
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Dana (24 KP) rated Cress (The Lunar Chronicles, #3) in Books
Mar 23, 2018
There's going to be spoilers in the review, so be warned.
Marissa Meyer did it again! I have to say this series is a lot better than I had expected it to be. Since it is a book of fairy tale retellings, I expected it to be, not gonna lie, cliche as hell, but it isn't. Though it ties in aspects of the original fairy tales, they are still such separate things that I don't see it as a retelling as much.
Now, the introduction of the new characters, particularly Cress, Jacin, and Winter, was amazing. I love each of them in their own ways because they are not what one would expect them to be.
Cress is just a little ball of happy. I would not have expected her to be so lovely, especially after being mistreated for so much of her life! The little scenarios she makes up in order to get through each situation are just precious and super smart, if I am being completely honest! Cress is strong despite what she looks like. She has the capability of hacking anything she wishes, but even more that that, she is thrown (literally) to Earth after spending seven years basically in isolation and has to learn how to survive and keep another person (who she has a major crush on) alive as well. That's a lot to ask of a girl, but she does it with a smile on her face. If that isn't strength, then I don't know what is.
Then we go onto Jacin Clay. Now this boy is an enigma that I just can't quite figure out yet, but I have a feeling that I will in the next book. So he is a shell in the employ of Sybil, and therefore the queen, but kind of wants to rebel against them because he is in love with the princess, Winter. It gets confusing because Cinder thinks he is a supporter of Selene (her) instead of thinking of the more obvious choice. Jacin seems like he's going to be a pretty okay character, but we haven't gotten enough interaction with him for me to sort him out. There was that last scene in the book where he says he was on the Queen's side the whole time, but I don't think he's telling the truth. There's just something about him that seems trustworthy, and maybe that's myself being too naive, but I want to like him.
Finally, for the new characters, we get to Winter. She seems like a sweet girl, although going a bit mad, but understandably so. She, too, is a captive to the queen, and though it may seem that she has it better because she gets to be on Luna, that also means she is under constant scrutiny. We only get to see her really in one scene, so I can't wait to see what will come of her in the next book!
I loved getting to see all of the old characters again. Thorne is such a romantic loser, I love him so much. He just wants to act all tough, but he's got a major soft spot for Cress and Cinder. Speaking of, Cinder is getting more badass, which I appreciate. She's got some good plans too, so I want to see how that all pans out. Scarlet needs to be rescued ASAP. I need her and Wolf to be besties (and in a relationship forever because, yeah). Wolf needs to be happy, in general.
Now, I'm giving Kai his own paragraph because he is actually doing things in this book. Yay for active King!! Yes, he makes some stupid mistakes. And yes, he got misinformation about Princess Selene, but holy crap he got close to the truth! I am just happy he is taking action, but especially that he and Cinder are in the same space again. (get it...space? I crack myself up). No, but really, the laws he is trying to impose are sound and I stand by them. He is acknowledging the wrongs that have been put into place and is trying to change them for the better, all while sacrificing his own happiness for his country, and inevitably, the world. Go Kai!
I cannot wait to read the next book (but I have to buy it first!!)!!
Marissa Meyer did it again! I have to say this series is a lot better than I had expected it to be. Since it is a book of fairy tale retellings, I expected it to be, not gonna lie, cliche as hell, but it isn't. Though it ties in aspects of the original fairy tales, they are still such separate things that I don't see it as a retelling as much.
Now, the introduction of the new characters, particularly Cress, Jacin, and Winter, was amazing. I love each of them in their own ways because they are not what one would expect them to be.
Cress is just a little ball of happy. I would not have expected her to be so lovely, especially after being mistreated for so much of her life! The little scenarios she makes up in order to get through each situation are just precious and super smart, if I am being completely honest! Cress is strong despite what she looks like. She has the capability of hacking anything she wishes, but even more that that, she is thrown (literally) to Earth after spending seven years basically in isolation and has to learn how to survive and keep another person (who she has a major crush on) alive as well. That's a lot to ask of a girl, but she does it with a smile on her face. If that isn't strength, then I don't know what is.
