Search
Search results
Merissa (12698 KP) rated The Snow Wolf (Wolves Ever After #1) in Books
Jul 10, 2023
THE SNOW WOLF is the first book in the Wolves Ever After series. Now, apparently, this is a spin-off from Ms Holland's Dragons series which I haven't read. I personally don't believe it necessary to have read those to enjoy this, but I will now be reading those anyway, as I love the world they are set in.
Myra hasn't had it easy and has isolated herself from everyone, living her life as a weaver in solitude. Sterling is looking for someone though, and thinks she can help. Being wolf-kin gives him an advantage because he can pick up on signs Myra tries so hard to hide from everyone else. What follows is a story full of action and adventure, with the slow blossoming of love along the way. I loved that neither of them tried to hide how they felt, which could have led to unnecessary arguments or drama. Instead, they are both there for each other, content to see where it goes.
Full of interesting characters and a storyline that will leave you wanting the next book, this was a great read that I thoroughly enjoyed and have no hesitation in recommending. Another winner by this author!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 10, 2023
Myra hasn't had it easy and has isolated herself from everyone, living her life as a weaver in solitude. Sterling is looking for someone though, and thinks she can help. Being wolf-kin gives him an advantage because he can pick up on signs Myra tries so hard to hide from everyone else. What follows is a story full of action and adventure, with the slow blossoming of love along the way. I loved that neither of them tried to hide how they felt, which could have led to unnecessary arguments or drama. Instead, they are both there for each other, content to see where it goes.
Full of interesting characters and a storyline that will leave you wanting the next book, this was a great read that I thoroughly enjoyed and have no hesitation in recommending. Another winner by this author!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 10, 2023
Merissa (12698 KP) rated Twist of Fate (Weavers Of The Ether #2) in Books
Jun 23, 2023
TWIST OF FATE is the second book in the Weavers of the Ether. You don't necessarily have to have read book one but I feel it would help more if you did.
Anyway, this is Wren's story and we start off with her rambling around in a forest, goodness knows where, as she ponders her life and just how she ended up in this position. Then she falls into a trap laid by rogue mages, plus meets two of her three mates. And then the third turns up and the fun really starts.
There were parts of this book that felt slightly disjointed or jerky as the story moved from one thing to another and I was left with unanswered questions. I'm not sure about that epilogue. It felt as though Wren's story was done with when that happened! I will have to wait and see. I am glad to hear other books will be coming in this series though, as this is a world I am enjoying and look forward to learning more about.
Overall, I enjoyed this story and catching up with Soren, Echo, and the rest. Orion is definitely my favourite out of this lot. So let's see what happens next!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2023
Anyway, this is Wren's story and we start off with her rambling around in a forest, goodness knows where, as she ponders her life and just how she ended up in this position. Then she falls into a trap laid by rogue mages, plus meets two of her three mates. And then the third turns up and the fun really starts.
There were parts of this book that felt slightly disjointed or jerky as the story moved from one thing to another and I was left with unanswered questions. I'm not sure about that epilogue. It felt as though Wren's story was done with when that happened! I will have to wait and see. I am glad to hear other books will be coming in this series though, as this is a world I am enjoying and look forward to learning more about.
Overall, I enjoyed this story and catching up with Soren, Echo, and the rest. Orion is definitely my favourite out of this lot. So let's see what happens next!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2023
Dana (24 KP) rated Snow like Ashes in Books
Mar 23, 2018
I was very interested by this book. I had gotten it as a Christmas present from one of my family members, but I had never actually picked it up to read. So when I decided to, I was pleasantly surprised.
I have been reading a lot of high fantasy novels as of late, and this had may similarities to them, but they were good commonalities.
I have been falling more and more in love with the kick ass lead female character in novels. It has been really great to see strong females emerging more and more each year.
The characters were fleshed out very well, but in the next book, I would like to see more of what they are doing and why they are doing it. I want to see the consequences of their actions. It was fun to see how the characters interacted with one another.
One of my favorite parts of high fantasy novels is the character names. I love how unique they are and this novel had just that. The creativity of the names is very refreshing.
Even though there was a bit of a love triangle, it was very tastefully done. It was refreshing to see that the entire story wasn't centered around the love triangle and that the main character was making choices, not based on the guys in her life, but what would be best for her and her people.
I loved the idea of the novel and how there were eight realms, the four seasons and the four other places. To add to this I loved how the names of the capitals were named after months in those seasons.
