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Darren (1599 KP) rated The Good Liar (2019) in Movies
Nov 26, 2019
Verdict: Tense Thriller
Story: The Good Liar starts as we meet Roy Courtnay (McKellen) a con man that has mark out his latest target, a widow Betty McLeish (Mirren) who he gets to romance getting close before presenting his plan with his partner Vincent (Carter).
Betty is happy to welcome Roy into her life despite her grandson Stephen (Tovey) not being as welcoming, only for this job to become one that will finally put Roy against his toughest match.
Thoughts on The Good Liar
Characters – Betty is a widow teacher that has always been smart with her money, with her only remaining relative being a grandson that always makes sure she is safe, she is looking for companionship with Roy and wants to remain her own confident self while making decisions with her money. Roy is a conman that is always working on his latest scheme to steal people’s money, he targets wealthy widows with Betty being the latest target, he always presents himself as a kind gentleman and even with the deals he is doing, he does have a violent side to him which he only shows when he needs to, making him a very dangerous man. Stephen is the grandson of Betty, he is always wanting to make sure she is safe and not being taken advantage of, not taking to fondly to Roy. Vincent is the partner of Roy, he is there for any final deal playing the person that will broker the deals, he does try to play into the human side of Roy too.
Performances – Helen Mirren and Ian McKellen are absolutely brilliant together, seeing the two legends dominate the screen through the film. Russell Tovey and Jim Carter do well through the film to try and keep up with the legends too.
Story – The story here follows a veteran conman that is still working on his cons with his latest target being a widow, worth millions, only this time he is meeting his match. This is a con man story that shows how one man has turned it into an art never fearing the job will go wrong, but Betty isn’t going to be an easy target. The big problem with this story comes from the fact you know this needs to have a twist and you are just waiting to see if you can figure it out before it is revealed, luckily it is a wonderful twist which can make the story revisited to pick up on the little clues being left through the film. It might not break the wheel with how everything unfolds because it is one where he learn and want Roy to get what he deserves through the film.
Thriller – The thriller side of the film plays into the conman mindset being explored through the film, we are kept guessing, while we don’t need to have too many intense scenes.
Settings – The film uses the locations to the advantages, with busy life of London, which Roy enjoys, to the quiet life which always makes him uncomfortable.
Scene of the Movie – Underground meeting.
That Moment That Annoyed Me – You are left waiting for the twist to happen.
Final Thoughts – This is one of the thrillers that can be enjoyed, it is smart, slick and has two legends of the industry shining through the film.
Overall: Entertaining Thriller.
Story: The Good Liar starts as we meet Roy Courtnay (McKellen) a con man that has mark out his latest target, a widow Betty McLeish (Mirren) who he gets to romance getting close before presenting his plan with his partner Vincent (Carter).
Betty is happy to welcome Roy into her life despite her grandson Stephen (Tovey) not being as welcoming, only for this job to become one that will finally put Roy against his toughest match.
Thoughts on The Good Liar
Characters – Betty is a widow teacher that has always been smart with her money, with her only remaining relative being a grandson that always makes sure she is safe, she is looking for companionship with Roy and wants to remain her own confident self while making decisions with her money. Roy is a conman that is always working on his latest scheme to steal people’s money, he targets wealthy widows with Betty being the latest target, he always presents himself as a kind gentleman and even with the deals he is doing, he does have a violent side to him which he only shows when he needs to, making him a very dangerous man. Stephen is the grandson of Betty, he is always wanting to make sure she is safe and not being taken advantage of, not taking to fondly to Roy. Vincent is the partner of Roy, he is there for any final deal playing the person that will broker the deals, he does try to play into the human side of Roy too.
Performances – Helen Mirren and Ian McKellen are absolutely brilliant together, seeing the two legends dominate the screen through the film. Russell Tovey and Jim Carter do well through the film to try and keep up with the legends too.
