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Christine A. (965 KP) rated The Plot in Books
May 13, 2021
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
At what point does a good story idea become a person's own for them to write? When it is published? Merely written? Does anyone really own a plot? Those are the questions that surround the premise of The Plot by Jean Hanff Korelitz. However, The Plot is much more.
Jacob Finch Bonner, a once-promising writer, is now a failed author teaching third-rate MFA program when he meets Evan Parker, an arrogant student, who tells Jacob the plot of a story that is sure to become the next "big thing." Jacob waits for Parker's masterpiece, but it never is published. When Jacob learns Parker is dead, he writes Parker's plot. Everything is perfect, that is, until a troll posts Jacob stole the plot. Here the story becomes a mystery.
My problem with the audiobook was I wanted to finish it. However, it's challenging to listen while at work. I sat in my car to finish it before coming home and dealing with life.
The narrator, Kirby Heyborne, is considered one of the finest narrators working. Listening to him was like listening to Jacob tell his own story.
Heyborne's narration and Korelitz's plot make The Plot one of the best of 2021.
This 200-word review will be published on Philomathinphila.com.
At what point does a good story idea become a person's own for them to write? When it is published? Merely written? Does anyone really own a plot? Those are the questions that surround the premise of The Plot by Jean Hanff Korelitz. However, The Plot is much more.
Jacob Finch Bonner, a once-promising writer, is now a failed author teaching third-rate MFA program when he meets Evan Parker, an arrogant student, who tells Jacob the plot of a story that is sure to become the next "big thing." Jacob waits for Parker's masterpiece, but it never is published. When Jacob learns Parker is dead, he writes Parker's plot. Everything is perfect, that is, until a troll posts Jacob stole the plot. Here the story becomes a mystery.
My problem with the audiobook was I wanted to finish it. However, it's challenging to listen while at work. I sat in my car to finish it before coming home and dealing with life.
The narrator, Kirby Heyborne, is considered one of the finest narrators working. Listening to him was like listening to Jacob tell his own story.
Heyborne's narration and Korelitz's plot make The Plot one of the best of 2021.
This 200-word review will be published on Philomathinphila.com.
Jesters_folly (230 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
Contains spoilers, click to show
Black widow is part Russian spy movie, part 'Fast and Furious' with a bit of marvel thrown in.
The Russian spy movie part is obvious, Black widow is a Russian spy, she doesn't even have any powers. After finding out that the man who ran the spy program was not dead (that's what happened in Budapest) and had improved on the training Natasha joins forces with her old 'Family' to try and bring him down.
We have car chases, bike chases, flying fortresses, planes, helicopters and family. No one goes to space but I'm sure that, if they had spoken about Family for even a few seconds more then 'Dominic Toretto (Vin Diesel)' would have crossed franchises to give them a thumbs up and maybe even lend them a car or two.
(Most) of the film takes place between Captain America: Civil war and Avengers: Infinity war whilst the Avengers are still separated and (almost) no other characters from the franchise appear in the film, the avengers are mentioned (one appears in a photo) and there are nods to things that have happened (what happened in Budapest plays a part in the film) but it is mostly original (to the Disney MCU) characters.
One major difference to the comics and the one thing that has ruffled some fans feathers is the character of Task Master, but the character works for the film so I didn't have a problem with it.
Over all a good addition to the marvel franchise and a glimpse of how they are going to link the films and the new series' together.
The Russian spy movie part is obvious, Black widow is a Russian spy, she doesn't even have any powers. After finding out that the man who ran the spy program was not dead (that's what happened in Budapest) and had improved on the training Natasha joins forces with her old 'Family' to try and bring him down.
We have car chases, bike chases, flying fortresses, planes, helicopters and family. No one goes to space but I'm sure that, if they had spoken about Family for even a few seconds more then 'Dominic Toretto (Vin Diesel)' would have crossed franchises to give them a thumbs up and maybe even lend them a car or two.
(Most) of the film takes place between Captain America: Civil war and Avengers: Infinity war whilst the Avengers are still separated and (almost) no other characters from the franchise appear in the film, the avengers are mentioned (one appears in a photo) and there are nods to things that have happened (what happened in Budapest plays a part in the film) but it is mostly original (to the Disney MCU) characters.
One major difference to the comics and the one thing that has ruffled some fans feathers is the character of Task Master, but the character works for the film so I didn't have a problem with it.
Over all a good addition to the marvel franchise and a glimpse of how they are going to link the films and the new series' together.
