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Lyndsey Gollogly (2893 KP) rated Daring Provocation ( Shadow Veil Academy 3) in Books
Aug 5, 2023
101 of 235
Kindle
Daring Provocation ( Shadow Veil Academy 3)
By Heather Renee
⭐️⭐️⭐️
Sometimes patience isn't a virtue.
Facing off with Malina didn't go quite how Raegan hoped, but she isn't one to give up easily. Now, she's back at school and more than eager to do whatever is necessary in order to protect those she loves most.
When a team is assembled and training begins in class, Raegan and Enzo grow closer than ever, but their happily-ever-after isn't within their grasp just yet. As one obstacle after another appears in their path, it will take ever bit of patience Raegan doesn't have in order to make it through.
With the final showdown drawing near, their team travels to New Orleans in hopes of keeping the battle away from school, but even then, the collateral damage might be more than any of them could have ever predicted. With more than one life at risk, Raegan will be forced to make choices she might never be able to recover from.
I do think this was the weakest of the 3 and didn’t really get me excited until the end. Although I did enjoy it I found most of it quite predictable. The series on a whole was really good especially for those that like dragon shifters which are a weakness of mine 😂
Kindle
Daring Provocation ( Shadow Veil Academy 3)
By Heather Renee
⭐️⭐️⭐️
Sometimes patience isn't a virtue.
Facing off with Malina didn't go quite how Raegan hoped, but she isn't one to give up easily. Now, she's back at school and more than eager to do whatever is necessary in order to protect those she loves most.
When a team is assembled and training begins in class, Raegan and Enzo grow closer than ever, but their happily-ever-after isn't within their grasp just yet. As one obstacle after another appears in their path, it will take ever bit of patience Raegan doesn't have in order to make it through.
With the final showdown drawing near, their team travels to New Orleans in hopes of keeping the battle away from school, but even then, the collateral damage might be more than any of them could have ever predicted. With more than one life at risk, Raegan will be forced to make choices she might never be able to recover from.
I do think this was the weakest of the 3 and didn’t really get me excited until the end. Although I did enjoy it I found most of it quite predictable. The series on a whole was really good especially for those that like dragon shifters which are a weakness of mine 😂
Dianne Robbins (1738 KP) rated Merrily We Go to Hell (1932) in Movies
Sep 3, 2020 (Updated Sep 3, 2020)
Pre-code (4 more)
What's good for the goose is good for the gander.
Skeet Gallagher as Buck, the sidekick
Florence Britton as Charlcie, the female sidekick
Directed by female director Dorothy Arzner
Contains spoilers, click to show
It was an important movie of its time. It is a pre-code movie so it was able to get away with sins such as alcoholism and infidelity of husbands AND wives without making them pay in the end.
Sylvia Sidney plays Joan Prentice, the daughter of the president of Prentice coffee and Fredric March plays Jerry Corbett, a newspaperman who wishes to be a playwright. They meet at a society party where she is trying to ignore the advances of a very handsy older man and he is on the terrace drunk and drinking even more. She somehow finds him charming and he finds her "swell." They make a date to meet up again and romance follows. I mean, allegedly follows though it seems like a huge plot point to me what they see in each other and what kind of substance their relationship has. I've never been a very romantic person but even this seems terribly lacking to me.
Skeets Gallagher plays the sidekick Buck and he's worth his weight in gold. He a drinking buddy and scenes with him often start with the camera panning him tap dancing from behind. He's sweet, sympathetic, charming, and adorable and brings so much life to the role and film. Florence Britton plays the female sidekick to Fredric March's Jerry Corbett and is a bold lady, and kind. She and Buck are so much fun and not sloppy drunk like Corbett. I would much rather watch a movie with the two of them.