Then we go onto Jacin Clay. Now this boy is an enigma that I just can't quite figure out yet, but I have a feeling that I will in the next book. So he is a shell in the employ of Sybil, and therefore the queen, but kind of wants to rebel against them because he is in love with the princess, Winter. It gets confusing because Cinder thinks he is a supporter of Selene (her) instead of thinking of the more obvious choice. Jacin seems like he's going to be a pretty okay character, but we haven't gotten enough interaction with him for me to sort him out. There was that last scene in the book where he says he was on the Queen's side the whole time, but I don't think he's telling the truth. There's just something about him that seems trustworthy, and maybe that's myself being too naive, but I want to like him.
Finally, for the new characters, we get to Winter. She seems like a sweet girl, although going a bit mad, but understandably so. She, too, is a captive to the queen, and though it may seem that she has it better because she gets to be on Luna, that also means she is under constant scrutiny. We only get to see her really in one scene, so I can't wait to see what will come of her in the next book!
I loved getting to see all of the old characters again. Thorne is such a romantic loser, I love him so much. He just wants to act all tough, but he's got a major soft spot for Cress and Cinder. Speaking of, Cinder is getting more badass, which I appreciate. She's got some good plans too, so I want to see how that all pans out. Scarlet needs to be rescued ASAP. I need her and Wolf to be besties (and in a relationship forever because, yeah). Wolf needs to be happy, in general.
Now, I'm giving Kai his own paragraph because he is actually doing things in this book. Yay for active King!! Yes, he makes some stupid mistakes. And yes, he got misinformation about Princess Selene, but holy crap he got close to the truth! I am just happy he is taking action, but especially that he and Cinder are in the same space again. (get it...space? I crack myself up). No, but really, the laws he is trying to impose are sound and I stand by them. He is acknowledging the wrongs that have been put into place and is trying to change them for the better, all while sacrificing his own happiness for his country, and inevitably, the world. Go Kai!
I cannot wait to read the next book (but I have to buy it first!!)!!
Heather Cranmer (2721 KP) rated Mistletoe Miracles (Ransom Canyon #7) in Books
Sep 12, 2018
Lovable Characters (3 more)
Interesting Plot
Great Worldbuilding
Good Pacing
A Clean, Sweet Read
I'm not usually a romance person, but the synopsis for Mistletoe Miracles by Jodi Thomas caught my attention. I'm really glad I read Mistletoe Miracles because I absolutely adored this book. In fact, Mistletoe Miracles may have converted me to be a romance reader. It has definitely made me a Jodi Thomas fan for sure.
The pacing for Mistletoe Miracles was spot on. It wasn't a fast paced book, but it wasn't slow paced either. It moved at a nice relaxing pace, and I found myself loving it.
The plot for Mistletoe Miracles is a sweet one. It was interesting to see each couple's relationship blossom. Mallory is on the run from her abusive ex-boyfriend. She ends up in a car crash. Her dog is also injured in the crash. Little does Jax know he has her dog, but once he figures it out, it's the start of something sweet. Griffin needs a rich bride in order to save his working ranch that's been in the family for generations. Sunlan, a ranch girl herself, is just the right woman to fill that position. She's also looking for someone to take her away from her overbearing father. Wyatt is a soldier just looking for a place to rest while on leave. With everyone assuming he's Jamie's husband, he is taken to Jamie's house after he falls asleep and has a small crash. Jamie has been out of town, but when she returns, she's gets the biggest surprise of her life. However, she's been telling everyone she's married even though she's not. Wyatt may just be the (pretend) husband she needs. The reader has the pleasure of reading about each immersive relationship and how each one blossoms in its own way. There are no major plot twists, but Mistletoe Miracles is a book that doesn't need plot twists to be enjoyable. All loose ends are also tied up by the end of the book which I was happy about. I also liked that Mistletoe Miracles can be read as a standalone.
I felt that the world building in Mistletoe Miracles was done very well. Jodi Thomas makes it so easy to feel as if you are one of the characters in her book. She puts you right in the midst of everything that is happening, and it is so easy to lose yourself within each page of the story. Mistletoe Miracles takes place in Texas which made me enjoy the book even more! The world building is so realistic in this novel that I would lose track of time whenever I was reading it.