Story – The story here follows a veteran conman that is still working on his cons with his latest target being a widow, worth millions, only this time he is meeting his match. This is a con man story that shows how one man has turned it into an art never fearing the job will go wrong, but Betty isn’t going to be an easy target. The big problem with this story comes from the fact you know this needs to have a twist and you are just waiting to see if you can figure it out before it is revealed, luckily it is a wonderful twist which can make the story revisited to pick up on the little clues being left through the film. It might not break the wheel with how everything unfolds because it is one where he learn and want Roy to get what he deserves through the film.
Thriller – The thriller side of the film plays into the conman mindset being explored through the film, we are kept guessing, while we don’t need to have too many intense scenes.
Settings – The film uses the locations to the advantages, with busy life of London, which Roy enjoys, to the quiet life which always makes him uncomfortable.
Scene of the Movie – Underground meeting.
That Moment That Annoyed Me – You are left waiting for the twist to happen.
Final Thoughts – This is one of the thrillers that can be enjoyed, it is smart, slick and has two legends of the industry shining through the film.
Overall: Entertaining Thriller.
Sarah (7800 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Dwimmler (0 KP) rated The Woman in Cabin 10 in Books
Apr 26, 2018
Predictable
I get that mystery and thriller is hard to do now because there have been SO MANY mystery/thriller novels released. I will also say, while I love the genre, it is hard for me to find one I like, so that might just be me being picky. That being said, the biggest disappointment for me was the character development. She tried so hard to set up the mood of suspense and the backstory of why the main character is consistently fearful and anxious, but it seems like she skipped over adding any depth to the character, which makes no sense since most the book is the character being in her own head. Her thoughts are so one-note, though, I couldn’t connect with or even like her and, by the end, I found myself hoping she would die (which is not usually what I root for to happen). She throws in a few tidbits of backstory later on into the book, almost as though they are part of a great reveal, but it fell flat for me and it was a “too little too late” sort of situation. It was a good, easy read for vacation (which is when I read it), but I was slightly disappointed given the amount of publicity this book has been getting.
Midge (525 KP) rated The Buried Girl in Books
Mar 5, 2019
A Chilling Psychological Thriller with Gothic Elements
This book caught my eye as I loved the synopsis and I read a lot of books from this genre, although I haven’t read any of the author, Richard Montanari’s books before. “The Buried Girl” is a chilling psychological thriller with some added Gothic elements.
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Midge (525 KP) rated The First Cut in Books
Mar 11, 2019
Nail-biting & Dark
“The First Cut” is actually the third book in a series called the ‘Doctors of Darkness’, the first book being ‘Daddy Darkest’ and the second is ‘The Hanging Tree’. I don’t think this made much difference to my immense enjoyment of the book as plenty of back-story was provided.
‘Love Doctors’ Ian and Kate Culpepper are brutally murdered in their Carmel mansion on Valentine’s Day. To Ava, its fate because Ian left her for the perfect Kate four years ago. Then they made their home close to Ava, complete with their perfect house and their perfect daughter and their matching perfect smiles. It’s no wonder that Ava can’t stop watching or that she can’t let go…
However, Ian is far from perfect, and Ava owes a debt too, for when they were together, they did an unforgivable thing - a dark deed that severed their marriage in two. Ava’s name is found inked in blood at the crime scene and someone knows what she’s hiding…
Ellery Kane has a very unique writing style that is perfect for this psychological thriller. Many of the characters, especially Ava, were so complex that, at first, it wasn’t easy to work out exactly how they contributed to the story. Eventually, as different aspects of the story were revealed, it all started to come together. This, though, is the foundation for a fantastic psychological thriller.
Overall, “The First Cut” is a sensational and thrilling read with lots of nail-biting and alarming moments that culminate in a fulfilling conclusion.
[Thanks to Hidden Gems and the author Ellery Kane for a free ARC of this book in exchange for an honest review.]
