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Lilyn G - Sci-Fi & Scary (91 KP) rated The Mummy (2017) in Movies
Jun 19, 2018
Blech
The Mummy was a completely awesome movie! Filled with perfectly timed comedy, a strong female heroine, a somewhat sinister Mummy, and great lines! I’m talking, of course, about the 1999 version of The Mummy. The one starring Brendan Fraser and the wonderful Rachel Weisz.
The remake tried to be a great movie and slid in somewhere around “mediocre at best”. As one might expect, this was Tom Cruise playing Tom Cruise. (Does the man ever actually try to play someone other than himself? Serious question.) Sofia Boutella is blandly proficient as the scantily clad mummy who couldn’t ooze menace or evil if her life depended on it. Given that we’re supposed to accept that this chick killed her baby half-brother and her father, you’d think there’d be something in the way of evil there. Instead she just comes across as your typical vengeful, wanton female. Annabelle Wallis was about as good as Boutella was. And I did not buy Crowe’s Jekyll/Hyde at all.
Why was there a wet white t-shirt scene in The Mummy? Did not a single person making it go “You know, maybe we should have her put on a different color shirt?” Because it’s not like the wet white t-shirt is a blatant aim to give guys something to beat off to or anything. Between Boutella’s outfit and the “Lookit! Boobies!” of that particular scene, it was obvious that the film crew wasn’t exactly confident of their success in the movie being popular on it’s premise or the actors’ abilities alone.
Now, I do give them credit for the hiring of Sofia Boutella. She looked right for the role. However, why did we have to do the contrast of the evil foreign female against the stereotypical white female again. (Blonde hair, blue eyes, etc. etc. You really can’t get more white.) This is, admittedly, more predominant in my mind since seeing the criticism that Wonder Woman got for the very minor role African Americans played in the film. I couldn’t help but think “Really, how hard would it have been to hire an African American female for Jenny’s role?” And then it would have avoided the white girls vs the other girls thing. But, yeah, no, that’s too difficult a concept for the people making the casting decisions to understand.
(On a lighter note: A blonde-haired, blue-eyed Jenny meant every time she was on screen, I kept expecting Forest Gump to yell for her from off screen.)
The action was fine, with nothing new thrown in. Some of the scenes are recognizable from the better The Mummy. The dialogue was acceptable, but nothing to write home about.
Do yourself a favor and just watch The Mummy movie from 1999. It’s by far the better film experience. This one wasn’t bad, but it certainly wasn’t very good.
The remake tried to be a great movie and slid in somewhere around “mediocre at best”. As one might expect, this was Tom Cruise playing Tom Cruise. (Does the man ever actually try to play someone other than himself? Serious question.) Sofia Boutella is blandly proficient as the scantily clad mummy who couldn’t ooze menace or evil if her life depended on it. Given that we’re supposed to accept that this chick killed her baby half-brother and her father, you’d think there’d be something in the way of evil there. Instead she just comes across as your typical vengeful, wanton female. Annabelle Wallis was about as good as Boutella was. And I did not buy Crowe’s Jekyll/Hyde at all.
Why was there a wet white t-shirt scene in The Mummy? Did not a single person making it go “You know, maybe we should have her put on a different color shirt?” Because it’s not like the wet white t-shirt is a blatant aim to give guys something to beat off to or anything. Between Boutella’s outfit and the “Lookit! Boobies!” of that particular scene, it was obvious that the film crew wasn’t exactly confident of their success in the movie being popular on it’s premise or the actors’ abilities alone.
Now, I do give them credit for the hiring of Sofia Boutella. She looked right for the role. However, why did we have to do the contrast of the evil foreign female against the stereotypical white female again. (Blonde hair, blue eyes, etc. etc. You really can’t get more white.) This is, admittedly, more predominant in my mind since seeing the criticism that Wonder Woman got for the very minor role African Americans played in the film. I couldn’t help but think “Really, how hard would it have been to hire an African American female for Jenny’s role?” And then it would have avoided the white girls vs the other girls thing. But, yeah, no, that’s too difficult a concept for the people making the casting decisions to understand.
(On a lighter note: A blonde-haired, blue-eyed Jenny meant every time she was on screen, I kept expecting Forest Gump to yell for her from off screen.)
