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Hazel (2934 KP) rated Dead and Buried in Books
Jan 5, 2020
Pretty Good Thriller
I am ashamed to say that this book has been in my "to be read" pile since it was published in 2015; my New Year's Resolution for 2020 is to read at least 1 book per month from my pile in order to get through the backlog - this is the first of the year so doing pretty well so far!
Anyway, this is a pretty good read and although the subject matter is harrowing at times, I enjoyed it and found it an engaging and riveting read.
The book alternates between the past and the present and follows the story of Conor amongst the backdrop of "The Troubles" in Northern Ireland during the 1990's and the present day; I admit you do have to have your wits about you when reading in order not to get confused as to which time you are in however, I found it quite easy to stay on track and only had to check back a couple of times to double check.
The story is told from Conor's perspective throughout and his character is well developed and believable as are all the main characters in this book. What I particularly liked and which felt authentic, was how the internal battle Conor fought with himself around trying to do the right thing whilst being forced to do wrong in order to protect himself and his family.
This is a dark and gritty story with plenty of action and scenes of peril; the writing is at a good pace and easy to read with the difficulties Conor faces being a Catholic married to a Protestant being dealt with sensitively and, in my opinion, without bias towards either side.
Overall, a pretty good thriller set in a time and place that few books I have read previously have touched upon and I would certainly read further books from this author.
Thank you to Carina UK/HQ Digital and NetGalley for my copy in return for an honest review.
Anyway, this is a pretty good read and although the subject matter is harrowing at times, I enjoyed it and found it an engaging and riveting read.
The book alternates between the past and the present and follows the story of Conor amongst the backdrop of "The Troubles" in Northern Ireland during the 1990's and the present day; I admit you do have to have your wits about you when reading in order not to get confused as to which time you are in however, I found it quite easy to stay on track and only had to check back a couple of times to double check.
The story is told from Conor's perspective throughout and his character is well developed and believable as are all the main characters in this book. What I particularly liked and which felt authentic, was how the internal battle Conor fought with himself around trying to do the right thing whilst being forced to do wrong in order to protect himself and his family.
This is a dark and gritty story with plenty of action and scenes of peril; the writing is at a good pace and easy to read with the difficulties Conor faces being a Catholic married to a Protestant being dealt with sensitively and, in my opinion, without bias towards either side.
Overall, a pretty good thriller set in a time and place that few books I have read previously have touched upon and I would certainly read further books from this author.
Thank you to Carina UK/HQ Digital and NetGalley for my copy in return for an honest review.
JT (287 KP) rated Anna (2019) in Movies
Mar 10, 2020
Tell me if you’ve heard this one before? A young woman is pulled from a life of drugs and abuse and given a fresh start as a deadly assassin. Once on the inside, she uses her skill set and good looks to complete various assignments while falling for her handler. She then decides that her new life is not for her after all and wants out.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Sarah (7800 KP) rated The Invisible Man (2020) in Movies
Mar 18, 2020
Terrifying
Don't you just love it when you go and see a film you know little to nothing about, and end up being pleasantly surprised at how good it is? Yesterday was my last chance to catch a film due to closure because of the coronavirus, and I'm very glad I chose to watch The Invisible Man.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.
Gareth von Kallenbach (980 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
The Witchfinder's Sister
9.0
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'VIVID AND TERRIFYING' Paula Hawkins, author of The Girl on the Train 'At once a feminist parable...
You Don't Know Me
8.0
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'An eye-opening, slick and compulsive thriller with an important message and unique writing' ADAM...
Kristy H (1252 KP) rated The Therapist in Books
Jul 29, 2021
An average locked neighborhood thriller
Alice and Leo have been in a long distance relationship for eighteen months when they finally move in together and buy a house in the The Circle, a development in the middle of London. It's a gated estate made up of twelves house designed to be especially safe and secure. But Alice soon discovers a horrible secret about her new home and becomes obsessed with Nina, the therapist who lived there before her. She starts trying to figure out what happened to Nina--at the expense of her relationship with Leo and her neighbors.
"It's only as I stand there, shrouded in perfect stillness that a thought slams into my head. I don't like this house."
This thriller was slow to start and was one of several locked neighborhood books I've read lately. I'm sort of over the trend of average folks up in everyone's business thinking they can solve murders. I didn't quite buy why Alice cared so much, even though there's supposed to be a "reason" for her attachment to Nina (she shares a name with Alice's late sister).
As with many of these types of thrillers, there's a cast full of mostly unlikable characters and a bunch of somewhat interchangeable neighbors. Alice forms an odd bond with a Private Investigator, Thomas, who is quickly added to the mix. She seems fast to accuse basically everyone she meets of nearly anything, so I suppose that added to the suspense/red herrings. The book does have a slightly ominous feel, though I think many of her problems would have been solved by simply changing the darn locks!
There are some good twists and the story held my interest once it picked up the pace. However, I'm afraid it will get lost in the swirl of recent locked neighborhood books and not stand out in a few months. 3 stars.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
"It's only as I stand there, shrouded in perfect stillness that a thought slams into my head. I don't like this house."
This thriller was slow to start and was one of several locked neighborhood books I've read lately. I'm sort of over the trend of average folks up in everyone's business thinking they can solve murders. I didn't quite buy why Alice cared so much, even though there's supposed to be a "reason" for her attachment to Nina (she shares a name with Alice's late sister).
As with many of these types of thrillers, there's a cast full of mostly unlikable characters and a bunch of somewhat interchangeable neighbors. Alice forms an odd bond with a Private Investigator, Thomas, who is quickly added to the mix. She seems fast to accuse basically everyone she meets of nearly anything, so I suppose that added to the suspense/red herrings. The book does have a slightly ominous feel, though I think many of her problems would have been solved by simply changing the darn locks!