Gareth von Kallenbach (971 KP) rated Pacific Rim (2013) in Movies
Jun 19, 2019
Director Guillermo Del Toro has introduced an interesting new twist to the “giant monster run amok” genre with his latest film “Pacific Rim”. The movie details how extraterrestrial life has appeared upon the earth via a rift in the ocean floor. These gigantic alien life are known as Kaijus after the Japanese word for gigantic creature and have unleashed utter devastation upon the coastal cities of the world. Since the first attack took six days to repel, the leaders of the world devised a new plan of defense which involves the building of gigantic mechanized robots or Jaegers, after the German word for hunter. It is learned that the initial results were very promising however as time went along, the alien threat continued to evolve and adapt and were soon becoming a challenge for the mech defenses.
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Amy Norman (1042 KP) rated DC's Legends of Tomorrow - Season 5 in TV
Jul 6, 2020 (Updated Jul 9, 2020)
I adored this season, and honestly think this program gets better each year.
It is such a different show from when it first started, I am so glad they fully leant into the more comedic, and that 'not take ourselves too seriously' attitude because it has paid off.
This season looked a lot individualising episodes (whilst easily following the main arc too), paying homage to so many other shows and genres, and they always do it so well.
This show genuinely makes me laugh out loud, yet still has its own poignant moments, and touches on broader issues without forcing an opinion, it just occasionally makes you think.
I love the cast, they have fully embraced diversity, and I hope they will do more with this as time goes on as well.
What other show do you know that would take a fight scene and choreography it to a Sisqo song? Fantastic 👌
It is such a different show from when it first started, I am so glad they fully leant into the more comedic, and that 'not take ourselves too seriously' attitude because it has paid off.
This season looked a lot individualising episodes (whilst easily following the main arc too), paying homage to so many other shows and genres, and they always do it so well.
This show genuinely makes me laugh out loud, yet still has its own poignant moments, and touches on broader issues without forcing an opinion, it just occasionally makes you think.
I love the cast, they have fully embraced diversity, and I hope they will do more with this as time goes on as well.
What other show do you know that would take a fight scene and choreography it to a Sisqo song? Fantastic 👌
Lee (2222 KP) rated The House (2017) in Movies
Jul 14, 2017
Worst movie I've seen in a very, very long time
Usually when I review comedies I start off by complaining about how disappointing they tend to be these days. Sometimes they manage to prove me wrong (Bad Moms), sometimes they’re not quite as bad as I was expecting (Baywatch). The last time I was seriously annoyed about how bad a comedy was it was Office Christmas Party, but even then that managed to raise a laugh or two. The House though, well that goes way beyond that, taking it to a whole other level by having absolutely no laughs in it at all!
Will Ferrell is Scott, Amy Poehler is his wife Kate. When their daughter Alex gets into the university she wanted, they’re over the moon. Especially as the town runs some kind of scholarship program, paying for one lucky students education each year. This years lucky recipient is due to be Alex but when sleazy city councilman Bob decides to cancel the program in favour of building a huge pool for the town, Scott and Kate need to come up with another way of raising the money. Recently divorced neighbour Frank has a big empty house and between them they hit upon the idea of building a casino in his home, somewhere for the locals to come and spend all their money. Things go well for a while, then things get way out of hand. Cue the opportunity for some riotous, hilarious humour…
Only there’s none of that. It’s riotous, but this is just such a lazily written movie that the humour is non-existent. Featuring a date rape ‘gag’ within the first five minutes(?!) it just gets progressively worse from there. Pointless, nonsensical playground style bickering, name calling and random violence feature heavily throughout in a scatter-gun attempt at trying to raise a laugh. All of this ends up coming across as either poorly written, badly improvised, or both. Even the editing is a total disaster – in one scene Amy Poehler has a guy standing right behind her, cut to another camera and he’s gone, cut back and he’s there again, cut back and he’s gone!
The biggest disappointment about this is the complete waste of talent. Admittedly, Will Ferrell is on a downward spiral anyway since his Anchorman days and the brilliant Step Brothers, but you’d still expect more from him than this. One of my favourite TV shows, Parks and Recreation, stars Amy Poehler as the hilarious Leslie Knope, so I’d expect way more from her too. Even her movie roles haven’t been too bad so far. I guess it just proves that if you’ve got a seriously dud script on your hands, there isn’t really much that anyone can do to fix it. This isn’t just a bad comedy, it’s a bad, bad movie.
