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Lee (2222 KP) rated Triangle (2009) in Movies
Jun 20, 2018 (Updated Jun 20, 2018)
A truly mind bending, thrilling horror
After the disappointment of Hereditary last week, and it's failure to live up to the hype of being both unsettling and memorable, I decided to revisit a movie which did manage to tick both of those boxes for me. I don’t usually get affected by movies as much as I did with Triangle - it really unsettled me for a good few days after originally seeing it on release, and even now it still holds up as just a really great movie.
Melissa George is a fantastic actress and she is just on top form here, playing a single mother of an autistic boy. She goes on a yacht trip with a group of people but a freak storm capsizes the boat. Spotting an abandoned cruise ship, they manage to make it on board where they are hunted by a mysterious hooded attacker. But the attacker seems vaguely familiar…
Triangle is like a more nightmarish version of Groundhog Day as Jess (Melissa George) loops back on herself and begins to discover that everything that's happened before has happened many, many times already and will continue to do so unless she can somehow break the cycle. Highlighting the number of times this story has already looped are some genuinely creepy scenes – the most effective and unsettling for me was where one of the seriously wounded characters staggers out on deck only to discover multiple versions of herself from previous loops, most of them dead but some still barely alive.
The movie has a great ending and immediately gets you thinking of the opening scenes of the movie and how they all connect. It twists your mind and repeat viewings definitely make it more enjoyable. And, if you feel like giving your brain an extra workout, there's plenty of in-depth analysis and theories about the movie out there on the internet too!
Melissa George is a fantastic actress and she is just on top form here, playing a single mother of an autistic boy. She goes on a yacht trip with a group of people but a freak storm capsizes the boat. Spotting an abandoned cruise ship, they manage to make it on board where they are hunted by a mysterious hooded attacker. But the attacker seems vaguely familiar…
Triangle is like a more nightmarish version of Groundhog Day as Jess (Melissa George) loops back on herself and begins to discover that everything that's happened before has happened many, many times already and will continue to do so unless she can somehow break the cycle. Highlighting the number of times this story has already looped are some genuinely creepy scenes – the most effective and unsettling for me was where one of the seriously wounded characters staggers out on deck only to discover multiple versions of herself from previous loops, most of them dead but some still barely alive.
The movie has a great ending and immediately gets you thinking of the opening scenes of the movie and how they all connect. It twists your mind and repeat viewings definitely make it more enjoyable. And, if you feel like giving your brain an extra workout, there's plenty of in-depth analysis and theories about the movie out there on the internet too!
Ross (3284 KP) rated Death March (Euphoria Online Book 1) in Books
Nov 19, 2018
Thrilling, compelling LitRPG
I am a massive fan of Phil Tucker's Chronicles of the Black Gate series and was intrigued at this venture, largely funded by kickstarter.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.
Watchman (19 KP) rated Bumblebee (2018) in Movies
Jan 5, 2019 (Updated Jan 9, 2019)
Great soundtrack (2 more)
Central performance
Exciting action
Worthy of a positive buzz!
With Michael Bay handing over the directing reins after 5 movies, this franchise looked to be heading to the scrap yard. Convoluted and overlong, the franchise had become bloated and boring.
Step in everyones favourite Autobot, Travis Knight behind the camera (re: the brill Kubo and the two strings), a timeshift to the 80s, and some genuine heart, and there's suddenly 'more than meets the eye' to Transformers again.
With Spielberg on producing duties, there's an ET, ShortCircuit, feel about a young girl (the ever excellent Hailee Steinfeld) trying to cope with the aftermath of the death of her dad, and finding a way with our Bombus from out of space.
