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Lyndsey Gollogly (2893 KP) rated Hush, Hush (Hush, Hush, #1) in Books
Dec 26, 2019 (Updated Jan 22, 2024)
16 of 220
Kindle
Reread
Hush, Hush (book 1)
By Becca Fitzpatrick
⭐️⭐️
For Nora Grey, romance was not part of the plan. She's never been particularly attracted to the boys at her school, no matter how much her best friend, Vee, pushes them at her. Not until Patch came along.
With his easy smile and eyes that seem to see inside her, Nora is drawn to him against her better judgment.
But after a series of terrifying encounters, Nora's not sure who to trust. Patch seems to be everywhere she is, and to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel.
For Nora is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost her life.
This is a reread for me as it was so long ago when I first read it. It was ok but not as good as I thought it was the first time round.
Kindle
Reread
Hush, Hush (book 1)
By Becca Fitzpatrick
⭐️⭐️
For Nora Grey, romance was not part of the plan. She's never been particularly attracted to the boys at her school, no matter how much her best friend, Vee, pushes them at her. Not until Patch came along.
With his easy smile and eyes that seem to see inside her, Nora is drawn to him against her better judgment.
But after a series of terrifying encounters, Nora's not sure who to trust. Patch seems to be everywhere she is, and to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel.
For Nora is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost her life.
This is a reread for me as it was so long ago when I first read it. It was ok but not as good as I thought it was the first time round.
Merissa (13293 KP) rated Puppy Pride in Books
Jun 25, 2025
PUPPY PRIDE is part of the Pride Summer Camp 2025 series and features Jai, who had to leave his life behind due to his secret being exposed, and Demetrius, whose son is going to the Camp for a two-week stay.
Although Jai and Demetrius are the main characters and do have a lot of page time, they are surrounded by a multitude of couples, who, I'm guessing, have all had their stories told in other books. If you haven't read them (as I haven't), then you might get all the couples and names mixed up (as I did!) It did take some of the onus away from Jai and Demetrius, which I thought was a shame, as I would have liked to see their relationship with each other develop, and also Jai's relationship with Demetrius' children.
I did enjoy this story, but I felt as though it was just lacking something, and I'm not sure what. This was a sweet second-chance romance with a hint of Daddy/puppy play.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2025
Although Jai and Demetrius are the main characters and do have a lot of page time, they are surrounded by a multitude of couples, who, I'm guessing, have all had their stories told in other books. If you haven't read them (as I haven't), then you might get all the couples and names mixed up (as I did!) It did take some of the onus away from Jai and Demetrius, which I thought was a shame, as I would have liked to see their relationship with each other develop, and also Jai's relationship with Demetrius' children.
I did enjoy this story, but I felt as though it was just lacking something, and I'm not sure what. This was a sweet second-chance romance with a hint of Daddy/puppy play.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2025
Ross (3284 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
This was so original - dystopia where the women take control. This isn't an angle that we see very often, and in the current climate of #MeToo, it's nice to read something where the women have the upper hand (or is it?! Because that's what you're left thinking).
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
This is no Handmaids Tale!!
This was so original - dystopia where the women take control. This isn't an angle that we see very often, and in the current climate of #MeToo, it's nice to read something where the women have the upper hand (or is it?! Because that's what you're left thinking).
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Devoured: From Chicken Wings to Kale Smoothies - How What We Eat Defines Who We are
Book
A provocative look at how and what Americans eat and why-a flavorful blend of The Omnivore's...
ClareR (5991 KP) rated A Net for Small Fishes in Books
Feb 17, 2021
I could end this review quickly and just say “I loved this book”, because I did. I loved it. I love well written, historical fiction with a foot firmly set in reality, and A Net for Small Fishes certainly fulfils that requirement for me. The attention to detail shows just how much research must have gone in to this - even down to the fastenings on the dresses, the makeup the women wore and the ‘simples’ they made up to ease ailments.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
Sassy Brit (97 KP) rated It's Always the Husband in Books
Jun 5, 2019
It’s Always the Husband by Michele Campbell was an unusual psychological drama detailing the lives of three main girls, Aubrey, Kate and Jenny who met at college and stayed friends for life. At least that’s what they’d like you to believe, from the outside looking in. Really, they were thrown together and kind of stuck with each other.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
Relationships are tricky things, some best friends at school can totally be your worst nightmare, but if you’re too weak willed to get out of such a toxic relationship, before you know it, you’re stuck. I mean, if you’ve invested so much time and energy in a friendship, why would you give it all up? Especially now, when you’re all adults in your 40s, shouldn’t things be different?
When I say this story was unusual, what exactly did I mean by that? This is just my sort of book, I love psychological thrillers, but unfortunately I just didn’t feel for any of the characters at first. The story started slow, and I don’t think as much detail about their elite Carlisle college life at the beginning was needed. Maybe the odd flashback to something important, to show how the “Whipple Triplets” had pledged to be friends forever, when in fact it’s instantly obvious to the reader they’re actually frenemies from the day they first met. Again, I love books featuring frenemies, but there was just something about that whole first section which did not enthral me at all. However, as we moved on through to their later years where we meet them as adults, the pace picked up a bit, and like the blurb says, when someone is standing at the edge of the bridge and someone else is urging them to jump, I wanted to find out who and why! I didn’t get this far into the book to just give up!
We do get flashbacks every now and then and the suspense does pick up somewhat. I kind of knew payback was going to happen to the bitch of the group, but the unexpected twist at the end was interesting. There was just something clunky about the way the whole book was put together, like either I was missing something or it just did not read as smoothly as I’d have liked.
In addition, I get that their college life is all about popularity, money, sex, and much of it went by in a blur of drugs and alcohol, but at the same time, there was a lot of it going on in the story, and I half thought most of the substance abuse goings on was just too repetitive and didn’t really focus on the psychological issues they could have had at college. I don’t think all of it was needed.
Even so, I did finish this book, and I did like the ending, it just wasn’t completely enthralling enough for me to rate it higher than 3 stars, which is my ‘jolly good’ read, but not ‘really, really enjoyable’, and definitely not up there with ‘I’m going to talk about this for weeks’ five stars. Although, I could actually be talking about this for weeks, just not in the best light.
BookblogbyCari (345 KP) rated Fallen (Fallen, #1) in Books
Dec 12, 2018
This bestselling genre-crossing book has a captivating start and end, and I’m already looking forward to reading the next in the series!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
Emma @ The Movies (1786 KP) rated Tenet (2020) in Movies
Aug 30, 2020
This is the first big new release in a long time I've gone into basically blind. I hadn't seen a trailer, read a synopsis, and I only picked up a few things off Twitter because people seem to forget how to use hashtags.
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html