Will Ferrell is Scott, Amy Poehler is his wife Kate. When their daughter Alex gets into the university she wanted, they’re over the moon. Especially as the town runs some kind of scholarship program, paying for one lucky students education each year. This years lucky recipient is due to be Alex but when sleazy city councilman Bob decides to cancel the program in favour of building a huge pool for the town, Scott and Kate need to come up with another way of raising the money. Recently divorced neighbour Frank has a big empty house and between them they hit upon the idea of building a casino in his home, somewhere for the locals to come and spend all their money. Things go well for a while, then things get way out of hand. Cue the opportunity for some riotous, hilarious humour…
Only there’s none of that. It’s riotous, but this is just such a lazily written movie that the humour is non-existent. Featuring a date rape ‘gag’ within the first five minutes(?!) it just gets progressively worse from there. Pointless, nonsensical playground style bickering, name calling and random violence feature heavily throughout in a scatter-gun attempt at trying to raise a laugh. All of this ends up coming across as either poorly written, badly improvised, or both. Even the editing is a total disaster – in one scene Amy Poehler has a guy standing right behind her, cut to another camera and he’s gone, cut back and he’s there again, cut back and he’s gone!
The biggest disappointment about this is the complete waste of talent. Admittedly, Will Ferrell is on a downward spiral anyway since his Anchorman days and the brilliant Step Brothers, but you’d still expect more from him than this. One of my favourite TV shows, Parks and Recreation, stars Amy Poehler as the hilarious Leslie Knope, so I’d expect way more from her too. Even her movie roles haven’t been too bad so far. I guess it just proves that if you’ve got a seriously dud script on your hands, there isn’t really much that anyone can do to fix it. This isn’t just a bad comedy, it’s a bad, bad movie.
BookwormMama14 (18 KP) rated Lone Star Trail (Texas Trails, #1) in Books
Jan 2, 2019
What happens when two families, who have experienced tragedy and loss, and are from very different backgrounds are thrown together?
It is 1845, the Morgans are Texans through and through. They raise the famous Morgan Horses on their ranch, the Running M Ranch and have fought hard and sacrificed much to be the successful ranchers that they are. The Fleischer family have traveled from Germany and just arrived in Texas. This foreign land has taken much from them in the short time they have been here. Jud Morgan carries bitterness and distrust for the Germans who have begun to overtake "his" Texas. But his eyes are opened to the Lord's love for all people when he accepts the friendship of the Fleischers. Especially when the eldest daughter, Wande, catches his eye. It becomes apparent that the Lord brought these two families together. To work and live side by side to survive the untamed land of the "Lone Star State".
I couldn't put this book down! Depending on the personal events of our family, it usually takes me a little while to complete a book, no matter how interesting it is. But with this book, I couldn't help it. The dishes piled up, the laundry went unwashed and I read every second I could. Darlene Franklin captured my attention from the start. I always enjoy reading about this particular time era, when families are venturing into unknown land to build a new life. And Lone Star Trail did not disappoint. I look forward to reading the rest of the Texas Trails series and continuing the Morgan family adventure!
As part of their Blogger Review program I received a free copy of Lone Star Trail from Moody Publishers. All opinions expressed are mine alone.
It is 1845, the Morgans are Texans through and through. They raise the famous Morgan Horses on their ranch, the Running M Ranch and have fought hard and sacrificed much to be the successful ranchers that they are. The Fleischer family have traveled from Germany and just arrived in Texas. This foreign land has taken much from them in the short time they have been here. Jud Morgan carries bitterness and distrust for the Germans who have begun to overtake "his" Texas. But his eyes are opened to the Lord's love for all people when he accepts the friendship of the Fleischers. Especially when the eldest daughter, Wande, catches his eye. It becomes apparent that the Lord brought these two families together. To work and live side by side to survive the untamed land of the "Lone Star State".
I couldn't put this book down! Depending on the personal events of our family, it usually takes me a little while to complete a book, no matter how interesting it is. But with this book, I couldn't help it. The dishes piled up, the laundry went unwashed and I read every second I could. Darlene Franklin captured my attention from the start. I always enjoy reading about this particular time era, when families are venturing into unknown land to build a new life. And Lone Star Trail did not disappoint. I look forward to reading the rest of the Texas Trails series and continuing the Morgan family adventure!
As part of their Blogger Review program I received a free copy of Lone Star Trail from Moody Publishers. All opinions expressed are mine alone.
