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Lee (2222 KP) rated Rose: A Love Story (2020) in Movies
Oct 14, 2020
Married couple Sam (Matt Stokoe) and Rose (Sophie Rundle) are living a quiet, simple life in a remote woodland farmhouse. While Rose spends her days indoors, tapping out a novel on a typewriter, Sam is out in the peaceful, snow-covered woods, setting traps and hunting animals. But, right from the outset, it’s clear that this is anything but a relaxing couples retreat.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
Bob Mann (459 KP) rated Lion (2016) in Movies
Sep 29, 2021
Lost in Train-station.
As January progresses, the quality Oscar films just keep on coming! India’s vibrant and teeming tapestry of life is a natural gift for film-makers, without a word needing to be spoken, and director Garth Davis – in an impressive feature film debut – utilizes that backdrop to the max.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
Merissa (12069 KP) rated Wilder (Birds of a Feather #1) in Books
Nov 20, 2018
Wilder (Birds of a Feather #1) by Lena North
Wilder is the first book in the Birds of a Feather series, and it starts many, MANY years after The Dreughan Trilogy. Wilder has just lost her beloved grandfather and also learns more about her family. Some surprises were in store for her, and she struggles to deal with them all. Funnily enough, the biggest surprise was easy for her. The hardest was dealing with people she thought she knew, and finding out they had a whole other life that didn't involve her. With a whole new family to contend with, plus a love interest, there is a lot going on for Wilder.
First of all, the thing that I ADORED in this book was the appearance of Vilda, Sannah, and Troy! I loved how they made their appearance, and their appearances after. For me, it helped to wrap up their trilogy, and I loved every single time they were mentioned.
There is plenty of action in this story, and it is different from The Dreughan Trilogy. For a start, it is set in a contemporary time, not medieval. A whole new bunch of characters and abilities light the way, giving this series a great introduction in a well written story. There are some editing and grammatical errors, but nothing that spoilt my enjoyment of the story.
A great beginning to the series, and I can't wait to continue. Definitely recommended by me.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
First of all, the thing that I ADORED in this book was the appearance of Vilda, Sannah, and Troy! I loved how they made their appearance, and their appearances after. For me, it helped to wrap up their trilogy, and I loved every single time they were mentioned.
There is plenty of action in this story, and it is different from The Dreughan Trilogy. For a start, it is set in a contemporary time, not medieval. A whole new bunch of characters and abilities light the way, giving this series a great introduction in a well written story. There are some editing and grammatical errors, but nothing that spoilt my enjoyment of the story.
A great beginning to the series, and I can't wait to continue. Definitely recommended by me.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lyndsey Gollogly (2893 KP) rated The Mister in Books
Nov 30, 2019
The passionate new romance from E L James, author of the phenomenal #1 bestselling Fifty Shades Trilogy
London, 2019. Life has been easy for Maxim Trevelyan. With his good looks, aristocratic connections, and money, he’s never had to work and he’s rarely slept alone. But all that changes when tragedy strikes and Maxim inherits his family’s noble title, wealth, and estates, and all the responsibility that entails. It’s a role he’s not prepared for and one that he struggles to face.
But his biggest challenge is fighting his desire for an unexpected, enigmatic young woman who’s recently arrived in England, possessing little more than a dangerous and troublesome past. Reticent, beautiful, and musically gifted, she’s an alluring mystery, and Maxim’s longing for her deepens into a passion that he’s never experienced and dares not name. Just who is Alessia Demachi? Can Maxim protect her from the malevolence that threatens her? And what will she do when she learns that he’s been hiding secrets of his own?
From the heart of London through wild, rural Cornwall to the bleak, forbidding beauty of the Balkans, The Mister is a roller-coaster ride of danger and desire that leaves the reader breathless to the very last page.
I enjoyed reading this. It was an easy read and it didn't take long to finish. I think the wrong thing to do is compare it to 50shades personally I think I enjoyed this more. It was gave us a bit of adventure as well as her famous sex scenes! I'm looking forward to reading future projects.