Sylvia Sidney, the female protagonist was bold and determined. After her husband cheats on her with his former wife, she goes out to have a little fun, too. She gets tired of her husband's constant drunkenness and leaves him. He seems to come to his senses at the end of the movie and goes to her. Spoiler alert: she is in the hospital having delivered their baby. He didn't know she was pregnant and only learned about the baby after reading the birth announcement in the newspaper. This is a premonition of things to come once the code comes into play as any sin must be paid for with a person's ruin or death. However, it ends on a happy note that their marriage will be better and that they are hopeful for the future.
* Watch for Cary Grant in one of his earliest roles as the male lead in the period drama play towards the end of the film.
Sylvia Sidney plays Joan Prentice, the daughter of the president of Prentice coffee and Fredric March plays Jerry Corbett, a newspaperman who wishes to be a playwright. They meet at a society party where she is trying to ignore the advances of a very handsy older man and he is on the terrace drunk and drinking even more. She somehow finds him charming and he finds her "swell." They make a date to meet up again and romance follows. I mean, allegedly follows though it seems like a huge plot point to me what they see in each other and what kind of substance their relationship has. I've never been a very romantic person but even this seems terribly lacking to me.
Skeets Gallagher plays the sidekick Buck and he's worth his weight in gold. He a drinking buddy and scenes with him often start with the camera panning him tap dancing from behind. He's sweet, sympathetic, charming, and adorable and brings so much life to the role and film. Florence Britton plays the female sidekick to Fredric March's Jerry Corbett and is a bold lady, and kind. She and Buck are so much fun and not sloppy drunk like Corbett. I would much rather watch a movie with the two of them.
Sylvia Sidney, the female protagonist was bold and determined. After her husband cheats on her with his former wife, she goes out to have a little fun, too. She gets tired of her husband's constant drunkenness and leaves him. He seems to come to his senses at the end of the movie and goes to her. Spoiler alert: she is in the hospital having delivered their baby. He didn't know she was pregnant and only learned about the baby after reading the birth announcement in the newspaper. This is a premonition of things to come once the code comes into play as any sin must be paid for with a person's ruin or death. However, it ends on a happy note that their marriage will be better and that they are hopeful for the future.
* Watch for Cary Grant in one of his earliest roles as the male lead in the period drama play towards the end of the film.
BankofMarquis (1832 KP) rated Sisu (2023) in Movies
Dec 4, 2023
Pretty Darned Entertaining
The BankofMarquis stumbled across a Finnish action flick that makes Quentin Tarantino Movies - and the John Wick films - look like Disney movies.
SISU tells the story of the waning days of WWII in Finland where a lone man has left the death and destruction of war behind to live a life of solitude. Into his world come some retreating NAZI’s who (to their detriment, they will soon find out) decide to NOT leave this lone man alone.
Chaos (and violence) ensues.
A variation of the “Man with No Name” type of action film that pits this lone person who just wants to be left alone against a group of thugs, SISU (a Finnish word that has no direct translation but roughly translates to “persevering against tremendous odds”) generates a fun action/revenge flick that is extremely violent…and extremely implausible (but that’s part of the fun).
While this is a Finnish film, all of the actors/characters speak English (except when the Nazi’s speak German), so there is no translating needed.
Jorma Tommila (a veteran Finnish actor that has no U.S. credits that I could find) is stoic, rugged and damned determined as the nameless loner (he gets named about half-way through the film) that perseveres and this is the best part of his performance. His sparkling blue eyes constantly seem active and alive even though the rest of his face is stoic and his body is bruised, bloodied, beaten and mud-covered. His internal resolve shines through in his eyes and really holds the film together well.
Aksel Hennie (who you might know as Alex Vogel one of the Astronauts that is in the ship that turns back to get Matt Damon aka THE MARTIAN) as the Head Nazi is quite good and just as determined to use his men as fodder in his vendetta against the nameless man while Jack Doolan (Horse Tommy in THE BOYS) is ruthless as his main henchman and Mimosa Willamo (the Finnish TV series DEADWIND) is strong and determined as a prisoner held by the Nazis.
