Search
Search results
Deborah (162 KP) rated Consider the Fork: A History of How We Cook and Eat in Books
Dec 19, 2018
I don't know about you, but I can't say I've ever spent much time considering the fork - it's just one of those things we have in everyday life. Of course, some cultures would think about forks much less, as they don't use them at all! Bee Wilson takes us on a tour of the history of domestic cookery and the implements used. There is a good deal of focus on the West, but also lots of information about the different Eastern cultures and how their different approach to eating has a visible impact!
The book is very well written and very entertaining and not at all heavy or pompous. There are some illustrations in the shape of line drawings, but this is the one area for me where a few more illustrations would really have helped things. I'm afraid I still have no idea what a potato ricer looks like, of why I would possibly need one!
This book made me think (but without the head wanting to explode!) about the origins of words and sayings associated with food and eating and how they came into being. It also made you think about other things; when you realise that the balloon whisk is a relatively modern invention, your mind boggles at all the whipped desserts our ancestors enjoyed and how they were actually made without what is to us a fairly basic piece of kitchen equipment! I can't imagine using a bunch of twigs for 3 hours to whip up some egg whites!
A really different book and a really interesting one - highly recommended to anyone with an interest in cooking or social history.
The book is very well written and very entertaining and not at all heavy or pompous. There are some illustrations in the shape of line drawings, but this is the one area for me where a few more illustrations would really have helped things. I'm afraid I still have no idea what a potato ricer looks like, of why I would possibly need one!
This book made me think (but without the head wanting to explode!) about the origins of words and sayings associated with food and eating and how they came into being. It also made you think about other things; when you realise that the balloon whisk is a relatively modern invention, your mind boggles at all the whipped desserts our ancestors enjoyed and how they were actually made without what is to us a fairly basic piece of kitchen equipment! I can't imagine using a bunch of twigs for 3 hours to whip up some egg whites!
A really different book and a really interesting one - highly recommended to anyone with an interest in cooking or social history.
Tim McGuire (301 KP) rated Stephen King's A Good Marriage (2014) in Movies
Mar 3, 2020
A Stephen King Lifetime movie...
391. A Good Marriage. A Lifetime Entertainment movie written by Stephen King? That is what it feels like. Besides a couple of F bombs, its pretty tame. Stars Joan Allen and Anthony LaPaglia, two great actors, playing perfect married couple Darcy and Bob Anderson. Perfect house, perfect jobs, perfect kids. And then one night Darcy has to go out to the garage to get batteries for the TV remote, because who doesn't keep their back up battery supply in the non-attached garage? As she's reaching for the batteries, something falls and exposes a secret compartment containing a cute little box, their daughter had made Bob when she was a kid, awww, and that box contains the ID's of women murdered by notorious serial killer, Beadie, ohhhh. Once the realization of this sets in, and unknowing just what to do, guess who calls? Anyone? Anyone? Bob hears the panic in her voice tho she tries to say she was just startled, he's like coolio, see ya in a few days, cause he's on a road trip and all. So while Darcy is panicking in the house, guess who comes home early? Anyone? Anyone? And he knows she's been snooping, and as she freaks the hell out, he calmly tells her who he really is, and tells her how things are gonna be... Besides the after school special feel of it, still a decent story, well acted. Inspired by the BTK killings and his imagined family life in the mind of Stephen King, heard BTK's daughter didn't like its implications to much... Filmbufftim on FB
Tennyson: To strive, to seek, to find
Book
Alfred Lord Tennyson, Queen Victoria's favourite poet, commanded a wider readership than any other...
HR for Creative Companies
Book
There is an increasing realisation that small businesses, including architecture practices need to...
Christine A. (965 KP) rated The Wife in Books
Sep 9, 2020
Their 10th wedding anniversary should be something to celebrate. Why does Zoe only feel dread?
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
After reading the synopsis of The Wife by Shalini Boland, I knew I wanted to read it. A bride faints on her wedding day while getting ready. She wakes to a massive headache and no memory of fainting or what led up to it. Everyone said she must have been overcome with emotion, but nothing felt right afterward. Fast forward ten years and Zoe is planning an anniversary party. As the anniversary draws closer, the people around her are acting strangely. If she finds out what happened during the missing time, will it ruin the life she built?
I know, right? Sound good, doesn't it? Well, when I started reading it, I was disappointed. I thought I had everything figured out but was still enjoying the story. Then, wait, what? The story becomes intriguing and pulls you in and does not let go. It is not the fluffy and straightforward story I thought it was. It is a thriller worth reading.
Although Boland herself says she writes "suspense thrillers and dark adventures," I had not read any of her work previously. Her novels are rated around four stars on Goodreads, and I will be reading more of her work soon.
This 200-word review was published on Philomathinphila.com on 9/9/20.
