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Lyndsey Gollogly (2893 KP) rated Malicious ( The Whitethorn Society 1) in Books
Mar 30, 2024
60 of 220
Kindle
Malicious ( The Whitethorn Society 1)
By Rinna Ford
⭐️⭐️⭐️⭐️
On the outside, people see Viv as a spoiled little rich girl who lives for designer clothing and wild parties, not the strong, capable woman she tries so hard to be. But money and power don’t buy love and acceptance, and Viv has definitely learned that the hard way.
College was a taste of freedom from that life, but then, that freedom ends up being stripped away when Viv is expected to go back to the family she hates to embrace a destiny she doesn’t want. Only, she believes that her destiny is to slave away for her family business, not join an ancient society of magical beings that shouldn’t even be real. Secrets and danger lie around every corner, but so do answers and love that she so desperately craves.
With old friends and new, one seriously annoying brother, and an ex that won’t go away, not that she really wants him to, Viv has to face new challenges and become the Whitethorn she was born to be.
She is the key. Whatever that means.
This was really good. A concept I haven’t yet read It was really interesting and I’m looking forward to reading more. I do like this author though and it was a light enjoyable book.
Kindle
Malicious ( The Whitethorn Society 1)
By Rinna Ford
⭐️⭐️⭐️⭐️
On the outside, people see Viv as a spoiled little rich girl who lives for designer clothing and wild parties, not the strong, capable woman she tries so hard to be. But money and power don’t buy love and acceptance, and Viv has definitely learned that the hard way.
College was a taste of freedom from that life, but then, that freedom ends up being stripped away when Viv is expected to go back to the family she hates to embrace a destiny she doesn’t want. Only, she believes that her destiny is to slave away for her family business, not join an ancient society of magical beings that shouldn’t even be real. Secrets and danger lie around every corner, but so do answers and love that she so desperately craves.
With old friends and new, one seriously annoying brother, and an ex that won’t go away, not that she really wants him to, Viv has to face new challenges and become the Whitethorn she was born to be.
She is the key. Whatever that means.
This was really good. A concept I haven’t yet read It was really interesting and I’m looking forward to reading more. I do like this author though and it was a light enjoyable book.
Phil Leader (619 KP) rated Jayden's Cybermountain (The Sanctum Series #1) in Books
Nov 15, 2019
I read this book on my recent holiday and it kept me enthralled, my eReader didn't leave my side and I was always itching to read a bit more to see what happened next.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
Purple Phoenix Games (2266 KP) rated Tiny Ninjas in Tabletop Games
Jun 12, 2019
We at Purple Phoenix Games love Kickstarting games. We probably do it more than we should, but I am sure we are not alone in this. I, myself, have backed 59 games or game-related products to date (as of February 2019). Not all of them have been that good (I’m looking at you Shadow Days, IncrediBrawl, and A Duel Betwixt Us!), but some have been simply amazing. Where does this game about dueling ninjas rate? Pretty dang good.
So this one is a riff off the old regular deck of cards game “War.” In War you simply blindly compare cards from your personal deck and the highest number wins… essentially. In Tiny Ninjas, however, that concept has expanded this very familiar game and made it really sexy. Well, as sexy as you can make a game with chibi-esque ninja artwork.
There is still comparison of strength, but you take turns being the attacker and the defender. As the attacker, you decide how many of your hand of 5 cards you wish to play this round, resolve their effects, and then you become the defender. On defense, you are able to use only the cards you didn’t use as the attacker, whereas the attacker refills their hand back to the hand limit of 5 cards. Uh oh. Did I plan well enough to have plenty of defense, or will my hit points be depleted?? This is essentially the game’s skeleton.
Each card has a special attack or defense ability and sometimes it requires you to roll one of the two dice that comes with the game to determine strength or proc abilities. We all know that once dice are invited to the game a certain amount of luck is also introduced. That isn’t necessarily a bad thing here. I like a small amount of luck in my games. For me, it’s just another little wrinkle to be applied to my perfect strategy.
