Search
Search results
Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
Heather Cranmer (2721 KP) rated Redhead in Books
Jun 7, 2018
I received this book for free through the Goodreads First Reads program.
Oh wow, where do I start? I loved, loved, loved this book! When I first read about it, I was a bit skeptical as it's not normally something I would read, but it's about redheads and my son is a redhead. Plus, I have a lot of family members with red hair, so I thought I'd give it a go.
I am so happy that I decided to read it. It is fast paced and has a very interesting story line. In fact, I would say it's one of the most original story lines I have ever read. There is a lot of mythology in the book about redheads which I also found very interesting.
I loved Rebecca's character and hated Neferatu which shows how good the characters are written. I did find the characters of Jim and Syreeta a bit annoying though.
However, this is definitely a book that deserves 5 out of 5 stars. If there were to be a sequel, I'd definitely buy it and read it as soon as.
A really fantastic read =D
Oh wow, where do I start? I loved, loved, loved this book! When I first read about it, I was a bit skeptical as it's not normally something I would read, but it's about redheads and my son is a redhead. Plus, I have a lot of family members with red hair, so I thought I'd give it a go.
I am so happy that I decided to read it. It is fast paced and has a very interesting story line. In fact, I would say it's one of the most original story lines I have ever read. There is a lot of mythology in the book about redheads which I also found very interesting.
I loved Rebecca's character and hated Neferatu which shows how good the characters are written. I did find the characters of Jim and Syreeta a bit annoying though.
However, this is definitely a book that deserves 5 out of 5 stars. If there were to be a sequel, I'd definitely buy it and read it as soon as.
A really fantastic read =D
graveyardgremlin (7194 KP) rated The Vanishing of Katharina Linden in Books
Feb 15, 2019
One word to describe <b><i>The Vanishing of Katharina Linden</i></b>: Engrossing.
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
Kirk Bage (1775 KP) rated Tiger King: Murder, Mayhem and Madness in TV
Apr 8, 2021
And so, this is the one you are probably most familiar with, even if you have never watched a True Crime Doc before. Essentially a 7 part mini series with a making of extra program tagged on at the end that definitely does not need to be watched. Does any of it? It certainly showcases the nuttier side of America and some of the more eccentric characters that exist, not Least the compelling car crash human that is Joe Exotic – at times likeable, often very unlikable and almost certainly criminally insane. But it isn’t really about murder. The title is misleading in that sense. Mayhem and madness, oh for sure, but the murder part is an almost incidental detail of the show, as if to give it more gravitas.
It focuses on rivalries that existed between exotic animal parks that seem to take pride in mistreating tigers and other wild animals that have no place being there at all. The “fun” of it is watching “crazy” people, mostly Joe rolling around as if they were tiny kittens, and holding your breathe waiting for the inevitable moment they rip him to shreds. As it turns out, there is so much filler and false promise in this show that I would have to put it at the bottom of the list. It may not even have got on there at all if it wasn’t for the fact Lockdown viewing made it a shared experience that became ubiquitous. Otherwise, it is a poor circus freak show, badly presented and entirely cheap.
It focuses on rivalries that existed between exotic animal parks that seem to take pride in mistreating tigers and other wild animals that have no place being there at all. The “fun” of it is watching “crazy” people, mostly Joe rolling around as if they were tiny kittens, and holding your breathe waiting for the inevitable moment they rip him to shreds. As it turns out, there is so much filler and false promise in this show that I would have to put it at the bottom of the list. It may not even have got on there at all if it wasn’t for the fact Lockdown viewing made it a shared experience that became ubiquitous. Otherwise, it is a poor circus freak show, badly presented and entirely cheap.
Acanthea Grimscythe (300 KP) rated The Chalk Man in Books
May 16, 2018
It’s hard to believe that The Chalk Man by C. J. Tudor is a debut; it’s even harder to believe that it’s not considered horror. Though the book focuses primarily on a whodunnit sort of plot, it borrows heavily from my favorite genre. Certain elements of The Chalk Man are downright grisly, which is a welcoming change from many of the mystery books I tend to read. Then again, I love gore and that’s no secret.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
High school drama (1 more)
Mystery murder
Hooked!
