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Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
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Gareth von Kallenbach (980 KP) rated Runner Runner (2013) in Movies
Jun 19, 2019
Many times as a reviewer I watch a film that has so many things going for it that there is every reason to expect that it will be a high-quality product. Sadly the sum of the parts do not always come together and I am left to ponder how such an accumulation of talent went so wrong especially when the concept was strong and intriguing.
Such was the case with the new film “Runner Runner” which stars Justin Timberlake, Ben Affleck, and Gemma Arterton and takes a look at the big money yet seedy and dangerous world of online gambling.
Timberlake stars as Richie Furst, a Princeton student who is seeking his Masters degree and earns his income by getting new clients to sign up for a gambling site. Richie is bitter as he was a player about to get the first of several big paydays on Wall Street who lost it all when the market and the economy turned.
Richie hopes that a Masters from Princeton will get him back on solid footing in Wall Street and dreams of getting back the money he believes was owed to him.
When Richie is told that he must give up his gambling income in order to remain at school after a fellow student complains about him, Richie decides to gamble his last $17K online in an effort to get the $60K he needs to pay for his education.
Richie does well early and despite pleas from his friends to take his $50K and call it good, he presses his luck and loses it all.
Richie then learns that he was cheated and sets out to travel to Costa Rica to meet with the mysterious owner of the site, Ivan Block, (Ben Affleck), and tell him about the cheat program that has been running on the popular site.
Richie is able to meet Block and he in time thanks Richie for being discreet and exposing a problem he did not know about. He offers to restore the money Richie lost and pay him a bonus and then offers him a lucrative job working for him.
Seduced by the lure of big money and the charismatic block, Richie soon moves up the ranks and sets his eyes on the comely associate of Block named Rebecca (Gemma Arterton).
The new found success of Richie soon draws the attention of the F.B.I. and an agent named Shavers (Anthony Mackie), who threatens Richie unless he works for him as an informant against Block.
Now this setup combined with the fact that Block starts to show his darker side as well as the seedy world of corruptions, payoffs, and violence would be an ideal formula for success.
Sadly the film plays out without much drama or tension and gives us very little on the background of the characters and why they do what they do beyond simple greed.
The film does not have any dramatic payoff and plods along in a very methodical way without any real twists or turns.
The finale is fairly underwhelming and is not what audiences deserved after investing their time in the film or the characters.
Timberlake does a good job as the ambitious Richie and Affleck is very good as the charismatic Block. Sadly they can only do so much with their thinly written characters and scenarios that we have seen many times before.
In the end “Runner Runner” is a great concept that is sadly left stalled at the starting line.
http://sknr.net/2013/10/04/runner-runner/
Such was the case with the new film “Runner Runner” which stars Justin Timberlake, Ben Affleck, and Gemma Arterton and takes a look at the big money yet seedy and dangerous world of online gambling.
Timberlake stars as Richie Furst, a Princeton student who is seeking his Masters degree and earns his income by getting new clients to sign up for a gambling site. Richie is bitter as he was a player about to get the first of several big paydays on Wall Street who lost it all when the market and the economy turned.
Richie hopes that a Masters from Princeton will get him back on solid footing in Wall Street and dreams of getting back the money he believes was owed to him.
When Richie is told that he must give up his gambling income in order to remain at school after a fellow student complains about him, Richie decides to gamble his last $17K online in an effort to get the $60K he needs to pay for his education.
Richie does well early and despite pleas from his friends to take his $50K and call it good, he presses his luck and loses it all.
Richie then learns that he was cheated and sets out to travel to Costa Rica to meet with the mysterious owner of the site, Ivan Block, (Ben Affleck), and tell him about the cheat program that has been running on the popular site.
Richie is able to meet Block and he in time thanks Richie for being discreet and exposing a problem he did not know about. He offers to restore the money Richie lost and pay him a bonus and then offers him a lucrative job working for him.
Seduced by the lure of big money and the charismatic block, Richie soon moves up the ranks and sets his eyes on the comely associate of Block named Rebecca (Gemma Arterton).
The new found success of Richie soon draws the attention of the F.B.I. and an agent named Shavers (Anthony Mackie), who threatens Richie unless he works for him as an informant against Block.
Now this setup combined with the fact that Block starts to show his darker side as well as the seedy world of corruptions, payoffs, and violence would be an ideal formula for success.
Sadly the film plays out without much drama or tension and gives us very little on the background of the characters and why they do what they do beyond simple greed.
The film does not have any dramatic payoff and plods along in a very methodical way without any real twists or turns.
The finale is fairly underwhelming and is not what audiences deserved after investing their time in the film or the characters.
Timberlake does a good job as the ambitious Richie and Affleck is very good as the charismatic Block. Sadly they can only do so much with their thinly written characters and scenarios that we have seen many times before.
In the end “Runner Runner” is a great concept that is sadly left stalled at the starting line.
http://sknr.net/2013/10/04/runner-runner/