But let’s talk about those dice. The dice themselves are really great quality, and the stamping is great, and the icons on the dice are really really good. But I have problems with the card iconography that corresponds with the dice. On the cards, icons are printed in a variation of a circle. The circle looks a certain way if you are to use the white die. And then the circle looks differently to indicate usage of the red die. But then there are circles that correspond to the ink colors of the white and red dice that are also different but the same. That irks me just a bit because I think there could be other ways to do that. I found myself constantly looking at the reference card (which, THANK YOU SO MUCH FOR INCLUDING THIS) but maybe that’s just me and my preferences. After a while I caught on and it didn’t impede my enjoyment of the game any longer, but it was annoying at first.
I have not mentioned any of the other components because, frankly, they are really really great. The ingenious box-becomes-the-game-board idea is wonderful, the life trackers that hang out on the sides of the dice tray are great, the dojo sensei trackers, the cards and art on them are all top notch. For such an affordable package, you really do get quite a production.
I have no other qualms about the components, or the game play. It’s truly a fun experience. That said, Purple Phoenix Games gives Tiny Ninjas a stealthy 15 / 18. Don’t let this one sneak under your radar!
https://purplephoenixgames.wordpress.com/2019/02/22/tiny-ninjas-review/
So this one is a riff off the old regular deck of cards game “War.” In War you simply blindly compare cards from your personal deck and the highest number wins… essentially. In Tiny Ninjas, however, that concept has expanded this very familiar game and made it really sexy. Well, as sexy as you can make a game with chibi-esque ninja artwork.
There is still comparison of strength, but you take turns being the attacker and the defender. As the attacker, you decide how many of your hand of 5 cards you wish to play this round, resolve their effects, and then you become the defender. On defense, you are able to use only the cards you didn’t use as the attacker, whereas the attacker refills their hand back to the hand limit of 5 cards. Uh oh. Did I plan well enough to have plenty of defense, or will my hit points be depleted?? This is essentially the game’s skeleton.
Each card has a special attack or defense ability and sometimes it requires you to roll one of the two dice that comes with the game to determine strength or proc abilities. We all know that once dice are invited to the game a certain amount of luck is also introduced. That isn’t necessarily a bad thing here. I like a small amount of luck in my games. For me, it’s just another little wrinkle to be applied to my perfect strategy.
But let’s talk about those dice. The dice themselves are really great quality, and the stamping is great, and the icons on the dice are really really good. But I have problems with the card iconography that corresponds with the dice. On the cards, icons are printed in a variation of a circle. The circle looks a certain way if you are to use the white die. And then the circle looks differently to indicate usage of the red die. But then there are circles that correspond to the ink colors of the white and red dice that are also different but the same. That irks me just a bit because I think there could be other ways to do that. I found myself constantly looking at the reference card (which, THANK YOU SO MUCH FOR INCLUDING THIS) but maybe that’s just me and my preferences. After a while I caught on and it didn’t impede my enjoyment of the game any longer, but it was annoying at first.
I have not mentioned any of the other components because, frankly, they are really really great. The ingenious box-becomes-the-game-board idea is wonderful, the life trackers that hang out on the sides of the dice tray are great, the dojo sensei trackers, the cards and art on them are all top notch. For such an affordable package, you really do get quite a production.
I have no other qualms about the components, or the game play. It’s truly a fun experience. That said, Purple Phoenix Games gives Tiny Ninjas a stealthy 15 / 18. Don’t let this one sneak under your radar!
https://purplephoenixgames.wordpress.com/2019/02/22/tiny-ninjas-review/
Bury Me (Immortal Vices and Virtues: Her Monstrous Mates #6)
10.0
Rate It
Book
The world ended the night I was born. Coincidence? I think not. Stuck living in the catacombs...
Reverse Harem Steamy Paranormal Romance Why Choose?