This dramatic Spanish program couldn't be more gripping. Although it is filmed in Spain the voices are spoken over in English and as annoying as it is it's subtitled too and they don't always match up to what they are saying, but all the same its kept me hooked.
It all starts when three poor students school collapsed and they are sent off to a rich private school where they are clearly not welcomed. Season one is all about a murder and trying to figure out who did it and why they died, it's a brilliant story and I managed to get lost in it, there is something for everyone to relate to. Typical high school drama between popular kids poor kids and a murderer. Season two was equally as good and gripping as the first one with the story unravelling and people are breaking and the truth comes out. I have just started season three and again couldn't be more engrossed.
If you've seen share your thoughts
I had to make this myself as it wasn't under the TV review section. Netflix Original
It all starts when three poor students school collapsed and they are sent off to a rich private school where they are clearly not welcomed. Season one is all about a murder and trying to figure out who did it and why they died, it's a brilliant story and I managed to get lost in it, there is something for everyone to relate to. Typical high school drama between popular kids poor kids and a murderer. Season two was equally as good and gripping as the first one with the story unravelling and people are breaking and the truth comes out. I have just started season three and again couldn't be more engrossed.
If you've seen share your thoughts
I had to make this myself as it wasn't under the TV review section. Netflix Original
JT (287 KP) rated The Girl in the Spider's Web (2018) in Movies
Mar 10, 2020
It would be a major change for any actress. But for Claire Foy, to go from the beauty and elegance of Elizabeth II in The Crown, to punked out gothic hacker in The Girl in the Spider’s Web takes some doing – and she adapts to it extremely well.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
Bong Mines Entertainment (15 KP) rated Good Things - Single by Kelaa in Music
Jun 18, 2019
Kelaa is an up-and-coming singer-songwriter and producer from Sweden. Not too long ago, she released a lovely debut single, entitled, “Good Things”.
“Good things come to those who don’t wait around. I can’t let you slow me down. F**k you and your lies. Chase me when I rise. Get blinded by my light. Good things come to those who don’t wait around.” – lyrics
‘Good Things’ is the first single from Kelaa’s upcoming EP.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with an electro-pop aroma.
“‘Good Things’ is about not waiting for chances to come but instead create the conditions you desire around yourself, no matter what the obstacles are. ‘Cause, in the end, good things come to those who have the courage to follow their intuition.” – Kelaa
Kelaa grew up in a musical family with traditional folk music from the Kurdish regions of eastern Turkey.
Her musical journey with the project KELAA began after she participated in the program, Who can become a producer?
The message she wants to give is that everything is going to be alright even at times when you are standing at the edge.
The name Kelaa means fortress and is the name of a holy mountain in Kurdish regions Turkey.
The name was chosen by the artist to honor her roots, as an attempt to at least spiritually, preserve a piece of her background as the thought of losing her identity became a daunting experience at times when physical borders hindered her from connecting with her roots.
Creating songs under this name reflects the blended identity, which has formed her growing up in Sweden.
https://www.bongminesentertainment.com/kelaa-good-things/
“Good things come to those who don’t wait around. I can’t let you slow me down. F**k you and your lies. Chase me when I rise. Get blinded by my light. Good things come to those who don’t wait around.” – lyrics
‘Good Things’ is the first single from Kelaa’s upcoming EP.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with an electro-pop aroma.
“‘Good Things’ is about not waiting for chances to come but instead create the conditions you desire around yourself, no matter what the obstacles are. ‘Cause, in the end, good things come to those who have the courage to follow their intuition.” – Kelaa
Kelaa grew up in a musical family with traditional folk music from the Kurdish regions of eastern Turkey.
Her musical journey with the project KELAA began after she participated in the program, Who can become a producer?
The message she wants to give is that everything is going to be alright even at times when you are standing at the edge.
The name Kelaa means fortress and is the name of a holy mountain in Kurdish regions Turkey.
The name was chosen by the artist to honor her roots, as an attempt to at least spiritually, preserve a piece of her background as the thought of losing her identity became a daunting experience at times when physical borders hindered her from connecting with her roots.
Creating songs under this name reflects the blended identity, which has formed her growing up in Sweden.
https://www.bongminesentertainment.com/kelaa-good-things/
Gareth von Kallenbach (980 KP) rated Avatar (2009) in Movies
Aug 8, 2019
With a budget reported to be around $400 million dollars and a four year production cycle, “Avatar” by James Cameron is poised to usher in a new age in digital fx and 3d.
