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David McK (3422 KP) rated The Lion, the Witch and the Wardrobe in Books
Jan 28, 2019
Going by publication date the first of CS Lewis's 'Chronicles of Narnia' series; this is the second by the authors own reading-order guide and the most famous of the entire series.
It is, of course, very easy to see the Christian allegory throughout the course of the story, which tells of how Peter, Susan, Edmund and Lucy first came to the magical land of Narnia (through the wardrobe): a land which is under perpetual snow and ice due to the White Witch - always Winter; never Christmas - before being freed by the children under the guidance and with the help of Aslan the Lion.
It is, of course, very easy to see the Christian allegory throughout the course of the story, which tells of how Peter, Susan, Edmund and Lucy first came to the magical land of Narnia (through the wardrobe): a land which is under perpetual snow and ice due to the White Witch - always Winter; never Christmas - before being freed by the children under the guidance and with the help of Aslan the Lion.
David McK (3422 KP) rated The Magician's Nephew (Chronicles of Narnia, #6) in Books
Jan 28, 2019
Chronologically the first Narnia book, this was actually the last book written in the series, and goes back to how the magical land of Narnia (going by publication date, first visited in [b: The Lion, the Witch and the Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821]) came to be.
As such, who says that the concept of prequels is a new invention??
Personally, I think I approached this from the wrong perspective: when I hear the word 'magician' mentioned (as in the title of the book) I tend to think either of the likes of Paul Daniels, or (going by literature) of Gandalf the Grey/White.
That, however, is not how the magician is portrayed here: rather than a benevolent, kindly old character, we instead have a selfish, greedy older man, who is responsible for sending the two children protagonists (Digory and Polly) into the magical woods between the worlds, and eventually into the land that will become Narnia.
If I'm honest, it's also not a story that I was overly familiar with: sure, I'd read (as a kid) that more famous previously mentioned entry and (more recently) have even watched a few of the movies, but this one? Not so much.
As such, who says that the concept of prequels is a new invention??
Personally, I think I approached this from the wrong perspective: when I hear the word 'magician' mentioned (as in the title of the book) I tend to think either of the likes of Paul Daniels, or (going by literature) of Gandalf the Grey/White.
That, however, is not how the magician is portrayed here: rather than a benevolent, kindly old character, we instead have a selfish, greedy older man, who is responsible for sending the two children protagonists (Digory and Polly) into the magical woods between the worlds, and eventually into the land that will become Narnia.
If I'm honest, it's also not a story that I was overly familiar with: sure, I'd read (as a kid) that more famous previously mentioned entry and (more recently) have even watched a few of the movies, but this one? Not so much.
David McK (3422 KP) rated The Horse and His Boy (Chronicles of Narnia, #5) in Books
Jan 28, 2019
Firstly, is this the third Narnia book, or is it the fifth?
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
The Complete Chronicles of Narnia
8.3
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All seven tales in The Chronicles of Narnia are bound together, with full-colour illustrations, in...
Suswatibasu (1701 KP) rated The Lion, the Witch and the Wardrobe in Books
Oct 10, 2017 (Updated Oct 11, 2017)
I discovered Turkish delight through this book...
This is a must read for children, as the mystical elements are fascinating, but are lost when reading it as an adult.
First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in.
The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia.
I like the book better than the film just because of the amount of detail used by the master of fantasy C. S. Lewis.
First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in.
The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia.
I like the book better than the film just because of the amount of detail used by the master of fantasy C. S. Lewis.
Mark @ Carstairs Considers (2200 KP) rated Once Upon a Wardrobe in Books
Nov 13, 2024 (Updated Nov 13, 2024)
Mixed Journey of Self-Discovery
Megs’s younger brother George has a heart defect that keeps him in bed reading. It’s 1950, and he’s just discovered The Lion, the Witch, and the Wardrobe, and he wants to know where Narnia came from. Since Megs is at Oxford, she goes to ask the author himself. But will C.S. Lewis’s answer help Megs and George?
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
Once Upon a Wardrobe
5.0
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Now available in trade paper with an eye-catching new cover from the bestselling author of Becoming...
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Gareth von Kallenbach (980 KP) rated The Chronicles of Narnia: Prince Caspian (2008) in Movies
Aug 14, 2019
Following the grand fable of “The Lion The Witch and The Wardrobe” is not an easy task as the cinematical version of the timeless classic by C.S. Lewis was a worldwide box office smash. Thankfully Director Andrew Adamson (Who co-wrote the script), still has plenty of magic left from helming the first film in the series.
The film opens roughly a year after the events of the first film and the children have returned to England and have returned to their studies in war torn England. The Children Peter (William Moseley), Edmund (Skandar Keynes), Susan (Anna Popplewell), and Lucy (Georgie Henley), struggle with being children again as the memories of their years ruling Narnia and their battle with the White Witch is still fresh in their memories.