Even though I called the ending before I read it, it was still interesting to see how it would all play out.
I would recommend this book to anyone who likes high fantasy novels, the different magical abilities people can have, or if they just want a great read.
I can't wait until the next novel!
I have been reading a lot of high fantasy novels as of late, and this had may similarities to them, but they were good commonalities.
I have been falling more and more in love with the kick ass lead female character in novels. It has been really great to see strong females emerging more and more each year.
The characters were fleshed out very well, but in the next book, I would like to see more of what they are doing and why they are doing it. I want to see the consequences of their actions. It was fun to see how the characters interacted with one another.
One of my favorite parts of high fantasy novels is the character names. I love how unique they are and this novel had just that. The creativity of the names is very refreshing.
Even though there was a bit of a love triangle, it was very tastefully done. It was refreshing to see that the entire story wasn't centered around the love triangle and that the main character was making choices, not based on the guys in her life, but what would be best for her and her people.
I loved the idea of the novel and how there were eight realms, the four seasons and the four other places. To add to this I loved how the names of the capitals were named after months in those seasons.
Even though I called the ending before I read it, it was still interesting to see how it would all play out.
I would recommend this book to anyone who likes high fantasy novels, the different magical abilities people can have, or if they just want a great read.
I can't wait until the next novel!
Ross (3284 KP) rated Death March (Euphoria Online Book 1) in Books
Nov 19, 2018
Thrilling, compelling LitRPG
I am a massive fan of Phil Tucker's Chronicles of the Black Gate series and was intrigued at this venture, largely funded by kickstarter.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.
Erika (17789 KP) rated Cruella (2021) in Movies
Jun 1, 2021 (Updated Jun 1, 2021)
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
Surgeon Simulator
Games and Entertainment
App
You are the surgeon. Bob is the victim. Do your worst! More difficult than real surgery! Can you...
The Second Empress: A Novel of Napoleon's Court
8.0
Rate It
Book
After the bloody French Revolution, Emperor Napoleon’s power is absolute. When Marie-Louise, the...
Tangled In Tinsel
8.0
Rate It
Book
Dear Santa, please leave a red-headed lumberjack under the tree. I’ve been a very good boy. ...
Contemporary MM Romance Seasonal
5 Minute Movie Guy (379 KP) rated A Million Ways to Die in the West (2014) in Movies
Jun 26, 2019
Neil Patrick Harris is delightfully devious. (1 more)
MacFarlane shows he has potential in his on-screen acting debut.
The humor is at times very vulgar and immature. (2 more)
The film is slow-paced and overly long.
"A Dozen Ways to Die in the West" would have been a more appropriate title.
A Million Ways to Die in the West is good for a few laughs but it feels like it goes on unreasonably long. Still, if you're a fan of MacFarlane's other works, you'll most likely enjoy his parody of the Old West.
Following the success of his directorial debut, Ted, Seth MacFarlane steps in front of the movie camera for the first time in his new film, A Million Ways to Die in the West. MacFarlane is best known as the creator of the popular animated television series, Family Guy, and he was also the host of the Oscars just two years ago. Now he’s taking the starring role in a film he wrote and directed himself. Here MacFarlane plays a cowardly sheep farmer named Albert who is miserably living in the dangerous Old West. Or rather, the not-so-dangerous Old West. Despite what the title suggests, there’s not a whole lot of dying going on in A Million Ways to Die in the West. You won’t find a whole lot of substance either, but there are a fair amount of laughs if you’re able to tolerate the crude toilet humor and dirty jokes. All in all, MacFarlane does a decent job in this comedy, but his jokes stick too close to his own conventions, and much like life on the frontier, the film can be kind of a drag.
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)
If you’ve ever seen Family Guy, you should feel right at home with the humor in this film. It’s crass, edgy, violent, and full of pop culture references. Although, given that this is an R-rated movie, MacFarlane’s able to push the limits further than usual, and he makes sure to do that by including a lot of raunchy humor and toilet-gags. Oh, and in case you were wondering, yes, male genitals are still the hottest thing in comedy right now. As you’ve no doubt deduced, this is certainly not a film you’d want to take your kids to see. Nor is it for the easily-offended. Though in the film’s defense, it’s not entirely tasteless, and its use of vulgarity isn’t overly frequent. There’s plenty of great slapstick physical comedy and some pretty hilarious dialogue. I laughed more than I thought I would, and was never so disgusted that I wanted to walk out. It’s an entertaining film, it just happens to run a little long and lose momentum down the stretch. Plus the main premise of the film is never all that compelling to begin with.
