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Darren (1599 KP) rated Street Fighter (1994) in Movies
Aug 24, 2019
Verdict: Basic Action Nonsense
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
Lucy Buglass (45 KP) rated Mary Queen of Scots (2018) in Movies
Jun 20, 2019
A tale of two queens
I’ve never really considered myself a massive fan of period dramas, so I tend to approach them with more caution than I would a different genre. After being pleasantly surprised by Yorgos Lanthimos’ The Favourite, I suddenly became more excited about Mary Queen of Scots. Whilst I believe the former is a much stronger film, I still had a good time with this one.
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Gareth von Kallenbach (971 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
Ainsley Lewis (3 KP) rated Facebook in Apps
Jun 11, 2019
Social interaction (1 more)
Groups when you find a good one
Facebook fame
Facebook has been around for years and has become one of THE biggest social media platforms of the 21st century. You won't find many people that do not have an account and becomes almost the new socialisation. Yes... there are bad points to social media... lack of human interaction, online bullying has become a big problem, becoming dependant on mobile devices. But I have found with being away from family and friends, a comfort to keep in touch and up to date with what is going on. (I am one of these people that are terrible for keeping in contact) so it's comforting to be able to just click open my Facebook and see my little nieces growing up and brothers doing what they do best. Watching my friends grow and become the amazing people they have always been. The features of Facebook are getting better as it grows. Having your own ability to create groups and pages especially for small businesses, the fun little way of using a short snippet of a video for your profile picture. So yes I do prefer face to face interaction but with apps like Facebook becoming a more prominent part of day to day life, why not enjoy it!!
Lindsay (1706 KP) rated The Silent Songbird in Books
Aug 30, 2018
The Silent Songbird is a story about a heroine that wants to something all people want. It takes place in either 1700 or 1800 England. It mostly about the King’s warden. Will she find what wants in life? She knows her duty, but she does not want to marry someone she does not love.
Evangeline knows her cousin goes to set up a marriage to an Earl? She tries to tell her cousin she doesn't want to marry this man. She is forced to run away. This is where all twists and turns and surprises start to occur. She meets a man and asks to go along with him and his men. She also has her friend with her as well. I believe this is where she starts to learn about herself and learns about the world around her.
The author does a good job showing us what it likes for women in that era. We learn of what Lord Shivery is like and how he is. You will be surprised at how and what this man did to his first wife. The author does wonders with her characters. You can see how deep she makes them. You are pulled into the era of that time and you feel like you are a part of that world.
Evangeline knows her cousin goes to set up a marriage to an Earl? She tries to tell her cousin she doesn't want to marry this man. She is forced to run away. This is where all twists and turns and surprises start to occur. She meets a man and asks to go along with him and his men. She also has her friend with her as well. I believe this is where she starts to learn about herself and learns about the world around her.
The author does a good job showing us what it likes for women in that era. We learn of what Lord Shivery is like and how he is. You will be surprised at how and what this man did to his first wife. The author does wonders with her characters. You can see how deep she makes them. You are pulled into the era of that time and you feel like you are a part of that world.
Black Sheep: The Hidden Benefits of Being Bad
Book
Richard Stephens became the focus of international media attention in 2009 for his research on...
We Have a Deal: How to Negotiate with Intelligence, Flexibility and Power
Book
SHORTLISTED FOR 'BEST COMMUTER READ', CMI MANAGEMENT BOOK OF THE YEAR 2017 How do you ask for a...
LoganCrews (2861 KP) rated Amélie (2001) in Movies
Sep 21, 2020
Rich cinematic comfort food, not only am I wholly befuddled by this - but shocked at how many people don't hate it. By most means this shouldn't work let alone as remarkably as it does: it exudes any and all of the qualities that defined late 90s/early 00s Miramax-style cinema which sort of began with 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 and plateaued with 𝘉𝘦𝘨𝘪𝘯𝘯𝘦𝘳𝘴 where everyone was randomly obsessed with people doing 'adorkable' quirky things for little to no reason (i.e. painting the same Renoir piece once a year for 20 years, looking under photo booths for torn up pictures that you then put together into an extensive photo album collection [??]) and ubiquitous, fast-talking overnarration that just explains a lot of excess details that only exist to be eccentric. I myself will most certainly cop to having a huge warm spot for that sort of film - for the most part - as now we've sort of crescendoed back into the 'monotonous, stock Wikipedia article' type of film. At any rate, this was just so wonderful. An ode to the good in life with pretty much spotless dialogue, scenes that snap together like puzzle pieces, and a deservedly iconic aesthetic - the way better version of 𝘗𝘢𝘺 𝘪𝘵 𝘍𝘰𝘳𝘸𝘢𝘳𝘥. Audrey Tatou deserved *so* much better than slumming it in 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 after this.
Between Meals: An Appetite For Paris
Book
New Yorker staff writer A.J. Liebling recalls his Parisian apprenticeship in the fine art of eating...