Search
Sassy Brit (97 KP) rated Bring Me Back in Books
Jun 5, 2019
Bring Me Back – hailed as “The gripping Sunday Times bestseller with a killer twist you won’t see coming” – is B.A. Paris’ third novel, but did it live up to its hype?
I have to admit as much as I tried to avoid reading other reviews of this book, I soon discovered that to my horror, many people were in shock that this was not as good as her previous two books, and that kind of put me off reading it at first. However, I finally got around to reading it only to discover it’s not that bad! Now I kick myself for not picking it up before. haha!
There is, however, quite a contrast to B.A. Paris’ previous two books. I think the shocking end was a little unbelievable, although it was deliciously evil of the author to spring on us!
I also thought the ending then went on to ‘wrap up’ with a confessional letter revealing all, which went on for far too long and made the earlier shock ending fall a little flat afterwards.
The premise of the story is that Finn and Layla went on holiday to France but only Finn came back. The boyfriend Finn was a suspect for a while, but since Layla just went missing and no body was found the case was eventually closed due to lack of evidence.
But if Layla went missing in France, then who is sending Finn emails and leaving little Russian dolls all over the place – seemingly from her – twelve years later?
Not my favourite book by B.A. Paris, but I am pleased I read it. The mystery of who is messing with Finn is definitely worth finding out!
I have to admit as much as I tried to avoid reading other reviews of this book, I soon discovered that to my horror, many people were in shock that this was not as good as her previous two books, and that kind of put me off reading it at first. However, I finally got around to reading it only to discover it’s not that bad! Now I kick myself for not picking it up before. haha!
There is, however, quite a contrast to B.A. Paris’ previous two books. I think the shocking end was a little unbelievable, although it was deliciously evil of the author to spring on us!
I also thought the ending then went on to ‘wrap up’ with a confessional letter revealing all, which went on for far too long and made the earlier shock ending fall a little flat afterwards.
The premise of the story is that Finn and Layla went on holiday to France but only Finn came back. The boyfriend Finn was a suspect for a while, but since Layla just went missing and no body was found the case was eventually closed due to lack of evidence.
But if Layla went missing in France, then who is sending Finn emails and leaving little Russian dolls all over the place – seemingly from her – twelve years later?
Not my favourite book by B.A. Paris, but I am pleased I read it. The mystery of who is messing with Finn is definitely worth finding out!
The One-in-a-Million Boy
8.0
Rate It
Book
THE ONE-IN-A-MILLION BOY by Monica Wood is for anyone who loves to laugh, cry, and think about how...
LoganCrews (2861 KP) rated Giant (1956) in Movies
Sep 20, 2020
"𝘕𝘰𝘸 𝘩𝘦'𝘴 𝘵𝘰𝘰 𝘳𝘪𝘤𝘩 𝘵𝘰 𝘬𝘪𝘭𝘭."
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Story – The Box is a very interesting horror, it poses a question that would leave the audience much like Susan wondering what changed everything in her family’s life, it has a shock moment, while the rest is filled with the psychological side of horror. The Birthday Party plays out more like a dark comedy that a horror, it does work very well watching how hard the it is to cover up a death. Don’t Fall does seem to be the weakest of the stories here, mostly because it is way too short, it seems to take us to the location, hit night and everything happens and it is over way too quickly. Her Only Living Son does play out a lot like ‘We Need to Talk About Kevin’ only having a supernatural side to the outcome, it is one that could easily be a longer film too. Overall the stories are different enough, we have little sparks for each sub-genre of horror too which only means if you didn’t like one, you can skip to the next with ease.
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
The Midwife's Child (WW2 Resistance Series #3)
8.0
Rate It
Book
‘Save her,’ she begs, drawing her last, quavering breaths. ‘Save my baby. Find her father. And...
The Boy Most Likely To
6.0
Rate It
Book
Surprises abound and sparks ignite in the highly anticipated, utterly romantic companion to My Life...
