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BankofMarquis (1832 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 9, 2022
Fun...with heart
Doctor Strange is my favorite Marvel character. This comes from my college days when one of my roommates had a stack of Dr. Strange comics and I tore through them - one of the few Marvel comics that I have actually read. So I was thrilled to find out that Sam Raimi was coming back (was he ever gone?) to direct the 2nd solo Dr. Strange film, DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS.
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Steven Sklansky (231 KP) rated American Assassin (2017) in Movies
Sep 14, 2017
Micheal Keaton + Humor (2 more)
Good action
Interesting Story
A Fun and Exciting Movie
When you think of American action movies you think over the top, hardcore action, lots off explosions and lots of blood. When you think of an Assassin movie you think stealthy, silent killing and people working alone.
But in American Assassin you get a crazy mix of both and it almost works. This is a movie about a guy that loses his girl to terrorists and spends his time being a solo assassin trying to single handedly take down terrorist cells. Which makes sense because who doesn't like a good revenge story. But then he gets picked up by the CIA to train him how to be a better killer. I thought maybe they would be teaching him how to be a spy and an assassin and go on missions alone like any other movie. Like Bourne or The Recruit. But this movie takes it a different way. They train as a team and go on missions as a team. Which is fine, I don't have a problem with that, but it really doesn't make it seem like they are training him to be an assassin which the title of the movie suggests.
The action in this movie does keep you on the edge of your set, which is always a good thing. And the time spent when they aren't running or driving around killing people is also good. There is a lot of story to this movie which keeps things interesting all while keeping the twists to a minimum.
I say for an action movie it was good, not great. I walked into the movie looking for people to be assassinated or trained to assassinate people, but walked out a little disappointed. If you like action see it, I don't know if it is theater worthy, but rent it when it comes out.
But in American Assassin you get a crazy mix of both and it almost works. This is a movie about a guy that loses his girl to terrorists and spends his time being a solo assassin trying to single handedly take down terrorist cells. Which makes sense because who doesn't like a good revenge story. But then he gets picked up by the CIA to train him how to be a better killer. I thought maybe they would be teaching him how to be a spy and an assassin and go on missions alone like any other movie. Like Bourne or The Recruit. But this movie takes it a different way. They train as a team and go on missions as a team. Which is fine, I don't have a problem with that, but it really doesn't make it seem like they are training him to be an assassin which the title of the movie suggests.
The action in this movie does keep you on the edge of your set, which is always a good thing. And the time spent when they aren't running or driving around killing people is also good. There is a lot of story to this movie which keeps things interesting all while keeping the twists to a minimum.
I say for an action movie it was good, not great. I walked into the movie looking for people to be assassinated or trained to assassinate people, but walked out a little disappointed. If you like action see it, I don't know if it is theater worthy, but rent it when it comes out.
Whatchareadin (174 KP) rated Fierce Kingdom in Books
May 10, 2018
Joan and her son Lincoln are enjoying an afternoon in the zoo. As closing time approaches and they are gathering their things to leave, shots ring out. As Joan finds a place to seek refuge and try to keep Lincoln calm and quiet, she's never sure if the sounds she hears are nature or the shooters. Hiding out in an empty porcupine exhibit seems like the perfect idea, until the darkness comes and Lincoln has to eat. He's only four years old and trying to hold off the hunger for too long is nearly impossible. Spanning three grueling hours, Joan and Lincoln try to survive and make it out alive.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
TacoDave (3607 KP) rated Happy Death Day 2U (2019) in Movies
Feb 20, 2019
Entertaining (2 more)
Funny
Likeable Cast
Not really a horror movie (1 more)
Not much of a whodunit
Here we go again...
I liked the first "Happy Death Day" movie quite a bit. I was the only person in the theater that night, so watching it was a fun experience. I liked the idea of mixing a slasher movie with a time-travel/Groundhog's Day motif.