London, 2019. Life has been easy for Maxim Trevelyan. With his good looks, aristocratic connections, and money, he’s never had to work and he’s rarely slept alone. But all that changes when tragedy strikes and Maxim inherits his family’s noble title, wealth, and estates, and all the responsibility that entails. It’s a role he’s not prepared for and one that he struggles to face.
But his biggest challenge is fighting his desire for an unexpected, enigmatic young woman who’s recently arrived in England, possessing little more than a dangerous and troublesome past. Reticent, beautiful, and musically gifted, she’s an alluring mystery, and Maxim’s longing for her deepens into a passion that he’s never experienced and dares not name. Just who is Alessia Demachi? Can Maxim protect her from the malevolence that threatens her? And what will she do when she learns that he’s been hiding secrets of his own?
From the heart of London through wild, rural Cornwall to the bleak, forbidding beauty of the Balkans, The Mister is a roller-coaster ride of danger and desire that leaves the reader breathless to the very last page.
I enjoyed reading this. It was an easy read and it didn't take long to finish. I think the wrong thing to do is compare it to 50shades personally I think I enjoyed this more. It was gave us a bit of adventure as well as her famous sex scenes! I'm looking forward to reading future projects.
The Life and Reign of Edward the Fourth: King of England and France and Lord of Ireland: Volume 1
Cora L. Scofield and Ralph A. Griffiths
Book
Edward IV, (1442-1483) was King of England from 4 March 1461 until 3 October 1470, and again from 11...
Teenagers - Haynes Explains
Book
The Haynes Manual is one of publishing's most famous and enduring icons. More than 200 million...
LeftSideCut (3778 KP) rated Inside Out (2015) in Movies
Sep 25, 2020
Standard Pixar affair - easy to look at, appealing to a younger audience whilst simultaneously bludgeoning adults with relatable emotional moments that make you want to curl up in a corner somewhere and weep.
Inside Out ticks all these boxes without a shadow of a doubt.
The animation is wonderful as usual and is arguably Pixar's most colourful film to date. The concept of emotions can be complex at the best of times. It's a concept that most people will struggle with for their whole lives and is something that will truly never be understood. Inside Out tackles this with aplomb, using colour coding to make it accessible to kids, and exploring just how complicated feelings can become especially as puberty begins to hit. It's very clever in its execution as well.
The majority of the story takes place in Riley's head, as her emotions Joy, Sadness, Fear, Anger, and Disgust all struggle to keep everything balanced as she starts to hit roadblocks in her life. One thing leads to another before Joy and Sadness are ejected out of the "control centre" and desperately try to find their way back, leaving the other emotions to handle the pains of growing up.
It's one part emotional family drama, and one part bonkers sci-fi adventure, and it works really well with the help of a great voice cast.
Inside Out doesn't quite hit the lofty heights of the best Pixar efforts for me, but it's still damn good and surely will appeal to everyone in some way, no matter what age your are.
Inside Out ticks all these boxes without a shadow of a doubt.
The animation is wonderful as usual and is arguably Pixar's most colourful film to date. The concept of emotions can be complex at the best of times. It's a concept that most people will struggle with for their whole lives and is something that will truly never be understood. Inside Out tackles this with aplomb, using colour coding to make it accessible to kids, and exploring just how complicated feelings can become especially as puberty begins to hit. It's very clever in its execution as well.
The majority of the story takes place in Riley's head, as her emotions Joy, Sadness, Fear, Anger, and Disgust all struggle to keep everything balanced as she starts to hit roadblocks in her life. One thing leads to another before Joy and Sadness are ejected out of the "control centre" and desperately try to find their way back, leaving the other emotions to handle the pains of growing up.
It's one part emotional family drama, and one part bonkers sci-fi adventure, and it works really well with the help of a great voice cast.
Inside Out doesn't quite hit the lofty heights of the best Pixar efforts for me, but it's still damn good and surely will appeal to everyone in some way, no matter what age your are.
Lyndsey Gollogly (2893 KP) rated Manumission in Books
Oct 1, 2022
178 of 230
Kindle
Manumission
By R.A. Hatton
⭐️⭐️⭐️⭐️
A REBELLION IGNITED BY A FORBIDDEN LOVE.