The Year of Magical Thinking
8.5
Rate It
Book
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad -...
James Koppert (2698 KP) rated Living With The Dominator: A Book About The Freedom Programme in Books
Dec 28, 2019
Be Free
The Freedom Programme was a course devised by the author and from what she learnt she wrote this book for those who can't attend so more (mainly women) can protect themselves from abuse. The chapters begin with a sentence of a statistic that will shock and chill you which shows domestic violence is a huge blight and consern in this country. Once the sentence shocks you the chapter describes a different type of abusor, his tactics, why he thinks like that and where he gets his thoughts from. What I really like about this book as well is each chapter then lists the opposite of how a partner should behave and how you should be treated.
Finally the book tells you the things you should look out for when starting a new relationship so you don't fall for another abusor. All in all I recommend every women reads this before they start dating and statistically if a handful of people are rearing this review then chances are at least one of you is in an abusive relationship. My message to you is this. You are here as you on this planet living your life just once. Go to the police today, don't think you don't want them to get in trouble, what they have done to you is wrong and they know what they have done is wrong, they deserve to be dealt with by the authorities and you deserve freedom.
Finally the book tells you the things you should look out for when starting a new relationship so you don't fall for another abusor. All in all I recommend every women reads this before they start dating and statistically if a handful of people are rearing this review then chances are at least one of you is in an abusive relationship. My message to you is this. You are here as you on this planet living your life just once. Go to the police today, don't think you don't want them to get in trouble, what they have done to you is wrong and they know what they have done is wrong, they deserve to be dealt with by the authorities and you deserve freedom.
Merissa (11734 KP) rated Geleon (Fueled By Lust #9) in Books
Dec 17, 2018 (Updated Jun 8, 2023)
Geleon follows the rest of the Fueled by Lust series, in that it is smoking hot, with gorgeous, sexy, alpha males who are also some of the sweetest around, paired up with sassy females full of attitude! Jaelyn leads Geleon on a merry dance, but with Cato on his side (ye gods, I still love that male!!!!) she doesn't stand a chance! Geleon proves that he will do anything to prove to Jaelyn that he is just what she needs.
Geleon receives a shock of his own once Jaelyn's grandmother returns home, plus we find out if 'Ma' is really as senile as she was made out to be. I loved Ma and Eryx, their interaction was wonderful to read, and I really hope I don't have to wait too long for their story.
You see, right here, is the trouble with this series and Celeste Prater! No sooner have you started one book, than you get lost in the story and also find new characters to fall in love with and enjoy, which leads to you wanting the next book immediately!
As for this book, it is full of information that I can't wait to see where it goes or see how the history is intertwined with the present or the future. With action on both sides of the vortex, this is a star in the skies of Insedivertus! This series continues from strength to strength and I love it. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2016
Geleon receives a shock of his own once Jaelyn's grandmother returns home, plus we find out if 'Ma' is really as senile as she was made out to be. I loved Ma and Eryx, their interaction was wonderful to read, and I really hope I don't have to wait too long for their story.
You see, right here, is the trouble with this series and Celeste Prater! No sooner have you started one book, than you get lost in the story and also find new characters to fall in love with and enjoy, which leads to you wanting the next book immediately!
As for this book, it is full of information that I can't wait to see where it goes or see how the history is intertwined with the present or the future. With action on both sides of the vortex, this is a star in the skies of Insedivertus! This series continues from strength to strength and I love it. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2016
Gareth von Kallenbach (971 KP) rated Winter's Tale (2014) in Movies
Aug 6, 2019
“Winter’s Tale”, starring Colin Farrell (Peter Lake), Jessica Brown Findlay (Beverly Penn), Russell Crowe (Pearly Soames), William Hurt (Isaac Penn), Jennifer Connelly (Virginia Gamely) and Will Smith (The Judge) is a fantastic love story, although the beginning was a little slow. It did help define the three different timelines involved in the plot
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.