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Gareth von Kallenbach (977 KP) rated The Twilight Saga: New Moon (2009) in Movies
Aug 8, 2019
If you hear the sound of a million screaming girls coming from your local theater, then you already know that the newest film in the Twilight Saga, “New Moon” is here. Picking up where “Twilight” left off is the love triangle between emo babe, Bella (Kristen Stewert), her star-crossed boyfriend/vampire, Edward (Robert Pattinson), and the heartfelt affectionate werewolf, Jacob (Taylor Lautner). But this film isn’t just about this century’s most discussed love triangle. “New Moon” takes Twilighters deeper into the history and mythos of these loveable monsters. Further expanding the Twilightverse is the introduction of the Volturi, the vampire royalty, who keep their kind a global secret, with serious consequences for those who break their code.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
The Marinated Meeple (1848 KP) created a post in Oscars Discussion
Jan 29, 2020
Gareth von Kallenbach (977 KP) rated The Shallows (2016) in Movies
Aug 6, 2019
The Shallows is simple, suspenseful and satisfying. Everything you want it to be.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
The story is simple. Nancy (Blake Lively) is a young woman on a journey to find herself after her mother passes away. She has finally found the “perfect secret” beach her mother always told her about. Nancy surfs the day away in paradise with two other local surfers who eventually leave for the evening. When trying to catch one last wave of the day, she unexpectedly is attacked by a great white shark. Trapped 200 yards off shore on a rock island in low tide, the film becomes a battle of wits and wills between Nancy and one of nature’s most vicious predators.
No doubt, the twiterverse will dismiss this movie as nothing more than a pretty girl in a bikini stuck on a rock in the ocean. But I want to praise Blake Lively’s performance in the film as she is both likeable and believable. We feel her joy, pain, confusion and fear throughout the film. She does a fantastic job keeping our interest in her survival, which is a fine line to walk when the focus is mostly on her and a shark.
I would actually recommend seeing this film in the theater. Not only to get the visual duality of beauty and danger of the ocean, but more importantly, to get that same experience through fantastic sound. There is no thematic score warning you of danger like “Jaws,” In fact, as I write this I cannot remember there being any kind of score at all. If there was, it was minimal. But the sound design set in realism makes you feel the intimate and intense nature of this experience. This creates a satisfying payoff during those suspenseful moments where you want to look away, but cannot bring yourself to do so.
The Shallows is thoroughly enjoyable as it delivers everything it suggests from the trailer and more. At 83 minutes it does not feel long or forced but rather it delivers a simple story with the precision of timing in suspenseful moments that will keep you on the edge of your seat.
Gareth von Kallenbach (977 KP) rated Popstar Never Stop Never Stopping (2016) in Movies
Aug 6, 2019
If you go into this movie expecting anything other than crude comedy, you should not go see this movie. But this is not a bad thing. If you are at all familiar with, and like, the music of The Lonely Island, you will absolutely enjoy Popstar: Never Stop Never Stopping. Which is pretty much The Lonely Island’s take on a Scary Movie, only focused solely on Justin Bieber’s Never Say Never.
Popstar is filmed in documentary style following Conner (Andy Samberg) , aka Conner4Real, as he is getting to release his second solo album after splitting from an influential hip-hop group, Style Boyz. Conner is the complete exaggeration of the real life Bieber, and the film follows his antics as he prepares for the big day and beyond.
In addition to Jorma Taccone and Akiva Shafer, the rest of The Lonely Island, there is a slew of familiar faces and cameos, including, but not limited to, Imogen Poots; Bill Hader; Maya Rudolph; Sarah Silverman; Tim Meadows; Pink; Usher; Nas; Joan Cusack; Adam Levine; and Will Arnett. There are so many more, also, but I would be remiss to give them away.
Ultimately it comes down to this: as I said before, if you are fan of The Lonely Island, you will enjoy this film. I honestly kind of walked out of the theater thinking that the film basically serves as a vehicle for a new Lonely Island album as there all the songs performed in the movie are original and new. But, again, that’s not a bad thing. It, at times, goes a little overboard, but it quickly reels you back in the next moment. I suppose you could say there is humor for all tastes. Well… most tastes anyway.