After a thrilling action set up involving B-127 (our robot hero) being sent to Earth to form a base for the Autobots, and with 2 Decepticons in hot pursuit, a particually nasty fight ensues (resulting in bumblebees lost voicebox) leaving him battered and bruised, and we settle into what is essentially a heartfelt story of a mourning girl on her birthday and her newly discovered robot. Whilst this could have become cloying, it's handled with a real love of the material, and placing it in the 80s, gives it a great throwback feel (we even have the mean girls at school, a 'Higher Love' song montage, and some fantastic coastal vistas)
The support cast is ok, whilst John Cena flexes his comedic muscle as a soldier on the hunt of our hero.
The action is realised with real excitement, there are plenty of 'I remember those' moments, and the soundtrack wins through. But the real winner is the bond between Charlie and Bumblebee, which is more emotive than a rebel teen and a junkyard VW has any right to be.
Enjoyable and highly recommended. Roll on Bumblebee. You deserve the buzz.
Step in everyones favourite Autobot, Travis Knight behind the camera (re: the brill Kubo and the two strings), a timeshift to the 80s, and some genuine heart, and there's suddenly 'more than meets the eye' to Transformers again.
With Spielberg on producing duties, there's an ET, ShortCircuit, feel about a young girl (the ever excellent Hailee Steinfeld) trying to cope with the aftermath of the death of her dad, and finding a way with our Bombus from out of space.
After a thrilling action set up involving B-127 (our robot hero) being sent to Earth to form a base for the Autobots, and with 2 Decepticons in hot pursuit, a particually nasty fight ensues (resulting in bumblebees lost voicebox) leaving him battered and bruised, and we settle into what is essentially a heartfelt story of a mourning girl on her birthday and her newly discovered robot. Whilst this could have become cloying, it's handled with a real love of the material, and placing it in the 80s, gives it a great throwback feel (we even have the mean girls at school, a 'Higher Love' song montage, and some fantastic coastal vistas)
The support cast is ok, whilst John Cena flexes his comedic muscle as a soldier on the hunt of our hero.
The action is realised with real excitement, there are plenty of 'I remember those' moments, and the soundtrack wins through. But the real winner is the bond between Charlie and Bumblebee, which is more emotive than a rebel teen and a junkyard VW has any right to be.
Enjoyable and highly recommended. Roll on Bumblebee. You deserve the buzz.
Little Ray Of Sunshine (41 KP) rated The Protector in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | The Protector by Jodi Ellen Malpas
I love Jodi Ellen Malpas books I've read This man trilogy 3 months ago here is the book review for this here http://bit.ly/2fv5RN0.
Wow, what can I say this book is worth the purchase ;)
The story is about a beautiful spoiled daddy's girl Camille Logan but there is more to meet the eye she wants her life free from her dad's money and she wants to be more independent and earn her own money. Her father is a businessman but he gets himself into some dodgy dealing and starts having enemies around him. Her father Trevor Logan receives a blackmailing letter if he doesn't do what they say they would kidnap his daughter. So Logan hires a bodyguard for Camille and his an ex-SAS sniper Jake Sharp. Wow, his everything women wish for tall dark haired and built like a god ;). Camille doesn't like that she as to have him around everywhere she goes but she can deny the attraction she gets from him.
But Jake Sharp as his own personal problems from his past what are still running through his mind and he can jeopardise his job by letting his guard down and let Camille in body and soul ;) but Jake didn't really expect her to be warm and independent as he feels she will be a spoiled daddy's girl but soon he realise what she really likes and he can stop his feelings for her but women and Jake don't mix well but he soon realise that she not like other women he's slept with.
I really love this book it really gripped with the chemistry between Camille and Jake but I love how Jodi Ellen Malpas brings in the thrilling story and you questioning through the book who wants to harm Trevor and his daughter Camille.