‘Love Doctors’ Ian and Kate Culpepper are brutally murdered in their Carmel mansion on Valentine’s Day. To Ava, its fate because Ian left her for the perfect Kate four years ago. Then they made their home close to Ava, complete with their perfect house and their perfect daughter and their matching perfect smiles. It’s no wonder that Ava can’t stop watching or that she can’t let go…
However, Ian is far from perfect, and Ava owes a debt too, for when they were together, they did an unforgivable thing - a dark deed that severed their marriage in two. Ava’s name is found inked in blood at the crime scene and someone knows what she’s hiding…
Ellery Kane has a very unique writing style that is perfect for this psychological thriller. Many of the characters, especially Ava, were so complex that, at first, it wasn’t easy to work out exactly how they contributed to the story. Eventually, as different aspects of the story were revealed, it all started to come together. This, though, is the foundation for a fantastic psychological thriller.
Overall, “The First Cut” is a sensational and thrilling read with lots of nail-biting and alarming moments that culminate in a fulfilling conclusion.
[Thanks to Hidden Gems and the author Ellery Kane for a free ARC of this book in exchange for an honest review.]
Billie Wichkan (118 KP) rated Don't Even Breathe in Books
May 22, 2019
From the bestselling author of Crash comes a riveting thriller rife with murder, misdirection, and ghosts from the past.
Florida homicide detective Maggie Novak has seen hundreds of brutal murder cases, but when she is called out to investigate the charred remains of a young woman, in what appears to be a Halloween prank gone wrong, she is confronted with a twenty-year-old secret. The body is formally identified as that of school counselor Dana Cullen, but a distinguishing mark makes Maggie look again. She believes it is the body of her school friend Rita, who perished in a fire twenty years ago.
Maggies hunt for the truth behind the murder takes her back to a cruel high school trick shes desperate to forget. And when another body turns up, Maggie realizes she too may be the target of a sinister plot creeping toward its final act.
Maggie needs emotional distance to do her job, but shes so close to this case that she cant even breathe. Will Maggie be able to uncover the truth of who wanted Rita dead? Or will her past mistakes catch up with her first?
Don't Even Breathe is a great thriller with lots of twists.
You are thrown straight into action from the beginning.
Lots of suspense and twists that keep you gripped until those final pages.
Love the new characters and can't wait to see how they develop and evolve.
Looking forward to more of this series.
Recommend reading.
I would like to thank the author, Amazon Publishing UK and Netgalley for the ARC.
Florida homicide detective Maggie Novak has seen hundreds of brutal murder cases, but when she is called out to investigate the charred remains of a young woman, in what appears to be a Halloween prank gone wrong, she is confronted with a twenty-year-old secret. The body is formally identified as that of school counselor Dana Cullen, but a distinguishing mark makes Maggie look again. She believes it is the body of her school friend Rita, who perished in a fire twenty years ago.
Maggies hunt for the truth behind the murder takes her back to a cruel high school trick shes desperate to forget. And when another body turns up, Maggie realizes she too may be the target of a sinister plot creeping toward its final act.
Maggie needs emotional distance to do her job, but shes so close to this case that she cant even breathe. Will Maggie be able to uncover the truth of who wanted Rita dead? Or will her past mistakes catch up with her first?
Don't Even Breathe is a great thriller with lots of twists.
You are thrown straight into action from the beginning.
Lots of suspense and twists that keep you gripped until those final pages.
Love the new characters and can't wait to see how they develop and evolve.
Looking forward to more of this series.
Recommend reading.
I would like to thank the author, Amazon Publishing UK and Netgalley for the ARC.
Kristy H (1252 KP) rated In a Dark, Dark Wood in Books
Feb 13, 2018
Nora hasn't heard from her friend Clare in over 10 years, until she receives an invite to her "hen party" (bachelorette party for us Americans) from one of Clare's friends. Clare and Nora were the best of friends in school, until a series of events brought them apart, and she eventually decides to attend, along with their friend Nina. However, when Nora and Nina arrive, they gather with a group of Clare's friends at an isolated house in the woods. Things seem off from the beginning and go downhill from there.
This book was a juggernaut that I couldn't stop reading. It was a fast read with a captivating plot that overcame some of its other flaws, mainly some mildly annoying characters who lacked development and performed some outlandish actions based on the past. The book unfolds from Nora's point of view in bits and pieces, and she's an unreliable narrator as well (suffering from some memory loss), which really allows the suspense to build. Note that despite the title, it's not a scary book, per se, just a thriller or mystery. It's a fun read, trying to piece together the various threads to reach the conclusion. I felt a little bad for those caught up in the schoolhouse games of the characters, for sure.