It’s not going to win any awards. Let’s just get that on the table, but it is a film that will have you laughing most of the way through. There was definitely big audience reaction during my screening of the film. I will most definitely be picking up the soundtrack and the film upon home release.
Popstar is filmed in documentary style following Conner (Andy Samberg) , aka Conner4Real, as he is getting to release his second solo album after splitting from an influential hip-hop group, Style Boyz. Conner is the complete exaggeration of the real life Bieber, and the film follows his antics as he prepares for the big day and beyond.
In addition to Jorma Taccone and Akiva Shafer, the rest of The Lonely Island, there is a slew of familiar faces and cameos, including, but not limited to, Imogen Poots; Bill Hader; Maya Rudolph; Sarah Silverman; Tim Meadows; Pink; Usher; Nas; Joan Cusack; Adam Levine; and Will Arnett. There are so many more, also, but I would be remiss to give them away.
Ultimately it comes down to this: as I said before, if you are fan of The Lonely Island, you will enjoy this film. I honestly kind of walked out of the theater thinking that the film basically serves as a vehicle for a new Lonely Island album as there all the songs performed in the movie are original and new. But, again, that’s not a bad thing. It, at times, goes a little overboard, but it quickly reels you back in the next moment. I suppose you could say there is humor for all tastes. Well… most tastes anyway.
It’s not going to win any awards. Let’s just get that on the table, but it is a film that will have you laughing most of the way through. There was definitely big audience reaction during my screening of the film. I will most definitely be picking up the soundtrack and the film upon home release.
Gareth von Kallenbach (977 KP) rated Spy (2015) in Movies
Aug 6, 2019
Ever since Bridesmaids Melissa McCarthy’s film career and popularity has been growing. The success of The Heat made McCarthy the “hot” new Hollywood comic. Though this success has McCarthy in danger of oversaturation with films that feel like mostly unfunny adlib session connected around loosely uninteresting plots like Identity Theft or Tammy. Luckily, Spy is not one of these films.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
McCarthy once again teams up with Director/Writer Paul Feig (Bridesmaids/The Heat) and the chemistry of their previous success shows.
To be clear, this film is not the greatest comedy ever, but the fact that there is a clear script and the story knows where it is headed helps keep the experience enjoyable throughout at it progresses. McCarthy is on point as a support agent who becomes field agent to find a nuclear weapon and catch the person responsible for the death of her agent/partner. This film makes fun of all the typical spy film tropes through the fact that our best agent is a large unassuming woman who keeps finding herself in the typical spy situations. She solves each of these situations in her own way which is nice and often hilarious to see.
Additionally, the rest of the cast offer up hilarious delivery across the board, including but not limited to Jason Statham. There are several scenes where Statham steals the show. It is great to see him play a super spy, a character we always see him play, but in a ridiculous over the top hilarious way. It was fun to watch and his chemistry with McCarthy is great. Additionally, Rose Byrne (Neighbors) plays well across from McCarthy as a villain who is sexy, dangerous bitch, who we cannot help like none the less. Her comedy timing works well with McCarthy and the two are great together on screen.
If you are looking to escape the summer heat and you are looking for a laugh, don’t skip out on Spy. So far it is the best of the comedy of the year and it is worth checking out, if not in the theater, then when it is out for home distribution.
Gareth von Kallenbach (977 KP) rated Insidious: Chapter 3 (2015) in Movies
Aug 6, 2019
Some of us at one time or another have considered contacting a loved one who has passed away or making contact with the “other side” through séances, Ouija boards, or even the recent trend “Charlie, Charlie.” We don’t consider the ramifications of our decisions and what the outcome could be. With the third installment of the Insidious franchise we bear witness to this possibility for one young lady. Quinn Brenner is suffering from the recent loss of her mother and desperately wants to contact her. In her attempts to contact the departed, she reaches out to Elise Rainier, a medium who reluctantly assists her, yet warns her of the dangers in pursuing this endeavor. Unfortunately for Quinn, the warning comes too late as her attempts to reach out to her mother have opened up the opportunity to be contacted by other spirits. As a result, Quinn finds herself being pursued by a dark entity whose only purpose is obtaining her soul. With the help of Elise and Quinn’s father, it becomes a fight to rescue her soul from the clutches of this dark and mysterious figure.