There are some good twists and the story held my interest once it picked up the pace. However, I'm afraid it will get lost in the swirl of recent locked neighborhood books and not stand out in a few months. 3 stars.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
ClareR (5945 KP) rated Mother May I in Books
Aug 2, 2021
Mother May I was an unputdownable book for me - a high octane thriller, where a mother must follow, to the letter, the instructions of the woman who has kidnapped her infant son.
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
Kristy H (1252 KP) rated Local Woman Missing in Books
May 27, 2021
I'm so excited to be a part of the blog tour for this dark, frantic page-turner of a thriller
First Shelby Tebow goes missing. A new mom, Shelby's husband is quickly suspected in her disappearance. Then Meredith Dickey and her young daughter, Delilah--who live just blocks from Shelby--vanish. The rest of the neighborhood, including couple Bea and Kate, are terrified. Are the cases related? An investigation is launched, with few results. Then, eleven years later, Delilah is found, bringing back memories of all the incidents, especially for her father Josh and brother Leo. Everyone wants answers, but Delilah is too traumatized to provide them. Besides, the secrets unearthed with Delilah's return may be too much for everyone.
"I don't know how old I am. I don't know how long they've been keeping me here."
This was a captivating page-turner that I read in three breathless sittings. It's undeniably compelling and sucks you in from the beginning. It starts with Delilah's point of view, shocking and terrifying, and sort of never lets you go. Her voice and story are hard to forget. Among other narrators, we hear from Meredith, eleven years ago, and then Kate and Leo in the present. Working out how the various families and characters are interconnected is part of the challenge and honestly, I was truly shocked at various points in the story. How exactly these missing women and Delilah are tied together is incredibly dark and twisty.
I was completely into this book for most of the story and thought I was looking at 4.5+ star read. It started to dissolve a bit at the end, as things (including some characters) went a little crazy. Still, some of the twists were truly awesome and breathtaking. I think--in that way--this is one of Kubica's best in a while.
Overall, this is an addictive thriller filled with some truly shocking plot twists. It keeps you guessing the entire time, and its complex and layered plot is different and exciting. 4+ stars.
"I don't know how old I am. I don't know how long they've been keeping me here."
This was a captivating page-turner that I read in three breathless sittings. It's undeniably compelling and sucks you in from the beginning. It starts with Delilah's point of view, shocking and terrifying, and sort of never lets you go. Her voice and story are hard to forget. Among other narrators, we hear from Meredith, eleven years ago, and then Kate and Leo in the present. Working out how the various families and characters are interconnected is part of the challenge and honestly, I was truly shocked at various points in the story. How exactly these missing women and Delilah are tied together is incredibly dark and twisty.
I was completely into this book for most of the story and thought I was looking at 4.5+ star read. It started to dissolve a bit at the end, as things (including some characters) went a little crazy. Still, some of the twists were truly awesome and breathtaking. I think--in that way--this is one of Kubica's best in a while.
Overall, this is an addictive thriller filled with some truly shocking plot twists. It keeps you guessing the entire time, and its complex and layered plot is different and exciting. 4+ stars.
BookInspector (124 KP) rated Do No Harm in Books
Sep 24, 2020
It is a very haunting thriller told from multiple perspectives – mainly Lily’s and Sebastian’s. I really loved the characters in this book, they all seem like regular people, whom we meet every day. Even though the characters are very believable, they have their very unique characteristics, which makes them very amusing and absorbing. LV Hay is famous for her diverse characters, and I really liked that she carried on with diversity in this book as well. I really liked Lily in this book, her inner fight and thoughts were very interesting to me. The least favorite to me was Fran, Lily’s new mother in law, I found her very unpleasant attention seeker, and I really don’t like such qualities.
Oh, the plot was absolutely fantastic! The author was playing mind games with me every time. When I thought I knew where the events were heading to, she used to throw in a major twist or turn, which left me baffled every time. The wish to find out what was actually going on got me “glued” to this book, and I really didn’t want to put it down. I really liked the way the author was describing all the feelings and thoughts regarding little Denny, all his actions were so cute to read about.
I really enjoyed LV Hay’s writing style, the language used was very understandable and the way she incorporated all these little bits and pieces from character’s pasts, were very enlightening and allowed to get to know the characters even better. The Author left me very pleased with chapter lengths as well, they were short but had very good transitions between the chapters. I really can see the improvement in this author’s work, and I hope she will carry on doing such an amazing job. To conclude, it is a very fast paced and gripping thriller, filled with false leads, mind games and very realistic and amusing characters. I loved it, and I hope you will give this book a go and will enjoy it as much as I did.
Oh, the plot was absolutely fantastic! The author was playing mind games with me every time. When I thought I knew where the events were heading to, she used to throw in a major twist or turn, which left me baffled every time. The wish to find out what was actually going on got me “glued” to this book, and I really didn’t want to put it down. I really liked the way the author was describing all the feelings and thoughts regarding little Denny, all his actions were so cute to read about.
I really enjoyed LV Hay’s writing style, the language used was very understandable and the way she incorporated all these little bits and pieces from character’s pasts, were very enlightening and allowed to get to know the characters even better. The Author left me very pleased with chapter lengths as well, they were short but had very good transitions between the chapters. I really can see the improvement in this author’s work, and I hope she will carry on doing such an amazing job. To conclude, it is a very fast paced and gripping thriller, filled with false leads, mind games and very realistic and amusing characters. I loved it, and I hope you will give this book a go and will enjoy it as much as I did.