In A Million Ways to Die in the West, MacFarlane’s character Albert is a man entirely self-aware of the time and place he’s living in, as well as the many dangers that come with it. He sheepishly lives his life, terrified by the threat of death that lurks around every corner. When his beloved girlfriend leaves him for a man with a mighty mustache, Albert has to cowboy up to prove his machismo and try to win her back. Luckily for him, he meets a gun-toting woman named Anna who’s happy to help him face his fears and show him the ropes of being a cowboy. Unfortunately however, this new friendship ends up putting Albert right into the crosshairs of Clinch Leatherwood, the deadliest outlaw around.
While MacFarlane does a respectable job in his first foray into acting, his character feels rather uninspired. I couldn’t help but see him as a hodgepodge of various Family Guy characters, having the clumsiness of Peter Griffin, the self-consciousness of Chris Griffin, and the intelligence and charm of Brian. Given that he created that show, perhaps that should be expected, but it just felt like Albert was lacking a unique and consistent identity. He’s a character who can be charming and funny, but he also comes off seeming like a jerk. All in all, the film has a good cast of actors, with Neil Patrick Harris being the stand-out of the bunch. He plays the pompous, mustached snob, Foy, who steals the heart of Albert’s girlfriend, Louise. Giovanni Ribisi and Sarah Silverman are likable as the flawed, clueless couple who serve as Albert’s close friends, Edward and Ruth. Although their characters stay pretty comfortably within the realm of what you would expect from their respective actors, with Edward being the naïve nice guy, while Silverman’s Ruth is the seemingly-sweet-and-innocent, foul-mouthed hussy. Charlize Theron does a fine job as Albert’s mentor, Anna. She has a strong presence in the film and is fun to watch, but despite her best efforts, the emotional element she brings to the story ends up feeling forced and unconvincing. Though that’s no fault of her own. It’s just hard to imagine her, or anyone, falling head over heels so easily and suddenly for a guy like Albert. Then, of course, there’s Liam Neeson, who is effective in his performance as the intimidating villain, Clinch, but would have benefitted from more screen-time.
A Million Ways to Die in the West proficiently parodies the western film genre, capturing the right atmosphere for the setting and time period. Visually it’s a pleasant film to look at, with good camera-work, well-created sets, and lots of beautiful scenery. This makes it all the more disappointing then that the filmmakers decided to place a visual filter over the entirety of the film to give it a more old-fashioned look. As a result, there is a constant flickering throughout the whole movie, and while not quite seizure-inducing, it certainly is distracting. At times you kind of get used to it and forget about it, but it really stands out in scenes with heavy lighting and most of the movie takes place in broad daylight. On the audio side of things, the music is appropriately fitting, but little of it is particularly noteworthy. There is a great song about mustaches, accompanied with a well-orchestrated dance number led by Neil Patrick Harris in what is undoubtedly one of the highlights of the film. Additionally the film’s theme song is appropriately fun. The visual effects in the movie, although limited, are done quite well and nicely add to the film’s comedic effect. Although I’m sure I speak for everyone when I say the movie could have done just fine without all of the animated urinating sheep.
I think the film’s greatest flaw is the fact that it’s doing too much as it tries to incorporate all of the main stereotypes of the western genre. It has duels, bar brawls, jailbreaks, horse chases, and even capture by Indians thrown in for good measure. In trying to cover all of the bases, the movie ends up running too long and becomes a little boring and tired. Rather than building up to a climax, the film diverges with some unnecessary scenes, and then concludes with a lackluster ending. It would have been cool to see Clinch and his group of bandits lay siege to the main town, which could have given the filmmakers an opportunity to create a wide variety of deaths, and allow Albert to exercise his newly developed skills before setting up to an ultimate final showdown. Maybe that would be adding to the long list of clichés, but at least it would have given this slow-paced film some much needed adrenaline and would have made it more true to its misleading title. There are also several cameo appearances in the film, and while a couple of them are great conceptually, I don’t think any of them are quite as satisfying as they should be. They end up feeling out of place, like last-second additions that have no purpose other than to acknowledge other films. I can appreciate the attempt but the cameos aren’t particularly funny and they just seems to emphasize how much better those other films are.