Its worth every penny I hope there is a second book because their stories as grabbed me and I want more :)
Thank you for writing this book Jodi x
Wow, what can I say this book is worth the purchase ;)
The story is about a beautiful spoiled daddy's girl Camille Logan but there is more to meet the eye she wants her life free from her dad's money and she wants to be more independent and earn her own money. Her father is a businessman but he gets himself into some dodgy dealing and starts having enemies around him. Her father Trevor Logan receives a blackmailing letter if he doesn't do what they say they would kidnap his daughter. So Logan hires a bodyguard for Camille and his an ex-SAS sniper Jake Sharp. Wow, his everything women wish for tall dark haired and built like a god ;). Camille doesn't like that she as to have him around everywhere she goes but she can deny the attraction she gets from him.
But Jake Sharp as his own personal problems from his past what are still running through his mind and he can jeopardise his job by letting his guard down and let Camille in body and soul ;) but Jake didn't really expect her to be warm and independent as he feels she will be a spoiled daddy's girl but soon he realise what she really likes and he can stop his feelings for her but women and Jake don't mix well but he soon realise that she not like other women he's slept with.
I really love this book it really gripped with the chemistry between Camille and Jake but I love how Jodi Ellen Malpas brings in the thrilling story and you questioning through the book who wants to harm Trevor and his daughter Camille.
Its worth every penny I hope there is a second book because their stories as grabbed me and I want more :)
Thank you for writing this book Jodi x
LeftSideCut (3778 KP) rated Cloverfield (2008) in Movies
Aug 13, 2019 (Updated Aug 19, 2019)
Cloverfield is a rare beast - it's a genuinely quality movie experience, but another aspect that truly sets it apart is it's infamous marketing, which I'll talk about first.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
Gareth von Kallenbach (980 KP) rated Orphan (2009) in Movies
Aug 9, 2019
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
Ross (3284 KP) rated Awaken Online: Precipice in Books
Jan 14, 2019
Fantastic follow-up LitRPG
Jason continues his playing of Awaken Online, the massive multiplayer online RPG. Now the ruler of a city of zombies, he has more concerns than simply levelling up his skills and getting new loot.
I was worried this change in fortunes might lead to a more boring, admin-focused book (much like what happened with Phil Tucker's Euphoria Online). Thankfully this is not the case, as Jason hits on a way to keep his undead population count up, but also have some fun, by venturing into some unexplored dungeons.
He does this with his real-world friends Frank and Riley, which adds a different element to the action, as he can use and rely on other people and their skills added into the mix make for a much more interesting sequence of conflicts.
We are treated to a number of large-scale battles on the way to the dungeon, and within it. The way Jason's strategy is worked out and implemented make it a truly immersive, thrilling read.
As with the first book, the start of each chapter contains an excerpt of someone else's view, either the game developers, or other players. This adds context to Jason's story and allows you to see consequences and foresee some issues.
As well as this, we see Jason in the real world, though less than in the first book. There are moments where decisions made in-game have real world consequences, either impacting friendships or leading to nastiness and bullying.
The fact that Jason decides to become "the villain" is a little hard to take, as apart from the very early stages, all of his decisions have been made out of him trying to do the right thing for himself/others and this is even more the case in this book.
Aside from a few grammer crimes, continuity errors and head-scratching game mechanics, this was a very enjoyable exciting read.
I was worried this change in fortunes might lead to a more boring, admin-focused book (much like what happened with Phil Tucker's Euphoria Online). Thankfully this is not the case, as Jason hits on a way to keep his undead population count up, but also have some fun, by venturing into some unexplored dungeons.
He does this with his real-world friends Frank and Riley, which adds a different element to the action, as he can use and rely on other people and their skills added into the mix make for a much more interesting sequence of conflicts.
We are treated to a number of large-scale battles on the way to the dungeon, and within it. The way Jason's strategy is worked out and implemented make it a truly immersive, thrilling read.
As with the first book, the start of each chapter contains an excerpt of someone else's view, either the game developers, or other players. This adds context to Jason's story and allows you to see consequences and foresee some issues.
As well as this, we see Jason in the real world, though less than in the first book. There are moments where decisions made in-game have real world consequences, either impacting friendships or leading to nastiness and bullying.
