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Boundless (The Lost Fleet: Outlands, #1)
7.0
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Admiral John "Black Jack" Geary may have saved the Alliance only to destroy it, in this thrilling...
Merissa (11935 KP) rated A Little Christmas: Sawyer in Books
Dec 19, 2022
A LITTLE CHRISTMAS: SAWYER is a homage to one of the ultimate Christmas movies - Die Hard! In it, we have Sawyer and Holly, two littles who spend most of their time without their Daddies. Holly doesn't have a permanent one yet, and Sawyer's is a marine, so not with him most of the time. That's all well and good until a family with a grievance take everyone at the Christmas party hostage.
This is definitely one of the more action-packed Little Christmases and, to be plain, it felt as though a little of the connection between the MC's was lost in the action. It is also heavier on the BDSM side than the others I have read. Whilst a thrilling read, it appears the caring/nurturing Daddies are the ones that tick more of the boxes for me. The pacing and the story arc were smooth, giving you time to get to know the supporting characters and what role they play.
This was still a great story and a wonderful addition to the series. I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is definitely one of the more action-packed Little Christmases and, to be plain, it felt as though a little of the connection between the MC's was lost in the action. It is also heavier on the BDSM side than the others I have read. Whilst a thrilling read, it appears the caring/nurturing Daddies are the ones that tick more of the boxes for me. The pacing and the story arc were smooth, giving you time to get to know the supporting characters and what role they play.
This was still a great story and a wonderful addition to the series. I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
River Girl
6.0
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A college student thought she was going on an ordinary vacation, but what she found was the most...
Contemporary Romance Action and Adventure
Lyndsey Gollogly (2893 KP) rated The Mark in Books
Jul 21, 2023
95 of 235
Kindle
The Mark
By Lee Mountford
⭐️⭐️⭐️⭐️⭐️
It isn’t the house that’s haunted…
It’s the person.
Kirsty is no stranger to trauma, but when her house is invaded one night, she is left with a strange mark carved into her skin.
And that is when the horrifying ghosts start to appear.
As the experiences grow more frequent—and dangerous—Kirsty must fight for her life and unravel the mystery behind the occult symbol etched into her flesh. This forces her into the terrifying world of the occult, where she learns of a Bible written by the Devil himself.
Can she save her very soul from damnation?
You will love this gripping ghost story, because it ramps up the fear and doesn’t let go until its thrilling climax.
I clearly didn’t learn my lesson from the last Lee Mountford book! So I read this at night in the dark and it truly scared the living daylights out of me. I actually had nightmares it doesn’t help that I one read it in the dark and two have an overactive imagination. It takes a lot for a book to genuinely scare but that creepy shadow and his puppets from under the bed and stair climbers were enough to do it! Ok so bring on the next one!
Kindle
The Mark
By Lee Mountford
⭐️⭐️⭐️⭐️⭐️
It isn’t the house that’s haunted…
It’s the person.
Kirsty is no stranger to trauma, but when her house is invaded one night, she is left with a strange mark carved into her skin.
And that is when the horrifying ghosts start to appear.
As the experiences grow more frequent—and dangerous—Kirsty must fight for her life and unravel the mystery behind the occult symbol etched into her flesh. This forces her into the terrifying world of the occult, where she learns of a Bible written by the Devil himself.
Can she save her very soul from damnation?
You will love this gripping ghost story, because it ramps up the fear and doesn’t let go until its thrilling climax.
I clearly didn’t learn my lesson from the last Lee Mountford book! So I read this at night in the dark and it truly scared the living daylights out of me. I actually had nightmares it doesn’t help that I one read it in the dark and two have an overactive imagination. It takes a lot for a book to genuinely scare but that creepy shadow and his puppets from under the bed and stair climbers were enough to do it! Ok so bring on the next one!
Merissa (11935 KP) rated Flight of the Wren in Books
May 20, 2023
This is one of those books that you pick up and, even though you have read the synopsis, you're still not sure exactly what it is you've let yourself in for.
What I got is a book that I completely immersed myself in. I was lost within Renny's world of school, flying carpets, and first love. I loved the dream meetings she had with Parnell, as well as the Kettle meetings. These characters have a wide range of ages, and as such, it is a well-rounded group that you read about. The struggles that Renny faces are real, but she still manages to find time for love. And let's face it, what 17-year-old girl wouldn't do the same?
