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Judy Greer recommended Singles (1992) in Movies (curated)

 
Singles (1992)
Singles (1992)
1992 | Comedy, Drama, Romance

"I think I’m going to go with Singles, and it’s because of a very specific time in my life. Soundtrack is really important to me, and I’m a child of ’90s grunge. That movie was Seattle, Nirvana, Pearl Jam — it’s the greatest soundtrack. My favorite band was Smashing Pumpkins and my favorite song by Smashing Pumpkins is “Drown,” and that’s on there. Plus, I loved all the different storylines being woven together. I love Cameron Crowe, and the idea of these people living in Seattle and looking for love. I was a senior in high school when it came out. I mean, I saw it in the theater like three times. I was like, “Oh my God, this is gonna be my life. I’m gonna move out of my parents’ house, and I’m gonna go and try to make it in the city somewhere, and it’s gonna be like this.” And, you know, Bridget Fonda as Janet was just the greatest character. I was like, “I’m gonna be like her. I am kind of like her. But not the pathetic parts of her, the great parts of her.” But everyone was just was trying to find themselves, find love, find a career, find a path, find their life. It was really aspirational for me at the time that it came out, so it really scratches that itch that I had then, and it will always be that meaningful to me. I recently made my husband watch it. I can’t remember if he had seen it or if he just didn’t remember it, but I just could tell, even though he loved it and appreciated it, like, it didn’t kill him the way it killed me. And you know, he was like, “Yeah, no, it’s good. I like it.” But he is obsessed with Almost Famous, and I love Almost Famous, but that was more meaningful for him. Singles is just… the movie, the music, the time, the look, the actors, the wardrobe, the backdrop of Seattle. Just all of it."

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The Gospel According to St. Matthew (1964)
The Gospel According to St. Matthew (1964)
1964 | Biography, Drama, History
(0 Ratings)
Movie Favorite

"Next choice I’d say would be The Gospel According to St. Matthew, by Pasolini. I saw that movie for the first time when I was 23 years old. I’d gone to church every Sunday and catechism every week for my whole childhood, but I never paid attention; I was always daydreaming in church — and all of a sudden I went to go see this movie, and I knew everything in the movie. I guess all of my Catholic upbringing I had absorbed through some sort of osmosis. Here was this movie which was this Biblical story which was told so beautifully: the cinema was so simple and so beautiful. He had, you know, Odetta playing “Sometimes I Feel Like A Motherless Child” as the three wise men found Mary and Joseph and baby Jesus. It was, you know… I started sweating while I was watching the movie. The whole left side of my body went numb while I was watching, and I was sure that I was having a heart attack. It was all that I could do — you know, I didn’t want to because it was the greatest movie I’d ever seen — but it was all I could do to crawl out of the movie theater and knock on the projectionist’s door and ask him if I could call my girlfriend. I called my girlfriend and told her I thought I was dying, ’cause I was seeing the greatest movie I’d ever seen, and she showed up. I remember it had been snowing in Colorado and she had all this dirty snow on the roof of her car and I was eating all this dirty snow because my mouth was just parched. And I remember being in the emergency room and thinking that when the doctor walks through, if he looked like Jesus from The Gospel According to St. Matthew, I knew that meant I was dead. Fortunately the guy didn’t look anything like Jesus."

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Erika (17788 KP) rated Cruella (2021) in Movies

Jun 1, 2021 (Updated Jun 1, 2021)  
Cruella (2021)
Cruella (2021)
2021 | Comedy, Crime
3
8.0 (24 Ratings)
Movie Rating
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
  
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Jimmy Fallon recommended American Movie (1999) in Movies (curated)

 
American Movie (1999)
American Movie (1999)
1999 | Comedy, Documentary
(0 Ratings)
Movie Favorite