After reading the synopsis of The Wife by Shalini Boland, I knew I wanted to read it. A bride faints on her wedding day while getting ready. She wakes to a massive headache and no memory of fainting or what led up to it. Everyone said she must have been overcome with emotion, but nothing felt right afterward. Fast forward ten years and Zoe is planning an anniversary party. As the anniversary draws closer, the people around her are acting strangely. If she finds out what happened during the missing time, will it ruin the life she built?
I know, right? Sound good, doesn't it? Well, when I started reading it, I was disappointed. I thought I had everything figured out but was still enjoying the story. Then, wait, what? The story becomes intriguing and pulls you in and does not let go. It is not the fluffy and straightforward story I thought it was. It is a thriller worth reading.
Although Boland herself says she writes "suspense thrillers and dark adventures," I had not read any of her work previously. Her novels are rated around four stars on Goodreads, and I will be reading more of her work soon.
This 200-word review was published on Philomathinphila.com on 9/9/20.
Eleanor Luhar (47 KP) rated Boot Camp (Rock War #2) in Books
Jun 24, 2019
So this is the sequel to Rock War by Robert Muchamore, which is the only other novel I've read by this author. I can't say I loved the first book, but I was intrigued to find out what happened next!
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Merissa (11805 KP) rated Running from My Heart (Rock Bottom #3) in Books
Oct 10, 2019
Running From My Heart is the third book in the Rock Bottom series but can be read as a standalone. I haven't read any of the others, and it certainly didn't have an impact on my enjoyment of it.
Ross and Arden are both drowning in grief, but dealing with it in very different ways. Arden has shut himself away from everyone and everything, whereas Ross is King of the One-Night-Stands. They are doing what works best for them. But then they meet in a grocery store and both their lives change for the better, although not painlessly.
This is a very emotional read as the two of them certainly go through the wringer. They have personal revelations that both help and hinder them in their recovery from such soul-destroying grief. I will admit to shedding a tear or two as the baby Osprey, but enough of that!
I have no idea if there were any errors in this book, but I don't think there were as I usually get jolted out of the storyline. With this book, I was completely engrossed from start to finish. The story is smooth, the pacing is perfect. There is a fantastic cast of characters, both main and supporting, that help bring this story to life. I definitely want to read book one, Foster and Justin's story, even though I know from this book they have their HEA.
Absolutely fantastic and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ross and Arden are both drowning in grief, but dealing with it in very different ways. Arden has shut himself away from everyone and everything, whereas Ross is King of the One-Night-Stands. They are doing what works best for them. But then they meet in a grocery store and both their lives change for the better, although not painlessly.
This is a very emotional read as the two of them certainly go through the wringer. They have personal revelations that both help and hinder them in their recovery from such soul-destroying grief. I will admit to shedding a tear or two as the baby Osprey, but enough of that!
I have no idea if there were any errors in this book, but I don't think there were as I usually get jolted out of the storyline. With this book, I was completely engrossed from start to finish. The story is smooth, the pacing is perfect. There is a fantastic cast of characters, both main and supporting, that help bring this story to life. I definitely want to read book one, Foster and Justin's story, even though I know from this book they have their HEA.
Absolutely fantastic and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (11805 KP) rated Ambushed (Dark Reflections #3) in Books
Apr 7, 2023 (Updated Apr 10, 2023)
The third book in the Dark Reflections series continues with Adri and Alec's stories as they try to survive in their crazy world.
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Adri is learning more about the world that she now lives in, as well as trying to learn how to master her abilities from Taggart. They have to keep on the move as Taggart is always aware of how easy it would be for the Coun'hij to catch up with them. He tries to help Adri learn how to control her abilities but is also giving her the space to decide how and when she will use her powers.
Alec is trying to survive. He is on the lookout both for his father, the Coun'hij and also any vampires or werewolves that might be lurking. Not only that but there are also the packs that are loyal to Coun'hij. So life is pretty busy for him.
This story moves along at an incredible pace and there is a lot of action in this book. The separate lives of Adri and Alec do join together but probably not in the way you were expecting. However, it is just perfect for this story and how it is playing out.
I have enjoyed all of Dean Murray's books, whether they be Reflections or Dark Reflections and can highly recommend them to all. Brilliant writing once more.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 21, 2016
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
Bob Mann (459 KP) rated Breaking In (2018) (2018) in Movies
Sep 29, 2021
Get In.
Into every life a little rain must fall. Some fairly pervasive advertising drove me into the cinema to see this one… often a sign that the distributors think it has legs. And from its quirky opening titles (with a COMPLETELY expected shock denouement!) I started to think it did have something. The beginning is in fact VERY similar to the introductory scene of “Get Out” in its randomness, and for one brief moment I wondered if the film was trying to parody that indie classic from last year… with only some studio lawyers getting in the way of them really calling it “Get In”. (“No, no, no… ‘Get’ is copyrighted… you’ll have to use some other word!”).
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!