Back in Narnia, several centuries have passed, and an invading army has conquered Narnia and vanquished the creatures of the land to the woods, while they reign supreme over the land. The situation takes a turn for the worse when the evil Prince Miraz (Sergio Castellitto), learns that his wife has given birth to a son.
With a future heir in place, Prince Caspian (Ben Barnes), the rightful heir to the throne, is targeted for death by his power mad uncle, and must flee into the woods for his life. In short order, he meets some of the local creatures, and with his Uncle’s troops in hot pursuit, he summons the former rulers of Narnia via a magical horn.
Delighted to be back in Narnia, Peter and his siblings soon learn things are not as they were when they last visited and take a turn towards the unexpected when they are told that the magical Lion Aslan (Liam Neeson), has long since deserted the creatures of Narnia and left them at the mercy of the invading hordes. Lucy does not believe this and insists that she has seen and heard from Aslan since her return but her claims are met with skepticism by her older siblings.
In time the children meet up with Caspian and the former rulers of the land must help the young Prince bring in a new age of peace and prosperity for all the races of the land, and in doing so, must face up to a vast army that is gathering against them as well as some old enemies long forgotten.
What follows is a grand adventure that pits good against evil in one of the more enjoyable fantasy adventure films in recent years.
The film takes a bit to get started, but thanks to the engaging cast and great visuals of the film, as well as a surprising amount of humor, viewers should find plenty to like as the film builds up to the battle sequences.
While not state of the art, the FX in the film are solid and enhances the story and characters rather than overshadow them. The film does take some liberties with the book, most notably adding more action to the story, but it is nothing that would be considered detracting to the overall product. Parents may want to note that there is a lot of violence in the film and that death and mayhem are constant throughout.
The cast is enjoyable and really do well with parts that do require alot of physicality to them. The chemistry amongst the leads is good but it is the solid supporting work of Peter Dinklage as Trumpkin that really allows the cast to shine in his scenes with them.
Much was made in the last film of the strong Christian themes that C.S. Lewis filled his Narnia books with. The theme of Christianity is still strong in the film, but it is not as pronounced as it was in the past film, save for segments near the last third of the film.
Despite the nearly 2hrs and 20 minute run time the film easily kept my attention and should delight fans who likely are already waiting for the next film in the series, “The Voyage of The Dawn Tredder” to arrive.
The film opens roughly a year after the events of the first film and the children have returned to England and have returned to their studies in war torn England. The Children Peter (William Moseley), Edmund (Skandar Keynes), Susan (Anna Popplewell), and Lucy (Georgie Henley), struggle with being children again as the memories of their years ruling Narnia and their battle with the White Witch is still fresh in their memories.
Back in Narnia, several centuries have passed, and an invading army has conquered Narnia and vanquished the creatures of the land to the woods, while they reign supreme over the land. The situation takes a turn for the worse when the evil Prince Miraz (Sergio Castellitto), learns that his wife has given birth to a son.
With a future heir in place, Prince Caspian (Ben Barnes), the rightful heir to the throne, is targeted for death by his power mad uncle, and must flee into the woods for his life. In short order, he meets some of the local creatures, and with his Uncle’s troops in hot pursuit, he summons the former rulers of Narnia via a magical horn.
Delighted to be back in Narnia, Peter and his siblings soon learn things are not as they were when they last visited and take a turn towards the unexpected when they are told that the magical Lion Aslan (Liam Neeson), has long since deserted the creatures of Narnia and left them at the mercy of the invading hordes. Lucy does not believe this and insists that she has seen and heard from Aslan since her return but her claims are met with skepticism by her older siblings.
In time the children meet up with Caspian and the former rulers of the land must help the young Prince bring in a new age of peace and prosperity for all the races of the land, and in doing so, must face up to a vast army that is gathering against them as well as some old enemies long forgotten.
What follows is a grand adventure that pits good against evil in one of the more enjoyable fantasy adventure films in recent years.
The film takes a bit to get started, but thanks to the engaging cast and great visuals of the film, as well as a surprising amount of humor, viewers should find plenty to like as the film builds up to the battle sequences.
While not state of the art, the FX in the film are solid and enhances the story and characters rather than overshadow them. The film does take some liberties with the book, most notably adding more action to the story, but it is nothing that would be considered detracting to the overall product. Parents may want to note that there is a lot of violence in the film and that death and mayhem are constant throughout.
The cast is enjoyable and really do well with parts that do require alot of physicality to them. The chemistry amongst the leads is good but it is the solid supporting work of Peter Dinklage as Trumpkin that really allows the cast to shine in his scenes with them.
Much was made in the last film of the strong Christian themes that C.S. Lewis filled his Narnia books with. The theme of Christianity is still strong in the film, but it is not as pronounced as it was in the past film, save for segments near the last third of the film.
Despite the nearly 2hrs and 20 minute run time the film easily kept my attention and should delight fans who likely are already waiting for the next film in the series, “The Voyage of The Dawn Tredder” to arrive.
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