Rebecca Billcliff (2409 KP) rated Big bang theory season 11 in TV
Dec 3, 2019 (Updated Dec 4, 2019)
Why Don't I Like This?
I want so much to like this, it's perfect for me: supreamly nerdy. There are so many references to sci-fi things, science, and all things geek, but sadly, it is not enough to draw me in.
The characters are (to me) very one dimensional, predictable, and just plain annoying.
Add that to the later seasons, where, like all programs that has passed it's expectation date, it just starts to go down hill.
America has a bad tradition of drawing out it's TV for far to long. At an average of 20 episodes a season, and usually 6+ seasons, programs go stale, get repetitive, loose the elements that made them good, or just forget to follow through with plots and character arcs. Lost. The Simpsons. Family Guy. 24. NCIS. How I Met Your Mother. Vitualy any program suffers at least a little in the later seasons, hopefully it recovers for the final, but not always. And while many will disagree, I just felt it was lacklustre to the end.
I know lots of people love it, and I by no means hate it, it's just not for me, despite trying and wanting to like it.
Like bananas.
The characters are (to me) very one dimensional, predictable, and just plain annoying.
Add that to the later seasons, where, like all programs that has passed it's expectation date, it just starts to go down hill.
America has a bad tradition of drawing out it's TV for far to long. At an average of 20 episodes a season, and usually 6+ seasons, programs go stale, get repetitive, loose the elements that made them good, or just forget to follow through with plots and character arcs. Lost. The Simpsons. Family Guy. 24. NCIS. How I Met Your Mother. Vitualy any program suffers at least a little in the later seasons, hopefully it recovers for the final, but not always. And while many will disagree, I just felt it was lacklustre to the end.
I know lots of people love it, and I by no means hate it, it's just not for me, despite trying and wanting to like it.
Like bananas.
Rachel King (13 KP) rated Economic Meltdown: A Family Preparedness Plan for Disaster in Books
Feb 11, 2019
The purpose of this book is quickly understood to motivate and aid the reader to prepare for a "man-made disaster" of the magnitude that is illustrated through a fictional story that the author, Karen McHale, apparently believes is impending for the U.S.A. I won't address whether or not I believe such a disaster is imminent or not. The story takes up the first 132 pages of the book, and the remaining pages is a quick guide to self-sufficiency, with a step-by-step guide and divided by Pantry and Utilities.
What I will address is the text of the book itself, which, frankly, could use some work. I can be a stickler for grammar, and it is obvious to me that the author used the spelling and grammar check function that is found in your typical text-formatting program, such as Word. Simply having someone read over the book before publication could catch these errors. For example, starting on page 50, the word "panty" has replaced what should have been "pantry," not every time, but often enough to be obvious. Other things showed up in the text to show the author's weakness in writing fiction, such as this: "...the unspoken thought hung unspoken in the air..." (pg. 11).
The story itself is a thinly veiled attempt at teaching the reader what is already listed in the section at the end of the book. Much more of the book is devoted to detailed descriptions of these preparations than to the development of the different characters. Towards the end of the book, time speeds up as the author skips ahead several times to fast forward the plot to 2012, with snapshots of plot to show the progress of the fictional family in its preparations for the economic disaster.
Honestly, this book would have been much better written had the author spent more time developing the different characters and made them unique and interesting to the reader, as well as gotten a few extra people to read the text before publication. McHale does not even bother with last names for this "typical American household." Sadly, except for the eight page guide at the end, it is all very forgettable.
What I will address is the text of the book itself, which, frankly, could use some work. I can be a stickler for grammar, and it is obvious to me that the author used the spelling and grammar check function that is found in your typical text-formatting program, such as Word. Simply having someone read over the book before publication could catch these errors. For example, starting on page 50, the word "panty" has replaced what should have been "pantry," not every time, but often enough to be obvious. Other things showed up in the text to show the author's weakness in writing fiction, such as this: "...the unspoken thought hung unspoken in the air..." (pg. 11).
The story itself is a thinly veiled attempt at teaching the reader what is already listed in the section at the end of the book. Much more of the book is devoted to detailed descriptions of these preparations than to the development of the different characters. Towards the end of the book, time speeds up as the author skips ahead several times to fast forward the plot to 2012, with snapshots of plot to show the progress of the fictional family in its preparations for the economic disaster.
Honestly, this book would have been much better written had the author spent more time developing the different characters and made them unique and interesting to the reader, as well as gotten a few extra people to read the text before publication. McHale does not even bother with last names for this "typical American household." Sadly, except for the eight page guide at the end, it is all very forgettable.