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
Gareth von Kallenbach (977 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
Aug 7, 2019
“ Yo ho, yo ho, a pirates life for me. We pillage plunder, we rifle a loot. Drink up me ‘earties, yo ho. We kidnap and ravage and don’t give a hoot drink up me ‘earties yo ho”.
Captain Jack Sparrow is at it again with a map in one hand and a bottle of rum in the other. In the fourth installment of Pirates of the Caribbean: On Stranger Tides, Captain Jack Sparrow teams up with an old flame Angelica (Penelope Cruz) and her father Blackbeard (Ian McShane) in the hopes of finding the Fountain of Eternal Youth. There are a group of Englishmen captained by Barbossa and a group of Spaniards who are on the quest to find the fountain as well. In order to reap the benefits of said fountain they have to find two chalices that are in the possession of Ponce de Leon and a mermaids tear. With a great storyline from Tedd Elliot and Terry Rossio the summer movie season has started off on the right foot and looks very promising.
Jerry Bruckheimer brings us Pirates of the Caribbean: On Stranger tides in excellent 3D. Unlike a lot of the other recent 3D movies converted into 3D, POTC is actually shot with a 3D camera providing the audience with better graphics and exciting effects. Unlike the others this new installment is based upon the book On Stranger Tides written by Tim Powers and includes but is not limited to mermaids, Zombie crewmembers, lots of rum, revenge, romance, mystery and a lot of swashbuckling excitement.
Orlando Bloom and Keira Nightly are not missed as Capt. Jack once again steels the show. The 1967 Disney attraction has changed over the years and most recently Capt Jack himself, Capt. Barbossa and coming soon they will be adding Blackbeard to the previous Davy Jones fog projection screen. The future for Jack Sparrow looks very promising as it has been rumored that Johnny Depp is already signed on for more pirate adventures. I loved this movie and is a great kick off to the summer movie season and I plan on seeing it again only this time in “4-D” at the closest D-Box(motion simulation seats) theater.
Captain Jack Sparrow is at it again with a map in one hand and a bottle of rum in the other. In the fourth installment of Pirates of the Caribbean: On Stranger Tides, Captain Jack Sparrow teams up with an old flame Angelica (Penelope Cruz) and her father Blackbeard (Ian McShane) in the hopes of finding the Fountain of Eternal Youth. There are a group of Englishmen captained by Barbossa and a group of Spaniards who are on the quest to find the fountain as well. In order to reap the benefits of said fountain they have to find two chalices that are in the possession of Ponce de Leon and a mermaids tear. With a great storyline from Tedd Elliot and Terry Rossio the summer movie season has started off on the right foot and looks very promising.
Jerry Bruckheimer brings us Pirates of the Caribbean: On Stranger tides in excellent 3D. Unlike a lot of the other recent 3D movies converted into 3D, POTC is actually shot with a 3D camera providing the audience with better graphics and exciting effects. Unlike the others this new installment is based upon the book On Stranger Tides written by Tim Powers and includes but is not limited to mermaids, Zombie crewmembers, lots of rum, revenge, romance, mystery and a lot of swashbuckling excitement.
Orlando Bloom and Keira Nightly are not missed as Capt. Jack once again steels the show. The 1967 Disney attraction has changed over the years and most recently Capt Jack himself, Capt. Barbossa and coming soon they will be adding Blackbeard to the previous Davy Jones fog projection screen. The future for Jack Sparrow looks very promising as it has been rumored that Johnny Depp is already signed on for more pirate adventures. I loved this movie and is a great kick off to the summer movie season and I plan on seeing it again only this time in “4-D” at the closest D-Box(motion simulation seats) theater.
DH
Dubose Heyward: A Charleston Gentleman and the World of Porgy and BESS
Book
In 1924 DuBose Heyward (1885-1940) was a businessman absorbed in his Charleston heritage. One year...
Gareth von Kallenbach (977 KP) rated Coco (2017) in Movies
Jul 11, 2019
PIXAR movies have a formula that expertly combines an adorable hero/heroine with a story that tugs at the heartstrings. There is always a moment or two where you have to reach for tissue or surreptitiously dash a few tears away with your sleeve. With writers and directors from Finding Nemo, the Good Dinosaur, Toy Story 3 and Monsters University, Coco is no exception.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
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