However, Flight of the Wren is not all sweetness and light. There is a 'big bad' in the shape of Mistral, an old apprentice of Parnell's. With kidnap, violence, friendship, loyalty, and more, this is one eventful book that will tug at your heartstrings, whilst giving you a thrilling ride. I absolutely loved this book, and can't wait to read Spark. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2016
What I got is a book that I completely immersed myself in. I was lost within Renny's world of school, flying carpets, and first love. I loved the dream meetings she had with Parnell, as well as the Kettle meetings. These characters have a wide range of ages, and as such, it is a well-rounded group that you read about. The struggles that Renny faces are real, but she still manages to find time for love. And let's face it, what 17-year-old girl wouldn't do the same?
However, Flight of the Wren is not all sweetness and light. There is a 'big bad' in the shape of Mistral, an old apprentice of Parnell's. With kidnap, violence, friendship, loyalty, and more, this is one eventful book that will tug at your heartstrings, whilst giving you a thrilling ride. I absolutely loved this book, and can't wait to read Spark. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2016
The Star (Charleston Condors #1)
8.0
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Tight end Landry Banks knows the score when he signs with the Charleston Condors in a rebuilding...
Contemporary MM Sports Romance Best Friend's Little Brother Bisexual Awakening
Terminal Threat (A Leine Basso Thriller #13)
8.0
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A former assassin makes a new start in a small town on the coast of Italy, but puts herself squarely...
Movie Metropolis (309 KP) rated 10 Cloverfield Lane (2016) in Movies
Jun 11, 2019
Somewhat misleading but thrilling nonetheless
It’s best to start off this review as honest as possible. If you’re expecting a fully-fledged sequel or even a prequel to Matt Reeves’ brilliant monster horror, Cloverfield in 10 Cloverfield Lane, you’ll be very disappointed.
But, if you’re expecting a superbly written, well-acted and claustrophobic thriller, then this is definitely the film for you. Dan Trachtenberg, who makes his directorial debut with this feature, has crafted a taut film that has no real connection with the 2008 hit. So is it as good?
10 Cloverfield Lane follows Michelle (Mary Elizabeth Winstead) as she embarks on a new chapter in her life after a break-up. Unfortunately, a car crash leaves her seriously injured and unconscious. After waking up in an underground bunker, she meets her saviour in Howard (John Goodman), and as the story progresses, Michelle and fellow resident Emmett, try to make a bid for freedom.
The performances by the cast of three are terrific with Winstead coming on leaps and bounds since her role in Final Destination 3 and John Goodman is absolutely incredible. Cloverfield utilised its monster very well, but Goodman is more than a match with a simple shaking of his fists – his booming voice and burly frame mean he was a perfect casting choice and a human as psychotic as Howard is infinitely more terrifying to me than any monster.
It’s all very Hitchcockian, claustrophobic and exceptionally tense. Director Dan Trachtenberg has a real eye for the smaller details and the underground bunker setting is the perfect location to craft this kind of film. The use of jagged camera angles and low shots help aid the enclosed feeling and you can’t help but become panicked with Michelle, as she desperately tries to figure out a way to freedom.
After the bloated mess of London Has Fallen and the overlong Allegiant, it’s nice to see a film that doesn’t dwell more than it needs to. At 103 minutes, 10 Cloverfield Lane is relatively short and all the better for it. Despite only having three characters and being confined to a few small rooms for the majority of the running time, it never drags or becomes dull.
Unfortunately, the final third unravels a little of this good work, coming across like the ending to a completely different film; but Trachtenberg’s ideas and reasoning behind the finale are clear throughout, despite the lack of connection to the two acts that preceded it.
Overall, 10 Cloverfield Lane is a smart and well-thought out thriller that is related to Cloverfield in name only. That’s no bad thing, as the film we are left with is one of the best directorial debuts in years, even though its muddled ending leaves somewhat of a sour taste.
https://moviemetropolis.net/2016/03/20/somewhat-misleading-but-thrilling-nonetheless-10-cloverfield-lane-review/
But, if you’re expecting a superbly written, well-acted and claustrophobic thriller, then this is definitely the film for you. Dan Trachtenberg, who makes his directorial debut with this feature, has crafted a taut film that has no real connection with the 2008 hit. So is it as good?