Ronnie (304 KP) rated Supernatural - Season 5 in TV
Apr 3, 2020
Contains spoilers, click to show
Supernatural follows 2 brothers, Sam and Dean Winchester, who have been raised by their dad in a lifestyle of moving across country fighting supernatural beings, ever since their mum was killed by a yellow eyed demon in Sam’s nursery when he was only 6months old. At the end of season 4 Sam accidentally frees the devil from his cage in hell, kickstarting the apocalypse and then in season 5 Sam and Dean have to try and stop the apocalypse, but the apocalypse can’t happen without Sam and Dean’s help. Sam’s body is to be the vessel used by the devil, and Dean’s body is to be the vessel of the angel Michael. Once the two angels have gotten Sam and Dean to say “yes” to being the vessels, they are to have a battle, and should the devil win, the apocalypse will begin.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.
Phillip McSween (751 KP) rated Shaun of the Dead (2004) in Movies
Feb 3, 2019
Good Fun
With the help of a close friend, Shaun (Simon Pegg) sets out to his rescue his mum during a zombie apocalypse and hole up at their favorite pub The Winchester.
Acting: 10
Pegg delivers a strong performance in his role as Shaun. You can’t decide whether Shaun is just a plain loser or if he’s just oblivious to the people around them and their feelings, particularly his girlfriend Liz (Kate Ashfield). Pegg has a way of keeping you guessing from one scene to the next. Just when you think you can figure his character out, he evolves just a little bit, enough to remain interesting. The entirety of the cast breathes life into this comedy horror film.
Beginning: 3
Characters: 10
Cinematography/Visuals: 10
The film is shot in a very unique way that helps to drive the narrative. It has the feel of a horror movie, but you’re never really frightened. It’s just as gory and in-your-face as any zombie movie I’ve seen, but sometimes those same scenes will have you cracking up. It was very cool how they capture the graduation of the first twenty-four hours. It started with a couple of one-off strange incidents. Before long, the streets were swarming and things were out of control. Very well-done.
Conflict: 10
Zombie films/shows should never be about the zombies, but about survival and the reality of the human spirit. You wanna find out who you really are? Get thrown into the middle of an apocalypse. Shaun of the Dead takes the nature of the human spirit and fleshes it out over the course of the film. Some people see tragedy and they run from it while others, like Shaun, take the bull by the horns and go right at it. The conflict succeeds in the group not just taking on the zombies but handling their internal squabbles as well.
Genre: 6
Memorability: 7
There were a number of funny, memorable events that stick out. I won’t ruin them, but my personal favorite was the car scene where seven survivors had to squeeze into a little sedan. The hilarity that ensues as they move from Point A to B is pretty awesome. There is also a touching moment within that same scene that adds emotional power to the movie. There are a number of scenes like this here, scenes that can make you laugh and make you feel at the same time.
Pace: 10
Plot: 10
Resolution: 7
Overall: 83
Shaun of the Dead is one of those movies where you fall in love with it more and more the more times you revisit it. I wasn’t a fan my first viewing, but noticed a lot of things the second time around that made sense and added to the overall strength of the movie in a subtle way. Good watch.
Acting: 10
Pegg delivers a strong performance in his role as Shaun. You can’t decide whether Shaun is just a plain loser or if he’s just oblivious to the people around them and their feelings, particularly his girlfriend Liz (Kate Ashfield). Pegg has a way of keeping you guessing from one scene to the next. Just when you think you can figure his character out, he evolves just a little bit, enough to remain interesting. The entirety of the cast breathes life into this comedy horror film.
Beginning: 3
Characters: 10
Cinematography/Visuals: 10
The film is shot in a very unique way that helps to drive the narrative. It has the feel of a horror movie, but you’re never really frightened. It’s just as gory and in-your-face as any zombie movie I’ve seen, but sometimes those same scenes will have you cracking up. It was very cool how they capture the graduation of the first twenty-four hours. It started with a couple of one-off strange incidents. Before long, the streets were swarming and things were out of control. Very well-done.
Conflict: 10
Zombie films/shows should never be about the zombies, but about survival and the reality of the human spirit. You wanna find out who you really are? Get thrown into the middle of an apocalypse. Shaun of the Dead takes the nature of the human spirit and fleshes it out over the course of the film. Some people see tragedy and they run from it while others, like Shaun, take the bull by the horns and go right at it. The conflict succeeds in the group not just taking on the zombies but handling their internal squabbles as well.