I loved every character in Mistletoe Miracles. I felt each character was fleshed out substantially, and every character felt like they were an actual real person instead of a character in a book. My favorite characters in this book were Sunlan and Griffin. I loved how they started out a bit distant towards each other, but eventually, they warmed up to one another and came out of their shell, especially Sunlan. Don't get me wrong, I loved the other characters too, but it was Sunlan's and Griffin's relationship that I loved the most. I did enjoy reading about all the other character's relationships as well, and I found them to be very interesting. Each character had something to bring to the table to make Mistletoe Miracles the great read it is.
There aren't many trigger warnings for Mistletoe Miracles. I would classify it was a clean romance. There's no swearing and no steamy scenes. There is some violence although it is not graphic. There is some drinking of alcohol as well as kissing. There's also talk about making love but everything is implied and not described in graphic detail.
Overall, Mistletoe Miracles is a very sweet and refreshing read that will warm even the most hardened hearts. It's got very likable and realistic characters characters, an interesting plot, and fantastic world building. I would definitely recommend Mistletoe Miracles by Jodi Thomas to everyone aged 16+ whether they like romance or not. This is one of those books that everyone should read even if romance isn't their preferred genre.
(Thank you to Netgalley for providing me with a copy of this title in exchange for an honest and unbiased review.)
The pacing for Mistletoe Miracles was spot on. It wasn't a fast paced book, but it wasn't slow paced either. It moved at a nice relaxing pace, and I found myself loving it.
The plot for Mistletoe Miracles is a sweet one. It was interesting to see each couple's relationship blossom. Mallory is on the run from her abusive ex-boyfriend. She ends up in a car crash. Her dog is also injured in the crash. Little does Jax know he has her dog, but once he figures it out, it's the start of something sweet. Griffin needs a rich bride in order to save his working ranch that's been in the family for generations. Sunlan, a ranch girl herself, is just the right woman to fill that position. She's also looking for someone to take her away from her overbearing father. Wyatt is a soldier just looking for a place to rest while on leave. With everyone assuming he's Jamie's husband, he is taken to Jamie's house after he falls asleep and has a small crash. Jamie has been out of town, but when she returns, she's gets the biggest surprise of her life. However, she's been telling everyone she's married even though she's not. Wyatt may just be the (pretend) husband she needs. The reader has the pleasure of reading about each immersive relationship and how each one blossoms in its own way. There are no major plot twists, but Mistletoe Miracles is a book that doesn't need plot twists to be enjoyable. All loose ends are also tied up by the end of the book which I was happy about. I also liked that Mistletoe Miracles can be read as a standalone.
I felt that the world building in Mistletoe Miracles was done very well. Jodi Thomas makes it so easy to feel as if you are one of the characters in her book. She puts you right in the midst of everything that is happening, and it is so easy to lose yourself within each page of the story. Mistletoe Miracles takes place in Texas which made me enjoy the book even more! The world building is so realistic in this novel that I would lose track of time whenever I was reading it.
I loved every character in Mistletoe Miracles. I felt each character was fleshed out substantially, and every character felt like they were an actual real person instead of a character in a book. My favorite characters in this book were Sunlan and Griffin. I loved how they started out a bit distant towards each other, but eventually, they warmed up to one another and came out of their shell, especially Sunlan. Don't get me wrong, I loved the other characters too, but it was Sunlan's and Griffin's relationship that I loved the most. I did enjoy reading about all the other character's relationships as well, and I found them to be very interesting. Each character had something to bring to the table to make Mistletoe Miracles the great read it is.
There aren't many trigger warnings for Mistletoe Miracles. I would classify it was a clean romance. There's no swearing and no steamy scenes. There is some violence although it is not graphic. There is some drinking of alcohol as well as kissing. There's also talk about making love but everything is implied and not described in graphic detail.