10 Cloverfield Lane follows Michelle (Mary Elizabeth Winstead) as she embarks on a new chapter in her life after a break-up. Unfortunately, a car crash leaves her seriously injured and unconscious. After waking up in an underground bunker, she meets her saviour in Howard (John Goodman), and as the story progresses, Michelle and fellow resident Emmett, try to make a bid for freedom.
The performances by the cast of three are terrific with Winstead coming on leaps and bounds since her role in Final Destination 3 and John Goodman is absolutely incredible. Cloverfield utilised its monster very well, but Goodman is more than a match with a simple shaking of his fists – his booming voice and burly frame mean he was a perfect casting choice and a human as psychotic as Howard is infinitely more terrifying to me than any monster.
It’s all very Hitchcockian, claustrophobic and exceptionally tense. Director Dan Trachtenberg has a real eye for the smaller details and the underground bunker setting is the perfect location to craft this kind of film. The use of jagged camera angles and low shots help aid the enclosed feeling and you can’t help but become panicked with Michelle, as she desperately tries to figure out a way to freedom.
After the bloated mess of London Has Fallen and the overlong Allegiant, it’s nice to see a film that doesn’t dwell more than it needs to. At 103 minutes, 10 Cloverfield Lane is relatively short and all the better for it. Despite only having three characters and being confined to a few small rooms for the majority of the running time, it never drags or becomes dull.
Unfortunately, the final third unravels a little of this good work, coming across like the ending to a completely different film; but Trachtenberg’s ideas and reasoning behind the finale are clear throughout, despite the lack of connection to the two acts that preceded it.
Overall, 10 Cloverfield Lane is a smart and well-thought out thriller that is related to Cloverfield in name only. That’s no bad thing, as the film we are left with is one of the best directorial debuts in years, even though its muddled ending leaves somewhat of a sour taste.
https://moviemetropolis.net/2016/03/20/somewhat-misleading-but-thrilling-nonetheless-10-cloverfield-lane-review/
Emma @ The Movies (1786 KP) rated Queen & Slim (2019) in Movies
Feb 2, 2020
Queen and Slim share a nice, if odd, first date. Driving her home after dinner their night takes a turn as they're pulled over by a police officer. It's clear that he's less than happy, and when he asks Slim to step out of the car with no real reason Queen, as a lawyer, tries to stand for what's right. What happens next leaves them both changed and they need to escape what's coming, but neither are prepared for what it'll lead them to.
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Psychedelic 60s (2 more)
Wacky and surreal
Innovative
Wacky, "failed experiment" in Gonzo Journalism
This is one of my all-time favourite books, written by one of my all-time favourite people and authors. It is a surreal and somewhat insane story based on the real life adventures of Hunter S. Thompson, on his journey to Las Vegas in search of the "American Dream." It is a wacky, drug-fuelled, stream-of-consciousness narrative that is among one of the innovative titles in a form of New Journalism called Gonzo Journalism, accredited to Thompson. It is quite a surreal read, strange and weird but completely thrilling!
Thompson regarded it as a "failed experiment"' in Gonzo Journalism due to the fact it was edited several times before publication. Typically, a Gonzo work would be written by and about the author in the present, sent away without being edited, resulting in a stream-of-consciousness narrative and more personality. Gonzo works are far more revealing, fiction-like and personal than typical works of journalism. Despite the fact it was edited, however, I feel F&L still emulates everything Thompson wanted in a true Gonzo way. He holds nothing back, reveals everything and created a story than could be fiction. It is a drug-fuelled look at the failure of the American Dream, an astute analysis of Thompson's society and a weird book that will stay with you forever.
Thompson regarded it as a "failed experiment"' in Gonzo Journalism due to the fact it was edited several times before publication. Typically, a Gonzo work would be written by and about the author in the present, sent away without being edited, resulting in a stream-of-consciousness narrative and more personality. Gonzo works are far more revealing, fiction-like and personal than typical works of journalism. Despite the fact it was edited, however, I feel F&L still emulates everything Thompson wanted in a true Gonzo way. He holds nothing back, reveals everything and created a story than could be fiction. It is a drug-fuelled look at the failure of the American Dream, an astute analysis of Thompson's society and a weird book that will stay with you forever.