The film is set in 2154 and involves a disabled vet named Jake (Sam Worthington), who is sent to the distant moon of Pandora following the death of his brother.
It is learned that Pandora possesses a highly valuable resource that sells on the resource ravaged earth for $200 million a kilo and, which naturally sets off a frenzy of mining on the moon.
With the cultivation of the resource at a premium a facility has been established to ensure a constant mining operation and protect those on the base from the hostile wildlife that is everywhere.
While the wildlife on Pandora is a big issue, it pales in comparison to the issues poised by the native Na’vi who are a blue-skinned race who live in the forests of the moon and are in harmony with the nature of the planet which have caused them to hamper the mining efforts of the humans.
Anxious to keep the mining operations going, and limit the use of brute force to avoid any p.r. issues, a program known as “Avatar” is put into motion which allows select individuals to pilot a surrogate made from Na’vi and human D.N.A. in an effort to get the Na’vi to move and end their opposition to the mining.
It is hoped that the pilots will in time find a way to force the cooperation of the Na’vi after spending time amongst them.
Jake is thrilled with the program as once his remote link is established, he is free to run and jump again and in time finds himself absorbed by the Na’vi who wish to show him their ways as a test of his worthiness after he is separated from his fellow humans.
At this point Jake leads a double life as his surrogate learns what it is to be Na’vi and when the surrogate is asleep, Jake unhooks himself from his control bed, and is back on the base with his fellow humans. Jake is approached by Colonel Quaritch (Stephen Lang), who tasks the Marine to obtain tactical data on the Na’vi should his forces be called into action to force their cooperation. Jake is promised a costly procedure in return which would allow him to regain the use of his legs and live a life outside of his wheelchair.
As time passes, Jake grows closer to his Na’vi mentor Neytire (Zoe Saldana), who aside from being the daughter of the chief is a skilled hunter for her people. At this point Jake begins to question the motives and methods of his people and sees the exploitation and possible massacre of the Na’vi as something he can no longer accept. Jake puts a plan in motion to protect his human and Na’vi friends and what follows is an epic confrontation that is awash in visual splendor and action as James Cameron once again pushes the boundaries of technology.
Some may cite the story as resembling “Dances with Wolves’; and other films that deal with the exploitation of the native races, but the true magic of the film is that it is not limited to the lavish visuals but is instead powered by the compelling characters.
The 3d fx shine as Cameron has created another world with a thriving ecosystem that is as much a character in the film as the flesh and blood and digital creations that power the story.
The film has good supporting work from Sigourney Weaver, and Michelle Rodriquez as well as the fine ensemble cast. The amazing blend of story, digital splendor, and characters all combine to make “Avatar” a truly amazing visual film with a strong message of love, hope, and unity. James Cameron has once again proved that he is one of the true masters of cinema and has crafted a magical experience that enchants and informs.
The film is set in 2154 and involves a disabled vet named Jake (Sam Worthington), who is sent to the distant moon of Pandora following the death of his brother.
It is learned that Pandora possesses a highly valuable resource that sells on the resource ravaged earth for $200 million a kilo and, which naturally sets off a frenzy of mining on the moon.
With the cultivation of the resource at a premium a facility has been established to ensure a constant mining operation and protect those on the base from the hostile wildlife that is everywhere.
While the wildlife on Pandora is a big issue, it pales in comparison to the issues poised by the native Na’vi who are a blue-skinned race who live in the forests of the moon and are in harmony with the nature of the planet which have caused them to hamper the mining efforts of the humans.
Anxious to keep the mining operations going, and limit the use of brute force to avoid any p.r. issues, a program known as “Avatar” is put into motion which allows select individuals to pilot a surrogate made from Na’vi and human D.N.A. in an effort to get the Na’vi to move and end their opposition to the mining.
It is hoped that the pilots will in time find a way to force the cooperation of the Na’vi after spending time amongst them.
Jake is thrilled with the program as once his remote link is established, he is free to run and jump again and in time finds himself absorbed by the Na’vi who wish to show him their ways as a test of his worthiness after he is separated from his fellow humans.