And while I enjoyed the sequel quite a bit, it wasn't nearly as fresh or original as the first movie. Which makes sense. Because it is basically the same movie, except with the horror and whodunit aspects stripped out...
This time Tree (what a dumb name!) gets popped into a parallel universe where things are just slightly different from the first movie. She still repeats the same day over and over. She still dies every day. But this time some of the details of her life are jumbled up - with some characters back to life, and interpersonal relationships changed - so she feels off-balance.
I had hoped that this would lead to a "Scream"-style search for who the killer is, mixed with new relationships, but the whole killing aspect is really put on the back burner. When the reveal happens, it doesn't make sense and there's no build up for it. It just happens. Then the story moves on.
Instead, this movie is about trying to choose between two different types of loss and using a sci-fi deus ex machina to give Tree the power to make that choice.
Will she stay in the new universe? Will she go back "home?" Does anyone really care?
Still, the actors are decent and the movie moves along quickly enough that I wasn't bored. You should definitely see the first movie first, because many of the details in the sequel rely on that knowledge. In fact, I didn't remember it all, even though I have seen it, so it caused a bit of confusion.
But I still recommend this one if you are a fan of genre movies.
And while I enjoyed the sequel quite a bit, it wasn't nearly as fresh or original as the first movie. Which makes sense. Because it is basically the same movie, except with the horror and whodunit aspects stripped out...
This time Tree (what a dumb name!) gets popped into a parallel universe where things are just slightly different from the first movie. She still repeats the same day over and over. She still dies every day. But this time some of the details of her life are jumbled up - with some characters back to life, and interpersonal relationships changed - so she feels off-balance.
I had hoped that this would lead to a "Scream"-style search for who the killer is, mixed with new relationships, but the whole killing aspect is really put on the back burner. When the reveal happens, it doesn't make sense and there's no build up for it. It just happens. Then the story moves on.
Instead, this movie is about trying to choose between two different types of loss and using a sci-fi deus ex machina to give Tree the power to make that choice.
Will she stay in the new universe? Will she go back "home?" Does anyone really care?
Still, the actors are decent and the movie moves along quickly enough that I wasn't bored. You should definitely see the first movie first, because many of the details in the sequel rely on that knowledge. In fact, I didn't remember it all, even though I have seen it, so it caused a bit of confusion.
But I still recommend this one if you are a fan of genre movies.
Whatchareadin (174 KP) rated Fierce Kingdom in Books
Apr 9, 2019
Joan and her son Lincoln are enjoying an afternoon in the zoo. As closing time approaches and they are gathering their things to leave, shots ring out. As Joan finds a place to seek refuge and try to keep Lincoln calm and quiet, she's never sure if the sounds she hears are nature or the shooters. Hiding out in an empty porcupine exhibit seems like the perfect idea, until the darkness comes and Lincoln has to eat. He's only four years old and trying to hold off the hunger for too long is nearly impossible. Spanning three grueling hours, Joan and Lincoln try to survive and make it out alive.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
Phillip McSween (751 KP) rated Total Recall (1990) in Movies
Mar 20, 2018
Just Great Sci-Fi
Total Recall is pure 90's action at its best. Cool fight scenes and gun battles are littered throughout, but never forced or never at the sacrifice of pacing. It definitely made up for some of my smaller gripes like having a lame villain. Seriously, Richter (Michael Ironside) was about as terrifying as my obese beagle. And what was up with the cheesy girl fight? Just not needed.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
BankofMarquis (1832 KP) rated Aquaman (2018) in Movies
Jan 10, 2019
Momoa saves it from being a complete disaster
I have been a defender of the darker DC Universe films. While not as popular (nor, generally, as good) as their Marvel counterparts, they all do have their good points - until now.
AQUAMAN is not a very good film and I could really only come up with 1 good point - Jason Momoa as Aquaman. Some are calling him "the next Rock" and he certainly has the physique, the screen presence and the charm to pull this off. This movie ALMOST worked because of Momoa's presence on the screen.