Director Jalmari Helander (again, no U.S. credits that I can find) does a wonderful job of keeping the action moving and the choreography of the piece simple (you know where everyone is at all times, so when something comes out of nowhere, you have a pretty good idea as to who/what it is). He does ratchet the violence up to a Tarantino-John Wick- The Equalizer level, so if you are squeamish, this film is not for you.
But, if you are into action films, then…hoo-boy….is SISU a film for you!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
SISU tells the story of the waning days of WWII in Finland where a lone man has left the death and destruction of war behind to live a life of solitude. Into his world come some retreating NAZI’s who (to their detriment, they will soon find out) decide to NOT leave this lone man alone.
Chaos (and violence) ensues.
A variation of the “Man with No Name” type of action film that pits this lone person who just wants to be left alone against a group of thugs, SISU (a Finnish word that has no direct translation but roughly translates to “persevering against tremendous odds”) generates a fun action/revenge flick that is extremely violent…and extremely implausible (but that’s part of the fun).
While this is a Finnish film, all of the actors/characters speak English (except when the Nazi’s speak German), so there is no translating needed.
Jorma Tommila (a veteran Finnish actor that has no U.S. credits that I could find) is stoic, rugged and damned determined as the nameless loner (he gets named about half-way through the film) that perseveres and this is the best part of his performance. His sparkling blue eyes constantly seem active and alive even though the rest of his face is stoic and his body is bruised, bloodied, beaten and mud-covered. His internal resolve shines through in his eyes and really holds the film together well.
Aksel Hennie (who you might know as Alex Vogel one of the Astronauts that is in the ship that turns back to get Matt Damon aka THE MARTIAN) as the Head Nazi is quite good and just as determined to use his men as fodder in his vendetta against the nameless man while Jack Doolan (Horse Tommy in THE BOYS) is ruthless as his main henchman and Mimosa Willamo (the Finnish TV series DEADWIND) is strong and determined as a prisoner held by the Nazis.
Director Jalmari Helander (again, no U.S. credits that I can find) does a wonderful job of keeping the action moving and the choreography of the piece simple (you know where everyone is at all times, so when something comes out of nowhere, you have a pretty good idea as to who/what it is). He does ratchet the violence up to a Tarantino-John Wick- The Equalizer level, so if you are squeamish, this film is not for you.
But, if you are into action films, then…hoo-boy….is SISU a film for you!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bury Me (Immortal Vices and Virtues: Her Monstrous Mates #6)
10.0
Rate It
Book
The world ended the night I was born. Coincidence? I think not. Stuck living in the catacombs...
Reverse Harem Steamy Paranormal Romance Why Choose?
Mark @ Carstairs Considers (2644 KP) rated The Murder Pit in Books
Apr 22, 2020
Body in the Coal Chute
Life is going well for Daisy Savage. Recently remarried, she, her husband, and their blended family are settling into the old fixer upper they just bought. While her husband, Jake, bemoans the work, Daisy fell in love with the place despite the work. The house seems to have quite a few secrets, and Daisy finds one in their basement’s crawl space – an old coal chute. Unfortunately, that discovery also comes with a dead body, and the victim is someone that Daisy recognizes. With the small-town rumor mill kicking in, Daisy finds herself as a suspect. Can she figure out who really killed the victim and why he was dumped in their basement?
The plot started out well, and I enjoyed the added puzzle about why the victim was left in Daisy’s basement. There were some good twists before we reached the end. Sadly, I did have some issues with the book. The characters are a bit thin. I get that some of them were supposed to be comedic, but they still could have been stronger. Daisy’s kids seemed to act younger than they were supposed to be. She homeschools most of the kids, but she seems to justify letting them play and not actually doing any work with them. (Yes, I get that in a cozy, the main character spends all their time on the case instead of their job, but that’s not the case here.) There were some timelines issues as well, nothing that affected the plot, but the author clearly lost track of time. On the other hand, I loved Daisy and Jake’s relationship, and I laughed quite a bit at the character’s interactions. I’ve read other books from Jeff Shelby in the past and enjoyed them, so I will read one of his books again. Hopefully, this was just an off book. Overall, I enjoyed it, but there are some issues that need to be resolved.