The action was fine, with nothing new thrown in. Some of the scenes are recognizable from the better The Mummy. The dialogue was acceptable, but nothing to write home about.
Do yourself a favor and just watch The Mummy movie from 1999. It’s by far the better film experience. This one wasn’t bad, but it certainly wasn’t very good.
Jessica Erdas (463 KP) rated Black in TV
Dec 10, 2018 (Updated Dec 10, 2018)
Contains spoilers, click to show
I started watching this drama since it was recommended by Netflix after I finished Strong Girl Bong Soon. First off, this is not the mostly happy or comedic love story of the aforementioned that the previous show was. It was immediately dark and gut wrenching, at times horrifying, with splashes of humor wrapped up in it. It was interesting to watch the story develop and to watch the slow progression of romance between the characters. Each episode delved deeper and deeper into a mystery which unfolded into something bigger with each and every turn. However, the ending made absolutely no sense to the storyline and felt like a rushed close to the story. If you're reading further, be aware that there are spoilers to come:
My first complaint is that Joon being erased from existence would not have stopped Ha-ram from having the ability to see the shadows of death. His existence had nothing to do with the fact that her dad was a reaper nor that she was the result of a reaper and a human creating a child. Her living a normal life after Joon has himself removed was very forced and didn't satisfy the overwhelming desire for real solid romantic progression. Also, if he were erased from existence, he should not have been able to come to retrieve her soul when she finally passed away. I was really happy with the series in general but the ending was disappointing, to say the least.
It was interesting to find out at the end that the basis for the show was based on an actual tragic incident that occured and warned about how greed and the like can lead to awful outcomes for a multitude of people. I would still recommend giving this a watch as it was a good show overall but just be ready for the disappointment of the end.
My first complaint is that Joon being erased from existence would not have stopped Ha-ram from having the ability to see the shadows of death. His existence had nothing to do with the fact that her dad was a reaper nor that she was the result of a reaper and a human creating a child. Her living a normal life after Joon has himself removed was very forced and didn't satisfy the overwhelming desire for real solid romantic progression. Also, if he were erased from existence, he should not have been able to come to retrieve her soul when she finally passed away. I was really happy with the series in general but the ending was disappointing, to say the least.
It was interesting to find out at the end that the basis for the show was based on an actual tragic incident that occured and warned about how greed and the like can lead to awful outcomes for a multitude of people. I would still recommend giving this a watch as it was a good show overall but just be ready for the disappointment of the end.
BookwormMama14 (18 KP) rated The Silent Governess in Books
Jan 2, 2019
Olivia Keene has been forced into silence to protect the secrets of the past and the security of the future.
Being in the wrong place at the wrong time causes events to spin out of control for Olivia. Her life takes a completely different direction than she anticipated. So many secrets, so many mysteries of the past. Edward Bradley is fearful of what the truth will mean for his future. His father, Lord Brightwell, must answer for his past actions. We get to see this story through the eyes of Edward and Olivia. They both struggle with their identity when everything they thought they knew about themselves starts to crumble. Through their journey we discover what it means to find your identity in Christ and how being a child of The King, our future is always certain.
One of the things that I enjoy the most about Mrs. Klassen’s work is that she is so talented at bringing scripture and truth into her books. Our leading lady, Olivia Keene, does not have much, if any faith, in the beginning of our story. She suffers loss and heartache, but in the end discovers the truth about the Father, his love and tenderness, and that “All things work together for good”. I love witnessing the journey of faith and redemption in a very believable way. At first I was slightly taken aback by the fact that the lines between classes become blurred in her books. But the more I read the more I enjoy it. It allows for more imagination. The depth of character in Julie Klassen’s books is astounding. I feel like I know Olivia and Edward on a personal level. That it would not be odd if I were to receive a phone call from Olivia and chat for hours. Julie Klassen has won 3 Christy Awards to date and I sincerely hope that more awards are in the very near future for her.
bookwormmama14.blogspot.com
Being in the wrong place at the wrong time causes events to spin out of control for Olivia. Her life takes a completely different direction than she anticipated. So many secrets, so many mysteries of the past. Edward Bradley is fearful of what the truth will mean for his future. His father, Lord Brightwell, must answer for his past actions. We get to see this story through the eyes of Edward and Olivia. They both struggle with their identity when everything they thought they knew about themselves starts to crumble. Through their journey we discover what it means to find your identity in Christ and how being a child of The King, our future is always certain.