Overall, Mistletoe Miracles is a very sweet and refreshing read that will warm even the most hardened hearts. It's got very likable and realistic characters characters, an interesting plot, and fantastic world building. I would definitely recommend Mistletoe Miracles by Jodi Thomas to everyone aged 16+ whether they like romance or not. This is one of those books that everyone should read even if romance isn't their preferred genre.
(Thank you to Netgalley for providing me with a copy of this title in exchange for an honest and unbiased review.)
Charlie Cobra Reviews (1840 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Oct 2, 2020 (Updated Oct 6, 2020)
Margot Robbie and her return to Harley Quinn (2 more)
Badass fight choreography
Some really cool action sequences
I wasn't a fan of the self narration the entire film. (2 more)
I also didn't like the Tarantino-ish way of chopping up the story and going back and forth the way they did.
I feel like every character in this movie was underutilized and could have been done better or had better character development.
Birds of a Feather Can't Stick Their Landing On This One
Contains spoilers, click to show
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a 2020 action super hero film. Distributed by Warner Bros. Pictures, it is a follow-up to Suicide Squad (2016). The movie was directed by Cathy Yan and written by Christina Hodson, and it stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina and Ewan McGregor.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
Four years after the defeat of the Enchantress, the Joker throws Harley Quinn out on the Gotham City streets when they break up. The already extremely volatile and unhinged, Harley (Margot Robbie) finds herself all alone with a huge target on her back. Without the Joker in the picture, the city is turned upside down as criminals that have a beef with Harley hunt her down. Gotham's most narcissistic villain, Roman Sionis (Ewan McGregor), and his right-hand man, Victor Zsasz (Chris Messina), have Harley and a precious diamond in their sights. Now Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Detective Renee Montoya's (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
First off let me say that I love Margot Robbie as Harley Quinn. I've always been a big Harley fan since before she was mainstream cool and a big part of that would have to be the Batman Animated Series and how it portrayed her. I liked Margot Robbie's performance in Suicide Squad and thought she did an excellent job of bringing that character to "life". I didn't have high expectations for this movie going in and sometimes that can be a good thing because it leaves you more open to the film being better than you thought it was going to be. Right away I didn't like the whole, Harley narrating the movie in the beginning and kind of throughout the movie. I don't know if they were trying to go for a "funny" Deadpool breaking the "4th" wall type thing but for me it just kind of made the movie less fun. I also have to say that I wasn't a big fan of the pacing and the whole going back and forth through time in the events of the movie. I think it might have been better on paper than how it actually came out in the movie. Kind of Tarantino-ish but just kind of overdone because of the info-dumping narration. There were some awesome fight sequences and there was plenty of over the top violence and action but a lot could have been done better. For me the plot was what felt like it made the movie feel a little lackluster. I really felt like they failed to flesh out Black Canary's character and Huntress felt extremely unpolished as well. A lot of the character's were underutilized except in gratuitous fight scenes and the audience is not shown their motivations a lot of the time but instead told them. I have to say some parts did make me laugh and the music wasn't terrible. The acting was extremely bad sometimes though. I don't know what they were going for with Huntress/Mary Elizabeth Winstead but she comes off as a badass but then really awkward or nerdy and then for a little bit she was a raging psychopath killer. I don't think they knew what direction to take the character and her performance definitely suffered. Black Canary/Jurnee Smollett-Bell was a character that was really cool but without knowing her motivations it really took alot out by never uncovering more about her character until later. A lot of things didn't make sense too. I can't believe that anyone would want to mess with Harley even if she wasn't with Joker. I however could have seen anyone and I mean anyone go after her for a big reward like they placed on the kid. Also a big reward like that on a no name kid who is just a low level pick pocket wouldn't have brought in that much results. Plus the diamond that she has is something you wouldn't want anybody else finding out about so why bring so much attention to it. Harley Quinn and all the other female actors in this movie have "plot armor" and never get hurt even when being blown up or shot at. All-in-all, it was an enjoyable movie but I wouldn't say it was anything special. This was a big-budget superhero film that comes off more run of the mill and fails to bring anything "wow" except some pretty kick ass action sequences and Margot Robbie and her return to Harley Quinn. I give it a 5/10.
