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Awix (3310 KP) rated Game Night (2018) in Movies

Mar 5, 2018 (Updated Mar 22, 2019)  
Game Night (2018)
Game Night (2018)
2018 | Comedy, Mystery
Knowingly absurd black comedy thriller is powered along by engaging performances and some good gags. A group of affluent friends think they're participating in a kind of murder mystery role-playing game; in fact the situation is in deadly earnest.

The script goes into overdrive to sustain this fairly preposterous premise for 100 minutes - it just about manages it but the first half inevitably feels a bit less forced than the conclusion. Still very funny indeed in places; there's a bit of tonal uncertainty - the thriller element is quite dark, with some graphic violence - but not enough to make the film uncomfortable to watch. Bateman and McAdams are particularly good, but lots of good turns here, both comic and straight. I laughed a lot, which is pretty unusual when it comes to me and modern comedies.
  
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Awix (3310 KP) rated You Were Never Really Here (2018) in Movies

Mar 16, 2018 (Updated Mar 17, 2018)  
You Were Never Really Here (2018)
You Were Never Really Here (2018)
2018 | Drama, Mystery, Thriller
On paper Lynne Ramsay's art-house thriller looks like it's channelling Taxi Driver plus any Luc Besson thriller you care to mention: brutal mercenary (Phoenix) takes on a mission to free a senator's daughter, but the job goes bad, to say the least.

However, it's not just the story, but how you tell it - the plot itself is cut down to the bone, and the film is built around the way the director presents a succession of tiny details, a broodingly intense performance from Phoenix, and a driving score from Jonny Greenwood. Pretty heavy stuff throughout, with some graphic violence and a relentlessly bleak vision of the world, but not the kind of film you can really look away from once it has you in its grasp. Not sure it really qualifies as entertainment, but an impressive work of art.
  
Baby Driver (2017)
Baby Driver (2017)
2017 | Action, Comedy
Criminal Records
Edgar Wright's high-energy jukebox thriller may be your last chance to see Kevin Spacey in a new movie. Brilliant young music-loving hearing-impaired getaway driver ends up in hock to criminal mastermind; must decide whether to run for it with his lovely new girlfriend or carry out one last job with some rather suspect associates.

Slightly retro crime thriller with a central gimmick - action sequences are frequently choreographed to the soundtrack - that isn't quite as innovative as it thinks it is. As technically proficient as you would expect from Wright; what's unusual is that the film has a degree of heart you wouldn't expect, not to mention an impressively twisty-turny plotline - just who the main bad guy will turn out to be is not at all clear until quite late on. Good performances all round, too.