Overall, would have liked to have gotten to know the characters and their motivations a bit more (some very high stakes actions occur, which are a little hard to believe - a lot of the plot requires suspending disbelief at times, if you really think things through), but still an enjoyable and fast-paced thriller. 3.5 stars.
This book was a juggernaut that I couldn't stop reading. It was a fast read with a captivating plot that overcame some of its other flaws, mainly some mildly annoying characters who lacked development and performed some outlandish actions based on the past. The book unfolds from Nora's point of view in bits and pieces, and she's an unreliable narrator as well (suffering from some memory loss), which really allows the suspense to build. Note that despite the title, it's not a scary book, per se, just a thriller or mystery. It's a fun read, trying to piece together the various threads to reach the conclusion. I felt a little bad for those caught up in the schoolhouse games of the characters, for sure.
Overall, would have liked to have gotten to know the characters and their motivations a bit more (some very high stakes actions occur, which are a little hard to believe - a lot of the plot requires suspending disbelief at times, if you really think things through), but still an enjoyable and fast-paced thriller. 3.5 stars.
Daniel Boyd (1066 KP) rated Killing Eve in TV
Oct 22, 2018 (Updated Oct 22, 2018)
Good script (1 more)
Great cast
A Solid Spy Thriller With Laughs
Killing Eve is a BBC series based on the novel, 'Codename: Villianelle.' It stars Sandra Oh as Eve and Jodie Comer as Villianelle. Both are brilliant in their respective roles and are the main players in driving the show forward. They are supported by a very strong supporting cast as well, with everyone selling their character convincingly.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
Daniel Boyd (1066 KP) rated Bird Box (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Fantastic direction and cinematography, full of great shots (3 more)
Great ensemble cast
Vague enough to keep you guessing while still giving you enough to care about the players involved
Fantastic use of tension
The Movie That A Quiet Place Wishes It Was
For me, A Quiet Place was one of the biggest let downs of the year. I was so hyped based on the trailers beforehand and I was ultimately left extremely underwhelmed.
This movie hit the mark that A Quiet Place missed in my opinion and is an example of a stellar horror/thriller that does it's job of keeping it's audience on the edge of their seat throughout.
Sandra Bullock puts in one of the greatest performances of her career here and proves that her remarkably consistent career hasn't just happened by accident, she is an actress at the top of her game and has stood the test of time for a reason. The rest of the cast are also great, with Sarah Paulson, Trevante Rhodes, Tom Hollander and John Malkovich standing out as highlights.
I loved the way that the filmmakers built legitimate tension and dread without resorting to bog standard lazy modern horror techniques such as throwing in an abundance of jumpscares and hoping that at least a couple of them work. The movie does a fantastic job at keeping you the edge of your seat throughout and throwing in a few twists to keep the momentum going until the end.
I don't want to say too much more as you are best going into this movie as blind as possible (pun intended,) but it is a brilliant thriller that is definitely worth your time.
This movie hit the mark that A Quiet Place missed in my opinion and is an example of a stellar horror/thriller that does it's job of keeping it's audience on the edge of their seat throughout.
Sandra Bullock puts in one of the greatest performances of her career here and proves that her remarkably consistent career hasn't just happened by accident, she is an actress at the top of her game and has stood the test of time for a reason. The rest of the cast are also great, with Sarah Paulson, Trevante Rhodes, Tom Hollander and John Malkovich standing out as highlights.
I loved the way that the filmmakers built legitimate tension and dread without resorting to bog standard lazy modern horror techniques such as throwing in an abundance of jumpscares and hoping that at least a couple of them work. The movie does a fantastic job at keeping you the edge of your seat throughout and throwing in a few twists to keep the momentum going until the end.
I don't want to say too much more as you are best going into this movie as blind as possible (pun intended,) but it is a brilliant thriller that is definitely worth your time.
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PERFECT HUSBAND. PERFECT FATHER. PERFECT LIAR? ‘You'll devour this terrific debut like the rest...
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