At this point Jake leads a double life as his surrogate learns what it is to be Na’vi and when the surrogate is asleep, Jake unhooks himself from his control bed, and is back on the base with his fellow humans. Jake is approached by Colonel Quaritch (Stephen Lang), who tasks the Marine to obtain tactical data on the Na’vi should his forces be called into action to force their cooperation. Jake is promised a costly procedure in return which would allow him to regain the use of his legs and live a life outside of his wheelchair.
As time passes, Jake grows closer to his Na’vi mentor Neytire (Zoe Saldana), who aside from being the daughter of the chief is a skilled hunter for her people. At this point Jake begins to question the motives and methods of his people and sees the exploitation and possible massacre of the Na’vi as something he can no longer accept. Jake puts a plan in motion to protect his human and Na’vi friends and what follows is an epic confrontation that is awash in visual splendor and action as James Cameron once again pushes the boundaries of technology.
Some may cite the story as resembling “Dances with Wolves’; and other films that deal with the exploitation of the native races, but the true magic of the film is that it is not limited to the lavish visuals but is instead powered by the compelling characters.
The 3d fx shine as Cameron has created another world with a thriving ecosystem that is as much a character in the film as the flesh and blood and digital creations that power the story.
The film has good supporting work from Sigourney Weaver, and Michelle Rodriquez as well as the fine ensemble cast. The amazing blend of story, digital splendor, and characters all combine to make “Avatar” a truly amazing visual film with a strong message of love, hope, and unity. James Cameron has once again proved that he is one of the true masters of cinema and has crafted a magical experience that enchants and informs.
Gareth von Kallenbach (980 KP) rated Van Wilder: The Rise of Taj (Van Wilder 2) (2006) in Movies
Aug 14, 2019
It has been four years since audiences last met Taj Mahal Badalandabad(Kal Penn), as he interned under Van Wilder in the film of the same name.
In Van Wilder 2: The Rise of Taj, we catch up with a more seasoned and confident Taj as he embarks on a trip to England in order to earn his teaching Doctorate under an advisor program.
From a outrageous encounter on his flight to England to running afoul of the snobbish Pipp Everett (Daniel Percival), Taj soon finds himself watching over a house full of some of the most dysfunctional people he has ever seen.
Undaunted, Taj decides to mentor his charges in much the same way that Van Wilder helped him, and hopes to help them earn a sense of dignity and self respect.
When Taj encounters the lovely Charlotte (Charlie) Higginson (Lauren Cohan), he earns the wrath of Pipp who happens to be dating Charlotte and already has a strong dislike for Taj and his students.
What follows is a fun, if predictable romp, where Taj and company must battle Pipp and his minions and prevail.
While this version contains its share of gross out comedy, there are some genuine fun and light-hearted moments. While it will not be remembered as one of the great comedies, of the year, there are some enjoyable moments in the film, especially Kal Penn who carries the film as well as he can with the material he is given.
In many ways the film plays out as a by the numbers comedy, yet there are some fun moments here, and if you were a fan of the first film, you just might find this your cup of tea.
In Van Wilder 2: The Rise of Taj, we catch up with a more seasoned and confident Taj as he embarks on a trip to England in order to earn his teaching Doctorate under an advisor program.
From a outrageous encounter on his flight to England to running afoul of the snobbish Pipp Everett (Daniel Percival), Taj soon finds himself watching over a house full of some of the most dysfunctional people he has ever seen.
Undaunted, Taj decides to mentor his charges in much the same way that Van Wilder helped him, and hopes to help them earn a sense of dignity and self respect.
When Taj encounters the lovely Charlotte (Charlie) Higginson (Lauren Cohan), he earns the wrath of Pipp who happens to be dating Charlotte and already has a strong dislike for Taj and his students.
What follows is a fun, if predictable romp, where Taj and company must battle Pipp and his minions and prevail.
While this version contains its share of gross out comedy, there are some genuine fun and light-hearted moments. While it will not be remembered as one of the great comedies, of the year, there are some enjoyable moments in the film, especially Kal Penn who carries the film as well as he can with the material he is given.
In many ways the film plays out as a by the numbers comedy, yet there are some fun moments here, and if you were a fan of the first film, you just might find this your cup of tea.