One of the things that I enjoy the most about Mrs. Klassen’s work is that she is so talented at bringing scripture and truth into her books. Our leading lady, Olivia Keene, does not have much, if any faith, in the beginning of our story. She suffers loss and heartache, but in the end discovers the truth about the Father, his love and tenderness, and that “All things work together for good”. I love witnessing the journey of faith and redemption in a very believable way. At first I was slightly taken aback by the fact that the lines between classes become blurred in her books. But the more I read the more I enjoy it. It allows for more imagination. The depth of character in Julie Klassen’s books is astounding. I feel like I know Olivia and Edward on a personal level. That it would not be odd if I were to receive a phone call from Olivia and chat for hours. Julie Klassen has won 3 Christy Awards to date and I sincerely hope that more awards are in the very near future for her.
bookwormmama14.blogspot.com
Mark @ Carstairs Considers (2450 KP) rated And Then There Were Crumbs in Books
Nov 22, 2019
Unfortunately, the Mystery Got Crumbs
Looking for a fresh start, Kate McGuire packs up and moves from New York City to Coral Cay, Florida, where she lands a job working at The Cookie House. On her first day on the job, Stewart Lord stalks into the bakery. He is a real estate developer who has decided to buy up Coral Cay and turn the entire island into a resort for the rich and famous, and he has The Cookie House in his sites as his first purchase. He makes the owner, Sam, a rock bottom offer, but only leaves with some cinnamon rolls he demanded from Sam. A few hours later, Stewart is dead, and Sam’s cinnamon rolls are the culprit. The police arrest Sam, but Kate doesn’t think her new boss is a killer. Can she prove he didn’t poison Stewart?
Between the fact that this is a culinary cozy and it is set in the Florida Keys, I was ready to sit back and enjoy. Unfortunately, it didn’t live up to my expectations. I was captivated at first. The setting is very real and fun and comes to life. Kate quickly makes a lot of fantastic friends, and I enjoyed hanging out with all of them. The further I went into the book, the more frustrated I became with the pacing of the mystery. We spend significantly more time watching Kate work to save and transform the bakery while Sam is in jail than we do getting clues to who might have killed Stewart. It’s a shame because there is a good mystery here; we just needed more of it. All the baking certainly made me hungry for bread and cookies, but there aren’t any recipes at the end of this book. Plenty of people seem to love this book, so if the premise interests you, I recommend you pick it up and judge the results for yourself.
Between the fact that this is a culinary cozy and it is set in the Florida Keys, I was ready to sit back and enjoy. Unfortunately, it didn’t live up to my expectations. I was captivated at first. The setting is very real and fun and comes to life. Kate quickly makes a lot of fantastic friends, and I enjoyed hanging out with all of them. The further I went into the book, the more frustrated I became with the pacing of the mystery. We spend significantly more time watching Kate work to save and transform the bakery while Sam is in jail than we do getting clues to who might have killed Stewart. It’s a shame because there is a good mystery here; we just needed more of it. All the baking certainly made me hungry for bread and cookies, but there aren’t any recipes at the end of this book. Plenty of people seem to love this book, so if the premise interests you, I recommend you pick it up and judge the results for yourself.
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Lottie disney bookworm (1056 KP) rated Cold Hearted in Books
Aug 30, 2021
When you’re eight books into a series such as the Villain Tales by Serena Valentino you would think that I wouldn’t be smug anymore! You would think that I wouldn’t go into the book saying “I won’t end up feeling sorry for this villain”.
You would also think that I know I am always wrong!
Lady Tremaine is one of the easiest villains to hate in the Disney universe: she worked Cinderella to the bone, denied her a decent party and then locked her in the attic for good measure! These are hardly the actions of some misunderstood soul.
Until Serena Valentino comes along of course! Valentino has a truly unique way of humanising these characters that we love to hate and, with the help of the Odd Sisters, proves to us time and time again that there is more to our fairytales than meets the eye.
The previous book in the villain tales, Evil Thing, took the reader outside of the Many Kingdoms for the first time. Valentino takes advantage of this, neatly using Cold Hearted to join together Lady Tremaine’s life in London with both the Fairylands and the Many Kingdoms. This timeline means that the readers meet Lady Tremaine before her role as stepmother: we learn of her worries over indulging her two daughters and her unwillingness to move on after her husband’s death.