The plot started out well, and I enjoyed the added puzzle about why the victim was left in Daisy’s basement. There were some good twists before we reached the end. Sadly, I did have some issues with the book. The characters are a bit thin. I get that some of them were supposed to be comedic, but they still could have been stronger. Daisy’s kids seemed to act younger than they were supposed to be. She homeschools most of the kids, but she seems to justify letting them play and not actually doing any work with them. (Yes, I get that in a cozy, the main character spends all their time on the case instead of their job, but that’s not the case here.) There were some timelines issues as well, nothing that affected the plot, but the author clearly lost track of time. On the other hand, I loved Daisy and Jake’s relationship, and I laughed quite a bit at the character’s interactions. I’ve read other books from Jeff Shelby in the past and enjoyed them, so I will read one of his books again. Hopefully, this was just an off book. Overall, I enjoyed it, but there are some issues that need to be resolved.
Persian Nights: Sands of Wonders
Games and Stickers
App
FANTASTIC HIDDEN OBJECT PUZZLE ADVENTURE GAME FROM THE CREATORS OF ENIGMATIS AND GRIM LEGENDS! In...
The Painted Man (the Demon Cycle, Book 1)
7.4
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Book
The stunning debut fantasy novel from author Peter V. Brett. The Painted Man, book one of the Demon...
LeftSideCut (3776 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Oct 24, 2020
Is Borat: Subsequent Moviefilm as laugh out loud funny as the first one? I would argue that it isn't, however I would also argue that it's cleverer, and more shocking in some of it's content, with some truly outrageous moments.
It certainly feels more scripted than before, but the reasons behind it are sound. Firstly, the narrative is much more competent than the first, with a full blown story about family that has some weirdly touching moments. The scripted parts are essential to drive the plot forwards. No spoilers here, but it climaxes with a genuinely clever twist.
Another reason for the scripted sections is the little problem of Borat being recognized pretty much everywhere these days, causing Sacha Baron Cohen to re disguise a few times (all of his disguises are ridiculous by the way.)
It's also commendable how naturally the Coronavirus pandemic is written into the story. The pandemic hit half way through production and the way this was overcome is pretty well done.
To detail any of the scenes would serve only to spoil things - so all I'll say is this - the scene at a Michael Pence rally, the anti-lockdown protest concert, the part in a Synagogue, the Woman's clinic segment, and of course, the much discussed scene involving Rudy Giuliani all rival anything that Cohen has ever put out in terms of cringe and jaw dropping. I can absolutely respect that 14 years after the first movie, he still has balls of steel and doesn't hold back in what he puts out. Some of the stuff on display here could end up having some real life repercussions for certain individuals.
It's also worth mentioning how good Maria Bakalova is as Borat's daughter Tutar. She pretty much steals the show and will no doubt have a successful career off the back of this.
If you enjoyed the original, or even have an interest in politics, then there's something for you here. Looking forward to seeing how many people try to sue SBC this time around!
It certainly feels more scripted than before, but the reasons behind it are sound. Firstly, the narrative is much more competent than the first, with a full blown story about family that has some weirdly touching moments. The scripted parts are essential to drive the plot forwards. No spoilers here, but it climaxes with a genuinely clever twist.
Another reason for the scripted sections is the little problem of Borat being recognized pretty much everywhere these days, causing Sacha Baron Cohen to re disguise a few times (all of his disguises are ridiculous by the way.)
It's also commendable how naturally the Coronavirus pandemic is written into the story. The pandemic hit half way through production and the way this was overcome is pretty well done.