Genre: 6
Memorability: 7
There were a number of funny, memorable events that stick out. I won’t ruin them, but my personal favorite was the car scene where seven survivors had to squeeze into a little sedan. The hilarity that ensues as they move from Point A to B is pretty awesome. There is also a touching moment within that same scene that adds emotional power to the movie. There are a number of scenes like this here, scenes that can make you laugh and make you feel at the same time.
Pace: 10
Plot: 10
Resolution: 7
Overall: 83
Shaun of the Dead is one of those movies where you fall in love with it more and more the more times you revisit it. I wasn’t a fan my first viewing, but noticed a lot of things the second time around that made sense and added to the overall strength of the movie in a subtle way. Good watch.
Gareth von Kallenbach (977 KP) rated Shaun of the Dead (2004) in Movies
Aug 14, 2019
With the recent influx of the walking dead at your local multiplex, it would be easy to dismiss the British film “Shaun of the Dead” as just another cheap zombie film. While few will mistake “Shaun” as a landmark in cinematic history, but despite its flaws, there are a few funny moments on the film.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.
The film attempts to mix horror and comedy and largely but works best if viewed as a comedic satire of the genre. Shaun, (Simon Pegg), (who also helped write the film), is a working class stiff who toils away his time in an London district selling electronics by day and squiring the love of his life Liz (Kate Ashfield), to the local pub much to her dismay as the monotony of the situation and Shaun’s obscene slacker friend Ed (Nick Frost), have worn on her last nerve.
Despite getting an ultimatum from Liz to take her to someplace other than the pub, Shaun becomes distracted and fails to secure a table elsewhere, causing Liz to storm out and send Shaun into a spiral as he begins to question his place in life and suspect that there is much more that he should be doing.
As if this was not enough of a burden for Shaun to endure, the local population seems to be acting oddly as reports of mayhem and carnage are starting to arise and the streets start to fill with Zombies. At first Shaun and Ed are oblivious to the changes around them as they continue their daily routines without noticing the blood stains, bodies and walking dead in the neighborhood, that is until one decided to attack.
Shaun and Ed soon get a nasty dose of reality and Shaun eventually decides that he must get his mother and Liz to safety, so armed with his Cricket bat, he takes on the grisly horde of undead against overwhelming odds.
While the film does have some good comedic moments, it drags horribly for the last 20 minutes as only a funny but albeit brief segment involving a zombie attack to a Queen classic is the only respite in the monotone that the film crawls to. The biggest problem is that the film seems to run out of material about 40 minutes in and the makers of the film try to stretch the film using standards from past zombie films. We have the desperate stand in a surrounded building, the improvised weapons, the infighting between survivors, and the classic bearing of the soul when it seems darkest.
I do admire the creative element that the creators of the film came up with especially with the obvious budget restrictions they were under. That being said, the film is not worthy of the praise that is being heaped upon it. Yes, it shows promise for the cast, and yes it is a nice twist on the tired zombie genre, but any momentum that was gained in the early portion of the film is quickly destroyed by the sputtering plot that crawls its way to the finish with a ho-hum climax that will disappoint any in the audience who still care.
Bob Mann (459 KP) rated Lion (2016) in Movies
Sep 29, 2021
Lost in Train-station.
As January progresses, the quality Oscar films just keep on coming! India’s vibrant and teeming tapestry of life is a natural gift for film-makers, without a word needing to be spoken, and director Garth Davis – in an impressive feature film debut – utilizes that backdrop to the max.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
Darren (1599 KP) rated Aftermath 2017 (2017) in Movies
Jun 20, 2019
Story: Aftermath starts as construction worker Roman (Schwarzenegger) is looking forward to the arrival of his wife and pregnant daughter from Kiev for Christmas. Making himself extra smart with flowers at hand he arrives at the airport to find the flight delayed but there is no good news, the plane was involved in a tragic accident killing both his wife and daughter.