"This is a comedy for you movie nerds (but that’s probably why you’re on Rotten Tomatoes anyway, because you are a film nerd). This movie is called American Movie, and it’s a documentary comedy. Man, oh man, I remember seeing this film with Horatio Sanz: we were in the theater, and we were crying so hard from laughing, we were hugging each other and punching each other because we were laughing too hard. It’s about a man trying to make a horror movie. He calls it Cove–en, and it’s about a coven, but he doesn’t like the way “coven” rhymes with “oven,” that doesn’t make sense, so he calls it, mispronounces the title for his film, and calls it Cove-en. He tries to get his dad to act in the movie, and his dad is going like, “You have something to live for. Jesus told me so.” And he’s like, “All right, Dad, do it again, but your teeth are falling out.” And he goes, “Cole, you have something to live for. Jesus told me so.” And he goes, “Geez, I hear his teeth clickety clacking in the audio, it’s unusable.” I mean it is crying funny. He takes a dentist, a local dentist [who] wants to be an actor, and he’s ramming his head into a closet that he was supposed to have scored so that it easily breaks away, but he forgets to score the wood so he’s actually ramming a human’s head into a wooden cabinet. [The man] is screaming, and he’s ramming this poor man’s head into the thing. So cut, and the guy’s holding his head. He’s like, “Oh, my gosh.” He’s like “Uh, man, I’m sorry, I forgot to cut that board.” It’s one of the best movies I’ve ever seen. It will make you cry laughing. If you love filmmaking, you will appreciate this. The two guys, the two stars of the movie, are true stars."

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47 Meters Down (2017)
47 Meters Down (2017)
2017 | Horror
The British horror film “47 Meters Down” tells the tale of two young women on vacation in Mexico who get far more of a thrill then they bargained for during a shark cage swim session. Sisters, Lisa (Mandy Moore) and Kate (Claire Holt) meet two charming young men as they try to lick Lisa’s post-break up wounds during a night out somewhere Mexico. When the guys offer to take them out on a shark swim adventure, Kate pushes Lisa to go ahead and do it in an effort to prove she is not as boring as her ex claims.

The film spends about twenty minutes building up this background story, but fails to create any moments for the audience to connect with the characters.

The whole premise is built around what clearly is a poor decision as a rusty old boat pulls into the marina to board the sisters. At this point forward, the entire rest of the film is shot primarily from Lisa’s point of view deep inside the ocean.

As the cage the girls are in first lowers down, there are a few shots of sharks that are very beautiful and thrilling. But after the predictable breakage of the winch holding the cage to the boat ensues, the girls sink to the bottom and attempt to fight for survival.

At this point forward it becomes a bit frustrating to watch because the entire film is very dark and you only get a few glimpses of a shark here or there. If there had been a bit more character build up or story line including rescue efforts, this may have been a theater worthy view. Audiences definitely won’t get as much excitement as they did from other shark films like that of “Jaws” or “Sharknado.” Mostly because this film attempts to take on a more realistic feel. Unfortunately it falls a bit flat and the audience finds comedy in what was supposed to be serious.

I give “47 meters Down” 1 out of 5 stars.
  
Rings (2017)
Rings (2017)
2017 | Horror
5
3.8 (21 Ratings)
Movie Rating
Going in I have to admit I had the lowest expectations for this movie. And indeed it starts off seeming like a complete joke with a scene on a plane that is reminiscent of “Snakes on Plane” but with an evil spirit, flies, and black sludge instead of snakes. The theater filled with laughter for the first five minutes.

A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.

After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.

Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.

A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.

“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
  
Scary Stories to Tell in the Dark (2019)
Scary Stories to Tell in the Dark (2019)
2019 | Horror
Too scary for kids - not scary enough for teenagers
SCARY STORIES TO TELL IN THE DARK is a good "starter" horror film. A step up from fair like Goosebumps but not quite to the level (in intensity, gore and violence) of a "real" Horror film like HEREDITY, PARANORMAL ACTIVITY or the SAW franchise - and that just might be it's downfall for it is stuck in a very narrow band of viewers who will enjoy this (too intense for younger kids, to "kidd-ish" for teenagers and above).

And that's too bad, for SCARY STORIES is a pretty well put together film. Telling...well...a series of scary stories that come true (to the detriment of the teens that these stories are written about).

Based on the YA series of novels of the same name, Director Andre Overdal stitches together (in some instances quite literally) a creepy (enough) tale of teens in danger by things that go bump into the night. There are good (enough) scares, some real (enough) spine-tingling chills and just (enough) death and destruction to keep things interesting.

And that's good for the cast is pretty bland. Zoe Margaret Coletti, Michael Garza, Gabriel Rush and Austin Zajur are "fine" (but interchangeable) as the 4 teens caught in the crossfire of these stories. Their performances/characters are almost good enough to sustain things, but, ultimately, brought nothing new or interesting to their roles. Neither do Lorraine Toussaint, Gil Bellows and Dean Norris, 3 usually dependable actors that just sort of drift in and out of this film with not much to do.

But that doesn't really matter for the special effects, scares and story threads are what you are there to see and the special effects are good (enough), the scares are scary (enough) and the story is just interesting (enough) to let you have a decent (enough) time at the theater.

Letter Grade: B-

6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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