Kristy H (1252 KP) rated The Sunshine Sisters in Books
Jan 21, 2018
Good beach read
Ronni Sunshine has summoned her daughters home. The aging actress is ill, and she wants her daughters by her side. This, however, will be easier said than done, as her three children--Nell, Meredith, and Lizzy--are estranged, both from each other and their mother: the result of a traumatic childhood. Even Ronni will now readily admit she focused on her acting career and beauty rather than her daughters. Her constant belittlement and pressure on the girls made them turn on each other as well. Nell lives the closest to her mother, on a nearby farm, and her son River is in grad school. Middle child Meredith spent her childhood struggling with her weight, thanks to endless biting comments from Ronni; she fled to England and is now engaged. Youngest Lizzie escaped most of her mother's wrath and appears to be the "golden child": she's a successful chef and celebrity, with a TV show and line of related products, but her marriage and personal life aren't all that they seem. Frustrated by their mother's long history of hypochondria, the girls reluctantly return home, excepting to find her fine. However, it seems this time Ronni may be telling the truth: she's really sick. Can the Sunshine sisters set aside their differences? And can they ever forgive their mother?
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
Kara Skinner (332 KP) rated Ride of Her Life in Books
Jun 12, 2019
Woman Surprised When Neighbor Waits For Her When Coming Home Late
Genre: Contemporary, Erotica
Word Count: 3,830
Average Smashwords rating: 5 out of 5 stars
My rating: 2.5 out of 5 stars
Warning: quotes below are certainly rated R.
When Andrea’s car breaks down and she gets a ride home with a coworker, the last thing she expects is her sexy yet scary-looking neighbor, Bo, waiting for her and livid. Worried out of his mind, Bo is done flirting with Andrea without action. Tonight, he’ll show her exactly what he wants with her.
Ride of Her Life is a hot little escape, but it’s like daydreaming about the stock photo of a tattooed macho man. True, it has some great sexy time.
He was fucking her hard and fast, but it was too much. Too raw. Too intimate. She felt too vulnerable, and she tried to lower her legs.
“No.” Keeping her legs close together, he leaned forward. “I like it this way. It makes you tighter. Makes you pay attention to me.”
The increase in pressure startled her. “Bo!”
He bucked at the sound of his name, and Andrea could hardly stand the pleasure. It felt naughty, exhibitionistic, and so damn good.
“That’s right, sweet thing. Give it to me. I’m the guy who’s meant to be your lover, not your handyman.”
But Bo has no character whatsoever. For that matter, Andrea isn’t much better with her inconsistent weirdness.
Bo is a jerk. He was mad that his neighbor didn’t call him when she was going to be home late or ask him to drive all the way to the college just to give him a ride. He was even more irritated that the coworker who dropped her off was male. Bo is her next door neighbor! Sure, they’re closer than most neighbors, but that doesn’t mean she needs to call him when she is a little bit late.
There’s an inch of depth that flickers beneath Bo’s otherwise boring flatness. His anger stems from worry and he’s insecure around Andrea. He doesn’t think he’s smart enough for her and in a moment of vulnerability asks her what he means to her.
It’s clear the two of them have history together. They have been neighbors for a while and Bo is always there to help with lawn mowing, giving her takeout, and doing repairs around the house. Andrea fantasizes about him at night but is scared to acknowledge her attraction to him. Bo seems to know it anyway and basically takes her on a picnic table with Andrea barely getting a consent out.
The lack of real consent is a huge turn-off for me. Just because he mows her lawn doesn’t mean he gets to, well, mow her lawn. There’s a difference between dominating and borderline-raping, and I wish that was much clearer here.
Andrea’s character is all over the place. She goes from caring to femme fatale in less than four thousand words.
At first, she’s slightly scared of Bo. She’s nervous and innocent for most of the story.
The tingle was back. Her entire body vibrated with anticipation and nerves. She’d never done anything like this. A thrill of uneasiness and excitement rushed through her
By the end, he’s just a fuck for her.
“Can we go inside now?” she asked, her lips brushing against his ear.
“On one condition. Tell me what I am to you.”