To detail any of the scenes would serve only to spoil things - so all I'll say is this - the scene at a Michael Pence rally, the anti-lockdown protest concert, the part in a Synagogue, the Woman's clinic segment, and of course, the much discussed scene involving Rudy Giuliani all rival anything that Cohen has ever put out in terms of cringe and jaw dropping. I can absolutely respect that 14 years after the first movie, he still has balls of steel and doesn't hold back in what he puts out. Some of the stuff on display here could end up having some real life repercussions for certain individuals.
It's also worth mentioning how good Maria Bakalova is as Borat's daughter Tutar. She pretty much steals the show and will no doubt have a successful career off the back of this.
If you enjoyed the original, or even have an interest in politics, then there's something for you here. Looking forward to seeing how many people try to sue SBC this time around!
Bob Mann (459 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Sep 28, 2021
“1, 2, You know what to do”.
I’ve put off watching this movie, since the subject matter didn’t immediately grab me. But I’m glad I caught it, since I really enjoyed it. All in all, it feels a little surprising in retrospect that “Ma Rainey’s Black Bottom” didn’t make the Oscar “Best Picture” list.
Positives:
I really wanted to put down all of the ‘Oscar buzz’ about the late Chadwick Boseman to a mawkish sentimentality about the actor’s tragic passing (which sounds disrespectful, but is not intended to). But having seen the performance as Levee, I take it all back. He’s stunning in the role and thoroughly deserves not only the Oscar nomination, but potentially also the win. A monologue about a traumatic childhood experience is Oscar-clip gold. What a way to ‘go out on a high’.
Viola Davis has a miraculous transformation as the historical singer in the twilight of her career. When you see her doing interviews (there is a very good 30 minute “Making of” documentary on Netflix), it’s almost impossible to believe that she is the same actress.
There are some great supporting performances as well: Glynn Turman as Toledo is great; and Taylour Paige is memorably sexy as the love interest (surprisingly) of two of the leads.
Both the production design and the costume/hair design are exquisite: no more so than in the gorgeous opening scene of the performance in the tent. Again, very deserving of their Oscar nominations.
There are some great directorial flourishes by Wolfe. One of my favourite scenes has Boseman finally breaking down a mystery door to find…. well, no spoilers, but it is a metaphor for Levee’s own struggles against life.
Negatives:
Just as in another August Wilson adaptation, “Fences” (and indeed in the recent “One Night in Miami”), the production feels like a filmed stage play. The forward motion of the movie keeps stopping for monologues by some of the characters (albeit brilliant ones in many cases).
Positives:
I really wanted to put down all of the ‘Oscar buzz’ about the late Chadwick Boseman to a mawkish sentimentality about the actor’s tragic passing (which sounds disrespectful, but is not intended to). But having seen the performance as Levee, I take it all back. He’s stunning in the role and thoroughly deserves not only the Oscar nomination, but potentially also the win. A monologue about a traumatic childhood experience is Oscar-clip gold. What a way to ‘go out on a high’.
Viola Davis has a miraculous transformation as the historical singer in the twilight of her career. When you see her doing interviews (there is a very good 30 minute “Making of” documentary on Netflix), it’s almost impossible to believe that she is the same actress.
There are some great supporting performances as well: Glynn Turman as Toledo is great; and Taylour Paige is memorably sexy as the love interest (surprisingly) of two of the leads.
Both the production design and the costume/hair design are exquisite: no more so than in the gorgeous opening scene of the performance in the tent. Again, very deserving of their Oscar nominations.
There are some great directorial flourishes by Wolfe. One of my favourite scenes has Boseman finally breaking down a mystery door to find…. well, no spoilers, but it is a metaphor for Levee’s own struggles against life.
Negatives:
Just as in another August Wilson adaptation, “Fences” (and indeed in the recent “One Night in Miami”), the production feels like a filmed stage play. The forward motion of the movie keeps stopping for monologues by some of the characters (albeit brilliant ones in many cases).