Within an old kingdom, our elven race of warriors keep humans as slaves, and we thrive.
Until the rebellion started, disturbing the peace and hurting the innocent, now I hunt them, and I will find their hidden base.
When my man servant is killed during an ambush, rage for the loss of a slave brings confusion and chaos into my otherwise commanding and structured life.
He was so much more, meant more to me than my society allows.
I have no time to grieve as a new alliance of enemies has emerged from within my city, and they have plans for me.
Forced me to take part in a traditional breeding programme, but I am nobody’s breeder and I will defy their rules.
Yet, when I meet him, the branded human scheduled for death, he awakens a desire from within that I never knew existed.
He makes me question the rules and I begin to discover the truths long buried in blood.
My name is General Truda and now I must choose between obeying the laws of my species or to free the forbidden human, who repairs my heart.
I was surprised at how much I enjoyed this book. Or had a strong story and very good character and world building. It was an easy straightforward read that kept you really interested in the outcome. I’m hoping this writer does more in the future.
Kindle
Manumission
By R.A. Hatton
⭐️⭐️⭐️⭐️
A REBELLION IGNITED BY A FORBIDDEN LOVE.
Within an old kingdom, our elven race of warriors keep humans as slaves, and we thrive.
Until the rebellion started, disturbing the peace and hurting the innocent, now I hunt them, and I will find their hidden base.
When my man servant is killed during an ambush, rage for the loss of a slave brings confusion and chaos into my otherwise commanding and structured life.
He was so much more, meant more to me than my society allows.
I have no time to grieve as a new alliance of enemies has emerged from within my city, and they have plans for me.
Forced me to take part in a traditional breeding programme, but I am nobody’s breeder and I will defy their rules.
Yet, when I meet him, the branded human scheduled for death, he awakens a desire from within that I never knew existed.
He makes me question the rules and I begin to discover the truths long buried in blood.
My name is General Truda and now I must choose between obeying the laws of my species or to free the forbidden human, who repairs my heart.
I was surprised at how much I enjoyed this book. Or had a strong story and very good character and world building. It was an easy straightforward read that kept you really interested in the outcome. I’m hoping this writer does more in the future.
Merissa (12069 KP) rated The Poison Keeper in Books
Jun 11, 2021 (Updated Jul 18, 2023)
THE POISON KEEPER is the first book about Giulia Tofana, a real historical figure, known for her poison Aqua Tofana which could both heal and harm. In this book, we grow with her from a young woman - chomping at the reins and not liking the constrictions placed upon her by her mother, to a strong woman with an agenda and life of her own with extremely difficult circumstances.
I cannot tell you the amount of research that must have gone into this book! There is just so much. Incredible details of clothing, hair, jobs, places, you name it. Also, you find out about the pomanders used, plus other 'recipes'. All of which help to draw you into an intriguing story. There are hints of a possible romance between Giulia and Fabio but only hints.
Make no mistake, Giulia Tofana is a killer. She provides the means, knowing full well what she's doing, even if she doesn't actually do the deed herself. However, after reading her story, you will understand just why she did it. She is a figure from history I have always been interested in, and this story helped to bring her alive.
The first in a series, I now have The Silkworm Keeper on my To-Be-Read list, and I can highly recommend this book.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 11, 2021
I cannot tell you the amount of research that must have gone into this book! There is just so much. Incredible details of clothing, hair, jobs, places, you name it. Also, you find out about the pomanders used, plus other 'recipes'. All of which help to draw you into an intriguing story. There are hints of a possible romance between Giulia and Fabio but only hints.
Make no mistake, Giulia Tofana is a killer. She provides the means, knowing full well what she's doing, even if she doesn't actually do the deed herself. However, after reading her story, you will understand just why she did it. She is a figure from history I have always been interested in, and this story helped to bring her alive.
The first in a series, I now have The Silkworm Keeper on my To-Be-Read list, and I can highly recommend this book.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 11, 2021