Chris Sawin (602 KP) rated Videodrome (1983) in Movies
Jun 22, 2019
Max Renn is the president of Civic TV channel 83, a channel known for showcasing the most erotic and violent programming that anyone has ever come across. As you can imagine, the channel has a specific audience and Max takes it upon himself to find the next big thing for the network. Everything he comes across is too tame until Max gets ahold of Harlan. Harlan is an employee who specializes in pirate video broadcasts. It's through Harlan that Max is first exposed to Videodrome, an hour program that centralizes on torture and murder. Max becomes obsessed with Videodrome and realizes it may be the next step for channel 83. He does everything within his power to find out more about Videodrome ranging from where it's originally broadcast to tracking down the original supplier and even watching countless hours of bootleg videotapes. In addition to his obsession, Max begins hallucinating. Through his investigations, he finds out Videodrome transmissions cause tumors in the brain of whoever is able to actually watch it and therefore alter reality through hallucination. As Max begins to lose touch with reality, the people behind Videodrome have bigger plans for Max. Much bigger.
Videodrome is an interesting sci-fi horror film. It's the type of film that gets better with each viewing. It's also got some pretty amazing make-up effects by the incredible Rick Baker (An American Werewolf in London, The Frighteners). So while the film does show its age at times (mainly during the segment where Max is having his hallucination recorded by Spectacular Optacle owner, Barry Convex), the majority of the special effects hold up incredibly well after 26 years. It also boasts one of the most original and intriguing death scenes (Barry Convex's) of any horror film.
The David Cronenberg helmed psycological thriller is more than just great special effects. In all honesty, it's spectacularly odd. The hallucinations alone will leave some viewers scratching their heads, but there is a clever and intelligent story beneath all the weirdness. The story focuses on TV, which is a source of entertainment that everyone relies on and it takes aim at sex and violence. The two themes people are attracted to the most, but the consequences the film comes up with for watching a program that uses these themes to the extreme is truly one of its defining moments. So while whipping a TV set may seem like an illogical idea to most, Videodrome's superb writing makes it seem almost logical. The fact that the film concentrates on something like television that everyone can relate to while creating an intelligent reasoning for it makes the entire experience more believable.
Videodrome is a cult classic for a good reason. While it may seem odd at first, it's actually an intelligent and well-made sci-fi horror film. That old layer of skin may look and feel like a film that is too weird for most audiences that's outdated and doesn't make any sense, but beneath that old flesh is the new flesh. In this case, the new flesh is actually a superb film with a quick witted script, a terrific story, special effects that hold up to this day, and just a worthwhile experience overall. It's a cult classic that's worthy of being added to any horror or sci-fi fan's collection. Long live the new flesh.
Videodrome is an interesting sci-fi horror film. It's the type of film that gets better with each viewing. It's also got some pretty amazing make-up effects by the incredible Rick Baker (An American Werewolf in London, The Frighteners). So while the film does show its age at times (mainly during the segment where Max is having his hallucination recorded by Spectacular Optacle owner, Barry Convex), the majority of the special effects hold up incredibly well after 26 years. It also boasts one of the most original and intriguing death scenes (Barry Convex's) of any horror film.
The David Cronenberg helmed psycological thriller is more than just great special effects. In all honesty, it's spectacularly odd. The hallucinations alone will leave some viewers scratching their heads, but there is a clever and intelligent story beneath all the weirdness. The story focuses on TV, which is a source of entertainment that everyone relies on and it takes aim at sex and violence. The two themes people are attracted to the most, but the consequences the film comes up with for watching a program that uses these themes to the extreme is truly one of its defining moments. So while whipping a TV set may seem like an illogical idea to most, Videodrome's superb writing makes it seem almost logical. The fact that the film concentrates on something like television that everyone can relate to while creating an intelligent reasoning for it makes the entire experience more believable.
Videodrome is a cult classic for a good reason. While it may seem odd at first, it's actually an intelligent and well-made sci-fi horror film. That old layer of skin may look and feel like a film that is too weird for most audiences that's outdated and doesn't make any sense, but beneath that old flesh is the new flesh. In this case, the new flesh is actually a superb film with a quick witted script, a terrific story, special effects that hold up to this day, and just a worthwhile experience overall. It's a cult classic that's worthy of being added to any horror or sci-fi fan's collection. Long live the new flesh.
Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/