Almost.
Director James Wan (Furious 7, The Conjuring) certainly had the "chops" to Direct a film like this, unfortunately, I found his Direction to be choppy. What I mean by that is that this film never really settled into a good flow. It cut back and forth - both in content and in tone - to such an extent that I, the movie-goer, could never settle back into my seat and enjoy the ride. I'm sure Mr. Wan would call this movie a "roller-coaster ride", but if it is, it is an old, wooden, rickety roller coaster, jarring the riders as they go.
As for the cast, they are "fine". From Patrick Wilson to Amber Heard to Willem DaFoe to Dolph Lundgren(!) to good ol' Nicole Kidman. They all do decent, professional jobs with what they are given, but what they are given is weak and disjointed.
I would like to point out Yahya Abdul-Mateen as the sub-villain of this piece, Black Manta. This is the most incompetent Super-Villain in any Super Hero movie to date. His Black Manta was there, obviously, to give Aquaman someone to beat. And he beats him...again...and again...and again.
All I wanted to do was "beat feet" out of the theater.
Letter Grade: C+ (for Momoa's efforts)
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
AQUAMAN is not a very good film and I could really only come up with 1 good point - Jason Momoa as Aquaman. Some are calling him "the next Rock" and he certainly has the physique, the screen presence and the charm to pull this off. This movie ALMOST worked because of Momoa's presence on the screen.
Almost.
Director James Wan (Furious 7, The Conjuring) certainly had the "chops" to Direct a film like this, unfortunately, I found his Direction to be choppy. What I mean by that is that this film never really settled into a good flow. It cut back and forth - both in content and in tone - to such an extent that I, the movie-goer, could never settle back into my seat and enjoy the ride. I'm sure Mr. Wan would call this movie a "roller-coaster ride", but if it is, it is an old, wooden, rickety roller coaster, jarring the riders as they go.
As for the cast, they are "fine". From Patrick Wilson to Amber Heard to Willem DaFoe to Dolph Lundgren(!) to good ol' Nicole Kidman. They all do decent, professional jobs with what they are given, but what they are given is weak and disjointed.
I would like to point out Yahya Abdul-Mateen as the sub-villain of this piece, Black Manta. This is the most incompetent Super-Villain in any Super Hero movie to date. His Black Manta was there, obviously, to give Aquaman someone to beat. And he beats him...again...and again...and again.
All I wanted to do was "beat feet" out of the theater.
Letter Grade: C+ (for Momoa's efforts)
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated The Switch (2010) in Movies
Aug 8, 2019
I had one thought when I entered the movie theater to see “The Switch”: what a hodge-podge cast. Leading lady, Jennifer Aniston (Kassie Larson), why she was once the face of 1990’s television! Jeff Goldblum (Leonard), I still think of him each time I encounter the subject of Dinosaurs. And Juliette Lewis (Debbie), she was in that Roller Derby flick, “Whip It” with the girl from Juno. How was a cast like this, enhanced by Arrested Development’s Jason Bateman, as male lead Wally Mars, going to make a film about a woman deciding to have a baby on her own?
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
Gareth von Kallenbach (977 KP) rated Get Him to the Greek (2010) in Movies
Aug 8, 2019
Russell Brand created one of the more memorable characters of 2008 in Forgetting Sarah Marshall with his role as Aldous Snow. Get Him to the Greek is by and large an extension of his role in that movie, but ramped up in the “crazy rock star” department. Jonah Hill, playing the ambitious record company intern Aaron Green tries to bring Aldous Snow from London to Los Angeles to play a show at the Greek Theater. The problem with this simplistic plot is that it doesn’t lead to any character development, and only leads to more jokes. While surprisingly funny in some parts, the characters don’t really make a splash unless they’re doing something ridiculous, which happens quite often.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.