She smiled softly. “Oh honey, you’re the man I call when I need a ride.”
Where is this new found confidence of hers and when did she start calling him honey? Did her orgasm compel a man-eating ghost to possess her for the sake of reliving glory days?
We’ll never find out, because that’s where the story ends. There’s no real conclusion and just the flippant line to half-heartedly tie the ending and beginning together. It left me wholly unsatisfied.
Word Count: 3,830
Average Smashwords rating: 5 out of 5 stars
My rating: 2.5 out of 5 stars
Warning: quotes below are certainly rated R.
When Andrea’s car breaks down and she gets a ride home with a coworker, the last thing she expects is her sexy yet scary-looking neighbor, Bo, waiting for her and livid. Worried out of his mind, Bo is done flirting with Andrea without action. Tonight, he’ll show her exactly what he wants with her.
Ride of Her Life is a hot little escape, but it’s like daydreaming about the stock photo of a tattooed macho man. True, it has some great sexy time.
He was fucking her hard and fast, but it was too much. Too raw. Too intimate. She felt too vulnerable, and she tried to lower her legs.
“No.” Keeping her legs close together, he leaned forward. “I like it this way. It makes you tighter. Makes you pay attention to me.”
The increase in pressure startled her. “Bo!”
He bucked at the sound of his name, and Andrea could hardly stand the pleasure. It felt naughty, exhibitionistic, and so damn good.
“That’s right, sweet thing. Give it to me. I’m the guy who’s meant to be your lover, not your handyman.”
But Bo has no character whatsoever. For that matter, Andrea isn’t much better with her inconsistent weirdness.
Bo is a jerk. He was mad that his neighbor didn’t call him when she was going to be home late or ask him to drive all the way to the college just to give him a ride. He was even more irritated that the coworker who dropped her off was male. Bo is her next door neighbor! Sure, they’re closer than most neighbors, but that doesn’t mean she needs to call him when she is a little bit late.
There’s an inch of depth that flickers beneath Bo’s otherwise boring flatness. His anger stems from worry and he’s insecure around Andrea. He doesn’t think he’s smart enough for her and in a moment of vulnerability asks her what he means to her.
It’s clear the two of them have history together. They have been neighbors for a while and Bo is always there to help with lawn mowing, giving her takeout, and doing repairs around the house. Andrea fantasizes about him at night but is scared to acknowledge her attraction to him. Bo seems to know it anyway and basically takes her on a picnic table with Andrea barely getting a consent out.
The lack of real consent is a huge turn-off for me. Just because he mows her lawn doesn’t mean he gets to, well, mow her lawn. There’s a difference between dominating and borderline-raping, and I wish that was much clearer here.
Andrea’s character is all over the place. She goes from caring to femme fatale in less than four thousand words.
At first, she’s slightly scared of Bo. She’s nervous and innocent for most of the story.
The tingle was back. Her entire body vibrated with anticipation and nerves. She’d never done anything like this. A thrill of uneasiness and excitement rushed through her
By the end, he’s just a fuck for her.
“Can we go inside now?” she asked, her lips brushing against his ear.
“On one condition. Tell me what I am to you.”
She smiled softly. “Oh honey, you’re the man I call when I need a ride.”
Where is this new found confidence of hers and when did she start calling him honey? Did her orgasm compel a man-eating ghost to possess her for the sake of reliving glory days?
We’ll never find out, because that’s where the story ends. There’s no real conclusion and just the flippant line to half-heartedly tie the ending and beginning together. It left me wholly unsatisfied.
LilyLovesIndie (123 KP) rated Indivisible Line in Books
Nov 5, 2018
Two people, thrown together by coincidence develop a bond that goes much deeper than blood. Sarah and Greg experience loss, injury and much more as they come to realise that, when all is said and done, love is really all they needed from the start.