Seth MacFarlane’s A Million Ways to Die in the West is good for a few laughs, but just like his character Albert’s long-winded ramblings, it feels like it goes on unreasonably long. It’s still an entertaining film regardless, and if you’re a fan of MacFarlane’s other work, you’ll most likely enjoy his parody of the Old West. The movie has a talented cast, some truly great scenes such as a bar brawl and a memorable dance, as well as plenty of good old-fashioned slapstick, and witty dialogue. If you can handle the occasional gross-out gag, you’ll probably have a good time. Just don’t expect to actually see the many ways people can die In the Old West. The movie doesn’t show many deaths at all, and all the best ones you likely already saw in the trailer.
(This review was originally posted at 5mmg.com on 6.3.14.)
Phillip McSween (751 KP) rated Up (2009) in Movies
Jan 30, 2018
Pixar Does it Again
Up is one of those films that sticks with you long after the credits are done rolling. It hits you on a number of different levels, bordering close to perfection. I don't think I've seen a film that manages to switch from hurt to hilarious in such an effortless fashion.
In the beginning you meet Ellie, a cute little girl full of adventure. Her energy and excitement bleed off the screen and you can't help but smile at her. She's perfect for Carl, an innocent kid who barely says more than a few words. Their imaginative adventures get you into the story immediately. It's a relationship that makes the first ten minutes that much harder to watch. There are moments in the film that never lose impact which is testament to the film's power to stand the test of time.
For a child's film, there are a lot of layers that really make the film special. It isn't long before we get to meet Russell, an innocent boyscout turned star of the movie. He's just trying to earn another badge by helping the elderly. Underneath this unassuming kid is hurt from all the painful things happening in his life. Each character has their own respective backstory that makes them relatable and lovable.
There's good ole Doug the runt of a talking dog pack who can't seem to do right even when he tries his best. He's an outcast amongst the other dogs while still harboring those wonderful dogs traits that humans can't help but love. And how can you not love the colorful snipe Kevin whose only goal is to take care of her kids (yes, HER name is Kevin)? All of these characters are worthy of their own standalone film which is why bringing them all together for one story makes the film spectacular.
At the core of the story is the odd couple relationship between Kevin and Russell. Young and old meet and it couldn't be funnier to see the two try and operate together. As they try and understand each other, they form an unlikely bond, a closeness that was lost from both of their lives. At the risk of sounding like a teenager, it will give you all the feels.
There could be some missteps in this wonderful adventure about a man who decides to fly away in his house using thousands of balloons, but those missteps are minute. Not only are the visuals amazing, but the message is also a strong one: Don't get stuck in the past. Live life for the now.
Up is a classic. I give it a 99.
In the beginning you meet Ellie, a cute little girl full of adventure. Her energy and excitement bleed off the screen and you can't help but smile at her. She's perfect for Carl, an innocent kid who barely says more than a few words. Their imaginative adventures get you into the story immediately. It's a relationship that makes the first ten minutes that much harder to watch. There are moments in the film that never lose impact which is testament to the film's power to stand the test of time.
For a child's film, there are a lot of layers that really make the film special. It isn't long before we get to meet Russell, an innocent boyscout turned star of the movie. He's just trying to earn another badge by helping the elderly. Underneath this unassuming kid is hurt from all the painful things happening in his life. Each character has their own respective backstory that makes them relatable and lovable.
There's good ole Doug the runt of a talking dog pack who can't seem to do right even when he tries his best. He's an outcast amongst the other dogs while still harboring those wonderful dogs traits that humans can't help but love. And how can you not love the colorful snipe Kevin whose only goal is to take care of her kids (yes, HER name is Kevin)? All of these characters are worthy of their own standalone film which is why bringing them all together for one story makes the film spectacular.
At the core of the story is the odd couple relationship between Kevin and Russell. Young and old meet and it couldn't be funnier to see the two try and operate together. As they try and understand each other, they form an unlikely bond, a closeness that was lost from both of their lives. At the risk of sounding like a teenager, it will give you all the feels.
There could be some missteps in this wonderful adventure about a man who decides to fly away in his house using thousands of balloons, but those missteps are minute. Not only are the visuals amazing, but the message is also a strong one: Don't get stuck in the past. Live life for the now.
Up is a classic. I give it a 99.