"This was the first documentary I ever saw in a movie theater. No less than an epic opus, the documentary you show people who don’t think they like documentaries, and the sort of film that lives with you whether you are a sports fan or not. (For the record, I am.)"

"Here’s another one I really like. I really like the relationship and the acting in a movie called The Dresser with Tom Courtenay and Albert Finney. Albert Finney is an aging Shakespearean actor who’s falling to pieces in his mind, and Tom Courtenay’s whole career depends on dressing this guy and he’s the only one who can get him through the show. You see all the people who depend on this guy to be able to do it, you know, in order for them to have their lives, and how important the theater is to them. I’ve always really been into the theater, even before I was an actor. And I love Tom Courtenay."

"When this movie came out, I went to see it again and again. It was probably the last movie that I saw in the theater more than once during its initial release. I knew nothing about it going in, and coming out mostly what I knew was how happy it made me feel."

"Understanding the screening room as a space where an immersive experience can happen, through the expansion of colored light that emanates from the screen. We are flooded in blue for 80 minutes. It is a unique trance. We come out of the theater transformed, each viewer with a different type of blue inside."

"I worked hard at German so that I could read Brecht, but was saved by watching his plays performed live at Mannheim by an excellent company. However, it was Marc Blitzstein’s 1954 translation of Threepenny Opera in a tiny theater off-Broadway that electrified me with “Mack the Knife” and “Pimp’s Ballad.”"