On the other side of the story flight controller Jake Bonaos (McNairy) leaves his wife and son to arrive at work that very same day, on a night shift where he finds the himself distracted trying to fix a phoneline as two planes collided mid-air, the same flights that had Roman’s family on.
Both men’s lives are completely shattered, Roman broken, alone and spending days and nights at the cemetery. While Jake is branded a murderer by the public finding it impossible to function or being the husband and father he needs to be.
With the airline company waving money in Roman’s face to stop them being sued and Jake on the verge of suicide brings us to one year later where both are still living in the tragedy but both are attempting to move on.
Thoughts on Aftermath
Characters/Performance – Roman is a hard-working construction worker, he has work long hours to make sure his family can move to live with him in America, when he loses them his life is shattered but all he wants is an apologise not the airlines money. Jake is a flight controller who makes an honest mistake that cost the lives of everyone on the flights, his life is ruined, he loses his family, his job and must change his name and start again, living the rest of his life with regret.
Performance wise, Schwarzenegger is brilliant in this role where is he no action hero, he is an everyday man that loses everything, this is by far one of his best acting performances of his career. Scoot McNairy is also fantastic in this role showing just how capable of an actor he is.
Story – The story is based on a real incident that followed a mid-air collision but turned into an American story for it to unfold in. This story is very powerful because you are now left to wonder just what would happen if you were in either of these men’s shoes. The story also isn’t just a revenge film it follows these two men trying to rebuild their lives after what happened and mostly just wanting a human response from somebody involved.
Thriller – From the moment this film starts you are left to wonder from the edge of your seat to where this film will go.
Settings – The settings used through the film focus on making both our main characters feel like everyday people whose lives have been ruined by the events which is all you need from the film.
Final Thoughts – This is one of the best and most intense slow burning stories you will see this year. The performances are fantastic as well as being one of the most interesting stories out there.
Overall: One of the most powerful stories you will see this year.
https://moviesreview101.com/2017/04/10/aftermath-2017/
On the other side of the story flight controller Jake Bonaos (McNairy) leaves his wife and son to arrive at work that very same day, on a night shift where he finds the himself distracted trying to fix a phoneline as two planes collided mid-air, the same flights that had Roman’s family on.
Both men’s lives are completely shattered, Roman broken, alone and spending days and nights at the cemetery. While Jake is branded a murderer by the public finding it impossible to function or being the husband and father he needs to be.
With the airline company waving money in Roman’s face to stop them being sued and Jake on the verge of suicide brings us to one year later where both are still living in the tragedy but both are attempting to move on.
Thoughts on Aftermath
Characters/Performance – Roman is a hard-working construction worker, he has work long hours to make sure his family can move to live with him in America, when he loses them his life is shattered but all he wants is an apologise not the airlines money. Jake is a flight controller who makes an honest mistake that cost the lives of everyone on the flights, his life is ruined, he loses his family, his job and must change his name and start again, living the rest of his life with regret.
Performance wise, Schwarzenegger is brilliant in this role where is he no action hero, he is an everyday man that loses everything, this is by far one of his best acting performances of his career. Scoot McNairy is also fantastic in this role showing just how capable of an actor he is.
Story – The story is based on a real incident that followed a mid-air collision but turned into an American story for it to unfold in. This story is very powerful because you are now left to wonder just what would happen if you were in either of these men’s shoes. The story also isn’t just a revenge film it follows these two men trying to rebuild their lives after what happened and mostly just wanting a human response from somebody involved.
Thriller – From the moment this film starts you are left to wonder from the edge of your seat to where this film will go.
Settings – The settings used through the film focus on making both our main characters feel like everyday people whose lives have been ruined by the events which is all you need from the film.
Final Thoughts – This is one of the best and most intense slow burning stories you will see this year. The performances are fantastic as well as being one of the most interesting stories out there.
Overall: One of the most powerful stories you will see this year.
https://moviesreview101.com/2017/04/10/aftermath-2017/