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
Henry Rollins recommended Seven Samurai (1954) in Movies (curated)
Kristy H (1252 KP) rated I Kissed a Girl in Books
Aug 12, 2021
A fun movie set romance
Noa Birnbaum's dream is to work in the movies: in horror special effects and makeup. She finally gets a chance to work on a real movie (one step closer to joining the union), but it means dropping out of school, where she's earning her theater degree. Her parents won't be pleased. On the set, she's face to face with actress Lilah Silver, whom Noa has had a crush on for ages. Lilah has her own dreams, to move beyond B-list horror films and into true stardom. This starring role as the "final girl" could be her opportunity. When she meets openly out Noa, Lilah may finally have a chance to admit to her own bisexuality. But a relationship could have its own problems for both Lilah and Noa.
"Noa'd thrown away everything else in her life for this job. And now she was seriously considering throwing the job away for a chance at a girl? Stupid beyond words."
This is a cute story whose strength comes across in its representation--queer characters covering bi, trans, lesbian and more. There's also some excellent Jewish representation, as both Noa and Lilah bond over their religious beliefs. As a member of the LGBTQIA community, I love seeing stories that reflect myself and my friends. Watching Lilah grapple with her bisexuality and coming out and seeing Noa hang out with her friends, being openly out and accepted. These are still stories and characters we do not get to see and read about regularly. Even better, it seems like I read a lot of queer YA books, not a lot where the characters are adults (although they might not always act like it in this story, ha). It was fun and refreshing.
"Special effects artist had never been on the list of things Good Jewish Girls Did."
For me, this book was a little long. It could have been a bit shorter and would have felt more snappy. A lot of the focus in this story is on miscommunication, which is a pet peeve of mine. I just can't handle when so much of the plot could be avoided if the characters just spoke openly to one another. It's also not entirely clear why Noa crushes so much on Lilah, to the point that it seems that she can't rationalize clearly. A lot of this inability to communicate or think clearly leads to some back and forth storylines, so it seems like as if the plot zigs and zags. Up and down. Will Noa go for a relationship with Lilah or keep her job? Is Lilah willing to risk her career for her sexuality? Again, if things had been just a bit shorter, we probably could have skipped a bit of this.
Still, this is a fun story. While Lilah and Noa can be frustrating sometimes, they are engaging characters. The horror film set adds an interesting level to the book (there's another plot line involving Lilah and threats to her safety). It's a little long, but I appreciated all the queer and Jewish rep. 3+ stars.
I received a copy of this book from Sourcebooks Casablanca and Netgalley in return for an unbiased review. It releases 8/3/2021.
"Noa'd thrown away everything else in her life for this job. And now she was seriously considering throwing the job away for a chance at a girl? Stupid beyond words."
This is a cute story whose strength comes across in its representation--queer characters covering bi, trans, lesbian and more. There's also some excellent Jewish representation, as both Noa and Lilah bond over their religious beliefs. As a member of the LGBTQIA community, I love seeing stories that reflect myself and my friends. Watching Lilah grapple with her bisexuality and coming out and seeing Noa hang out with her friends, being openly out and accepted. These are still stories and characters we do not get to see and read about regularly. Even better, it seems like I read a lot of queer YA books, not a lot where the characters are adults (although they might not always act like it in this story, ha). It was fun and refreshing.
"Special effects artist had never been on the list of things Good Jewish Girls Did."
For me, this book was a little long. It could have been a bit shorter and would have felt more snappy. A lot of the focus in this story is on miscommunication, which is a pet peeve of mine. I just can't handle when so much of the plot could be avoided if the characters just spoke openly to one another. It's also not entirely clear why Noa crushes so much on Lilah, to the point that it seems that she can't rationalize clearly. A lot of this inability to communicate or think clearly leads to some back and forth storylines, so it seems like as if the plot zigs and zags. Up and down. Will Noa go for a relationship with Lilah or keep her job? Is Lilah willing to risk her career for her sexuality? Again, if things had been just a bit shorter, we probably could have skipped a bit of this.
Still, this is a fun story. While Lilah and Noa can be frustrating sometimes, they are engaging characters. The horror film set adds an interesting level to the book (there's another plot line involving Lilah and threats to her safety). It's a little long, but I appreciated all the queer and Jewish rep. 3+ stars.
I received a copy of this book from Sourcebooks Casablanca and Netgalley in return for an unbiased review. It releases 8/3/2021.