The fact that Jason decides to become "the villain" is a little hard to take, as apart from the very early stages, all of his decisions have been made out of him trying to do the right thing for himself/others and this is even more the case in this book.
Aside from a few grammer crimes, continuity errors and head-scratching game mechanics, this was a very enjoyable exciting read.
Phil Leader (619 KP) rated Adrianna's Surge in Books
Nov 8, 2019
Starting out as the story of Jayden, rescued from a life on the streets by a mysterious benefactor and enrolled into an advanced (and secretive) school, the Sanctum series has gone from strength to strength, and the fifth installment is no exception.
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
TacoDave (3643 KP) rated The Good Liar (2019) in Movies
Nov 12, 2019
Acting (2 more)
Actors
Story
Unexpected violence (2 more)
Unexpected adult themes
One random scene of nudity for no reason
A Good-ish Thriller
I had the pleasure of attending the premiere of "The Good Liar" on November 6 in New York City. (I won a sweepstakes to attend.) I was already interested in seeing the movie, but getting to watch it in a theater full of the people who made the movie was thrilling.
"The Good Liar" is the story of two people in their 70's who meet on a dating app. The man, played by Sir Ian McKellen, is clearly a con man. We get to see him interact with the woman - a fantastic Dame Helen Mirren - with a certain old man, kind hound-dog attitude, then immediately leave the room and work on a scam to steal thousands of pounds from unlucky rubes.
It seems, at face value, that he is indeed a good liar. But things are not always clear cut in a game of shells, and although we don't know what Helen Mirren's character is doing, it starts to become clear that she hasn't been completely honest about herself...
I won't spoil anything else in the plot: this is the kind of movie that unravels slowly as it builds with twists and turns. You should go into it with no more knowledge than what I've posted above.
If that was it - if the whole movie was a fun cat-and-mouse game between two phenomenal actors - I would have given it a higher score. But the movie also has a dark underbelly that surprised me and turned me off a bit. There is one gratuitous shot of nudity at the beginning of the film that makes little narrative sense and feels shoehorned in. There are a few moments of unexpected, brutal violence. And the reveal at the end relates to adult themes that left me feeling unsettled when the movie ended.
In short, I liked the movie quite a lot, but I wouldn't recommend it to my mom.
"The Good Liar" is the story of two people in their 70's who meet on a dating app. The man, played by Sir Ian McKellen, is clearly a con man. We get to see him interact with the woman - a fantastic Dame Helen Mirren - with a certain old man, kind hound-dog attitude, then immediately leave the room and work on a scam to steal thousands of pounds from unlucky rubes.
It seems, at face value, that he is indeed a good liar. But things are not always clear cut in a game of shells, and although we don't know what Helen Mirren's character is doing, it starts to become clear that she hasn't been completely honest about herself...
I won't spoil anything else in the plot: this is the kind of movie that unravels slowly as it builds with twists and turns. You should go into it with no more knowledge than what I've posted above.
If that was it - if the whole movie was a fun cat-and-mouse game between two phenomenal actors - I would have given it a higher score. But the movie also has a dark underbelly that surprised me and turned me off a bit. There is one gratuitous shot of nudity at the beginning of the film that makes little narrative sense and feels shoehorned in. There are a few moments of unexpected, brutal violence. And the reveal at the end relates to adult themes that left me feeling unsettled when the movie ended.
In short, I liked the movie quite a lot, but I wouldn't recommend it to my mom.
Sarah (7798 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 26, 2019
Great watch
I've always been a bit of a car person (or at least I like driving fast...) and it was watching Rush at the cinema back in 2013 that really got me into racing films, and is also probably to blame for my F1 interests. Le Mans '66 appealed to me exactly for these reasons and it really is a great film, and not just for the racing.
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
Sarah (7798 KP) Jun 20, 2018
Chrissie-ann (78 KP) Jun 20, 2018