Cold Hearted skips time periods slightly so the reader is actually experiencing Nanny and the Fairy Godmother reading Lady Tremaine’s story. Don't worry: this doesn't mean we are deprived of our favourite creepy sisters, although this book may have you looking at the Odd Sisters in an entirely new light.
The 8th villain tale continues Valentino’s reign of brilliant, alternative views of our villains. Lady Tremaine was to be the heroine of her own fairytale; all she wanted was her own happily ever after. Where did it go so wrong?
You would also think that I know I am always wrong!
Lady Tremaine is one of the easiest villains to hate in the Disney universe: she worked Cinderella to the bone, denied her a decent party and then locked her in the attic for good measure! These are hardly the actions of some misunderstood soul.
Until Serena Valentino comes along of course! Valentino has a truly unique way of humanising these characters that we love to hate and, with the help of the Odd Sisters, proves to us time and time again that there is more to our fairytales than meets the eye.
The previous book in the villain tales, Evil Thing, took the reader outside of the Many Kingdoms for the first time. Valentino takes advantage of this, neatly using Cold Hearted to join together Lady Tremaine’s life in London with both the Fairylands and the Many Kingdoms. This timeline means that the readers meet Lady Tremaine before her role as stepmother: we learn of her worries over indulging her two daughters and her unwillingness to move on after her husband’s death.
Cold Hearted skips time periods slightly so the reader is actually experiencing Nanny and the Fairy Godmother reading Lady Tremaine’s story. Don't worry: this doesn't mean we are deprived of our favourite creepy sisters, although this book may have you looking at the Odd Sisters in an entirely new light.
The 8th villain tale continues Valentino’s reign of brilliant, alternative views of our villains. Lady Tremaine was to be the heroine of her own fairytale; all she wanted was her own happily ever after. Where did it go so wrong?
Cynthia Armistead (17 KP) rated A Free Man of Color (Benjamin January, #1) in Books
Mar 1, 2018
Historical fiction isn't my favorite genre, but I'm much more willing to read it when it's mixed with mystery. I've read some of Hambly's work before and know her to be a fine writer, and I'd read good reviews of this series by people I respect, so I decided to give it a whirl.
I suppose all the descriptions of people's clothing would have mattered much more to someone who cared about such things, but I do realize that they were important in the context of the story. Personally, I was relieved when the main character went on a journey! I would have been happier had his medical skills been utilized more frequently than they were, but I suppose his experiences were fairly true to life for a "colored" man of his time.
I did learn quite a lot—things that I intend to verify in non-fiction sources shortly. The information about the black code, for instance, and the explanation of the distinction between "black" and "colored" people seemed too precise to be fabricated.
I knew, too, that Louisiana is the only U.S. state whose laws are based on French rather than English common law, which seemed silly to me. Why wouldn't they go with the standard everyone else used? After reading this novel, I'm starting to realize that there may have been rights given to citizens under French law that were lost under English law.
I'm not sure as to whether or not I'll go forward in the series, as I'm not sure that I can handle the unhappiness I can see foreshadowed even in some of the titles. However, I will say that this volume is well-written and well-plotted. I certainly didn't guess who the killer was or why the murder was committed before the big reveal, and that was a pleasant change!
I suppose all the descriptions of people's clothing would have mattered much more to someone who cared about such things, but I do realize that they were important in the context of the story. Personally, I was relieved when the main character went on a journey! I would have been happier had his medical skills been utilized more frequently than they were, but I suppose his experiences were fairly true to life for a "colored" man of his time.
I did learn quite a lot—things that I intend to verify in non-fiction sources shortly. The information about the black code, for instance, and the explanation of the distinction between "black" and "colored" people seemed too precise to be fabricated.
I knew, too, that Louisiana is the only U.S. state whose laws are based on French rather than English common law, which seemed silly to me. Why wouldn't they go with the standard everyone else used? After reading this novel, I'm starting to realize that there may have been rights given to citizens under French law that were lost under English law.
I'm not sure as to whether or not I'll go forward in the series, as I'm not sure that I can handle the unhappiness I can see foreshadowed even in some of the titles. However, I will say that this volume is well-written and well-plotted. I certainly didn't guess who the killer was or why the murder was committed before the big reveal, and that was a pleasant change!